James Leong Papers M2387
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Community, Identity, and Spatial Politics in San Francisco Public Housing, 1938--2000
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2005 "More than shelter": Community, identity, and spatial politics in San Francisco public housing, 1938--2000 Amy L. Howard College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, Public Policy Commons, United States History Commons, Urban, Community and Regional Planning Commons, and the Urban Studies and Planning Commons Recommended Citation Howard, Amy L., ""More than shelter": Community, identity, and spatial politics in San Francisco public housing, 1938--2000" (2005). Dissertations, Theses, and Masters Projects. Paper 1539623466. https://dx.doi.org/doi:10.21220/s2-7ze6-hz66 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. NOTE TO USERS This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. Furtherowner. reproduction Further reproduction prohibited without prohibited permission. without permission. “MORE THAN SHELTER”: Community, Identity, and Spatial Politics in San Francisco Public Housing, 1938-2000 A Dissertation Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy by Amy Lynne Howard 2005 Reproduced with permission of the copyright owner. -
The San Francisco Bay Area 1945 – 1965
Subversive Art as Place, Identity and Bohemia: The San Francisco Bay Area 1945 – 1965 George Herms The Librarian, 1960. A text submitted in fulfillment of the requirements of The Glasgow School of Art For the degree of Master of Philosophy May 2015 © David Gracie 2015 i Abstract This thesis seeks evidence of time, place, and identity, as individualized artistic perspective impacting artists representing groups marginalized within dominant Western, specifically American culture, who lived in the San Francisco Bay Area between 1945–1965. Artists mirror the culture of the time in which they work. To examine this, I employ anthropological, sociological, ethnographic, and art historical pathways in my approach. Ethnic, racial, gender, class, sexual-orientation distinctions and inequities are examined via queer, and Marxist theory considerations, as well as a subjective/objective analysis of documented or existing artworks, philosophical, religious, and cultural theoretical concerns. I examine practice outputs by ethnic/immigrant, homosexual, and bohemian-positioned artists, exploring Saussurean interpretation of language or communicative roles in artwork and iconographic formation. I argue that varied and multiple Californian identities, as well as uniquely San Franciscan concerns, disseminated opposition to dominant United States cultural valuing and that these groups are often dismissed when produced by groups invisible within a dominant culture. I also argue that World War Two cultural upheaval induced Western societal reorganization enabling increased postmodern cultural inclusivity. Dominant societal repression resulted in ethnographic information being heavily coded by Bay Area artists when considering audiences. I examine alternative cultural support systems, art market accessibility, and attempt to decode product messages which reify enforced societal positioning. -
Performing Chinatown: Hollywood Cinema, Tourism, and the Making of a Los Angeles Community, 1882-1943
Performing Chinatown: Hollywood Cinema, Tourism, and the Making of a Los Angeles Community, 1882-1943 By William Gow A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ethnic Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Catherine Ceniza Choy, Co-Chair Professor Shari Huhndorf, Co-Chair Associate Professor Weihong Bao Associate Professor Michael Omi Spring 2018 Copyright © 2018 by William Gow Abstract Performing Chinatown: Hollywood Cinema, Tourism, and the Making of a Los Angeles Community, 1882-1943 By William Gow Doctorate in Philosophy in Ethnic Studies with a designated emphasis in Film Studies University of California, Berkeley Professor Catherine Ceniza Choy, Co-Chair Professor Shari Huhndorf, Co-Chair Examining a period of national debate over immigration and U.S. citizenship, this dissertation foregrounds the social, economic, and political contexts through which representations of Chinatown in Los Angeles were produced and consumed. My dissertation asks: how did Chinese Americans in Los Angeles create, negotiate, and critically engage changing representations of Chinatown? To what extent did popular representations and economic opportunities in Hollywood inform life in Los Angeles Chinatown? And in what ways were the rights and privileges of U.S. citizenship and national belonging related to popular representations of Chinatown? To answer these questions, this project examines four different “Chinatowns” in Los Angeles—Old Chinatown, New Chinatown, China City, and MGM’s set for The Good Earth—between the passage of the Chinese Exclusion Act in 1882 and the law’s symbolic repeal in 1943 during World War II. -
Bulletin CHINESE HISTORICAL SOCIETY of AMERICA | MARCH APRIL 2006 | VOL
Bulletin CHINESE HISTORICAL SOCIETY OF AMERICA | MARCH APRIL 2006 | VOL. 42, NO. 2 James Leong Mar/Apr Confronting My Roots 2006 APRIL 18 - AUGUST 20, 2006 CALENDAR OF CHSA CHSA FRANK H. YICK GALLERY EVENTS & EXHIBITS n 1956, artist James Leong March 30 Talk Story set sail for Norway, never to Family Panel I Artist Flo Oy I Wong discusses her family-orient- live again in his native San ed installation with her prolific Francisco. His work returns to siblings: writer Li Chinatown in the Keng Wong, poet exhibition James Nellie Wong, jour- Leong: Confronting nalist and author My Roots, opening William Wong, and April 18 at the Lai G. Webster. Chinese Historical CHSA Learning James Leong’s Tiananmen Center, 7 pm, free Society of America to the public. Museum and Learning Center. and feeling stifled by an overstimu- April 2 Chinese American Curated by Irene Poon Andersen, lating Beat-era North Beach art Voices Book Launch Party I Join co- the show features Leong’s most scene, Leong sought opportunities editors Judy Yung, Gordon Chang, recent paintings, which meld his to work and paint elsewhere. and Him Mark Lai in celebrating the guiding theme, nature, with the Following his graduation from the recent publication of Chinese American Voices. See article in issue of Chinese ethnic identity California College of Arts and Bulletin for more information. in America. Crafts, he received a Fulbright Chinese Culture Center, 750 Kearny, James Leong was born in Fellowship to live and study in 3rd Fl., San Francisco, 1 pm, free to 1929 in San Francisco Chinatown. -
Chsa Publications
CHSA PUBLICATIONS CATALOG C HINESE HISTOR ICAL SOCIETY O F AMERICA Museum & Lear n i ng Cente r 965 Clay Street Sa n Franci sco, CA 94108 (415) 391-1188 | [email protected] chsa.org | CivilRightsSuite.org http://youtube.com/CHSAmuseum CHINESE HISTORICAL SOCIETY of AMERICA TABLE OF Museum & L earning Center 965 Clay S treet S an F rancisco, CA 94108 CONTENTS (415) 391-1188 | [email protected] chsa.org | CivilRightsSuite.org http://youtube.com/CHSAmuseum CREDITS cover, page 9: James Leong’s History of the CHSA BOOKLETS Chinese in America, 1952, egg tempera and casein on masonite panels, 60 x 210 inches, restored The Architecture of San Francisco Chinatown by the artist in 2000, Chinese Historical Society of America Collection, 1999.3, Gift of Ping Yuen by Philip P. Choy .............................................................. 3 Tenants Association; Reproduced courtesy James Leong; Photo courtesy Sharon Spain, Stanford A Meeting of Two Souls: A Tribute to Gary Woo, A Asian American Art Project Painter’s Painter by Yolanda Garfias Woo ..................... 4 page 4: Gary Woo’s Untitled [A/15]; Reproduced courtesy of Yolanda Garfias Woo Remembering 1882: Fighting for Civil Rights in the page 6: Remington’s “Chinese Must Go” cap gun, Shadow of the Chinese Exclusion Act featuring “Up an 1882 patent by Connecticut’s Charles Coester; CHSA, Gift of Jeffery P. Chan Against the Law” by Connie Young Yu .......................... 5-6 page 7: Miss Chinatown USA 1958 June Gong; Courtesy June Gong Chin, L2007.8 Glamour & Grace: The History & Culture of Miss page 9: Benjamen Chinn’s Untitled [Washington Chinatown USA ............................................................ 7 Street below Stockton, Chinatown, San Francisco], 1947, silver gelatin print; Reproduced courtesy of Celebrating Him Mark Lai: The Dean of Chinese the photographer American Historians 麥禮謙生日會紀念冊 page 12: Laura and Him Mark Lai, 1962; by Maurice Chuck, L. -
Chsa Publications
CHSA PUBLICATIONS CATALOG C HINESE HISTOR ICAL SOCIETY O F AMERICA Museum & Lear n i ng Cente r 965 Clay Street Sa n Franci sco, CA 94108 (415) 391-1188 | [email protected] chsa.org | CivilRightsSuite.org http://youtube.com/CHSAmuseum CHINESE HISTORICAL SOCIETY of AMERICA TABLE OF Museum & L earning Center 965 Clay S treet S an F rancisco, CA 94108 CONTENTS (415) 391-1188 | [email protected] chsa.org | CivilRightsSuite.org http://youtube.com/CHSAmuseum CREDITS cover, page 9: James Leong’s History of the CHSA BOOKLETS Chinese in America, 1952, egg tempera and casein on masonite panels, 60 x 210 inches, restored The Architecture of San Francisco Chinatown by the artist in 2000, Chinese Historical Society of America Collection, 1999.3, Gift of Ping Yuen by Philip P. Choy ..............................................................3 Tenants Association; Reproduced courtesy James Leong; Photo courtesy Sharon Spain, Stanford A Meeting of Two Souls: A Tribute to Gary Woo, A Asian American Art Project Painter’s Painter by Yolanda Garfias Woo .....................4 page 4: Gary Woo’s Untitled [A/15]; Reproduced courtesy of Yolanda Garfias Woo Remembering 1882: Fighting for Civil Rights in the page 6: Remington’s “Chinese Must Go” cap gun, Shadow of the Chinese Exclusion Act featuring “Up an 1882 patent by Connecticut’s Charles Coester; CHSA, Gift of Jeffery P. Chan Against the Law” by Connie Young Yu ..........................5-6 page 7: Miss Chinatown USA 1958 June Gong; Courtesy June Gong Chin, L2007.8 Glamour & Grace: The History & Culture of Miss page 9: Benjamen Chinn’s Untitled [Washington Chinatown USA ............................................................ 7 Street below Stockton, Chinatown, San Francisco], 1947, silver gelatin print; Reproduced courtesy of Celebrating Him Mark Lai: The Dean of Chinese the photographer American Historians 麥禮謙生日會紀念冊 page 12: Laura and Him Mark Lai, 1962; by Maurice Chuck, L. -
May June 2006 | Vol
Bulletin CHINESE HISTORICAL SOCIETY OF AMERICA | MAY JUNE 2006 | VOL. 42, NO. 3 THANK YOU!! May/ June By Sue Lee, CHSA Executive Director 2006 ur 1906 Earthquake project active partner in relating stories CALENDAR OF CHSA is a rousing success! With about the quake. Working with our EVENTS & EXHIBITS O the help and support of many indi- quake project research, Sing Tao May 2 Featured APA viduals, families, organizations, and Daily published a quake centennial Month Author: Li Keng Wong funders, CHSA was able to take full booklet that was inserted in their reads from Good Fortune: My part in an opportunity that only April 15th Bay Area edition. Journey to Gold Mountain. CHSA comes around every 100 years. CHSA’s outreach through the Learning Center, 2 pm. Thank you for helping us share the Centennial has helped us build May 7 Chinatown is stories of Chinese American quake relationships with other historic Burning! Performance by Charlie survivors, and the long-neglected Chinatown institutions and histori- Chin. Oakland Museum of story of what happened to San cal societies, such as First Chinese California, 1000 Oak Street, Francisco Chinatown. Baptist Church, Gum Moon Oakland, 2 pm, free with museum Local, national, and interna- Women’s Residence, the California admission. tional media have visited CHSA to Historical Society, and the Society cover our exhibition Earthquake: of California Pioneers. May 12 Featured APA The Chinatown Story for their After learning about our Quake Month Author: Belle Yang reads from Hannah Is My Name. CHSA audiences: print media such as the Project, history authors Douglas Learning Center, 2 pm.