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October 2007 [PDF]
st Hail Historic May1st Declaration Against Revisionism! Intensify Class Struggle, Combat Revisionsm Worldwide!! Contents Vol : 8, No:10, October 2007, Rs. 15 Voice of the Indian Revolution 6 Hydrabad Blasts: An Alibi for a Fascist State 3 May 1st Anti- Revisionist The Fairy Tale of CPM’s Declaration 14 Industrialisation Political Commentary Sprouts of new Homage Gohana and Casteist bias of peoples power Red Salute to Com Ajay da 25 the Indian State 11 Red salute to Comrade Arnab Attack on Jardhan Reddy 12 DK: Ghatak (Benoy, Prasanta) 22 Report Rape of 11 tribal women in Voices from the PLGA- A talk vishakha agency area by the with Company Comrades... 24 Strongly Condemn raids on mercenary greyhounds 19 NDFP leaders & the illegal How the Maoists are running detention of Com. Sison in academic mobile and Political Press Release the Netherlands 27 Schools in Dandakaranya 25 On Martyrdom of Com. Ajoyda 17 Fake Encounter in Karnataka 23 On India’s Nuclear Deal 18 People’s March Articles may be reprinted and translated in various Indian & Foreign Languages without permission, provided the source (www//:peoplesmarch.googlespages.com) is credited EDITOR: P. Govindan Kutty E-mail: [email protected] Mobile No. : 99472 76692 [email protected] [email protected] ................................................................................................................................. Owned, Edited, Printed & Published by P. Govindan Kutty, Peroor house, Tripunithura, N.F. Ernakulam, Kerala — 682 301, Printed at The Best Offset Printers & Publishers, 55 Chittoor road, Ayyappankavu, Kochi — 18 2 PEOPLE'S MARCH, October 2007 M ay 1st 2007 DECLARATION TO REAFFIRM THE SIGNIFICANCE AND RELEVANCE OF THE ANTI-REVISIONIST STRUGGLE ANDTHE GPCR E, the undersigned Marxist-Leninist, Mao Zedong There are ideological, political, socio-economic and Thought and Marxist-Leninist-Maoist parties and cultural causes of modern revisionism. -
International Journal of Multidisciplinary Approach And
International Journal of Multidisciplinary Approach and Studies ISSN NO:: 2348 – 537X Indian cinema’s future at Oscars Paromita Gupta DSJ, University of Delhi, Delhi, India ABSTRACT Cinema is the reflection of our society. It acts as a mirror by reflecting the reality of our societies. Just like any other professional field, cinema is also bestowed with the recognition for who or what is the best among all. This comes in various formats including the pan world accepted and celebrated Academy Awards or Oscars. As per 2018 report by Statista, over 5,823 films were produced by leading film markets including India and China. From 1948 till 2019, Italy has topped the chart by winning 11 best International Feature Film, followed by France with 9 wins, while Mexico and South Korea became the newest member with Roma in 2018 and Parasite in 2019 respectively. Indian cinema is the world's largest film industry in terms of film production, with an annual output of 1,813 feature films as of 2018, and Bollywood is its largest film producer, with 364 Hindi films produced annually as of 2017. KEYWORDS: Oscars, Indian cinema at world level, Parallel Cinema, Bollywood, Film Federation on India INTRODUCTION The Oscars was first held in 1929, and is also the oldest of the four major annual American entertainment awards. The Awards has faced backlash for lack of diversity which is based on the statistics since 1929. To honour the foreign language films, the Special Achievement/Honorary Award was introduced in 1947. These awards, however, were not handed out on a regular basis (no award was given in 1953), and were not competitive since there were no nominees but simply one winning film per year. -
Language Wise List of the Feature Films Indian/Foreign (Digital & Video)
Language wise List of the feature films Indian/Foreign (Digital & Video) Certified during period (01/01/2019 - 01/12/2019) Certified Type Of Film Certificate Sr. No Title Language Certificate No. Certificate Date Duration/ (Video/Digital/C Producer Name Production House Type Length elluloid) ARABIC ARABIC WITH ENGLISH 1 YOMEDDINE DFL/1/16/2019-MUM 26 March 2019 99.2 Digital WILD BUNCH - U SUBTITLES CAPHARNAUM ( Arabic With English Capharnaum Film 2 DFL/3/25/2019-MUM 02 May 2019 128.08 Digital - A CHILDREN OF CHAOS) Subtitles Ltd BVI CAPHARNAUM Arabic with English Capharnaum Film 3 VFL/2/448/2019-MUM 13 August 2019 127.54 Video - UA (CHILDREN OF CHAOS) Subtitles Ltd BVI ASSAMESE DREAM 1 KOKAIDEU BINDAAS Assamese DIL/1/1/2019-GUW 14 February 2019 120.4 Digital Rahul Modi U PRODUCTION Ajay Vishnu Children's Film 2 GATTU Assamese DIL/1/59/2019-MUM 22 March 2019 74.41 Digital U Chavan Society, India ASSAMESE WITH Anupam Kaushik Bhaworiya - The T- 3 BORNODI BHOTIAI DIL/1/5/2019-GUW 18 April 2019 120 Digital U ENGLISH SUBTITLES Borah Posaitives ASSAMESE WITH Kunjalata Gogoi 4 JANAKNANDINI DIL/1/8/2019-GUW 25 June 2019 166.23 Digital NIZI PRODUCTION U ENGLISH SUBTITLES Das SKYPLEX MOTION Nazim Uddin 5 ASTITTWA Assamese DIL/1/9/2019-GUW 04 July 2019 145.03 Digital PICTURES U Ahmed INTERNATIONAL FIREFLIES... JONAKI ASSAMESE WITH 6 DIL/3/2/2019-GUW 04 July 2019 93.06 Digital Milin Dutta vortex films A PORUA ENGLISH SUBTITLES ASSAMESE WITH 7 AAMIS DIL/2/4/2019-GUW 10 July 2019 109.07 Digital Poonam Deol Signum Productions UA ENGLISH SUBTITLES ASSAMESE WITH 8 JI GOLPOR SES NAI DIL/3/3/2019-GUW 26 July 2019 94.55 Digital Krishna Kalita M/S. -
Representation of Women Issues in New Generation Malayalam Movies
JAC : A Journal Of Composition Theory ISSN : 0731-6755 Being and Becoming: Representation of Women Issues in New Generation Malayalam Movies -Arya.C.A, Research Scholar,Dept.of English Muslim Arts College, Thiruvithancode, Tamilnadu (Affiliated to Manonmaniam Sundaranar University, Thiruneleveli). Email:[email protected] Ph:9072934597 &Prof.Dr.D.Radharemanan Pillai (Research Supervisor) Dept.of English Muslim Arts College, Thiruvithancode, Tamilnadu Abstract : Cinema has now become one of the most popular forms of entertainment for all classes of audience-young students, tradition-bound house wives, struggling workers, busy corporate heads, and bureaucratic government officials, disciplining policeman etc. it has become a powerful tool to influence and impress the audience. Compared to earlier days there are women- oriented movies in our age. Women issues have become more commercialized now. Women who were always represented as the shadow of male have now turned as central characters. Apart from the role that the society imposes upon women, she has moved far away from that viewpoint. This paper focuses on how recent feminine issues are represented in the film and how it has given voice to the total womenfolk. The study concludes that women in these movies are conceptualized as modern women, but they actually are a modification of traditional feminine identity. A few films are selected for the study. Volume XIII Issue III MARCH 2020 Page No: 295 JAC : A Journal Of Composition Theory ISSN : 0731-6755 Keywords: Women Issues, Film, Conceptualization From earlier days onwards the society has defined the role of women in society. She has been conceptualized according to the age group. -
The God of Small Things Arundhati
The God of Small Things Arundhati Roy The God of Small Things Arundhati Roy God of Small Things Collected & Compiled by Shashank A Sinha /GTS/CSC [Exclusive for News & Views Readers] Collected & Compiled by Shashank A Sinha/GTS/CSC Exclusive for News & Views Readers The God of Small Things Chapter 1. Paradise Pickles & Preserves May in Ayemenem is a hot, brooding month. The days are long and humid. The river shrinks and black crows gorge on bright mangoes in still, dustgreen trees. Red bananas ripen. Jackfruits burst. Dissolute bluebottles hum vacuously in the fruity air. Then they stun themselves against clear windowpanes and die, fatly baffled in the sun. The nights are clear, but suffused with sloth and sullen expectation. But by early June the southwest monsoon breaks and there are three months of wind and water with short spells of sharp, glittering sunshine that thrilled children snatch to play with. The countryside turns an immodest green. Boundaries blur as tapioca fences take root and bloom. Brick walls turn moss green. Pepper vines snake up electric poles. Wild creepers burst through laterite banks and spill across flooded roads. Boats ply in the bazaars. And small fish appear in the puddles that fill the PWD potholes on the highways. It was raining when Rahel came back to Ayemenem. Slanting silver ropes slammed into loose earth, plowing it up like gunfire. The old house on the hill wore its steep, gabled roof pulled over its ears like a low hat. The walls, streaked with moss, had grown soft, and bulged a little with dampness that seeped up from the ground.