DOCSLIB.ORG

(Iowa City, Iowa), 1975-06-24

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
(Iowa City, Iowa), 1975-06-24 I "Iowa's alternative newspaper II Iowa City, Iowa 522_4_2____ 1_0_' City may add new amendment By MARIA LAWLOR available to the public until Monday noon. SIIIff wrUer "That's jUJt not enough time for The Iowa City Council may vote to adopt everyone to review what hu been uid in a controversial amendment to the city'. the report," Czarnecki said. urban renewal contract with Old Capitol Czarnecki also said that in any cue he Associates at the council's fonnalsession will vote against the adf1ptlon ol the tonight. amendment when the council does act. "I think, first, the council needs to "I think that if we have doubts whether resolve the' question of what protection Old CapitOl can perform the contract, now does the city have that Old Capitol can is the time to make that decision rather perform the present contract," Mayor two years down the road," Czarnecki said. Edgar Czarnecki said Monday. He added that at cine time the city had a Czarnecki toid the council during its foolproof contract. informal session Monday that the city "The original contract called for the needs to include in the present contract completion of the mall first," Czarnecki some "sort of penalty that would be said. "If they CO\Iidn't perform we would inducements for Old Capitol to carry have known right away. Now, with the through with the urban renewal plans as amendment, we would reverse that. " \ quickly as possible." "We have a $1 million invested in The issue was raised when Czarnecki Washington Street with no protection that pointed out that the only protection the city Old Capitol will be able to compete that has now, $111,000 deposited by Old Capitol mall," Czarnecki added. "We also would when the contract was signed in November have to close olf some streets in connection I 1974 . is confused by two separate clauses with the designs for the mall. We need of the urban renewal contract. something more than a good faith agreement to protect our investments." The council instructed City Ally. John Councilwoman Carol deProsse said she Hayek to clarify whether or not the city too will vote against the adoption of the I would receive the depqsit in the event that amendment to prevent "decay" to the rest Sweet revenge and $3,000 Old CaDitol is not able to follow through of the downtown area whioh would be Bobby Mitchell signs autographs Monday after wlnnmg the Amana VIP Gol( Tournamenl here with ..,8 under par round 01 If. II wa ••wed reyenlle for Mitchell with the contract, or whether the city competing with a "controlled environment would forfeit the deposit if Old Capitol who l08t the Amana prize lut year In a .lIdden de.th pl.y off with Charlet oody. mall. " 8 cannot get mortgage money to finance the DeProsS(! said that other businesses plan. downtown would suffer In competing with Councilwqman Penny Davidsen also a mall that would provide climate comfort Fires sizzl~g 64 asked clarification on how the city intends from the time they Parked their cars until to finance the leasing of two parking lots they returned from shopping In the now used by the city. Old Capitol will take complex. over the two lots when they purchue 11112 "Why would shoppers go out in rain to acres of land from the city in March 1976. other businesses when they could so all Davidsen said the city would like to thei r shopping In a comfortable continue using the parking lots until final environment," -deProsse explained. MitcheU captures Amana VIP construction is completed, but the city Davidsen said she would support would have to begin leasing the lots from adopting the amendment providing the Old Capitol in March 1976 when Old Capitol previous questions can be resolved By BnLMcAUUFFE who has 18 U.S. Tour victories among his would' be taking a range back to his wife accent. "You never really learn to play It. begins paying taxes on the property. because she felt that the city was "beyond aDd worldwide total of 100 wins, never gave his whom he hadn't seen in the .ix weeks he'd It's one sport you can never master. Davidsen said she would not vote on the the point of no return. TOM QUINLAN followers a chance to drift away as he hit been tourinl the United States. " It'e a game rA IIIOrrowa. 11', alway. amendment until she felt the city had 1'1 foresee all sorts of problemS for the Thirty-eight of the country's top eight consecutive fairways and greenJ en It was the lolf, he explained, more than knock Ina you down, " he said. worked out a reasonable lease rate with city if we do not adopt the amendment," profeSllional golfers came to Iowa City route to his second 33 for the day . His 66 the wiMlngs, that was so alJru1ng to him, Even at the Amana , where run and the developers. she added. "Our risk with dropping the Monday and showed Iowans what the ~ied Bill Collings for second place. "Golf Is the most humbling sport," he games have aJways been the rule, the The information requested by Davidsen contract would be less than our risk to game of golf is all about at the ninth aMual While autograph seekers hounded the explained in a rich, gentlemanly British challenge was stiIJ there. is expected to be discussed at a special start all over at this point. " Amana VIP Golf Tournament. players, crowded the tee boxes and informal council session at 4 p.m. today. Twenty-nine of the pros equalled or broke climbed over field marshalls, the pros did Czarnecki said that depending on how par for the undulating Finkbine golf have a little time to get some golf in. satisfied the council is with the Dooley leaving? course,with Bobby Mitchell, last year's Johnny Miller, the yo ung , blond Perhaps golf fans information it receives today, the council runner-up to Charles Coody, fashioning a sensation who won eight tournament titles could vote on adopting the amendment John Dooley , UI director of transporta­ brilliant eight-Wlder-par 64 to win the and was named PGA Player of the Year in tonight. lion and security told The Daily Iowan tournament. 1974, delighted the early moming crowds deserve a mulligan But Czarnecki said he would be opposed Monday he is "seriously considering" More than 15,000 spectators flooded the with 8 dazzling rr. John Schlee and Eddie to voting on the amendment tonight another job, which he would begin "after UI's Finkbine course for a chance to see­ Pearce led the afternoon charges alonl{ because he feels the council needs the first of the year, " if he accepts the and even touch if they could be so bold - 38 with Player with 67s, and Miller Barber By JOHN BOWIE presses against the ropes surroundinl every tee and cup-there are hundreds of additional time to get more complete orrer. top profeSSions and 12 celebrities from ended with a 69. Altogether, 14 pros shot 69 SWfWrttel' answers to the questions raised Monday. Dooley said the job "is in the discussion sports and show biz. or better. people-all Lrying to stay under the shade He said he would also ravor delaying the stage." He added that he has an interview Wh it e Mitchell was cooling off the But not everyone took the game In 1457, the parliament of King James II trees. It's not yet ten in the morning, but vote because a staff report discussing the scheduled with the prospective employers clubhouse with his early morning 32-32- seriously. ol Scotland banned goll. The game had It's hot, too hot, and hwnld, Casper jokes effects or the amendment was not made 011 Thursday. 64, South African Gary Player was making Flip "Geraldine" Wilson, attracted become so popular it threatened the with the other players and with the crowd. a run at the title with a huge caravan in galleries all afternoon with his antics on practice of archery, which was necessary "The old guys know how to Jaw." enthusiastic tow. ". the course. But when It was ali over, Flip for national defense. "Yeah-keeps 'em loose." Part-time golfers, veteran duffers and wasn't. "Hey ! Pullin here!" A few blocks from "Keeps 'em loose. Youngguys don'ljaw. Rev. Welsh leads even a few who were fans jUJt new to the With j'olDlpters SWTOundin( the 18th Aren't loose enough." I • the Finkbine Golf Course in Iowa City, the game gathered at every tee, fairway and greeJ\J Flip iionchaJantly toaaea aside his morning of the Nilih AMual Amana V.J .P. It 's an older crowd around Cuper. One green for a chance to watch piayer, one shirt, golf glove, a handful of tees, his golf Golf Tournament. Two kids are trying to ol his young caddies spots a friend amonl of golf's most established ltars, display his Ilall and both shoes. He was, he said In jest, lure cars into the parking lot of a church, them . one man crusade ''paying off tournament bets. " talents. ooldlng high sheets ol cardboard lettered " You play yesterday?" "And I still owe out ~t Items from And display he did . After turning the "Amana Parkini-liO cents. " "Tied for tenth. " By MARIA LAWLOR viewed as a troublemaker, and anyone back nine holes with a fine three-under-par next year," he added, indicating his plans "Whadya make?" 33, Player quickly ltarted his gallery to return to the 18-bole pro-am event.
Load more

Recommended publications
  • ELVIS IS BACK!” Å Tørke Støv Av Eigil Berg Sin Artikkel Fra 1998, Som Viser Betydningen Av Disse Innspillingene
    FLAMING STAR 101 FLAMING STAR 101 I anledning av at FTD har sluppet boksen ”ELVIS IS BACK SESSIONS”, syntes vi det passet utmerket ”ELVIS IS BACK!” å tørke støv av Eigil Berg sin artikkel fra 1998, som viser betydningen av disse innspillingene. Sjekk det sjefs-arrogante hånfl iret på coveret! Han mener per defi nisjon fi neste album-sessions overhodet, og som alvor nå, der han snerrer mot oss og levner liksom ingen nå er samlet på de nyere oppgraderte utgivelsene av HIS FINEST HOUR tvil om sannhetsgehalten i tittelen. ”ELVIS IS BACK!”. ”Elvis Is Back!”. (Før du eventuelt protesterer bør jeg Og utropstegnet er på sin plass! minne om at både ”Platinum”-boksen og den defi nitive Av Eigil Berg ”Artist Of The Century”-boksen henter fl ere titler fra Det hersker enighet, bred enighet, blant musikkpolitiet disse to dagene i mars/april 1960 enn fra både SUN- og seriøse kritikere om hva som er Elvis’ kunstneriske perioden og Memphis ’69-opptakene). ”prime”; SUN-perioden og mesteparten av 50-talls- Det rå, rocka uttrykket hadde ennå ikke forlatt ham, innspillingene, samt det fascinerende ’68-comeback’et og to års militærtjeneste borte fra rampelyset hadde bare og kvalitetsnivået på Memphis-innspillingene fra ’69. gjort ham enda mer sulten på å (gjen)erobre sin posisjon. Men sannelig sier jeg Eder; har du først sans for denne Samtidig var det en langt mer moden sanger med en G.I. Blues studio bilde - April stemmen, (og det har du kanskje, siden du leser dette), så helt ny dimensjon som nå entret et av verdens ærligste 1960 Elvis øver med The lukk opp hjerte, sjel og ører til det som skulle bli mannens lydstudioer med Elvis’ til da desidert fl otteste og mest Jordanaires i studio.
    [Show full text]
  • Chet Atkins Chet, Floyd & Boots Mp3, Flac
    Chet Atkins Chet, Floyd & Boots mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Chet, Floyd & Boots Country: Canada Released: 1985 MP3 version RAR size: 1683 mb FLAC version RAR size: 1593 mb WMA version RAR size: 1114 mb Rating: 4.7 Votes: 184 Other Formats: MMF MPC DMF MP4 MP1 AA FLAC Tracklist A1 –Chet Atkins Hot Mocking Bird A2 –Floyd Cramer Piano Roll Rock A3 –Boots Randolph Big Daddy A4 –Chet Atkins Oh Lonesome Me A5 –Floyd Cramer Georgia On My Mind B1 –Boots Randolph Yakety Sax B2 –Chet Atkins From Nashville With Love B3 –Floyd Cramer Cast Your Fate To The Wind B4 –Boots Randolph Temptation Other versions Category Artist Title (Format) Label Category Country Year Chet Atkins / Floyd Chet Atkins / Floyd Cramer CAS-2523 Cramer / Boots / Boots Randolph - Chet, RCA Camden CAS-2523 Canada 1971 Randolph Floyd & Boots (LP, Comp) Chet Atkins / Floyd Chet Atkins / Floyd Cramer Pickwick, CAS-2523 Cramer / Boots / Boots Randolph - Chet, CAS-2523 US 1971 Camden Randolph Floyd & Boots (LP, Comp) Chet Atkins / Floyd Cramer Chet Atkins / Floyd / Boots Randolph - Chet, C8S-1173 Cramer / Boots RCA Camden C8S-1173 US 1971 Floyd & Boots (8-Trk, Randolph Comp) Chet Atkins / Floyd Chet Atkins / Floyd Cramer RCA CAS-2523 Cramer / Boots / Boots Randolph - Chet, Camden, CAS-2523 US 1971 Randolph Floyd & Boots (LP, Comp) Pickwick Chet Atkins / Floyd Chet Atkins / Floyd Cramer CAK-2523 Cramer / Boots / Boots Randolph - Chet, RCA Camden CAK-2523 US 1985 Randolph Floyd & Boots (Cass, Comp) Related Music albums to Chet, Floyd & Boots by Chet Atkins Chet Atkins - Chet Atkins and his Galloping Guitar Boots Randolph - ...With Love Boots Randolph - Temptation / Sweet Talk Chet Atkins - Mister Guitar Floyd Cramer - Dance Com Floyd Cramer Chet Atkins - Black Jack Jerry Reed And Chet Atkins - "Me And Chet" Chet Atkins - Chet Atkins In Hollywood The Nashville All-Stars - After The Riot At Newport chet atkins -.
    [Show full text]
  • Catalogue of Photographs of Performers at the Embassy Theatre
    Catalogue of Photographs of Performers and Shows in the Archives of the Embassy Theatre Foundation The archives of the Embassy Theatre Foundation hold more than 3000 artifacts, including more than 600 photographs of vaudevillians inscribed to Bud Berger (long-time stage man- ager at the Embassy Theatre, known as the Emboyd until 1952); more than 300 posters, playbills, programs, stools, and even guitars signed by the stars and casts of shows that have played at the Embassy Theatre over the past forty years, rang- ing from classic and current Broadway shows to acrobatic groups, choral ensembles, dance shows, ballet, stand-up comedians, rock bands, country singers, travel films, silent films, theatre organists, and so on; and hundreds of publicity photographs of performers, shows, and events at the theatre, primarily from the period following the establishment of the Embassy Theatre Foundation and its rescue of the theatre from the wrecking ball in 1975; and a nearly complete run of the journal of the American Theatre Organ Society. The archive is now almost fully catalogued and preserved in archival housing. Earlier excerpts from the catalogue (available on the Archives page of the Embassy Theatre’s web site) cover the photographs inscribed to Bud Berger and the posters, playbills, programs, stools, and so on from later shows at the Embassy. This is the third excerpt, covering the public- ity photographs of the last forty-five years and a few photographs of earlier events, Bud Berger, and other members of the stage crew. The publicity photographs are primarily of individ- ual performers, but a few shows are presented as well, including Ain’t Misbehavin’, Annie, Barnum, Bubbling Brown Sugar, Cabaret, California Suite, Cats, A Christ- mas Carol, Dancin’, Evita, Gypsy, I'm Getting My Act Together And Taking It On The Road, Joseph and the Amazing Technicolor Dreamcoat, Peter Pan, Same Time Next Year, Side by Side by Sondheim, and Ziegfeld: A Night at the Follies.
    [Show full text]
  • Boots Randolph
    2004 Induction Class Boots Randolph In 1927, Homer Louis Randolph was born in Paducah, Kentucky, and grew up in the rural area of Cadiz. Surrounded by a musical family, Homer, (or “Boots” as his brother called him), had many opportunities to explore his musical and creative talents. Boots played an array of instruments, but by the age of 16, he decided to focus his attention on the saxophone. While in the service he joined the Army Band, and later began working in a band with his brother. His unique style of sax playing caught the attention of friend and famed guitar player, Chet Atkins, who in 1958 helped Boots find work on Nashville recording sessions. It was his trademark tune, “Yakety Sax” that launched his career and enabled Boots to move to Nashville, becoming one of the most sought after studio musicians in the business. He was the first to play sax on Elvis’s recordings and the only one to ever play solo with him. Boots played sax on eight of Elvis’s movie soundtracks, in addition to playing with other top artists such as Chet Atkins, Floyd Crammer, Johnny Cash, Richie Cole, Pete Fountain, and Tommy Newsom, just to name a few. Boots Randolph played sax on Roy Orbison’s “Oh, Pretty Woman”, Al Hirt’s “Java”, REO Speedwagon’s “Little Queenie” and Brenda Lee’s “Rockin’ ‘Round The Christmas Tree.” Boots had a major impact on the use of the sax in pop and country albums making his own style a major part of the overall Nashville Sound.
    [Show full text]
  • Great Instrumental
    I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T.
    [Show full text]
  • I a Comparative Analysis of the Mechanics of Musser Grip, Stevens
    A Comparative Analysis of the Mechanics of Musser Grip, Stevens Grip, Cross Grip, and Burton Grip by Adam Eric Berkowitz A Document Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts Florida Atlantic University Boca Raton, FL April 2011 i Copyright © 2011 by Adam Eric Berkowitz ii Table of Contents Introduction ..................................................................................................................................... 5 Clair Omar Musser ........................................................................................................................ 12 Musser Grip .................................................................................................................................. 16 Leigh Howard Stevens .................................................................................................................. 19 Stevens Grip .................................................................................................................................. 23 A Comparison of the Musser Grip and the Stevens Grip ............................................................. 27 The Origins of the Cross Grip ....................................................................................................... 30 Cross Grip ..................................................................................................................................... 31 Gary Burton .................................................................................................................................
    [Show full text]
  • FEBRUARY 2019 REHAB & NURSING Newsletter-Reduced
    INDEPENDENT ROOM ACTIVITIES If you would like any books, cards, word search, crossword DATES TO CELEBRATE or sudoku puzzles, adult coloring pages etc., please call ext 1st Eat An Apple Day 2162 with your name, room number and what you would 2nd National Mutt Day like and we will bring it to your room. 3rd Anniversary Of The Film Release Of Rocky, 1976 VISITATION 4th National Cookie Day Visitation is by appointment only. 6th St. Nicholas Day You sign up on the Oak Manor 6-12 National Cookie Cutter Week REHAB Website @ Calendly.com. 7th Letter Writing Day & Pearl Harbor & You must wear a mask, shield Remembrance Day and practice social distancing 8th Gingerbread Decorating Day & NURSING during your visits. National Brownie Day CENTER 9th Christmas Card Writing Day 11-18 Hanukkah SENIOR LIVING COMMUNITY 12th National Cocoa Day & National Gingerbread House Day NEWSL ETTE R 14-18 Cookie Exchange Day 15th National Cupcake Day DECEMBER 2020 15th National Firefighters' Day NEW YEAR'S EVE FUN FACTS 16th National Chocolate-Covered Anything Day 1 CONTENTS2 The dropping of the New Year’s Eve Ball on New York’s Times 18th Bake Cookies Day Square is almost a century-old-tradition. And the first ball, which 19th National Hard Candy Day weighed 700 pounds, was dropped on December 31, 1907. 20th National Caroling Day CORONA VIRUS............................. ..2 At midnight, approximately 3,000 pounds of confetti is dropped 20-26 National Eggnog Week on the crowd in Times Square every year. 21st Winter Begins Anything is “possumble.” Who needs a ball of lights when you 22nd National Date Nut Bread Day DECEMBER NFO..............................3 have … a rodent? The town of Brasstown, North Carolina 24th Christmas Eve & Eggnog Day traditionally lowers a possum instead of a giant ball of lights on 25th Christmas Day New Year’s Eve.
    [Show full text]
  • George Benson Charlie Haden Dave Holland William Hooker Jane Monheit Steve Swallow CD Reviews International Jazz News Jazz Stories
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC George Benson Charlie Haden Dave Holland William Hooker Jane Monheit Steve Swallow CD Reviews International jazz news jazz stories Volume 39 Number 4 Oct Nov Dec 2013 More than 50 concerts in venues all around Seattle Keith Jarrett, Gary Peacock, & Jack DeJohnette • Brad Mehldau Charles Lloyd Group w/ Bill Frisell • Dave Douglas Quintet • The Bad Plus Philip Glass • Ken Vandermark • Paal Nilssen-Love • Nicole Mitchell Bill Frisell’s Big Sur Quintet • Wayne Horvitz • Mat Maneri SFJAZZ Collective • John Medeski • Paul Kikuchi • McTuff Cuong Vu • B’shnorkestra • Beth Fleenor Workshop Ensemble Peter Brötzmann • Industrial Revelation and many more... October 1 - November 17, 2013 Buy tickets now at www.earshot.org 206-547-6763 Charles Lloyd photo by Dorothy Darr “Leslie Lewis is all a good jazz singer should be. Her beautiful tone and classy phrasing evoke the sound of the classic jazz singers like Ella Fitzgerald and Sarah aughan.V Leslie Lewis’ vocals are complimented perfectly by her husband, Gerard Hagen ...” JAZZ TIMES MAGAZINE “...the background she brings contains some solid Jazz credentials; among the people she has worked with are the Cleveland Jazz Orchestra, members of the Ellington Orchestra, John Bunch, Britt Woodman, Joe Wilder, Norris Turney, Harry Allen, and Patrice Rushen. Lewis comes across as a mature artist.” CADENCE MAGAZINE “Leslie Lewis & Gerard Hagen in New York” is the latest recording by jazz vocalist Leslie Lewis and her husband pianist Gerard Hagen. While they were in New York to perform at the Lehman College Jazz Festival the opportunity to record presented itself.
    [Show full text]
  • Jazz Ensembles Take the a Train / STRAYHORN / WOLPE
    Tuesday, February 16, 2016 at 8 p.m. Dr. Bobbie Bailey & Family Performance Center Morgan Hall Seventy-eighth Concert of the 2015-16 Concert Season Kennesaw State program University JAZZ ENSEMBLE II Jazz Ensembles Take the A Train / STRAYHORN / WOLPE Deep Purple / PETER DE ROSE / WOLPE Jazz Ensemble II What's New / HAGGART / TAYLOR Wes Funderburk, Director Traumerei / SCHUMANN / THORNHILL Jazz Ensemble I Tickle Toe / LESTER YOUNG / WOLPE Sam Skelton, Director Bye Bye Blackbird / HENDERSON / WOLPE JAZZ ENSEMBLE I performs the music of STEVE WILLIAMS Certified / WILLIAMS Tuning Up The Hurricane / WILLIAMS Thad’s Lament / DANIELS / WILLIAMS Elyeska / WILLIAMS Woody’s You For Two / WILLIAMS Yes, My Friend / MCCANN / WILLIAMS program notes Senior Chief Musician Steve Williams teve Williams, a native of Pensacola, Fla. joined Navy Band Commodores in March 1994. The unit’s lead saxophonist since 1997, he was the music director from 2003 until 2009. He has composed/ Sarranged over 40 compositions for the group and produced its recently released CD, Directions. Williams has appeared on several albums including the Grammy winning Caribbean Jazz Project / Afro-Bop Alliance Big Band featuring Dave Samuels. He played lead alto sax with The Smithsonian Jazz Masterworks Orchestra, toured with The Glenn Miller Orchestra and was a semi-finalist in the 1988 Hennessey Cognac Jazz Search. He has performed with Joe Williams, Linda Carter, The Temptations, Rita Moreno, Jim Neighbors, Linda Lavin, Hal Linden, Eddie Fisher, The Jimmy Dorsey Orchestra, The Ice Capades, The Mills Brothers, Floyd Cramer, Al Hirt, Boots Randolph, Wayne Newton, Maureen McGovern, and many others. Williams has also performed with The Fort Worth, Richmond, and Baltimore Symphonies as well.
    [Show full text]
  • WDAM Radio's History of the Everly Brothers
    WDAM Radio’s History Of The Everly Brothers # Artist Title Position Label Comments 001 Everly Brothers “Don’t Let Our Love Die” –/1951 Recorded live at KFNF-AM/Shenandoah, Iowa. 002 Everly Family “Everly Family Radio Show –/1952 Recorded live at KFNF-AM/Shenandoah, Iowa. Introduction” 003 Don Everly “Thou Shalt Not Steal” –/1954 Demo snippet. 003 Kitty Wells “Thou Shalt Not Steal” #14-C&W/1954 Decca Don Everly – composer. 004 Everly Brothers “Keep A’ Lovin’ Me” –/1956 Columbia A-side. Don & Phil Everly – co-composers. 005 Everly Brothers “The Sun Keeps Shining” –/1956 Columbia B-side. Don Everly – co-composer. 006 Everly Brothers “Bye Bye Love” #2-Rock, #1- Cadence A-side. Boudleaux & Felice Bryant – co- C&W, & #5- composers. R&B-U.S. + #2- Canada, #6- U.K. & #14- Australia/1957 006A Webb Pierce “Bye Bye Love” #7-C&W/1957 Decca 007 Everly Brothers “I Wonder If I Care As Much” #2/1957 Cadence B-side. Don & Phil Everly – co-composers. 008 Everly Brothers “Wake Up Little Susie” #1-Rock, C&W Cadence A-side. Boudleaux & Felice Bryant – co- & R&B-U.S. + composers. #1-Canada, #2- U.K. & #3- Australia/1957 008A Simon & “Wake Up Little Susie” #27/1982 Columbia Garfunkel 008B Ron Hargrave “Should Have Been Home In –/1958 MGM Answer record. Bed” 008C Billy Dawn “Susie, We Goofed Again” –/1958 Coed Answer record. 009 Everly Brothers “Maybe Tomorrow” –/1957 Cadence B-side. Don & Phil Everly – co-composers. 010 Everly Brothers “This Little Girl Of Mine” #26-Rock & #4- Cadence A-side. Ray Charles – composer.
    [Show full text]
  • International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Bob Belden Ornette Coleman Jorge Gomez Christoph Irniger Pawel Kaczmarczyk Byron Morris Karen Ng John Taylor Michal Tokaj The Prism Quartet International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries Volume 41 Number 4 Oct Nov Dec, 2015 Intakt Records, Zurich, Switzerland | [email protected] Digital-Download-Shop: intaktrec.bandcamp.com WWW.INTAKTREC.CH Distributed by Naxos America · Amazon.com · iTunes Store Intakt CD 255 Intakt CD 252 Intakt CD 249 LUciano Biondini inGrid LaUBrock stePHan crUMP SENZA FINE anti-HoUse WitH MarY HaLvorson kris davis, MarY SECRET KEEPER HaLvorson, JoHn EMERGE HeBert, toM raineY ROULETTE OF THE CRADLE Intakt CD 259 Intakt CD 243 Intakt CD 246 saraH BUecHi oLiver Lake MariLYn crisPeLL WitH steFan aeBY WiLLiaM Parker GerrY HeMinGWaY andré PoUsaZ TO ROY TABLE OF CHANGES LioneL FriedLi SHADOW GARDEN Intakt CD 257 Intakt CD 247 Intakt CD 239 ULricH GUMPert oMri ZieGeLe aLeXander von WitH Jan roder BiLLiGer BaUer scHLiPPenBacH JÜrGWickiHaLder SO VIEL SCHON HIN aki takase MicHaeLGriener 15 HERBSTLIEDER SO LONG, ERIC! A NEW ONE HOMAGE TO ERIC DOLPHY Intakt CD 253 Intakt CD 237 Intakt CD 236 cHristoPH Lotte anker Fred FritH irniGer trio Fred FritH BarrY GUY OCTOPUS EDGE OF THE LIGHT BACKSCATTER BRIGHT BLUE Intakt CD 248 Intakt CD 245 Intakt CD 232 katHarina WeBer Mark HeLias andreas Fred FritH oPen Loose scHaerer FredY stUder WitH tonY LUcas niGGLi IT ROLLS MaLaBY ARCANUM toM raineY THE SIGNAL MAKER intakt records 2015 Intakt CD 254 Intakt CD 255 irÈne
    [Show full text]
  • H:\Song History WIP Rev 8-9-2017.Txt
    Cotton Candy and Circus Real Name Cotton Candy and a Toy Balloon recorded by Dinah Shore in 1950. Music and Lyrics by Steve Allen and "By" Dunham Crinoline Days and Mary Crinoline Days Written by Irving Berlin and recorded by Paul Whiteman and His Orchestra - Crinoline Days 1922 Mary "Mary (I'm in Love with You)" is an American popular song of 1931, written by J. Fred Coots and Ozzie Nelson. Nelson and his orchestra recorded the song on November 25, 1931 (Brunswick E37427).[1] Wild About Harry and Paddlin Madlin "I'm Just Wild About Harry" is a song written in 1921 with lyrics by Noble Sissle and music by Eubie Blake for the Broadway show Shuffle Along. "I'm Just Wild About Harry" was the most popular number of the production, which was the first financially successful Broadway play to have African-American writers and an all African-American cast. Originally written as a waltz, Blake rewrote the number as a foxtrot at the singer's request. The result was a simple, direct, joyous, and infectious tune enhanced onstage by improvisational dancing. In 1948 Harry S. Truman selected "I'm Just Wild About Harry" as his campaign song for the United States presidential election of 1948.[2] Its success in politics led to a popular revival. Paddlin' Madelin' Home Words and Music by Harry M Woods Recorded in 1925 by Cliff Edwards and i n 1926 by the Ipana Troubadors. Later Recorded by Jackie Gleason. A Long, Long Way From Home and Dream Kisses When you're a long long way from home Writen in 1914 by Henry Burr and recorded by Harry James and Bing Crosy to name a few.
    [Show full text]