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It Takes a Village by Claudia Kirscher
Visit us online at www.libertywildlife.org Wing BA publicationEATS of Liberty Wildlife It Takes a Village by Claudia Kirscher Rather than nesting in shady cottonwoods along the quiet shores of remote rivers or mountain lakes, tucked away from human activities and interference, two bald eagle families chose the Phoenix Valley. Story Page 6 Honoring a Friend Kathleen Lang Butterfly Garden and Memorial Fund Page 4 from the director’s chair We have been in our new home for about a year. While change is always challenging, it is usually for the best, and we seem to be adjusting nicely to our new surroundings both indoors and out. I personally love our new location. flurry of activity from the community istic weather pattern that pervades our Most people who come comment on to Liberty Wildlife to SeaWorld San lives. No monsoon season disrupts how easy it is to get to once you get Diego. Many people had a hand in the life cycle of many species; abun- your bearings and a route. Visitors the rescue and ultimate release of it dant monsoons begets prosperity in have come by the thousands, either with two other lost pelican souls, who the lives of the flora and fauna of the bringing animals that they have found found themselves in the desert without southwestern deserts. or enjoying our educational activities. the comforts of home. Our lead story of urban nesting bald eagles bugles the Look for the changes, the growth, and When you find yourself on our success of a dedicated group of people the continuing expansion of the mis- grounds, a rescued piece of land who oversaw the fledging of these sion of Liberty Wildlife in the year to previously a gravel quarry, it feels urban nesters…far from the traditional come. -
Notre Dame Alumnus, Vol. 36, No. 05 -- August-September 1958
The Archives of The University of Notre Dame 607 Hesburgh Library Notre Dame, IN 46556 574-631-6448 [email protected] Notre Dame Archives: Alumnus NOTRE OAME AUG 13 1958 Vol. 36 • No. 5 nUMANITIES LIBRARY Aiig. - Sept. 1958 James E. Armstrong, '25 Editor Exqiiisite receptacle for relic of St Bemadette, inspired by Gold en Dome and sent by Notre Dam 3 \ John F. Laughlin, '48 Club of Borne to Lourdes Confra ternity on campus (see story: Managing Editor "NJ). Club of Eternal City"). ALSO IN THIS ISSUE: • Chapter Two of "U.N.D. .. Night, 1958"- • Rundown on a Record Reunion • Commencement Addresses, Highlights • Presenting the Class of '58 DEATH TAKES DEAN McCARTHY. ALUMNI ASSOCIATION PROFESSOR FRANK J. SKEELER BOARD OF DIRECTORS Officers In tlie past few months death has of Income of Indiana Corporations. J. PATRICK CANNY, '28 Honorary President claimed two men who together ser\'ed Dean McCarthy was bom in Holy- pRiVNCis L. LA^-DEN, '36 President ; the University for more than fifty years. oke, Mass., in 1896. In 1927 he mar EDMO.XD R. HACGAB, '38 James E. McCarthy, dean of the ried Dorotliy Hoban in Chicago. Mrs. Club Vice-President College of Commerce for 32 years, died McCarthy survives, as do three sons,- EUGENE M. KENNEDY, '22 July 11 in Presbyterian Hospital, Chi Edward D., '50; James B., '49, and Class Vice-President *• cago, after a verj* brief illness. Kevin; a daughter, two brothers, a OSCAR J. DORWIN, '17 Mr. McCarthy was appointed Dean sister and eight grandchildren. : : .. Fund Vice-President * Emeritus of Notre Dame October 11, Requiem Mass was celebrated July JAMES E. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time. -
Music-Week-2000-02-0
FOR EVERVONE IN THE^ BUSINESS OF MUSIC ''S'1'/ UN • -gX music week Ames and Berry vow to keep label culture by Ajax Scott labels. The process is still not men.setRoger Ames to runand Warner Ken Berry, EMI theMusic, two rumoursestablished. suggesting There willthis alwaysis how webe overbave cost-cuttingpledged to inplace the oompanycreativity plan to do it. Well ail the rumours theydeal experthas receivedto fashion regulatoryonce the The two were speaking days Gabrielle yesterdayFerdy (Sunday) Unger-Hamilton to be the first was label challenging boss since with Puff his Daddyartist Mondayafter the of public the $20bn announcement merger of lastthe to have co-produced a track to reach number one. By the end of two companies to create an opéra- Thursdayher slender Gabrielle lead at (above),the start at of more the week than to35,000 more sales,than 6,000 had extended unlts over tionglobal that music will bemarket. number With one annual in the their management structure shortly elosest challengers REM and Britney Spears for the number one slot. Her sales of around $8bn and earnings Deal makers: Ames (left) and Berry TopRise 10 album placing, - which easily had beating fallen outits previousof the Top number 100 - 25 was peak. on course Unger- for a . ofannual $lbn, savings they ofexpert around to $250mrealise judgementsstarting out asfrom to howand onewell weof thedo Hamilton with Ollie Dagois originally sampled Bob Dylan's Knockin' On within three years, involuing a will be too see how good we are at itHeaven's to Gabrielle Door to 18 record months with ago producer and put Johnny together Dollar. -
Guitar Videos & Dvds
212 GUITAR VIDEOS & DVDS BEGINNING GUITAR INSTRUCTION BEGINNING GUITAR GUITAR CHORDS BEGINNING CHORDS VOLUME 2 This DVD follows up on the AND STRUMMING Ideal for the beginning to success of Hal Leonard’s best- with Rick Plunkett intermediate guitarist. Includes selling book, Picture Chord This video features Rick Plunkett, information on barre chords, Encyclopedia (#00695224). It one of today’s finest guitar 7th chords, 9th chords, funk features photos, diagrams and instructors, taking you step-by-step rhythms, double stops, scales, audio of more than 2,600 through finger positions for basic sequences, vibrato, hammer- chords. Includes: easy to read chords, bar chords, power chords, ons and pull-offs. Rock, blues, chord grids • easy to see color picking and strumming. You’ll also and funk styles are covered. 30 photos • easy to navigate chord finder • basic chord learn chord choices, chord minutes. theory • and basic fingering principles. voicing, strum patterns, muting, and more. 31 minutes. ______00320050 VHS Video .............................$9.95 ______00320331 DVD ......................................$9.95 ______00320044 VHS Video.............................$9.95 ______00320417 DVD ......................................$9.95 BEGINNING FRETBOARD GUITAR ROADMAPS VOLUME 1 featuring with Tom Kolb Fred Sokolow Starter Series Fred Sokolow teaches the In this info-packed DVD, parts of movable fretboard patterns all the acoustic and electric guitar the pros use. Guitarists will learn are described. Viewers will also how to solo and play back-up in learn: how to tune up, how to get all keys, all over the fretboard • good tone with an amplifier, how play movable chords and chord to hold the pick, left- and right-hand positioning, open progressions • play chord-based licks and arpeggios • chords, power chords, strumming patterns, string jam or play melodies with the blues box and with muting, soloing and more. -
Viagra and Antidepressants
Mixing Secrets for the Small Studio Mike Senior Amsterdam • Boston • Heidelberg • London • New York • Oxford • Paris San Diego • San Francisco • Singapore • Sydney • Tokyo Focal Press is an imprint of Elsevier FocalPress is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Mike Senior. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors, assume any liability for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions, or ideas contained in the material herein. -
Feel: Robbie Williams Free
FREE FEEL: ROBBIE WILLIAMS PDF Chris Heath | 544 pages | 31 Jan 2005 | Ebury Publishing | 9780091897543 | English | London, United Kingdom Feel - Robbie Williams - I just wanna feel real love Fill the home that I live in 'Cause I got too much life Running through my veins Going to waste. I just wanna feel real love Fill the home that I live in 'Cause Feel: Robbie Williams got too much life Running through my veins Going to waste And I need to feel real love And a life ever after I cannot get enough. I just wanna feel real love Fill the home that I live in I got too much love Running through my veins To go to waste. I just wanna feel real love In a life ever after There's a Feel: Robbie Williams in my soul You can see it in my face It's a Feel: Robbie Williams big place. Feel Robbie Williams. Compartilhar no Facebook Compartilhar no Twitter. Nos avise. Legendado por Patricia e mais 2 pessoas. Viu algum erro? Recomendar Twitter. Posts relacionados. Playlists relacionadas. Mais acessados. Todos Rock Gospel Sertanejo Mais. Aplicativos e plugins. Mobile Android iPhone Windows Phone. Desktop Google Chrome Windows 8. Plugin W. Media Player Winamp. Editar playlist. Tem certeza que deseja excluir esta playlist? Cancelar Excluir. Cancelar Sair sem salvar. Excluir playlist Cancelar Salvar. Quem pode ouvir Todos Somente eu. Robbie Williams - Feel Lyrics | MetroLyrics Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Feel: Robbie Williams editions. -
Robbie Williams' Durchbruch Mit Angels
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit »Künstlerischer Durchbruch« Eine Fallstudie zu Williams’ Erfolg mit dem Song Angels Verfasser Ludger Roman Duffner Bakk.phil. angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, im Jänner 2013 Studienkennzahl lt. Studienbla: A 316 Studienrichtung lt. Studienbla: Diplomstudium Musikwissenscha Betreuer: Univ.-Prof. Dr. Michele Calella Ein Danke dem auslaufenden Studienplan, der mich fertig werden ließ. Ein Danke der Zeit, durch die diese Arbeit reifen und wachsen konnte. Ein Danke meinen Eltern, die es ermöglicht haben, dass die Zeit ihre Arbeit vollbringt. Ein Danke meiner Freundin Nikita für ihre Unterstützung, Motivation und kritischen Kommentare. Ein Danke an Michi, Nikita und Sigi für das Eliminieren von großen und kleinen Fehlern. Ein Danke an Berni und Walter für die Unterstüzung in musikanalytischen Belangen. Ein Danke an Georg, der mich mit Design, Satz und Schri ausgestattet hat. Ein Danke an Univ.Prof. Dr. Michele Calella für die Betreuung dieser Arbeit. Ein Danke meinen Freunde, die mir immer zugehört haben, obwohl ich sie ein Jahr lang lediglich mit Details aus Robbie Williams Leben belästigt habe. Inhaltsverzeichnis Einleitung 7 1 Definition von Durchbruch 11 1.1 Das »Neue« und der künstlerische Durchbruch ................... 15 1.2 Durchbruch im Gesellschaskontext – Anerkennung und Aneignung ........ 16 1.3 Zeitliche Verortung des Durchbruches ........................ 18 1.4 Erfolg ......................................... 20 1.4.1 Erfolg und Durchbruch – Prozess der Etablierung .............. 21 1.5 Vorlauf und Vorbedingungen ............................. 22 1.6 Kurzdenition .................................... 24 2 Theorien 25 2.1 Production of Culture ................................. 25 2.2 Cultural Studies ................................... -
Mixing Secrets for the Small Studio
Mixing Secrets for the Small Studio Mike Senior Amsterdam • Boston • Heidelberg • London • New York • Oxford • Paris San Diego • San Francisco • Singapore • Sydney • Tokyo Focal Press is an imprint of Elsevier FocalPress is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Mike Senior. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors, assume any liability for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions, or ideas contained in the material herein.