A Sociology of Trauma
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A Dangerous Summer
theHemingway newsletter Publication of The Hemingway Society | No. 73 | 2021 As the Pandemic Ends Yet the Wyoming/Montana Conference Remains Postponed Until Lynda M. Zwinger, editor 2022 the Hemingway Society of the Arizona Quarterly, as well as acquisitions editors Programs a Second Straight Aurora Bell (the University of Summer of Online Webinars.… South Carolina Press), James Only This Time They’re W. Long (LSU Press), and additional special guests. Designed to Confront the Friday, July 16, 1 p.m. Uncomfortable Questions. That’s EST: Teaching The Sun Also Rises, moderated by Juliet Why We’re Calling It: Conway We’ll kick off the literary discussions with a panel on Two classic posters from Hemingway’s teaching The Sun Also Rises, moderated dangerous summer suggest the spirit of ours: by recent University of Edinburgh A Dangerous the courage, skill, and grace necessary to Ph.D. alumna Juliet Conway, who has a confront the bull. (Courtesy: eBay) great piece on the novel in the current Summer Hemingway Review. Dig deep into n one of the most powerful passages has voted to offer a series of webinars four Hemingway’s Lost Generation classic. in his account of the 1959 bullfighting Fridays in a row in July and August. While Whether you’re preparing to teach it rivalry between matadors Antonio last summer’s Houseguest Hemingway or just want to revisit it with fellow IOrdóñez and Luis Miguel Dominguín, programming was a resounding success, aficionados, this session will review the Ernest Hemingway describes returning to organizers don’t want simply to repeat last publication history, reception, and major Pamplona and rediscovering the bravery year’s model. -
"ZACK ATTACK" Written by Brittany Ashley "Happy Endings" Spec
"ZACK ATTACK" Written by Brittany Ashley "Happy Endings" spec INT. ROSALITAS - DAY BRAD, ALEX, DAVE, PENNY, JANE and MAX sit in their booth at Rosalita’s. Max, surrounded by birthday presents, opens one wrapped in newspaper. Much to his dismay, it’s the same exact shirt that Dave is wearing. MAX Another v-neck... from Dave. DAVE Hey man, you’re welcome. Max opens another gift, covered in a shitload of glitter. MAX Saved by the Bell boxed DVD set! Thank you, Penny! PENNY When we dated in college, I always thought we were like the Zack Morris and Kelly Kapowski of the quad. ALEX Aww, you guys! PENNY That is, until you lost your virginity to my RA, Zach Mores... ALEX Ehh... Roof stoof. MAX (remembering) Oh yeah, that dude was a smoke show, had a mouth like--- PENNY (interrupting, Shakespearean-style) Ah yes, a twist of irony that Past Penny wasn’t prepared for. But Present Penny finds quite charming. JANE Well it’s clear that I’d be the Jessi Spano. Top of the class, unstoppable dancer and that brief addiction to caffeine pills. 2. BRAD Caffeine pills, really? JANE I HAD TO PASS MY CALC MIDTERM, you don’t know the type of pressure I was under! I was so... scared. BRAD That makes me Slater, right, Mama? MAX I was thinking more like the Lisa Turtle. Alex, Dave, Penny, Max and Jane all nod. BRAD Why? Because I’m black? Alex, Dave, Penny, Max and Jane all hem and haw. ALEX Because you’re stylish. -
Mein Coming Out
Episode 107 Mein Coming Out Written by Gail Lerner Directed by Jeff Melman Table Draft 10/19/10 Shooting Script 10/20/10 (pg. 1,1A,10,12,21,26,30,31) Shooting Script (Blue Rev.) 10/21/10 (pg. 13) Shooting Script (Pink Rev.) 10/21/10 SONY PICTURES TELEVISION INC. © 2010 All Rights Reserved No portion of this script may be performed, or reproduced by any means, or quoted, or published in any medium without prior written consent of SONY PICTURES TELEVISION INC. 10202 West Washington Boulevard Culver City, CA 90232 Happy Endings "Mein Coming Out" [107] a. Shooting Script 10/20/10 CAST JANE .................................................................................................... Eliza Coupe ALEX ...............................................................................................Elisha Cuthbert DAVE...........................................................................................Zachary Knighton MAX ...................................................................................................... Adam Pally BRAD .......................................................................................Damon Wayans, Jr. PENNY ...............................................................................................Casey Wilson DOUG................................................................................................. Greg Cromer HOWARD BLUM................................................................................ Alan Rachins PAULINE BLUM...............................................................................Caroline -
Happy Endings.Pdf
l5 . i;orctrryA.lirsor, HappyEndings.17 "Ilc'll be fine." she'd replied, not Lrndcrstanding,speaking inste lovin$ you and hating you for your lifb, for not asking about what the other lbar. "Don't wc have a traditiorl of bastardsl" you have no reason to imagine, soft-chinned innocence I love. L{c was finc, :r classicallyugly healthy litde boy with that shock white hair that marked so manv of us. But afterward. it was that bad with my Jesseputs heg hands be y neck, smiles and says, "You tell the funni- sistcr down with pleurisl, then cystitis,and no work, no having t<l est stories." mrlvc back horne with mv cold-eyeclstepfbthcr. I would c home to see l-rcr.tionr itlrc wornan I could not admit I'd been with. take my infi- pulsing. "Yeah,"-{.rdllhei'.tBut I lie." (re88) my slster, no one ,/ bcreamingred-faced, "Shut upl Shut,upl" With each word her tist med the mattress fan- ning thc brby's eirr. MARGARETATWOOD "Don t!" I grelbed her, pulling her back, ng it as gendy as I could so I woultln't brcirk the stitchcs fiorn her qd ion. She had her ottrer MargaretAtwood, born in 1939and raisedin Ontario and Quebec,has pub- .rrnr clanrpcd acr,rsrher abdomen rnd c 't fight mc at all. She just lishedmore than thirty acclaimednovels and collectionsof poems,essays, and kept shricling. stories.Anrmportant critic, she hashelped dellne contemporaryCanadian lit- " fhrt little bastard.just screams screams.That little bastard. in North I'll kilf hirr." . t erature and has a distinguishedreputation among feministwriters Then rhc words seeped in and she lookcd at me while hcr son kept America and abroad.Her novelsinclude Surfoclng (1972);The Hondmoid'sTole cry,in* ano kicking his feet. -
Spooky Endings
Episode 205 Spooky Endings Written by Daniel Libman & Matthew Libman Directed by Fred Savage Shooting Script 08/26/11 Shooting Script (Full Blue) 08/26/11 Shooting Script (Full Pink) 08/29/11 (Pg. 8A,12,12A,19,20-21,20-21A,24,24A, 25,26, 27,27A,27B) Shooting Script (Yellow Rev.) 08/29/11 NOTE: Episode shooting 4th SONY PICTURES TELEVISION INC. © 2011 All Rights Reserved No portion of this script may be performed, or reproduced by any means, or quoted, or published in any medium without prior written consent of SONY PICTURES TELEVISION INC. 10202 West Washington Boulevard Culver City, CA 90232 Happy Endings "Spooky Endings" [205] a. Shooting Script (Full Pink) 08/29/11 CAST JANE .................................................................................................... Eliza Coupe ALEX ...............................................................................................Elisha Cuthbert DAVE...........................................................................................Zachary Knighton MAX ...................................................................................................... Adam Pally BRAD .......................................................................................Damon Wayans, Jr. PENNY ...............................................................................................Casey Wilson A.J....................................................................................................Will Greenberg HENRY...............................................................................................David -
Bamcinématek Announces the Main Slate for the Eighth Annual Bamcinemafest, a Festival of American Independents with 24 New York
BAMcinématek announces the main slate for the eighth annual BAMcinemaFest, a festival of American independents with 24 New York premieres and one North American premiere, Jun 15—26 Opening night—New York premiere of Ira Sachs’ Little Men Closing night—New York premiere of Tim Sutton’s Dark Night Centerpiece—New York premiere of Todd Solondz’s Wiener-Dog Spotlight screenings—New York premieres of Ti West’s In a Valley of Violence and Jeff Baena’s Joshy The Wall Street Journal is the title sponsor for BAMcinemaFest, BAMcinématek, and BAM Rose Cinemas. Brooklyn, NY/May 10, 2016—BAMcinématek announces the complete main slate for the eighth annual BAMcinemaFest (Jun 15—26), hailed as “New York’s best independent film showcase” (The New Yorker). A 12-day festival presenting premieres of emerging voices in American independent cinema, this year’s lineup features 23 New York premieres and two North American premieres. "This year's annual snapshot of the best of American independent cinema is excitingly eclectic, ranging from a formally adventurous reimagining of post-World War I France to a vampy tribute to 60s erotica shot (and projected!) on 35mm film," says Gabriele Caroti, director of BAMcinématek. "We're thrilled to welcome the great Ira Sachs and Todd Solondz both who join us for the first time with this year's Opening Night and Centerpiece films Little Men and Wiener-Dog. And we're proud and honored to host our first three-time festival alumnus, Tim Sutton (Pavilion, BAMcinemaFest 2012; Memphis, BAMcinemaFest 2014), whose audaciously atmospheric Dark Night screens as this year's Closing Night film." “The Wall Street Journal is proud once again to join BAMcinemaFest in celebrating the work of dynamic new filmmakers,” says Gerard Baker, editor-in-chief of The Wall Street Journal. -
Chris Powell Biography
Happy Endings – Elisha Cuthbert Biography Elisha Cuthbert Character, Alex Canadian Elisha Cuthbert burst onto the American scene as Kiefer Sutherland’s daughter, Kimberly Bauer, in the critically acclaimed series 24. Her portrayal earned her a nomination for a 2002 Teen Choice Award for Breakout TV Actress. She also received a 2005 SAG nomination as part of the 24 cast in the category of Outstanding Performance by an Ensemble in a Drama Series. Cuthbert starred as Maxine Denver in the series The Forgotten, produced by Jerry Bruckheimer, and will next be seen as Alex in the midseason ensemble comedy, Happy Endings. On the big screen Cuthbert starred in The Six Wives of Henry LeFay, opposite Tim Allen and Jenna Elfman. Other film credits include My Sassy Girl, Captivity, He Was a Quiet Man, The Quiet, House of Wax, The Girl Next Door, Old School, Love Actually, Time at the Top, Mail to the Chief, Airspeed and Believe. Cuthbert began her career in entertainment as a model at the age of seven. Soon after, she was cast as a regular in the Nickelodeon series Are You Afraid of the Dark? She also traveled the globe as a correspondent for the award-winning series, Popular Mechanics for Kids. In 2001 Cuthbert starred in the telefilm Lucky Girl, portraying a 16-year-old straight-A student who becomes addicted to gambling and struggles to overcome her addiction as the world around her collapses. Her powerful performance earned her the Gemini, the Canadian equivalent of the Emmy. Born and raised in Canada, Cuthbert now resides in Los Angeles . -
To Hell with Happy Endings! an Anti-School Manifesto
Volume 16 | Issue 18 | Number 2 | Article ID 5199 | Sep 15, 2018 The Asia-Pacific Journal | Japan Focus To Hell with Happy Endings! An Anti-School Manifesto Tsuneno Yujiro (Translation by Akira Kohbara) with an Introduction by Kido Rie In an interview held in August 2017, Tsuneno believe that? Does that cheer up Yujiro, an activist and writer who experienced children who actually do not go to futōkō (school non-attendance) and the author school at present? …I don’t exactly of “To Hell with Happy Endings! An Anti-School want to speak directly to children Manifesto,” said: and youth who are in severe situations, but I think the message “It could get worse” is more Now I am unemployed, and important (than “It will get although I might work part-time at better”). some point in the future, my mental illness is severe to the point where I receive a disability An issue raised here concerns the narrative of pension. This is clearly different liberation for members of minority groups. from the “cheerfultōkōkyohi Denying negative images attached to a (school refusal) children” model marginalized group and a movement’s that has been proposed for futōkō liberation discourse often emphasizes children by the alternative school successful models who “overcome” their Tokyo Shūre among others. In my predicament and live happily. Tsuneno case, I am not someone who, in criticizes this strategic attitude and focuses on spite of their futōkō experience, is the negative realities members of the minority working, married, graduated from group sometimes face in their lives. He argues a famous university and so on; nor that the liberation of oppressed people needs to am I living a fulfilling life.…Even if start from reconsidering the value that I try, I cannot express my pain in determines what is “positive” or “negative”. -
Aleksandra Klimowicz 1
Aleksandra Klimowicz 1 The Portrayal of Race, Sexuality and Gender in Happy Endings Although America has one of the most racially and ethnically diverse populations in the world, Caucasians make up its majority. Due to this and socio-political hegemony positions of power are generally assigned to white males. This notion was challenged most recently by the Obama administration and over the years members of minorities have witnessed dramatic improvement in this area, but many people still struggle for respect and perhaps more importantly, for rights. Part of the problem is the representation of minorities on TV and in cinema, as it is not representative of reality. “Media, especially television, continue to stereotype both majority and minority by means of some thought-provoking contrast” (Downing). America’s proud identification with the melting pot is not effectively displayed within the narrow paradigms of Hollywood and television. Much like positions of power, leading roles are assigned to white males and many characters that represent minorities are merely stereotypical caricatures of real people. While topics of gender and race are no longer the same taboo they once were, considering today’s media landscape the inclusion of a gay character is nothing short of a political statement (Tommy). The following paper will examine the manifestation of race, gender, sexuality and their intersections in the ABC sitcom, Happy Endings, and how it relates to the relations of power within society. Happy Endings is an ABC sitcom that ran from April 2011 to May 2013, and it was “the funniest Friends-rip-off-inspired comedy since Ross and Rachel got married” (Surette). -
In Defense of Happy Endings, Or, Where Lies the Trap of Never
Abstract: The prevailing form in popular culture has for some time C R been TV-series. The question is why, at a certain historical moment, I we are witnessing works of fiction that renounce their own ending. In S In Defense of Happy I this context, one has to take a closer look at film as the narrative with a S closure, and especially at the Hollywood happy endings. This production standard was never respected as it was considered artificial, unrealistic, & and ideological. However, one can argue that happy endings are more Endings, or, Where C ambiguous and have far more interesting implications. Serial logic, on R the other hand, has crept into all the pores of contemporary popular I culture: it is imposed on the film industry with franchises and it dictates T I Lies the Trap of consumption of video content today, known as binge-watching; especially Q with the rise of streaming services such as Netflix. This new attitude U toward fictional ending demands also an analysis of the current political E Never-Ending Stories context which is characterized by the end of endings. / Volume 7.2 / Keywords: TV-series, happy end, the end of endings, Netflix, Casablanca, Issue 2 Game of Thrones, Handmaid’s Tale It seems obvious that we live in an age of series. We call them TV-series although the mode of producing, distributing, and watching them has far less to do with television than with the so-called digital revolution. Jela Krecic However, what is really interesting about this dominating cultural form is its logic of endlessly prolonged narrative; of limitless continuation.1 Moreover, it seems the logic of series is not bound only to popular culture and entertainment business but goes hand in hand with our current political predicament. -
Ii Property, Mobility, and Epistemology in U.S. Women of Color Detective
Property, Mobility, and Epistemology in U.S. Women of Color Detective Fiction DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Julia Istomina, M.F.A. Graduate Program in English The Ohio State University 2015 Dissertation Committee: Linda Mizejewski, Advisor Lynn Itagaki Theresa Delgadillo ii Copyright by Julia Istomina 2015 iii Abstract This project explores how U.S. women of color detective fiction novels interpret and revise methods for obtaining and transmitting knowledge while operating within political and economic climates that discipline and occlude oppositional narratives, historiographies, and identifications. U.S. women of color detective fiction emerged in the early 1990s during a time when institutions began to incorporate historically marginalized perspectives, but also when American and transnational corporate initiatives sought to stigmatize and profit from poor women of color. The novels featured in this project make use of a genre that is invested in creating exceptionally intelligent and capable detectives who seek to identify and correct social injustice. In the process, these novels employ historiographic epistemologies that are typically elided in Anglo- European philosophical and narrative productions. Historiographic epistemologies are theories concerning the encoding and transmission of knowledge that also serve as mediations regarding the composition of history, testimony, and narrative. Through the use -
Briana Venskus
Briana Venskus SAG-AFTRA Hair: Brown Eyes: Brown Height: 5’6’’ Weight: 125 lbs. TELEVISION Supergirl (Pilot 2015) Co-star CW Nashville (Season 2 & 3) Recurring Various, ABC Hindsight Recurring Various, VH1 Reckless (Pilot 2013) Guest Star (Top of Show) Martin Cambell, ABC Marry Me Co-Star Reginald Hudlin, NBC The Newsroom Co- Star Carl Franklin, HBO Vampire Diaries Co- Star Jesse Warn, CW Switched at Birth Co-Star Allan Arkush House M.D. Co-Star Matt Shakman, FOX Wonder Woman (Pilot 2011) Co-Star Jeff Reiner, NBC Look Featured Adam Rifkin, Showtime FILM Let’s Be Cops Supporting Luke Greenfield, 20th Century Career Virgin Supporting Angie Comer, AFI Walk Hard Featured Jake Kasdan, Columbia Stories from a Perch Lead Andrew Palderman, CIA Anime Euthanasia (short) Lead Tiffany Luard, NCSA Prod. If Not Now When (short) Supporting Spencer Ockwell, SpenceRock Stickers (short) Supporting Zach Wright, Underline WEBISODES Casey Wilson's Writers Room Bree Funny or Die- Casey Wilson THEATRE (partial) Lamentations of the Pelvis Second Wife Son of Semele Medea *Starring Annette Benning Chorus UCLA Live! Dir. Lenka Udovich “Happy Endings” Live! Temple Grandins Cow Upright Citizens Brigade (LA) Fefu and Her Friends Fefu Craig Belknap Richard II Bishop of Carlisle Jessica Kubzansky Bat Boy the Musical Mrs. Taylor Cal Arts Bety Le Book of Daniel Ensemble Daniel Jones Las Meninas Mother Superior Cal Arts Nataki Garrett The Skriker Skriker E 400 Lindsey Firman The Recruiting Officer Constable Mary Lou Rosato The Rover Lucetta Mary Lou Rosato The House of Yes Mrs. Pascal MOD Lobby Our New American Century Faith Dragswolf REDCat Los Angeles The Birthday Party Lulu Craig Belknap EDUCATION/TRAINING California Institute of the Arts BFA Acting 2009 The North Carolina School of the Arts Degree Acting Big Apple Circus Dicki Ellis NBC/ Universal Studios- Studio Guide Acting: Shari Shaw, Anthony Meindl UCB/Second City Improvisation Improvisation- Paul Sills- Founder Second City SKILLS Local Hire NC, ATL, NOLA, NY.