Jazz Ensemble Bob Lark, Director
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Jazz Workshop Dana Hall, Director Jazz Orchestra Thomas Matta, Director Jazz Ensemble Bob Lark, Director Program Jazz Workshop Dana Hall, Director
Thursday, May 25, 2017 • 8:00 P.M. Jazz Workshop Dana Hall, director Jazz Orchestra Thomas Matta, director Jazz Ensemble Bob Lark, director DePaul Student Center 2250 North Sheffield Avenue • Chicago Thursday, May 25, 2017 • 8:00 P.M. DePaul Student Center JAZZ WORKSHOP Dana Hall, director JAZZ ORCHESTRA Thomas Matta, director JAZZ ENSEMBLE Bob Lark, director PROGRAM JAZZ WORKSHOP Dana Hall, director Dan Higgins A New Start Bob Meyer In The Moment Joel Adams Love Song Benjamin Phillips Little Warrior Dan Burke Living in the Existential Vacuum Sammy Galop and Peter DeRose; arr. Alex Blomarz Autumn Serenade Ben Voigt B’s Blues DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 PROGRAM JAZZ ORCHESTRA Thomas Matta, director To be selected from the following: Bill Holman Told You So George and Ira Gershwin; arr. Ted Nash Our Love Is Here To Stay Matt Harris Cabeza De Carne Mike Crotty The Poet Jim McNeely Extra Credit Harry Warren & Al Dubin; arr. Frank Mantooth I Only Have Eyes For You Thelonius Monk; arr. Ryan Adamsons Epistophry JAZZ ENSEMBLE Bob Lark, director Juan Tizol & Duke Ellington; arr. John Wasson Caravan Bob Lark; arr. Chris Madsen Rum Point Phil Woods Randi Thomas Matta Another Shuffle DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 PROGRAM Richard Rodgers & Lorenz Hart; arr. Thomas Matta It Never Entered My Mind Joseph Clark Blaze Sammy Mysels, Nelson Cogane & Dick Robertson; arr. Joseph Clark Yesterday’s Gardenias DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 BIOGRAPHIES Drummer, composer, ethnomusicologist, and bandleader Dana Hall has been an important musician on the international music scene since 1992, after leaving aerospace engineering for a life in music. -
The Jazz Record
oCtober 2019—ISSUe 210 YO Ur Free GUide TO tHe NYC JaZZ sCene nyCJaZZreCord.Com BLAKEYART INDESTRUCTIBLE LEGACY david andrew akira DR. billy torn lamb sakata taylor on tHe Cover ART BLAKEY A INDESTRUCTIBLE LEGACY L A N N by russ musto A H I G I A N The final set of this year’s Charlie Parker Jazz Festival and rhythmic vitality of bebop, took on a gospel-tinged and former band pianist Walter Davis, Jr. With the was by Carl Allen’s Art Blakey Centennial Project, playing melodicism buoyed by polyrhythmic drumming, giving replacement of Hardman by Russian trumpeter Valery songs from the Jazz Messengers songbook. Allen recalls, the music a more accessible sound that was dubbed Ponomarev and the addition of alto saxophonist Bobby “It was an honor to present the project at the festival. For hardbop, a name that would be used to describe the Watson to the band, Blakey once again had a stable me it was very fitting because Charlie Parker changed the Jazz Messengers style throughout its long existence. unit, replenishing his spirit, as can be heard on the direction of jazz as we know it and Art Blakey changed By 1955, following a slew of trio recordings as a album Gypsy Folk Tales. The drummer was soon touring my conceptual approach to playing music and leading a sideman with the day’s most inventive players, Blakey regularly again, feeling his oats, as reflected in the titles band. They were both trailblazers…Art represented in had taken over leadership of the band with Dorham, of his next records, In My Prime and Album of the Year. -
Charles Mcpherson Leader Entry by Michael Fitzgerald
Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d. -
Gerry Teekens, Whose Criss Cross Label Was a Harbor to Several Jazz Generations, Dies at 83
♫ Donate Live Stream · WBGO LOADING... Saturday Afternoon Jazz On the Air Music News Listen & Connect Calendars & Events Support About Search Gerry Teekens, Whose Criss Cross Label Was a Harbor to Several Jazz Generations, Dies at 83 By DAVID R. ADLER • NOV 6, 2019 ! Twitter " Facebook # Google+ $ Email LEO VAN VELZEN / LEOVANVELZEN.COM Gerry Teekens, founder and proprietor of Criss Cross Jazz, an unassuming Dutch indie label that became a vital repository of recorded jazz from the 1980s onward, died on Oct. 31. He was 83. His death was confirmed by his son, Jerry Teekens, Jr. At the news, tributes poured in from Criss Cross artists old and new, including soprano saxophonist Sam Newsome and guitarist David Gilmore. Formerly a professional drummer, Teekens founded Criss Cross in 1981 with a mission to document swinging, straight-ahead jazz of the highest caliber. At first the roster featured musicians as revered as guitarist Jimmy Raney and saxophonist Warne Marsh, but it grew to include the young and the promising: saxophonists Kenny Garrett, Chris Potter and Mark Turner, to name but a few, and pianists Orrin Evans, Bill Charlap and Benny Green. Countdown Watch later Share Multiple times a year, Teekens would cross the ocean from Enschede, Netherlands (thus the Criss Cross name), taking up at Rudy Van Gelder’s famed studio in New Jersey (and later at Systems Two in Brooklyn) for a full week of recording — knocking out an album a day, in the old-school way. In recent years the Criss Cross aesthetic began to broaden, with artists like alto saxophonist David Binney and trumpeter Alex Sipiagin using electronics and synthesizers, moving beyond the strictures of one-take-and-done while still remaining on board with the label. -
Performer Bios – April Jazz Pianists at the Betsy Hotel for Jazz Appreciation Month 2021
MIAMI BEACH – (For Immediate Release) The Betsy Hotel (thebetsyhotel.com) announces a stellar line up for Jazz Appreciation Month, featuring Miami-based pianists: Jim Gasior, Tal Cohen, Wilkie Ferguson, David Attelan, and Ryan Ellis. Pianist/Composer Marc Irwin (based in NYC and Baltimore) is The Hotel’s visiting jazz artist for 2021. The Betsy’s Jazz program is the longest continually running series of its kind in the region, featuring live performances 9 times a week – from 6 to 11 PM nightly, and from 11 AM to 4 PM on weekends during brunch at LT Steak and Seafood. All performances are in the Lobby of The Betsy Hotel located at 1440 Ocean Drive, Miami Beach. https://www.thebetsyhotel.com/calendar Jazz Appreciation Month (fondly known as "JAM") was created in 2001 at the Smithsonian to recognize and celebrate the extraordinary heritage and history of jazz for the entire month of April. The Betsy’s Jazz program connects to a rich legacy that links South Florida to the National historic Jazz circuit which brought musicians who played in both Harlems (the one in NY and the one in Overtown a.k.a. The Harlem of the South), as they made their way from club to club – across the USA. Back in the day in Overtown and on Miami Beach, stars like Count Basie, Ella Fitzgerald, Billie Holiday, Duke Ellington, Louis Armstrong, McCoy Tyner, and Josephine Baker performed the same jazz standards that will be performed live at The Betsy Hotel during Jazz Appreciation Month (JAM) 2021. The Betsy’s jazz schedule for April 2021 is listed below. -
Jonny King — Biography
Jonny King Biography Jonny King has been described by Downbeat as "one of the strongest piano voices" of his generation and a "bandleader who kicks ass." JazzTimes likewise wrote that he “represents the best of what jazz has to offer” as both a performer and composer. A native New Yorker, he grew up in the City's jazz clubs, participating first as a fan and then as a performer. Before he was a teenager, King had already performed onstage with Dizzy Gillespie and appeared on television at the piano alongside his early idol, Earl “Fatha” Hines. Before he was 20, he was already sitting in with Art Blakey and playing his first gigs in New York's many restaurants and clubs. King is primarily self-taught, having neither received any formal music education nor attended any jazz schools. He gratefully credits pianists Mulgrew Miller and Tony Aless as important influences, mentors and personal teachers. Beyond their private instruction, King learned music in the most old-school of ways -- by obsessively listening to records, attending jam sessions, and soaking up as much live and recorded music possible, from the most traditional to the most avant-garde. He continues to approach music the same way, both as a performer and composer. Beginning in the 1990s, King became a steady presence on the City's club scene, featuring his own bands at The Jazz Standard, Smalls, and legendary clubs like Sweet Basil's and Bradley's, his home-away-from-home, where he performed regularly both as leader and sideman. He toured as a member of Joshua Redman's Quartet and the Blue Note Records cooperative band OTB, and worked as the pianist in groups led by saxophonists Steve Wilson, Eddie Harris, Vincent Herring and many others. -
KW Short BIO2-13
KEN WALKER BIO : Our “first-call” jazz bassist for the Rocky Mountain region, Ken Walker has played with a veritable Who’s Who of jazz artists including: Eddie Harris, Joe Pass, Marlena Shaw, Kenny Barron, Eric Alexander, Houston Person, Pharaoh Sanders, Phil Woods, Hal Galper, Jimmy Heath,Tom Harrell, John Abercrombie, Randy Brecker, Nat Adderley, Slide Hampton, Clark Terry, Herb Ellis, Freddie Hubbard, Henry Butler, Warren Vache, Larry Coryell, Lew Soloff, James Moody, Roy Hargrove, Peter Erskine, Ed Soph, Butch Miles, Art Lande, Barry Harris, Billy Hart, Bob Berg, Eddie Daniels, Benny Golson, Ravi Coltrane, Emily Remler, Jimmy Heath, Bobby Shew, Charles McPherson, Roseanna Vitro, Sheila Jordan, Mose Allison, Fred Wesley and Bob Dorough. He has toured in Canada, Italy and Australia and also performed at the Telluride, Jazz Aspen Snowmass and other festivals and venues throughout the US. Terra Firma, his recording debut as a leader, stayed on the Jazz Week Radio charts for 17 weeks, reaching #13, and finished #56 on the top 100 Jazz CD releases for 2005. Walker’s discography includes, Phil Woods and Carl Saunders Play Henry Mancini, Two releases on Capri with Curtis Fuller. I Will Tell Her and Down Home, which was the #1 Cd on Jazz Week Radio charts for 4 weeks, and finish at #5 for year 2012. Walker moved to Denver in late 1985 and in 1987 began a 12-year tenure as the house bassist at Denver's legendary jazz club El Chapultepec that ended in 1998. Ken has been on the faculty of the Lamont School of Music since 1991, where he teaches jazz bass to all jazz and commercial bass majors, and coaches the Modal, Standards and Latin Combos in addition to his studio. -
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC). -
October 12, 2015 Jazz Album Chart
Jazz Album Chart October 12, 2015 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds Christian McBride Trio 1 1 3 1 Live At The Village Vanguard Mack Avenue 279 255 24 6 59 1 2 weeks at No. 1 / Most Reports Eric Alexander 2 2 1 1 The Real Thing HighNote 261 248 13 6 59 6 Most Reports Dee Dee Bridgewater, Irvin Mayfield and The 3 4 5 1 New Orleans Jazz Orch Dee Dee’s Feathers OKeh 233 223 10 9 51 1 4 5 4 3 Mike LeDonne AwwlRight! Savant 231 216 15 9 52 1 5 7 13 5 Gerry Gibbs and the Thrasher Dream Trio Live In Studio Whaling City Sounds 230 197 33 4 53 3 Erroll Garner Sony Legacy / Octave Music 6 24 51 6 The Complete Concert By The Sea 227 144 83 2 38 9 Biggest Gainer Pub. 7 11 12 7 Orrin Evans The Evolution Of Oneself Smoke Sessions 225 173 52 4 57 7 8 3 2 1 Cécile McLorin Salvant For One To Love Mack Avenue 217 231 -14 10 52 1 9 16 52 9 John Scofield Past Present Impulse! / Universal 215 163 52 2 48 10 Jazz at Lincoln Center Orchestra with 9 9 9 9 Wynton Marsalis Live In Cuba Blue Engine 215 190 25 6 47 1 11 6 6 1 Heads Of State Search For Peace Smoke Sessions 193 207 -14 12 44 0 12 10 7 1 George Cables In Good Company HighNote 191 175 16 12 44 1 13 32 45 13 Karrin Allyson Many A New Day Motema 187 131 56 3 45 6 14 19 19 6 Nick Finzer The Chase Origin 183 156 27 11 28 1 15 15 11 11 Kait Dunton trioKait Real & Imagined Music 182 164 18 9 38 1 16 20 16 16 Joe Magnarelli Three On Two Posi-Tone 177 152 25 6 42 1 Arturo O’Farrill and The Afro Latin Jazz 17 13 10 10 Orchestra Cuba - The Conversation Continues Motema 172 166 6 7 -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
New York Quartet
NEW YORK STANDARDS QUARTET Tim Armacost David Berkman Gene Jackson Ugonna Okegwo 1 "Power of 10" is notable for its powerful music, intelligent interactions, excellent solos...The New York Standards Quartet takes music many listeners are familiar with, styles we can put a name to, and creates a program that illustrates just how alive jazz can be. RIC Richard Kamins, Hartford Courant 2 new york standards quartet biography When we formed the New York Standards Quartet (nysq) ten years ago, the concept was a straightforward one: play jazz standards in our own way. After playing a lot of original music (we all compose and lead bands that do that) we thought it would be fun and liberating to play music based on simpler, standard jazz tunes that we had grown up playing. By playing jazz standard tunes like “Confirmation” and “All the Things You Are,” we put the focus on the playing of the tune—what we do with it, not so much the tune itself. These tunes are blank slates to write on, with a lot of freedom and room for interpretation. We’ve expanded our approach to include arrangements and reinventions of these tunes, as well as original compositions that have a close connection to forms and harmonies derived from standards. The band has been touring and developing together for ten years, and it shows in the music. Audience response has been phenomenal, and bookings are pouring in from festivals and venues around the world. The New York Standards Quartet is Tim Armacost (Billy Hart, Ray Drummond, Kenny Barron) on saxes and flute, David Berkman (Tom Harrell, Cecil McBee, Vanguard Orchestra) on piano, Gene Jackson (Herbie Hancock, Wayne Shorter, Dave Holland) on drums, and Ugonna Okegwo (Brad Mehkdau, Tom Harrell, Kurt Rosenwinkel) on bass. -
MEMORANDUM Agenda Item No
MEMORANDUM Agenda Item No. 5(F) TO: Honorable Chairman Jose "Pepe" Diaz DATE: April 20, 2021 and Members, Board of County Commissioners FROM: Geri Bonzon-Keenan SUBJECT: Resolution codesignating that County Attorney portion of SW 76th Avenue from SW 74th Street to SW 78th Street as “Ira Sullivan Way” The accompanying resolution was prepared and placed on the agenda at the request of Prime Sponsor Commissioner Raquel A. Regalado. _______________________________ Geri Bonzon-Keenan County Attorney GBK/jp 1 Honorable Chairman Jose "Pepe" Diaz April 20, 2021 and Members, Board of County Commissioners 5(F) County Attorney 2 Approved Mayor Agenda Item No. 5(F) Veto __________ 4-20-21 Override __________ RESOLUTION NO. ________________________ RESOLUTION CODESIGNATING THAT PORTION OF SW 76TH AVENUE FROM SW 74TH STREET TO SW 78TH STREET AS “IRA SULLIVAN WAY” WHEREAS, Ira Sullivan was an internationally renowned American jazz trumpeter, flugelhornist, flautist, saxophonist, and composer, often switching from one instrument to the next during a single set with seeming effortlessness; and WHEREAS, Sullivan was born on May 1, 1931, in Washington, D.C., and began playing the trumpet at age 3-1/2, not long before his family moved to Chicago; and WHEREAS, a self-taught musician, Sullivan developed his saxophone prowess in high school, and as a teenager immersed himself in Chicago’s thriving jazz scene; and WHEREAS, at age 16, Sullivan started playing jam sessions around Chicago, finding himself increasingly in demand as he blossomed into a young star;