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Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Catalog Records April 7, 2021 6:03 PM Object Id Object Name Author Title Date Collection
Catalog Records April 7, 2021 6:03 PM Object Id Object Name Author Title Date Collection 1839.6.681 Book John Marshall The Writings of Chief Justice Marshall on the Federal 1839 GCM-KTM Constitution 1845.6.878 Book Unknown The Proverbs and other Remarkable Sayings of Solomon 1845 GCM-KTM 1850.6.407 Book Ik Marvel Reveries of A Bachelor or a Book of the Heart 1850 GCM-KTM The Analogy of Religion Natural and Revealed, to the 1857.6.920 Book Joseph Butler 1857 GCM-KTM Constitution and Course of Nature 1859.6.1083 Book George Eliot Adam Bede 1859 GCM-KTM 1867.6.159.1 Book Charles Dickens The Old Curiosity Shop: Volume I Charles Dickens's Works 1867 GCM-KTM 1867.6.159.2 Book Charles Dickens The Old Curiosity Shop: Volume II Charles Dickens's Works 1867 GCM-KTM 1867.6.160.1 Book Charles Dickens Nicholas Nickleby: Volume I Charles Dickens's Works 1867 GCM-KTM 1867.6.160.2 Book Charles Dickens Nicholas Nickleby: Volume II Charles Dickens's Works 1867 GCM-KTM 1867.6.162 Book Charles Dickens Great Expectations: Charles Dickens's Works 1867 GCM-KTM 1867.6.163 Book Charles Dickens Christmas Books: Charles Dickens's Works 1867 GCM-KTM 1868.6.161.1 Book Charles Dickens David Copperfield: Volume I Charles Dickens's Works 1868 GCM-KTM 1868.6.161.2 Book Charles Dickens David Copperfield: Volume II Charles Dickens's Works 1868 GCM-KTM 1871.6.359 Book James Russell Lowell Literary Essays 1871 GCM-KTM 1876.6. -
The Image of the Journalist in Silent Film, Part One: 1890 to 1919
Journalist in Silent Film 35 The Image of the Journalist in Silent Film, 1890 to 1929: Part One 1890 to 1919 Joe Saltzman Professor of Journalism Director of the Image of the Journalist in Popular Culture (IJPC) A Project of the Norman Lear Center Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] with Liz Mitchell Senior Research Associate Image of the Journalist in Popular Culture (IJPC) Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] Introduction This is the first installment in the landmark study of “The Image of the Journalist in Silent Film, 1890 to 1929.” It covers 1,948 films from 1890 to 1919. Part Two will cover the years from 1920 to the beginning of recorded sound in 1929. This is the first comprehensive study of the beginning of cinema’s earliest depictions of the journalist, mostly newspaper reporters, editors, and publishers. Newspaper fiction flourished at a time when journalism “was a revolutionary force, tearing up traditions, redefining public morality, and lending voice and encouragement to the disenfranchised. It reflected currents sweeping through every phase of American life. The skyrocketing circulations, the manic search for exclusive news, the sensational headlines, and the concentration of newspaper ownership were signs of an America changing from a rural society to an urban and industrial one. Since journalism so clearly mirrored and so loudly supported the new order, it became the preeminent symbol for the mechanization, standardization, democratization, and vulgarization of culture.”1 Historian Howard Good points out that the 1890s “represented a watershed not only in American journalism but also in American history. -
To Face with Czar's Movement
V 0 if WEATHER FORECAST TODAY Moderate it FOR I SUGAR. 96 Centrifu-- i trades and fair weather. jjafs. 3.96375 Per Ton but 24 hours' rainfall .00; $79,272. S3 Analysis temperature, max. 82, min Beets, 9s 3d; Per Ton. imum, 74 t $79.80. VOL. II., NO. 2? 78. HONOLULU, HAWAII TERRITORY, SUNDAY, JUNE 26, 1904. TEN PAGES" Entered Jan 19, 190$, t Honolulu, Hawaii, a Second Clasa Matter, Under Act of Congress of Marcn S, 1878. OOTY WORTH HUGE M'CLELLA EARMY THOUSANDS TO FACE WITH CZAR'S MOVEMENT I. f Secured from the o Tammany Wants o r o Wreck on the o o o Younc Mayor o VII Shoals. o o o o to Lead. o o Capt. Weisbarth Made o o o o Croker Asked to Use Big Haul From o o .1 o o His Efforts For Vessel. o o o o Grover. o o J&d That He Miaht Now Uo o o o Fairbanks Has an Ovation in fter Lisianski Island Bird o o ' His Home State A New Skins. o o o o Tennis Champion. Sixty-tw- o days ago the small Inter o Island schooner Lavinia, owned and o (Associated Press Cablegrams.) o commanded by Captain Weisbarth, left NEW YORK, Junt 26. The Honolulu for French Frigate Shoals, o o Daily News, organ of Tammany IWith a crew of young and by o q natives o means of appliances secured specially 9 Hall, advocates McClellan for purpose, away o O or the Weisbarth sailed o X President. to "wreck" the French bark Connetable o de Richmont which has been stranded o TAMMANY MAN On the coral reef there for some months, o WANTS GROVER Old waterfronters regarded the ven o Ex-May-- ture as a foolhardy one. -
Read Ebook {PDF EPUB} Cecil B. Demille and American Culture the Silent Era by Sumiko Higashi Cecil B
Read Ebook {PDF EPUB} Cecil B. DeMille and American Culture The Silent Era by Sumiko Higashi Cecil B. DeMille and American Culture: The Silent Era by Sumiko Higashi. Film Director, Film/TV Producer (12-Aug-1881 — 21-Jan-1959) SUBJECT OF BOOKS. Robert S. Birchard . Cecil B. DeMille's Hollywood . University Press of Kentucky. 2004 . 416pp. Cecil B. DeMille . The Autobiography of Cecil B. DeMille . Englewood Cliffs, NJ: Prentice-Hall. 1959 . 465pp. Anne Edwards . The DeMilles: An American Family . London: Collins. 1988 . 248pp. Gabe Essoe; Raymond Lee . DeMille: The Man and His Pictures . New York: Castle Books. 1970 . 319pp. Scott Eyman . Empire of Dreams: The Epic Life of Cecil B. DeMille . Simon and Schuster. 2010 . 592pp. Sumiko Higashi . Cecil B. DeMille and American Culture: The Silent Era . University of California Press. 1994 . 264pp. Charles Higham . Cecil B. DeMille: A Biography of the Most Successful Film Maker of Them All . New York: Charles Scribner's Sons. 1973 . 335pp. Phil A. Koury . Yes, Mr. DeMille . New York: G.P. Putnam's Sons. 1959 . 319pp. Simon Louvish . Cecil B. DeMille and the Golden Calf . London: Faber and Faber. 2007 . 507pp. Simon Louvish . Cecil B. DeMille: A Life in Art . New York: Thomas Dunne Books/St. Martin's Press. 2007 . 507pp. Michel Mourlet; Michel Marmin . Cecil B. DeMille . Paris: Seghers. 1968 . 192pp. Hortense Myers; Ruth Burnett . Cecil B. DeMille, Young Dramatist . Indianapolis: Bobbs-Merrill. 1963 . 200pp. Katherine Orrison . Written in Stone: Making Cecil B. DeMille's Epic, The Ten Commandments . Lanham, MD: Vestal Press. 1999 . 196pp. Gene Ringgold; DeWitt Bodeen . The Films of Cecil B. -
The STORY of the Famous Players-Lasky Corporation L
. ^^r -".«*»». FAMOUS P1AYERS-LASKY CORPORATION ADOLPM ZUKOR mm. JESSE t.LASKY H»Aw CECIt B.OE MILLE IWrti'C«i««l I TUWYOMl, LIBRARY Brigham Young University RARE BOOK COLLECTION Rare Quarto PN ^r1999 1919 I The STORY of the Famous Players-Lasky Corporation l : i ll ! . .; ,i i i i i)i ! ]il lll) llll l l l lllllll l [|||||IHl H MiilMii 3ES ==?r .:;.Mii !llll li im 3E 1 I i I Walter E. Greene /''ice-President ! Frank A. Garbott Vice-President t I 'l|i"l|!l||||ii 2Z^ ^^ illillllllllllllllllllllllllllllillllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllHlllllllllllllllllll 2ff 3C JZ The Story of the Famous Players-Lasky Corporation (paramount~Qricra£t ^Motion (pictures -...or ..»«*» FAMOUS PLAYERS-LASKY CORPORATION <L ADOLPH ZUKOR Pres JESSE L.LASKY VkxPrms. CECIL B DE M1LLE Director Cenerol. "NEW YORIC Copyright, IQIQ, by the Famous Players-Lasky Corporation ~ZL M : 1 TTT- I'liiiiiiii'iiiiiiiiMiiiiiiii, 1 1 1 1 1 1 1 1 1 1 t < 1 iii 35 i : ; 1 1 i 1 1 > 1 . 1 W=] s: .^sm: '":;iii!!'i'i:'iniiiii""!"i. ! ":"''.t iiinu'lM u m 3 i i S i 5 1 i im :=^ !l!l!llllllll!lllllli^ 3T Adolph Zukor, President ^t^-Q INTRODUCTION 1 HIS is the complete story of the Famous Players-Lasky Corporation, the world's greatest motion picture enterprise. The story of the Famous Players-Lasky Corporation is the story of the motion picture. For it is this organization which has made the motion picture. Seven years ago, Adolph Zukor saw in the motion picture, then only an amusing toy, amazing and tremendous possibilities. -
Union Pacific Union Pacific
UNION PACIFIC FICHA TÉCNICA Director Cecil B. DeMille Guión Walter De León, C. Sullivan Gardner y Jesse Lasky Jr. Argumento Adaptación de Jack Cunningham del relato de Ernest Haycox Producción Paramount Pictures Productor Cecil B. DeMille Productor ejecutivo William LeBaron Fotografía Victor Milner Música Sigmund Krumgold, John Leipold Efectos especiales Barney Wolf Montaje Anne Bauchens Vestuario Natalie Visart Dirección artística Roland Anderson y Hans Dreier DATOS TÉCNICOS Título original Union Pacific Género Histórico Versión Doblada al castellano (Fono España-Hugo Donarelli) Duración 135 minutos Año de producción 1939, EE.UU. Formato 35 mm., Blanco y negro. Estreno en España 19/04/1945 Localizaciones Cache (Oklahoma); Iron Spring, Kanab y Cedar City (Utah); Sonora, Stockton y Rancho Paramount en Agoura (California); Ferrocarril Sierra Railroad, Jamestown (California) – EE.UU. Distribución Mercurio Films. FICHA ARTISTICA Intérpretes Personajes Barbara Stanwyck Mollie Monahan Joel McCrea Capitán Jeff Butler Robert Preston Dick Allen Brian Donlevy Sid Campeau Akim Tamiroff Fiesta Lynne Overman Leach Overmile Anthony Quinn Jack Cordray Henry Colker Asa M. Barrow Stanley Ridges General Casement Richard Lane Sam Reed Willard Robertson Oakes Ames Francis McDonald General Grenville M. Dodge Robert Barrat Duke Ring J.M. Kerrigan Monahan Regis Toomey Paddy O’Rourke Sheila Darcy Rosa May Beatty Sr. Hogan Morgan Wallace Senador Smith Byron Foulger Whipple PREMIOS : En 1939 ganó la Palma de Oro en el Festival de Cannes. En 1940 fue nominada al Oscar por los efectos especiales (Farciot Edouart, Gordon Jennings, Loren L. Ryder). En 1975 recibió un premio especial de los Western Heritage Awards como reconocimiento a la creación de grandes westerns previos a 1960. -
CARMEN Cine Concert
ANGERS I Centre de Congrès NANTES I La Cité JEUDI 1er JUIN I 20H30 MARDI 6 JUIN I 20H30 VENDREDI 2 JUIN I 20H30 MERCREDI 7 JUIN I 20H30 JUIN JEUDI 8 JUIN I 20H30 2017 CARMEN cine cOncert Carmen Sortie en 1915 Réalisation CECIL B. DEMILLE (1881-1959) Scénario tiré de la nouvelle de Prosper Mérimée Musique originale : Hugo Riesenfeld Musique restaurée en 1995 par Timothy Brock Charlot joue Carmen (Burlesque on Carmen) © Cecilia Cenciarelli Sortie en 1915 TIMOTHY BROCK Scénario et réalisation : DIRECTION CHARLIE CHAPLIN (1889-1977) Musique de Timothy Brock Durée des films : Carmen I Cécil B. DeMille (65’) Charlot joue Carmen I Charlie Chaplin (37’) Charlot joue Carmen © Courtesy of BFI Still posters and Design Carmen © Lobster Films Collection carmen Cecil B. DeMille voulait adapter l’opéra de Bizet. Mais les héritiers du compositeur en auraient demandé une somme si considérable qu’il les contourna en adaptant directement la nouvelle originelle de Prosper Mérimée. Le rôle titre est interprété par la cantatrice Géraldine Farrar, immense star de l’époque, qui avait incarné Carmen plusieurs fois à la scène. La même année, Charlie Chaplin, dont ce film marqua la fin du contrat chez Essanay, tourna une parodie de l’opéra de Bizet, en réponse au film de Cecil B. DeMille. Avec une fin quelque peu réinterprétée… CECIL B. DEMILLE Je n'en voyais pas une seule qui valût cette diable de fille-là. CARMEN Prosper Mérimée, Carmen On sait aujourd’hui que Cecil B. DeMille n’était pas seulement le grand organisateur de spectacles bibliques auquel l’a souvent et exclusivement identifié, peut-être, la génération qui a vu régulièrement ressortir en salles, durant les vacances scolaires des années soixante et soixante-dix, son ultime film,Les Dix Commandements (1956).