University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2016 Bluesman, Guitar, And Migration Yaeko Takada University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Music Commons Recommended Citation Takada, Yaeko, "Bluesman, Guitar, And Migration" (2016). Electronic Theses and Dissertations. 1160. https://egrove.olemiss.edu/etd/1160 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact
[email protected]. BLUESMAN, GUITAR, AND MIGRATION A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by YAEKO TAKADA August 2016 Copyright Yaeko Takada 2016 ALL RIGHT RESERVED ABSTRACT This project examines how the bluesman, guitar, and migration have interacted with each other and brought about transformations to American popular music, based upon scholarly works, magazine articles, and the sound recordings of the prewar blues performers. In popular theory, the blues sprang out of the cotton fields and articulated the life experiences of the oppressed people in isolated areas, particularly the Jim Crow South. These are certainly truths of the blues. Also true is that the blues was a product of modernization in every way and a representation of the African American bluesman’s aspiring life. The bluesman’s mobile lifestyle was one way of his response to the changes of society. Chapters One and Two investigate the instruments of African American people past and present and closely look at the pathway of the guitar to become a bluesman’s choice of instrument.