Artadventures Katalog No 13
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Documenting Acousmatic Music Interpretation: a Developmental Framework Based on Cross Self-Confrontations
Documenting acousmatic music interpretation: A developmental framework based on cross self-confrontations Guillaume Boutard Université de Montréal - École de bibliothéconomie et des sciences de l'information Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT) François-Xavier Féron Sciences et Technologies de la Musique et du Son (STMS) - CNRS, Ircam, Sorbonne Université, Ministère de la culture (Paris, France) Published in the International Journal of Performance Arts and Digital Media : https://dx.doi.org/10.1080/14794713.2020.1864712 Abstract The investigation of acousmatic music interpretation as a distinct activity from composition calls for the investigation of appropriate documentation frameworks. This paper investigates the relevance of cross self-confrontations to capture all dimensions of interpretation of acousmatic music from a dialogical and developmental perspective. This study is the second phase of the project Interpretation Spatiale des Musiques Electroacoustiques (ISME), following a theoretical investigation of acousmatic music interpretation. It is based on the automated re-enactment of several performances conducted during an acousmatic interpretation workshop and masterclass at LaBRI- SCRIME in 2015. The analysis presents the practical and theoretical relevance of the framework in relation to the dimensions of acousmatic interpretations conceptualized during the first phase of the project based on semi-structured interviews. Keywords Acousmatic music; Interpretation; Sound Projection; Documentation framework; Cross Self-Confrontations Introduction The concept of acousmatic music emerged in the 1970s, building on the tradition of musique concrète. The history of the use of the word acousmatic in a musical context – from a footnote written by Jérôme Peignot (1960, p. 116) to its embrace by composer François Bayle in the 1970s (see Bayle, 1993, p. -
Look M U S I C S E E S O U N D
SeeLookDa/SvAntologi 20/8 21/08/02 0:23 Side 1 LOOK M U S I C S E E S O U N D Ystad Konstmuseum, Ystad Neon Gallery, Brösarp Museet for Samtidskunst, Roskilde SeeLookDa/SvAntologi 20/8 21/08/02 0:23 Side 2 Tack till Birgit Rausing LOOK AT THE MUSIC / SEESOUND Antologi © Resp. upphovsman och Look at the music/SeeSound Tryck AB Ystads Centraltryckeri 2002 Redaktion: Thomas Millroth (red.), Morten Söndergaard, Jakob Weigand Goetz, Ellinor Gylling. Grafisk design: Caroline Seehusen MDD Samarbetspartner i Look at the music/SeeSound: Ystads konstmuseum Museet for Samtidskunst i Roskilde Neon Gallery, Brösarp Östra Skånes Konstnärsgille/Galleri Tjörnedala Kabusa Konsthall Grafikverkstaden i Brösarp Ystads Teater JHB-förlag, Löderup Musikföreningen Chorus, Ystad Gimle, Roskilde 900 exemplar av antologin innehåller två CD-skivor, en från SeeSound, en från Look at the music. ISBN 91-87258-38-2 (dansk/svensk upplaga) ISBN 91-87258-39-0 (English edition) 2 SeeLookDa/SvAntologi 20/8 21/08/02 0:23 Side 3 4 I n t r o af redaktørerne 6 Lydkunst – et tværæstetisk project af Morten Søndergaard I N D E X 1 3 Electronic Listening Music – nye afsøgninger af musikalske parametre af Jakob Weigand Goetz 2 0 Følsom Elektronik af Torben Sangild 3 0 Støj, 'Noisalitet' og Nostalgia af Henrik Marstal 3 9 Christian Marclay av David Toop 4 5 E f t e r-allting utom framtiden av Rob Young 5 0 Du hör vad du ser av Thomas Millroth 5 4 Skivomslag som Parerga av Alan Licht 6 0 Lysnandets konst av Edwin Pouncey 6 5 Anton Corbijn av Lennart Persson 7 2 Svensk fri impro by Thomas Millroth 9 0 Detta är vår musik av John Corbett 9 8 Peter Brötzmann av Felix Droese 1 0 9 Åke Hodell av Magnus Haglund 3 SeeLookDa/SvAntologi 20/8 21/08/02 0:23 Side 4 I N T RO 4 SeeLookDa/SvAntologi 20/8 21/08/02 0:23 Side 5 Berlin, Köln, Tokyo, Chicago eller New York … Den eksperimentelle musikscene, med dets forskellige musikalske genre såsom Free Jazz, electronica, avantrock har altid haft sine scener rundt omkring i verden. -
International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Bob Belden Ornette Coleman Jorge Gomez Christoph Irniger Pawel Kaczmarczyk Byron Morris Karen Ng John Taylor Michal Tokaj The Prism Quartet International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries Volume 41 Number 4 Oct Nov Dec, 2015 Intakt Records, Zurich, Switzerland | [email protected] Digital-Download-Shop: intaktrec.bandcamp.com WWW.INTAKTREC.CH Distributed by Naxos America · Amazon.com · iTunes Store Intakt CD 255 Intakt CD 252 Intakt CD 249 LUciano Biondini inGrid LaUBrock stePHan crUMP SENZA FINE anti-HoUse WitH MarY HaLvorson kris davis, MarY SECRET KEEPER HaLvorson, JoHn EMERGE HeBert, toM raineY ROULETTE OF THE CRADLE Intakt CD 259 Intakt CD 243 Intakt CD 246 saraH BUecHi oLiver Lake MariLYn crisPeLL WitH steFan aeBY WiLLiaM Parker GerrY HeMinGWaY andré PoUsaZ TO ROY TABLE OF CHANGES LioneL FriedLi SHADOW GARDEN Intakt CD 257 Intakt CD 247 Intakt CD 239 ULricH GUMPert oMri ZieGeLe aLeXander von WitH Jan roder BiLLiGer BaUer scHLiPPenBacH JÜrGWickiHaLder SO VIEL SCHON HIN aki takase MicHaeLGriener 15 HERBSTLIEDER SO LONG, ERIC! A NEW ONE HOMAGE TO ERIC DOLPHY Intakt CD 253 Intakt CD 237 Intakt CD 236 cHristoPH Lotte anker Fred FritH irniGer trio Fred FritH BarrY GUY OCTOPUS EDGE OF THE LIGHT BACKSCATTER BRIGHT BLUE Intakt CD 248 Intakt CD 245 Intakt CD 232 katHarina WeBer Mark HeLias andreas Fred FritH oPen Loose scHaerer FredY stUder WitH tonY LUcas niGGLi IT ROLLS MaLaBY ARCANUM toM raineY THE SIGNAL MAKER intakt records 2015 Intakt CD 254 Intakt CD 255 irÈne -
Norbert Möslang DISCOGRAPHY
Norbert Möslang DISCOGRAPHY # bangalore mkm Jason Kahn Norbert Möslang Günter Müller 2020 LP mikroton 92 # piano_boccia norbert möslang Norbert Möslang 2020 dig superpang sp 14 # patterns norbert möslang Kelsey Maiorano Sascha Armbruster Toshiko Sakakibara Jens Bracher Stephen Menotti 2020 DLP bocian NMEPX Janne Jakobsson # kangaroo_kitchen lanz kahn möslang müller weber Joke Lanz Jason Kahn Norbert Möslang Günter Müller Christian Weber 2019 DCD mikroton cd 89¦90 # aether_grooves möslang Norbert Möslang 2019 7” MM052 # chlapf möslang Norbert Möslang 2018 7” bots 03 # teplo_dom mkm Jason Kahn Norbert Möslang Günter Müller 2018 CD mikroton cd 66 # ground liedwart möslang müller Kurt Liedwart Norbert Möslang Günter Müller 2018 CD mikroton cd 65 # vlan_voilà möslang müller Norbert Möslang Günter Müller 2017 LP cave12 c12A04 # instants // paris mkm Jason Kahn Norbert Möslang Günter Müller 2016 CD mikroton cd 51 # pavillon du lac erikm möslang müller erikM Norbert Möslang Günter Müller 2016 DLP Dolmen # sale_interioro möslang liedwart belorukov Ilia Belorukov Kurt Liedwart Norbert Möslang 2016 CD mikroton cd 47 # gondeln_möslang möslang oehlen Albert Oehlen Norbert Möslang 2016 7” MM046 # distincly_dive möslang kahn Jason Kahn Norbert Möslang 2015 LP BC-NM2JK # five lines anderson kahn möslang müller trayle Casey Amderson Jason Kahn Norbert Möslang Günter Müller Mark Trayle 2014 CD mikroton cd 36 # hai kein wal möslang Beni Bischof Norbert Möslang 2013 LP bots 02 # killer_kipper möslang Norbert Möslang 2013 LP cave12 c12 A 2 # fuzz_galopp möslang -
Andy Guhl Bio 2009
Andy Guhl, Künstler / Musiker / Architekt Seite 1 Jahrgang 1952, lebt und arbeitet in St. Gallen. http://andy.guhl.net Arbeiten und Projekte (Auswahl): 2007/08 "Grundlagen des Gestaltens", Lehrauftrag/Dozent Soundinst. und Klangbilder, ETH Abt. Architektur Prof. K. Sander, Zürich 2007 "Workshop Interaktive Medien" für Designer, sfg St. Gallen 2007 Entwicklung und Bau von "Bildtisch" für hdk Zürich, zur Forschung für: "Der Prozess früher graphischer Aesserungen" 2006/07 "Kreativtage" / Workshop, Visuelle Kommunikation, SfG St. Gallen Ab 2004 "Quasar", multimediale Rauminstallationen Performances mit Charlotte Hug 2003/04 Entwicklung und Bau einer elektronischen und akkustischen "Multimedialbühne für Hana Ribi, Arbeitstitel "Play" Ab 2003 Gestaltung von "Feedbackbildern", Lichtimpulse erzeugen über einen Videoprojektor optische Feedbacks, malen mit Licht. Es entstehen die acht Feedbackbilder, ausgestellt im "Zeichnen", EXEX in St. Gallen Ab 2002 "Flimmer" Live Visuells mit Livemusik von Charlotte Hug Ab 2002 experimentelle Elektronik und Gestaltung, "Soundobjekt" FFR bis 2005, Gestalterischer Vorkurs sfg Schule für Gestaltung, St. Gallen Ab 2002 Soloprogramm mit "THE INSTRUMENT", optische/akkustische Rückkoppelungen verschmelzen zu einer audiovisuellen Performance. Konzerte, Performances, Workshops und Installationen: 2009 "Aussichtsterrasse", "Nullstern Hotel", Teufen, Atelier für Sonderaufgaben SG 2009 "Chinaworkshop" Atelieraktion, St. Gallen 2009 "Prozessanalyse", Workshop, Hochschule für Design und Kunst Luzern 2009 "Licht Sound" Workshop , Weiterbildung HFG Vis. Kom. sfg, St. Gallen 2008/09"meta electro performance THE INSTRUMENT" etoy.TANKS, raeffelstrasse 32, zurich, Switzerland 2008 "a short history", Günter Müller, Keith Rowe, Andy Guhl, Richard Jean, Genf 2008 "microled", "the instrument", Labomedia, Fete 01, Orléans FR 2008 "Made in Switzerland", Installation 1 Badhaus, "iwernarrisch", St. Gallen 2008 "Das dritte Auge", Installation 2 Badhaus, "iwernarrisch", St. -
Lauri Viita 2/2006 Vapputervehdyksiä
NUMERO 2 / 2006 | IRTONUMERO 6,90 € | 34. VUOSIKERTA Miten maapallo voi? Risto Isomäki Ilkka Halso Kulttuurimatka vankilaan Pal.vko 2006-25 410654-0602 Aleida Guevara | Grigori Pasko | Lauri Viita 2/2006 vapputervehdyksiä Demokraattinen Kulttuuria Sivistysliitto mukana rakastavalle muutosvoimissa myös vasemmistoväelle Vappuna. toverillinen vapputervehdys! Helsingin Solidaarisuus! Vasemmistoliitto ry. Aila Nyman Vapputervehdys Mayday mayday! kaikille tovereille! Suomen Hämeenlinnan Rauhanpuolustajat sivistys- ja kulttuurityö ry. Punaista vappua! Paavo Arhinmäki www.punajuuri.net >>Työstä ja Punavihreää vappua taistelusta, Kulttuurivihkojen on syntyvä lukijoille! solidaarisuus>> Jari Heinonen Työväen vapun professori, terveisin Tampereen Yrjö Hakanen kaupunginvaltuutettu [email protected] (skp) Sosialismi tai tuho! >>Kaikki alkaa Risto Hohenthal mystiikkana ja päättyy politiikkana.>> (Graffiti) Hauskaa Vappua Akateeminen Viikistä! Sosialistiseura http://www.helsinki. fi/jarj/ass Vasemmistoklubi Joka lyödään maahan, ry toivottaa nouskoon! / Joka on toverillista ja hukassa, taistelkoon! lämmintä vappua (Bertolt Brecht) vasemmistolaisen Elämme synkkää aikaa, työväenliikkeen mutta optimismi on ihmisille! silti välttämätöntä. Kulttuurivihkojen toimitus 2/2006 NUMERO 2 / 2006 Sisällys Teema: luonto ■ Miten maapallo voi? Miten kirjailija Risto Isomäki ja valokuvataiteilija Ilkka Halso käsittelevät ympäristökriisiä teoksissaan? Entä onko kriisissä ympäristön lisäksi myös ympäristöliike? Kulttuurivihkojen alustava sukellus joihinkin ihmis- ja -
Disc1 We'll Put It out If the Boss Insists / the Fifth Column
DISC1 WE'LL PUT IT OUT IF THE BOSS INSISTS / THE FIFTH COLUMN A flock of screechy squeaky birds singing rebellious songs, the Fifth Column, who thought they were already far ahead of noise, free jazz or contemporary music in the late ’70s is finally releasing their embarrassing early recordings on CD. (mastered, advertising strip on CD, made for Japanese usage) An interview with the Fifth Column (first printed in Rock Art, France, 1984) Rock Art: What is the Fifth Column? Please tell us your history. Geso: My friends and I wanted to do something and just started it in about 1977. We were all interested in music, poetry, and art. There was no set purpose. We wanted to make it something that refuses definition and can only be explained as a situation or place that resolves or dissolves by itself while searching for something unknowable, unnameable. RA: What does Fifth Column mean? G: We took the name from Der Mann In Jasmin, a book written by Unica Zurn. We used it just because we liked the sound of "dai-go-retsu" [the Japanese translation of "fifth column"] and that was that, nothing more. We just named it so because it would be inconvenient if it didn't have a name. The Fifth Column is a non-organisation; it's such a vague entity, it has no stipulations or fixed members. We wouldn't mind anyone calling themselves a Fifth Columnist (though we'd be annoyed if someone abused the name to do terrible things). Our first project was to publish a little magazine called The Fifth Column -1 in summer 1978.