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Sci-Fi Prop Model Kit Catalog
SSCCII--FFII PPRROOPP MMOODDEELL KKIITT CCAATTAALLOOGG 2/13 Welcome to the Arsenal Models sci-fi prop model kit catalog. We specialize in screen-accurate prop replica kits from your favorite science fiction films and TV shows. Prop kits shown are 1:1 scale highly detailed replicas of actual props used in the films or shows. Many are casts of actual screen-used prop weapons. Others are based on the actual weapons used by the prop makers with the proper modifications. All kits are cast in heavy solid white durable resin and come in full color boxes picturing the finished prop. Instructions and any hardware or labels required are also included. Since these are resin garage kits, a little kit building experience is helpful for assembling and finishing the prop, but not necessary. Remember, although the finished props look very authentic, these are only resin prop guns and cannot be made to fire anything. Please look over the entire catalog as items from a particular series can appear throughout. Ordering instructions are on the back page of the catalog. Thanks for looking! Battlestar Galactica Colonial Warrior Blaster This is a replica of the gun sidearm by the Colonial Warriors in the classic 70s show. Kit is one piece solid white resin and measures about twelve inches long. Comes in photo box with instructions…............................$45.00 Farscape Pulse Pistol This kit is the pulse pistol from the hit Sci-fi Channel series Farscape. This is an exact replica of the screen used props from the filming of the show. Includes main body and side scope. -
Media Advocacy. Fighting Defamation. Changing Hearts and Minds
GAY & LESBIAN AllIANCE AgAINST DEFAMATION PERFORMANCE REPORT 2007 Media Advocacy. Fighting Defamation. Changing Hearts and Minds. Personal Stories That Move Public Opinion 70280_GLAAD_r2.indd 1 6/26/08 1:04:19 PM GLAAD PERFORMANCE REPORT 2007 1 Letter from the President 1 Letter from the National Board Co-Chairs 2 Changing Hearts and Minds: Harnessing the Power of the Media to Move Public Opinion 8 Media Advocacy: Focused on Issues of Faith 14 Fighting Defamation: Holding Media Accountable 20 Timeline of Accomplishments 23 18th Annual GLAAD Media Awards 24 Support 30 Independent Auditors’ Report 31 Financial Statements 32 Board of Directors, Staff, Media Fellowships and Internships 70280_GLAAD_r2.indd 2 6/26/08 1:04:19 PM GLAAD PERFORMANCE REPORT 2007 1 Letter from the President Letter from the National Board Co-Chairs I often say that how our lives are portrayed in the media doesn’t On behalf of the GLAAD National Board of Directors and our make a bit of difference; it makes all the difference. Media advocacy, senior volunteers across the country, we are pleased and proud fighting defamation, and changing hearts and minds are at the to offer you this Performance Report for 2007. core of GLAAD ’s mission. Throughout 2007 and for over 22 years, GLAAD has met significant programmatic and operational our culture-changing work has helped empower Americans who milestones in 2007 that are critical to our continued success believe in fairness for all people. The visibility of the lesbian, gay, as the LGBT community’s national media advocacy and anti- bisexual and transgender (LGBT ) community, telling our individual defamation organization. -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
Pieces of a Woman
PIECES OF A WOMAN Directed by Kornél Mundruczó Starring Vanessa Kirby, Shia LaBeouf, Molly Parker, Sarah Snook, Iliza Shlesinger, Benny Safdie, Jimmie Falls, Ellen Burstyn **WORLD PREMIERE – In Competition – Venice Film Festival 2020** **OFFICIAL SELECTION – Gala Presentations – Toronto International Film Festival 2020** Press Contacts: US: Julie Chappell | [email protected] International: Claudia Tomassini | [email protected] Sales Contact: Linda Jin | [email protected] 1 SHORT SYNOPSIS When an unfathomable tragedy befalls a young mother (Vanessa Kirby), she begins a year-long odyssey of mourning that touches her husband (Shia LaBeouf), her mother (Ellen Burstyn), and her midwife (Molly Parker). Director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014) and partner/screenwriter Kata Wéber craft a deeply personal meditation and ultimately transcendent story of a woman learning to live alongside her loss. SYNOPSIS Martha and Sean Carson (Vanessa Kirby, Shia LaBeouf) are a Boston couple on the verge of parenthood whose lives change irrevocably during a home birth at the hands of a flustered midwife (Molly Parker), who faces charges of criminal negligence. Thus begins a year-long odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother (Ellen Burstyn), along with the publicly vilified midwife whom she must face in court. From director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014), with artistic support from executive producer Martin Scorsese, and written by Kata Wéber, Mundruczó’s partner, comes a deeply personal, searing domestic aria in exquisite shades of grey and an ultimately transcendent story of a woman learning to live alongside her loss. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
ANGEL DEANGELIS Hair Stylist IATSE 798
ANGEL DEANGELIS Hair Stylist IATSE 798 FILM HUSTLERS Department Head Director: Lorene Scafaria PRIVATE LIFE Department Head Director: Tamara Jenkins SHOW DOGS Department Head – Las Vegas Shoot Director: Raja Gosnell COLLATERAL BEAUTY Department Head Director: David Frankel Cast: Helen Mirren, Ed Norton, Keira Knightley THE AMAZING SPIDER-MAN 2 Department Head Director: Marc Webb Cast: Dane DeHaan THE HEAT Department Head Director: Paul Feig Cast: Melissa McCarthy MUHAMMAD ALI’S GREATEST FIGHT Department Head Director: Stephen Frears Cast: Christopher Plummer, Benjamin Walker, Frank Langella JACK REACHER Department Head Director: Christopher McQuarrie Cast: Rosamund Pike, Robert Duvall, Richard Jenkins, Werner Herzog, Jai Courtney, Joseph Sikora, GODS BEHAVING BADLY Department Head Director: Marc Turtletaub Cast: Alicia Silverstone, Edie Falco, Ebon Moss-Bachrach, Oliver Platt, Christopher Walken, Rosie Perez, Phylicia Rashad THE AMAZING SPIDER-MAN Key Hair (New York) Director: Marc Webb Cast: Embeth Davidtz NEW YEAR’S EVE Department Head Director: Garry Marshall Cast: Jessica Biel, Zac Efron, Cary Elwes, Alyssa Milano, Carla Gugino, Jon Bon Jovi, Sofia Vergara, Lea Michele, James Belushi, Abigail Breslin, Josh Duhamel, Cherry Jones, THE MILTON AGENCY 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Angel DeAngelis Telephone: 323.466.4441 Facsimile: 323.460.4442 Hair [email protected] www.miltonagency.com Page 1 of 5 THE SITTER Department Head Director: David Gordon Green Cast: Jonah Hill, Ari Graynor PREMIUM RUSH Department Head -
Stars, Genres, and the Question of Constructing a Popular Anglophone Canadian Cinema in the Twenty First Century
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-20-2012 12:00 AM Fighting, Screaming, and Laughing for an Audience: Stars, Genres, and the Question of Constructing a Popular Anglophone Canadian Cinema in the Twenty First Century Sean C. Fitzpatrick The University of Western Ontario Supervisor Dr. Christopher E. Gittings The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Sean C. Fitzpatrick 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Fitzpatrick, Sean C., "Fighting, Screaming, and Laughing for an Audience: Stars, Genres, and the Question of Constructing a Popular Anglophone Canadian Cinema in the Twenty First Century" (2012). Electronic Thesis and Dissertation Repository. 784. https://ir.lib.uwo.ca/etd/784 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. FIGHTING, SCREAMING, AND LAUGHING FOR AN AUDIENCE: STARS, GENRE, AND THE QUESTION OF CONSTRUCTING A POPULAR ANGLOPHONE CANADIAN CINEMA IN THE TWENTY-FIRST CENTURY (Spine title: Fighting, Screaming, and Laughing for an Audience) (Thesis format: Monograph OR Integrated-Article) by Sean Fitzpatrick Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sean Fitzpatrick 2012 THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ ______________________________ Dr. -
Schneider-Kreuznach Advertisement Feature
SCHNEIDER-KREUZNACH ADVERTISEMENT FEATURE Starring role Crescenzo Notarile decided to boldly go for Schneider-Kreuznach True-Streak filters when shooting a legendary sci-fi TV series hen a top Hollywood filmmaker calls his filters his “cinematographic brush” that he uses on many high- budgetW productions, you know they offer something very special. When Crescenzo Notarile landed the dream job of shooting the Star Trek: Discovery TV series, he knew he could rely on his trusty set of Schneider- Kreuznach True-Streak filters to make something that would live long and prosper. “Like a painter constructs his strokes of IMAGE Notarile on-set paint with the bristles of his brush, I like to using a Schneider- think in the same way by constructing the Kreuznach True-Streak strokes of light via certain filters,” he says. filter – a winner in our With an incredible back catalogue of Gear of the Year Awards work that includes TV and movie projects like Crazy and Timecop, plus music videos for the likes of Michael Jackson, Pink Floyd Carr, and lots of LED lights programmed lenses gives the ultimate in long flares. It’s and ZZ Top, Notarile has the eye to pick into a dimmer board with hundreds of a look that also works very well on standard equipment that allows him to put his own channels individually available to fine-tune lenses, giving an anamorphic-style look. creative stamp on his projects. the look. It’s no surprise they were voted as best Lens “I previously used the True-Streak “Each set cost hundreds of thousands of Accessory in the Pro Moviemaker Gear of the filters on a show I did calledCSI: Crime dollars, some cost millions, and took many Year Awards. -
ENAR 2013 Spring Meeting March 10–13
Abstracts ENAR 2013 Spring Meeting March 10–13 With IMS and Sections of ASA Orlando World Center Marriott Resort | Orlando, Florida S N O I T A T N E S E R P 1c. SEMIPARAMETRIC PROPORTIONAL RATE REGRESSION FOR THE COMPOSITE ENDPOINT R OF RECURRENT AND TERMINAL EVENTS E Lu Mao*, University of North Carolina, Chapel Hill T Danyu Lin, University of North Carolina, Chapel Hill ENAR 2013 S O Analysis of recurrent event data has received tremendous P attention in recent years. A major complication arises Spring Meeting when recurrent events are terminated by death. To assess | S the overall covariate effects, we consider the composite T endpoint of recurrent and terminal events and propose March 10 – 13 C a proportional rate model which specifies that (possibly A time-dependent) covariates have multiplicative affects TR on the marginal rate function of the composite event pro- BS cess. We derive appropriate estimators for the regression A parameters and the baseline mean function by modifying the familiar inverse probability weighting technique. We show that the estimators are consistent and asymptoti- cally normal with variances that can be consistently estimated. Simulation studies demonstrate that the proposed methods perform well in realistic situations. An application to the Community Programs for Clinical 1. POSTERS: CLINICAL TRIALS AND 1b. INTERACTIVE Q-LEARNING FOR DYNAMIC Research on AIDS (CPCRA) study is provided. STUDY DESIGN TREATMENT REGIMES Kristin A. Linn*, North Carolina State University email: [email protected] Eric B. Laber, North Carolina State University 1a. OPTIMAL BAYESIAN ADAPTIVE TRIAL Leonard A. Stefanski, North Carolina State University OF PERSONALIZED MEDICINE IN CANCER Yifan Zhang*, Harvard University 1d. -
Mongrel Media Presents
Mongrel Media presents a film by Wiebke von Carolsfeld Best First Canadian Feature, 2002 Toronto International Film Festival Best Screenplay, 2002 Atlantic Film Festival (Canada, 2002, 90 minutes) Distribution 109 Melville Ave. Toronto, Ontario, Canada M6G 1Y3 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] www.mongrelmedia.com Publicity Bonne Smith Star PR Tel: 416-488-4436 Fax: 416-488-8438 E-mail: [email protected] CAST Agnes Molly Parker Theresa Rebecca Jenkins Louise Stacy Smith Rose Marguerite McNeil Joanie Ellen Page Chrissy Hollis McLaren Dory Emmy Alcorn Ken Joseph Rutten Valerie Nicola Lipman Marlene Jackie Torrens Sandy Kevin Curran Mickey Ashley MacIsaac Sue Heather Rankin Evie Linda Busby Tavern Bartender Stephen Manuel Airport Bartender Jim Swansberg KEY CREW Distributor Mongrel Media Production Companies Sienna Films / Idlewild Films Director Wiebke von Carolsfeld Writer Daniel MacIvor Producers Jennifer Kawaja Bill Niven Julia Sereny Co-Producer Brent Barclay First Assistant Director Trent Hurry Director of Photography Stefan Ivanov B.A.C. Production Designer Bill Fleming Editor Dean Soltys Costume Designer Martha Currie Makeup Kim Ross Hair Joanne Stamp 2 Synopsis Marion Bridge is the moving story of three sisters torn apart by family secrets. In the midst of struggling to overcome her self-destructive behaviour, the youngest sister, Agnes, returns home determined to confront the past in a community built on avoiding it. Her quest sets in motion a chain of events that allows the sisters each in their own way to re-connect with the world and one another. Set in post-industrial Cape Breton, Marion Bridge is a story of poignant humor and drama. -
This Unit Examines Change in Newfoundland and Labrador from the Referenda of 1948 Until 2010
This unit examines change in Newfoundland and Labrador from the referenda of 1948 until 2010. In 1948, two referenda were held, which gave the people a say in the future form of governance for the colony. In these referenda, voters chose Confederation with Canada over the options of responsible government and Commission of Government. On March 31, 1949, Newfoundland officially became Canada’s tenth province. Joseph R. Smallwood became the province’s first premier and, from 1949 until 1972, his government worked to diversify the economy in order to make Newfoundland and Labrador a more prosperous and modern province. New roads were built, water and sewer systems were installed, and a rural electrification program was completed, in order to encourage industrial development. Smallwood’s government tried to diversify the economy in two main ways – by establishing small-scale industries and by funding mega-projects at Long Harbour, Come By Chance, Churchill Falls, and Stephenville. These efforts had varying degrees of success. Smallwood’s government introduced social programs, which it hoped would provide a better standard of living for the people of Newfoundland and Labrador. Major improvements were made in education, health care, and communications, electrical power, and transportation infrastructure. 474 This painting entitled We Filled ‘Em To The Gunnells by Sheila Hollander shows what life possibly may have been like in XXX circa XXX. Fig. 3.4 The provincial government realized that, even with help from the federal government, providing essential services across the province was a challenge, especially as the outport population was scattered along thousands of kilometres of coastline. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter