George L. Cochran, O.P. Poetry Collection
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HEANEY, SEAMUS, 1939-2013. Seamus Heaney Papers, 1951-2004
HEANEY, SEAMUS, 1939-2013. Seamus Heaney papers, 1951-2004 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Heaney, Seamus, 1939-2013. Title: Seamus Heaney papers, 1951-2004 Call Number: Manuscript Collection No. 960 Extent: 49.5 linear feet (100 boxes), 3 oversized papers boxes (OP), and AV Masters: 1 linear foot (2 boxes) Abstract: Personal papers of Irish poet Seamus Heaney consisting mostly of correspondence, as well as some literary manuscripts, printed material, subject files, photographs, audiovisual material, and personal papers from 1951-2004. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. -
Information to Users
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Accessing■i the World's UMI Information since 1938 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA Order Number 882462 James Wright’s poetry of intimacy Terman, Philip S., Ph.D. The Ohio State University, 1988 Copyright ©1988 by Terman, Philip S. All rights reserved. UMI 300 N. Zeeb Rd. Ann Arbor, M I 48106 JAMES WRIGHT'S POETRY OF INTIMACY DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of the Ohio State University By Philip S. -
Culture and Humor in Postwar American Poetry
Palacký University, Olomouc Culture and Humor in Postwar American Poetry Jiří Flajšar Olomouc 2014 Reviewers: doc. Mgr. Jakub Guziur, Ph.D. Mgr. Vladimíra Fonfárová “The research and publication of this book was in the years 2012–2014 financed by the Faculty of Arts, Palacký University, Olomouc from the Fund for the Research Advancement.” All rights reserved. No part of this publication may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, now known or hereafter invented, without written permission by the copyright holder. © Jiří Flajšar, 2014 © Palacký University, Olomouc, 2014 First Edition ISBN 978-80-244-4158-0 This book is dedicated to my family. Contents Introduction 7 Crisis or Not: On the Situation of American Poetry and Its Audience 17 Humor as a Method in Postwar American Culture Poetry 33 Allen Ginsberg: Odyssey in the American Supermarket 43 Kenneth Koch: The Poet as Serious Comic 63 “Reality U.S.A.”: The Poetry of Mark Halliday 81 R.S. Gwynn: The New Formalist Shops at the Mall 107 Campbell McGrath: The Poet as a Representative Product of American Culture 127 Tony Hoagland: The Poetry of Ironic Self-Deprecation 185 Billy Collins: The Genteel Commentator 207 Culture, Identity, and Humor in Contemporary Chinese-American Poetry 215 Bibliography 227 Index 247 Introduction The United States themselves are essentially the greatest poem. —Walt Whitman Something we were withholding made us weak Until we found out that it was ourselves We were withholding from our land of living —Robert Frost What counted was mythology of the self, Blotched out beyond unblotching. -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
Cambridge University Press 978-1-107-18014-7 — Seamus Heaney in Context Edited by Geraldine Higgins Index More Information
Cambridge University Press 978-1-107-18014-7 — Seamus Heaney in Context Edited by Geraldine Higgins Index More Information Index Abbey Theatre, , Balkans, Adams, Gerry, Bantock, G. H., Aeschylus, Barańczak, Stanislaw, , , Agamemnon, Batten, Guinn, – afterlife, , , , , , BBC Northern Ireland, , aisling (dream-vision poem), , , , – Heaney archive, , Allen, Donald, New American Poetry –, BBC Schools Service, Explorations, , , Allen, Michael, Beckett, Samuel, , alliteration, , , , Beecroft, Alexander, Alvarez generation, Belfast, , , , , Alvarez, Al, , –, Belfast Group, , , –, , gentility principle, Bell, Sam Hanna, New Poetry, The, –, Benjamin, Walter, ‘Critique of Violence’, – ‘Beyond the Gentility Principle’, Berkeley, University of California, –, Amis, Kingsley, –, –, Amnesty International, , , Bancroft Library archive, , Republic of Conscience Award, Bishop, Elizabeth, , , , , , Anahorish School, Blake, William, , Anglo-Irish Revival, Blandiana, Ana, Aristotle, Poetics, Bloody Friday, Armitage, Simon, Bloody Sunday, , Sir Gawain and the Green Knight, – Bloom, Harold, , Armstrong, Sean, Modern Critical Views: Seamus Heaney, Arnold, Matthew, , , , , Bly, Robert, –, ‘Dover Beach’, Silence in the Snowy Fields, Attic Press, ‘Teeth-Mother Naked at Last, The’, Auden, W. H., , , , , , , Bockhampton, , ‘In Memory of W. B. Yeats’, , , bog bodies, , , , , , , ‘Shield of Achilles, The’, bog poems, , , , , , , , , ‘Spain ’, –, , – auditory imagination, , –, –, –, bogland, – , Bogside, battle of, -
Echi Classici Nell'opera Di Seamus Heaney
UNIVERSITA’ DEGLI STUDI DI PARMA Dottorato di ricerca in Filologia Greca e Latina (e fortuna dei classici) Ciclo XXVIII L’Orfeo d’Irlanda: echi classici nell’opera di Seamus Heaney Coordinatore: Chiar.mo Prof. Giuseppe Gilberto Biondi Tutor: Chiar.ma Prof. ssa Mariella Bonvicini Dottoranda: Lidia Sessi Indice Introduzione p. 2 Capitolo I: La tradizione classica in Irlanda p. 7 Capitolo II: In difesa della poesia p. 56 Capitolo III: L'Orestea d'Irlanda p. 97 Capitolo IV: Il rito della sepoltura tra Grecia classica e Irlanda moderna p. 146 Capitolo V: Vergilius redivivus p. 190 Appendice p. 253 1 Introduzione In considerazione del notevole numero di studi sull'opera di Heaney, pare opportuno che ogni nuovo lavoro dichiari la propria raison d'être. In altre parole, sembra necessario precisare quale contributo si presuma di offrire alla comprensione del percorso poetico di Heaney, anche in rapporto alle monografie e ai saggi esistenti. È il poeta stesso a indicare la chiave di lettura che meglio consente di cogliere il senso profondo della sua ricerca estetica ed etica. Nel componimento “Out of the Bag” il narratore richiama l'attenzione su “the cure / By poetry that cannot be coerced”1. Riassumendo in questo verso le qualità fondamentali dell'arte poetica, Heaney mette in luce i tratti distintivi della sua produzione, sempre alla ricerca, fin dalle prime prestazioni, di una mediazione fra le pressioni socio-politiche del mondo esterno e la volontà di mantenere intatto il potere terapeutico del medium poetico. Lo scopo di questa ricerca è quello di affrontare la lettura, o rilettura, delle poesie di Heaney, come egli stesso suggerisce in “Squarings XXXVII”: “Talking about it isn't good enough / But quoting from it at least demonstrates / The virtue of an art that knows its mind”2. -
Lot 1 the United Irishmen and Their Times by Robert R. Madden. 7 Individual Volumes from Different Editions 1843 On
Purcell Auctioneers - Auction Of A Collection Of Irish Historical Interest Books To Include Books From Eyrefield Lodge Stud (Co Kildare) And The John Nagle GAA Book Collection - Starts 17 Feb 2021 Lot 1 The United Irishmen and their Times by Robert R. Madden. 7 individual volumes from different editions 1843 on. Some plates, one attractive leather binding. Sold as a lot Estimate: 30 - 60 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 2 A Nest of Simple Folk, 1937; and A Purse of Coppers. 1937 by Sean O’Faolain, first editions and others similar including Guests of the Nation by Frank O’Connor, 1937 first edition. 15 books Estimate: 40 - 80 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 3 Music – musicians. 26 books on individual musicians, including Strauss, Bruckner, Bartock, Vaughan Williams, Montiverdi, Mozart, Beethoven, Handel, Hayden, Bach, Schubert, Brahms, Dvorak, Elgar, Chopin, Palestrina, and Wagner, and a few more modern autobiographies. 1940s to 1960s, all cloth bound, almost all in dust jackets. A good collection Estimate: 40 - 80 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 4 Music – History. 14 books on the history of classical music and musical instruments (organ & piano), 1940s to 1960s. All cloth bound, all but 3 in dust jackets. Useful collection Estimate: 30 - 60 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 5 Music – musicians. -
Introduction
Introduction Autor(en): Rehder, Robert / Vincent, Patrick Objekttyp: Preface Zeitschrift: SPELL : Swiss papers in English language and literature Band (Jahr): 18 (2006) PDF erstellt am: 27.09.2021 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Introduction Where are you, Walt? The Open Road goes to the used-car lot* A. Whitman's place in the history of American poetry is unlike that of any other poet and this can be said to distinguish American poetry from all other poetries. American poets after Whitman have had to come to terms with him, one way or another. He is an immovable object and irresistible force, unavoidably in the way. -
Volume 2, Issue 1, Bealtaine 2003
TRISKELE A newsletter of UWM’s Center for Celtic Studies Volume 2, Issue 1 Bealtaine, 2003 Fáilte! Croeso! Mannbet! Kroesan! Welcome! Tá an teanga beo i Milwaukee! The language lives in Milwaukee! UWM has the distinction of being one of a small handful of colleges in North America offering a full program on the Irish language (Gaelic). The tradition began some thirty years ago with the innovative work of the late Professor Janet Dunleavy and her husband Gareth. Today we offer four semesters in conversational Gaelic along with complementary courses in literature and culture and a very popular Study Abroad program in the Donegal Gaeltacht. The study and appreciation of this richest and oldest of European vernacular languages has become one of the strengths and cornerstones of our Celtic Studies program. The Milwaukee community also has a long history of activism in support of Irish language preservation. Jeremiah Curtin, noted linguist and diplomat and the first Milwaukeean to attend Harvard, made it his business to learn Irish among the Irish Gaelic community of Boston. As an ethnographer working for the Smithsonian Institute, he was one of the first collectors of Irish folklore to use the spoken tongue of the people rather than the Hiberno-English used by the likes of William Butler Yeats and Lady Gregory. Jeremiah Quinn, who left Ireland as a young man, capped a lifelong local commitment to Irish language and culture when in 1906, at the Pabst Theatre, he introduced Dr. Douglas Hyde to a capacity crowd, including the Governor, Archbishop, and other dignitaries. Hyde, one of the founders of the Gaelic League that was organized to halt the decline of the language, went on to become the first president of Ireland in 1937. -
M^Jwaww* Department of Parks ^ City of New York Trtf Arsenal, Central Park I VI
524 3/21/68 Plans for St. Janes Golden Age Center Revealed 525 3/21/68 Press Memorandum: Park Department Heroes Set Awards from Heckscher 526 3/22/68 Dyefcman House Closed for Refurbishing 527 3/25/68 Heoksoher Gives Awards to Park Department Heroes 528 3/26/68 Diane Wolkstein Storytelling 529 3/26/68 City Golf Course Opens Saturday 530 3/26/68 Schedule of Speoial Danoe Performances for Pre-Sohool Children and Parents 531 3/27/68 Soap Box Entrants to Visit the International Auto Show 532 3/28/68 Circus Comes to Central Park 533 3/28/68 Press Memrandum: Lindsay, Heoksoher Open New Playground 534 3/28/68 Buffalo Bill born to Mary and Louie Buffalo 535 4/5/68 Third Annual Brooklyn Kite Plying Contest 536 3/28/68 First Bike Train Heads for Southampton on May 5th 537 3/29/68 Danoe Classes to be Held 538 3/29/68 Award Contract to Install Portable Swimming Pools 539 3/29/68 Bioyole Demonstration 540 4/1/68 Lindsay, Heoksoher Open Jointly Operated Playground P$£tbb 541 4/8/68 Egg Rolling Contest } 542 4/11/68 Commissioner Heoksoher Leads Hike through Indian Territory on April 20th 543 4/11/68 Wave Hill Nature Walks 544 4/11/68 Parks Department Initiates Jogging Programs 545 4/12/68 Alfred E. Smith Creative Arts Workshop to Hold Exhibit 546 4/12/68 Three Baby Raccoons at Central Park Zoo 547 548 4/17/68 Commissioner Heoksoher Leads Hike through Indian Territory on April 20th (AMENDED) 549 550 4/22/68 New Sculpture to be Installed at 59th Street and Fifth Avenue M^jwaww* Department of Parks ^ City of New York TrtF Arsenal, Central Park I VI UPON RECEIPT PLANS FOR ST. -
Sweeney Astray and the Notebook Draft Seamus Hean
The Politics of Metaphor in Heaney’s Sweeney Astray I. Heaney’s Sweeney: Sweeney Astray and the notebook draft Seamus Heaney began translating the Middle Irish romance Buile Suibhne after moving south to Wicklow to work on his poetry full-time, in the summer of 1972.1 Forty or so pages into the notebook in which the project was first drafted, along the top of a page of miscellaneous notes, Heaney wrote in sprawling, green-ink capitals: LEFT ULSTER MYSELF / ALLEGORY. 2 These words lend credence to the commonly-held view, partly promulgated by Heaney himself, that the story’s protagonist – Suibhne, a king of Ulster driven mad during battle and transformed into a bird, who travels throughout Ireland reciting verses about his plight – first appealed to Heaney as an alter ego of sorts. Which elements of Suibhne’s case most struck a chord, however, is debatable. Sweeney’s defiant reappearance in the ‘Sweeney Redivivus’ section of Station Island the year after Heaney’s ‘version from the Irish’, Sweeney Astray, was published in 1983, suggests that the figure appealed to Heaney as a symbol of release from social and political obligations. Heaney’s claim in an interview of 2002 that Sweeney Astray came about because he ‘wanted an excuse to write about rain, wet, woods and trees’ points, further, to a desire to frame his translation of Buile Suibhne as not only the story of a figure freed from political ties, but itself a retreat from politics.3 Much in Heaney’s early draft, however, and his running commentary on it, suggests an urge to contribute to wider political debate, and consider the political implications of writing poetry. -
American Poetry Review Records Ms
American Poetry Review records Ms. Coll. 349 Finding aid prepared by Maggie Kruesi. Last updated on June 23, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2001 American Poetry Review records Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 7 Controlled Access Headings..........................................................................................................................8 Other Finding Aids........................................................................................................................................9 Collection Inventory.................................................................................................................................... 10 Correspondence......................................................................................................................................10 APR Events and Projects.....................................................................................................................