1 CHRISTINE SUZANNE GETZ Associate Dean for Graduate Education and the Arts the University of Iowa Business Address
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1 CHRISTINE SUZANNE GETZ Associate Dean for Graduate Education and the Arts The University of Iowa Business Address: 240 Schaeffer Hall The University of Iowa Iowa City, Iowa 52242 USA Phone: 319-384-1856/cell: 319-400-7288 E-mail: [email protected] HIGHER EDUCATION Ph.D. in Musicology, University of North Texas, 1991. Dissertation: Music and Patronage in Milan 1535-1550 and Vincenzo Ruffo’s First Motet Book. M.M. in Voice Performance and Music History (double concentration), Southern Illinois University, 1982. Thesis: The Role of Manuel Garcia in the History of Vocal Pedagogy. B.M.E. (Voice), University of Evansville, 1979. PROFESSIONAL POSITIONS Administrative 2020-present, Associate Dean for Graduate Education and Outreach and Engagement, College of Liberal Arts and Sciences (CLAS), The University of Iowa. Slight shift in portfolio as described below from liaison to the Arts units to Outreach and Engagement. 2017-2019, Associate Dean for Graduate Education and the Arts, College of Liberal Arts and Sciences (CLAS), The University of Iowa. The Associate Dean for Graduate Education and the Arts supervises 47 graduate programs serving approximately 1,900 graduate students from 37 schools and departments in the arts, humanities, social sciences, and the natural and mathematical sciences by working closely with 40 Directors of Graduate Studies and CLAS Administrative, Finance, and Human Resources staff. In this capacity, she operationalizes a sizeable budget (approximately 19% of CLAS total) for graduate teaching assistants, fellowships, URM recruitment, and professional development, approves CLAS research assistant and postdoctoral fellow appointments, addresses graduate and postdoctoral grievances and disciplinary complaints, oversees the graduate curriculum, participates in CLAS long-term planning, reviews CLAS probationary tenure-track faculty for third-year contract renewal, reviews CLAS cases for tenure and promotion, reviews performance of department and school directors, participates in program reviews of CLAS departments and schools, interviews prospective faculty for positions, coordinates CLAS nominations for honorary degrees, and assists schools and departments with the nomination of faculty for external awards. She further collaborates with the Graduate College on initiatives affecting the funding and professional development of graduate students and postdoctoral fellows in CLAS and serves as the CLAS liaison to both the Graduate College and CLAS’s arts units. 2 2014-2016, Administrative Fellow, College of Liberal Arts and Sciences (CLAS), The University of Iowa. Participated in the caucus and planning meetings of the CLAS Deans, meetings of the Deans with CLAS Executive Committee, deliberations on CLAS faculty line allocations, and reviews of CLAS probationary tenure-track faculty for third-year contract renewal. Also assisted the Dean, Associate Dean for Faculty, and Associate Dean for Research and Infrastructure on projects related to faculty development and recognition. 2009-2016, Associate Director for Graduate Studies, School of Music, The University of Iowa. Oversaw all curricular, contractual, and disciplinary aspects of a graduate program in an accredited, comprehensive School of Music serving approximately 225 graduate students enrolled in MA, MFA, DMA, and PhD programs. Met regularly with the Director, Associate Director for Undergraduate Programs, Associate Director for Instructional Support, and professional staff to develop and implement initiatives and served as ex-officio chair of the Graduate Committee. Summer 2005-Summer 2014, Area Head, Musicology, School of Music, The University of Iowa. Coordinated musicology faculty meetings, graduate admissions, graduate student advising and qualifying examination assignments, TA assignments, curriculum, and course offerings. Consulted with the Director and Associate Directors on matters affecting the musicology area. Faculty Positions, Teaching Fellowships, and Teaching Assistantships 2012-present, Professor of Musicology, School of Music, The University of Iowa. 2005-2012, Associate Professor of Musicology, School of Music, The University of Iowa. 1999-2005, Assistant Professor of Musicology, School of Music, The University of Iowa. 1997-1999, Assistant Professor of Musicology and Director of Collegium Musicum, School of Music, Baylor University. 1990-1997, Lecturer in Musicology and Director of Collegium Musicum, School of Music, Baylor University. 1987-1990, Assistant Professor of Music, University of Maine at Presque Isle (on professional leave to accept Rotary Foundation Fellowship to Italy for dissertation research in 1988- 1989). Summer 1989; Summer 1988; 1986-1987, Teaching Fellow in Musicology, University of North Texas. 1985-1986, Adjunct Instructor of Voice, Tarrant County Junior College. 1983-1985, Teaching Assistant in Musicology, University of North Texas. 1982-1983, Instructor of Music, Moberly Area Junior College. 1980-1982, Teaching Assistant in Voice, Opera, and Music History, Southern Illinois University. AWARDS and FELLOWSHIPS (POST-DOCTORAL ONLY) Fall 2014, Career Development Award, The University of Iowa. 2012, American Musicological Society subvention to defray the costs of publication of Mary, Music, and Meditation: Sacred Conversations in Post-Tridentine Milan. Spring 2007, Career Development Award, The University of Iowa. 2005, Dean’s Scholar, The University of Iowa. 1999, Baylor University Teaching Award for a Tenure-Track Faculty Member. 1998, Fulbright Faculty Scholar, Italy. 3 1994, NEH Summer Seminar Fellowship for “Medieval Western Europe 1100-1500: The Latin Archival Sources," Newberry Library Summer Seminar 1994, Baylor University Young Investigator Award for Junior Faculty Achievement in Scholarship. 1993, NEH Summer Stipend for Independent Research. CURRENT PROFESSIONAL MEMBERSHIPS American Musicological Society International Musicological Society Società Italiana di Musicologia Society for Seventeenth-Century Music Renaissance Society of America LANGUAGES Italian: Reading, Speaking, Writing Latin: Reading Spanish: Reading French: Reading TEACHING AND MENTORING Teaching Assignments 2014-2019 Semester Undergrad Graduate Courses Taught # Enrolled # Credit Hours Advisees Advisees* Fall 2019 0 3 (2 regular, 1 co- MUS 7970: DMA Essay/Thesis 1 1 advisee) MUS 7950: Ph.D. Thesis 1 1 Spring 0 4 (2 regular, 1 co- MUS 6375: Music Editing 17 3 2019 advisee, 1 grad intern) MUS 3990: Special Studies 1 1 (Graduate Education Internship) MUS 7970: DMA Essay/Thesis 1 1 MUS 7950: Ph.D. Thesis 1 3 Fall 2018 0 3 (2 regular, 1 co- MUS 7970: DMA Essay/Thesis 1 1 advisee) MUS 7950: Ph.D. Thesis 1 3 Summer MUS 7950: Ph.D. Thesis 2 1 2018 Spring 0 6 (4 regular, 2 co- MUS 6330: Seventeenth-Century 12 3 2018 advisees) Music 4 MUS 7970: DMA Essay/Thesis 3 0-1 MUS 7950: Ph.D. Thesis 2 1-3 Fall 2017 6 (4 regular, 2 co- MUS 7970: DMA Essay/Thesis 4 1-4 advisees) MUS 7950: Ph.D. Thesis 2 1-3 Summer MUS 7950: Ph.D. Thesis 1 1 2017 Spring 0 6 (5 regular, 1 co- MUS 6375: Music Editing 15 3 2017 advisee) MUS 7970: DMA Essay/Thesis 3 0-1 MUS 7950: Ph.D. Thesis 1 1 Fall 2016 0 5 (3 regular, 1 pre- MUS 5301: Advanced Music 22 3 thesis, 1 co-advisee) History I MUS 6326: Renaissance Music 11 3 Notations MUS7970: DMA Essay/Thesis 1 0 MUS 7950: Ph.D. Thesis 1 1 Summer MUS 7950: Ph.D. Thesis 1 1 2016 Spring 0 6 (4 regular, 1 pre- MUS 5302: Advanced Music 20 3 2016 thesis, 1 co-advisee) History II MUS 6950: MA Thesis 1 2 MUS7970: DMA Essay/Thesis 3 0-2 MUS 7950: Ph.D. Thesis 1 1 Fall 2015 0 6 (5 regular, 1 co- MUS 7970: DMA Essay/Thesis 3 0-2 advisee) MUS 7950: Ph.D. Thesis 1 2 MUS 6325: Renaissance Music 15 3 MUS 5301: Advanced History and 31 3 Literature I Spring 0 7 (5 regular, 2 co- MUS 7970: DMA Essay/Thesis 3 0-2 2015 advisees) MUS 6950: MA Thesis 1 2 MUS 6375: Music Editing 14 3 MUS 5302: Adv. History and 26 3 Literature II Fall 2014 0 6 (4 regular, 2 essay MUS 7970: DMA Essay/Thesis 3 1-3 co-advisees) MUS 6950 MA Thesis 1 2 Career Development Award 5 Summer 0 5 (3 regular, 2 co- 025: 013EX4 (1301) Concepts and 12 3 2014 advisees) Contexts of Western Music (CIMBA) 025:502 (7970) DMA Essay/Thesis 1 2 Spring 0 5 (3 regular, 2 co- 025: 302 (5302)Advanced History I 22 3 2014 advisees) 025: 305 (6330) Seventeenth- 12 3 Century Music *Includes those enrolled in doctoral continuous registration or conducting pre-PhD thesis research Graduate Students Supervised Ph.D. candidates Kelsey Kramer McGinnis (musicology thesis), Spring 2017-present. •2019 UI College of Liberal Arts and Science Dissertation Writing Fellowship •2018 UI Graduate College Summer Fellowship •2018 UI Office of the Vice President for Research Graduate Award for Research Excellence in the Arts and Humanities •2018 UI Graduate College Post-Comprehensive Research Fellowship Kelsey Kramer McGinnis (musicology pre-thesis research), Spring 2015-Spring 2017. Sarah Lucas (musicology thesis), Graduated Fall 2018. •Lecturer in Music, Texas A&M University-Kingsville, beginning August 2019 •Teaching Artist of Music History, Drake University, 2018-2019 •Instructor, Des Moines Symphony Classical Conversation Series, 2018-2019 •2018 UI Graduate College Summer Fellowship •2017-2018 UI Graduate College Dissertation Fellowship •2017 UI Graduate College Summer Fellowship •2016-2017 Fulbright Scholar (Hungary) •2016 UI Graduate College Summer Fellowship Sarah Lucas (musicology pre-thesis research), Spring 2014-Spring 2015. •2014 Stanley Award Sidney Sun (musicology), Spring 2012, interim advisor. Francesco