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An Investigation of Jandek's
THEMATIC INTERCONNECTIVITY AS AN INNATE MUSICAL QUALITY: AN INVESTIGATION OF JANDEK’S “EUROPEAN JEWEL” GUITAR RIFFS NICOLE A MARCHESSEAU A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MAY 2014 © NICOLE A MARCHESSEAU, 2014 Abstract This dissertation is divided into two main areas. The first of these explores Jandek-related discourse and contextualizes the project. Also discussed is the interconnectivity that runs through the project through the self-citation of various lyrical, visual, and musical themes. The second main component of this dissertation explores one of these musical themes in detail: the guitar riffs heard in the “European Jewel” song-set and the transmigration/migration of the riff material used in the song to other non-“European Jewel” tracks. Jandek is often described in related discourse as an “outsider musician.” A significant point of discussion in the first area of this dissertation is the outsider music genre as it relates to Jandek. In part, this dissertation responds to an article by Martin James and Mitzi Waltz which was printed in the periodical Popular Music where it was suggested that the marketing of a musician as an outsider risks diminishing the “innate qualities” of the so-called outsider musicians’ works.1 While the outsider label is in itself problematic—this is discussed at length in Chapter Two—the analysis which comprises the second half of this dissertation delves into self- citation and thematic interconnection as innate qualities within the project. -
Literature in Translation Sampler
LITERATURE IN TRANSLATION SAMPLER Fall 2019 www.academicstudiespress.com CONTENTS Farewell, Aylis: A Non-Traditional Novel in Three Works Akram Aylisli | Translated by Katherine E. Young Night and Day Abdulhamid Sulaymon o’g’li Cho’lpon | Translated by Christopher Fort Beyond Tula: A Soviet Pastoral Andrei Egunov-Nikolev| Translated by Ainsley Morse Russian Cuisine in Exile Alexander Genis & Pyotr Vail | Translated by Angela Brintlinger & Thomas Feerick Where There is Danger Luba Jurgenson | Translated by Meredith Sopher 21: Russian Short Prose from an Odd Century Edited by Mark Lipovetsky The Raskin Family: A Novel Dmitry Stonov | Translated by Konstantin Gurevich & Helen Anderson With a foreword and afterword by Leonid Stonov www.academicstudiespress.com Copyrighted material. Do not duplicate. Farewell, Aylis A Non-Traditional Novel in Three Works A K R A M A Y L I S L I T r a n s l a t e d b y K A T H E R I N E E . Y O U N G Edited by REBECCA RUTH GOULD Copyrighted material. Do not duplicate. Translation of this manuscript was funded by a 2017 Translation Fellowship from the National Endowment for the Arts. Library of Congress Cataloging-in-Publication Data Names: Əylisli, Əkrəm, author. | Young, Katherine E. (Poet), translator. | Container of (expression): Əylisli, Əkrəm. Yəmən. English. | Container of (expression): Əylisli, Əkrəm. Daş yuxular. English. | Container of (expression): Əylisli, Əkrəm. Möhtəşəm tıxac. English. Title: Farewell, Aylis: a non-traditional novel in three works / by Akram Aylisli; translated from the Russian by Katherine E. Young. Description: Brighton, MA: Academic Studies Press, 2018. -
Songs in the Key of Z
covers complete.qxd 7/15/08 9:02 AM Page 1 MUSIC The first book ever about a mutant strain ofZ Songs in theKey of twisted pop that’s so wrong, it’s right! “Iconoclast/upstart Irwin Chusid has written a meticulously researched and passionate cry shedding long-overdue light upon some of the guiltiest musical innocents of the twentieth century. An indispensable classic that defines the indefinable.” –John Zorn “Chusid takes us through the musical looking glass to the other side of the bizarro universe, where pop spelled back- wards is . pop? A fascinating collection of wilder cards and beyond-avant talents.” –Lenny Kaye Irwin Chusid “This book is filled with memorable characters and their preposterous-but-true stories. As a musicologist, essayist, and humorist, Irwin Chusid gives good value for your enter- tainment dollar.” –Marshall Crenshaw Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality. This book profiles dozens of outsider musicians, both prominent and obscure, and presents their strange life stories along with photographs, interviews, cartoons, and discographies. Irwin Chusid is a record producer, radio personality, journalist, and music historian. He hosts the Incorrect Music Hour on WFMU; he has produced dozens of records and concerts; and he has written for The New York Times, Pulse, New York Press, and many other publications. $18.95 (CAN $20.95) ISBN 978-1-55652-372-4 51895 9 781556 523724 SONGS IN THE KEY OF Z Songs in the Key of Z THE CURIOUS UNIVERSE OF O U T S I D E R MUSIC ¥ Irwin Chusid Library of Congress Cataloging-in-Publication Data Chusid, Irwin. -
Raw Thought Raw Nerve Inside the Mind of Aaron Swartz
RAW THOUGHT RAW NERVE INSIDE THE MIND OF AARON SWARTZ NOT-FOR-PROFIT — THIRD EDITION DISCOVERY PUBLISHER Book Content: Copyright © Aaron Swartz, under BY-NC-SA 4.0 license as stated by Dr Sean B. Palmer. First Edition: 2014, Discovery Publisher Second Edition: July 2016, Discovery Publisher Third Edition: October 2016, Discovery Publisher Author : Aaron Swartz Editor in Chief: Adriano Lucca Discovery Publisher 616 Corporate Way, Suite 2-4933 Valley Cottage, New York, 10989 www.discoverypublisher.com [email protected] facebook.com/DiscoveryPublisher twitter.com/DiscoveryPB New York • Tokyo • Paris • Hong Kong ABOUT THIS EDITION In October 2014, Discovery Publisher released Raw Thought, Raw Nerve: Inside the Mind of Aaron Swartz. It was then the first publication introducing Aaron Swartz’s lifetime work —see Page 3 for details. In August 2015, the publishing company The New Press, claiming to have legally obtained exclusive copyright from Aaron’s legal IP owner —Dr. Sean B. Palmer— took unlawful steps to shutdown our publication; shortly thereafter, The New Press published a scaled-down version of Raw Thought, Raw Nerve. A similar action was performed shorlty after the release of our second edition. In an article titled “If I get hit by a truck...”, Aaron stated “If I get hit by a truck [...] the contents of all my hard drives [should] be made publicly available”. It should be noted that in all articles published by Aaron on his blog, he never claimed to be against commercial publishing. Aaron was, however, against abusive or restrictive copyright. As such, when the first edition of this book was released, we did not claim exclusive copyright.