September 2013
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
James Michalopoulos: Rapt in Color, on View at the Alexandria Museum of Art, from September 5, 2014 – November 22, 2014
Table of Contents About the Guide........................................................................................................................................................................................................................................ 1 Acknowledgements .............................................................................................................................................................................................................................. 2 VTS and Common Core at the Museum ...........................................................................................................................................................................3 Before Your Visit .................................................................................................................................................................................................................................... 4 About the Artist ........................................................................................................................................................................................................................................ 5 Visual Thinking Strategies Activity ................................................................................................................................................................................... 6 Visual Art/Writing Activity: This Old House ................................................................................................................................................. -
THE PAINTINGS of JAMES MICHALOPOULOS March 1-July 16, 2017
FOR IMMEDIATE RELEASE Miriam Taylor Ogden Museum of Southern Art 504.539.9631 [email protected] Caroline Kerrigan Michalopoulos Studio and Gallery 646.298.5261 OGDEN MUSEUM OF SOUTHERN ART PRESENTS LARGEST RETROSPECTIVE OF NEW ORLEANS ARTIST JAMES MICHALOPOULOS WALTZING THE MUSE: THE PAINTINGS OF JAMES MICHALOPOULOS March 1-July 16, 2017 NEW ORLEANS – On March 1, 2017 the Ogden Museum of Southern Art will open the exhibition Waltzing the Muse: The Paintings of James Michalopoulos, a 30 year retrospective celebrating one of the South’s most influential artists. The exhibition highlights the artist’s decades long exploration of what it means to experience New Orleans’ culture through the intersection of art, architecture and music. Waltzing the Muse showcases Michalopoulos’ iconic cityscapes that capture the city's eternal dance between decadence and decay–as well as works depicting lesser-known subjects, including anthropomorphic perspectives on classic cars, landscapes and an especially poignant series of portraits featuring local music legends. My style is an abstraction of the figurative; I like color, volumetric shape and graphic lines. While one may recognize the subjects of my paintings, through my work one discovers the spirit of them. – Michalopoulos The origins of his singular style can be traced to the days when he would venture out on his scooter to paint the New Orleans cityscape at night, while listening to a portable radio tuned to WWOZ. He channeled the rhythms coming from the radio into his subjects – both infusing and animating them with movement. I like a picture to dance and I often think of a painting in mystical terms. -
HNOC Aotccatalog.Pdf
1 2 1 “For the first time in history, the majority of the world’s population lives in urban communities,” the Museum of Contemporary Art San Diego observed with its 2010 exhibition Viva la Revolución: A Dialogue with the Urban Landscape. “The city itself, its buildings, vehicles, people, and advertisements, are not only the surface where the art is applied. The city fuels the practice.” The New Orleans urban landscape similarly animates and contextualizes Art of the City: Postmodern to Post-Katrina, presented by The Helis Foundation. This collection of art and artists illustrates the city’s multilayered character and confirms its significance as an incubator of cultural diversity. Art of the City focuses loosely on the period from the 1984 Louisiana World Exposition through the present—a vital yet turbulent era in the life of the Big Easy. The design of the world’s fair and the art it exhibited fit into the postmodern movement of the day, which rejected established styles and cultural norms and embraced a diversity of perspectives and forms. The convergence of these ideas and this international event in New Orleans left a lasting imprint Right and next page: Before I Die; 2011; chalkboard paint, spray paint, chalk; by Candy Chang; images courtesy of the artist 2 on the city and its artists. In the aftermath of what is often called “The Storm,” Front cover: encompassing the levee breaches, floods, and much more, New Orleans has Cityscape (detail); 1987; gouache on paper; by Krista Jurisich; THNOC, gift of Judith L. proven resilient, in no small part because of its ascending—and still incubating— Jurisich, 2017.0021 ecosystem of culture and arts. -
Mary Poppins Set Design: Curves, Angles and New Orleans Gothic Revival ………… 22
The Jefferson Performing Arts Society Presents 1118 Clearview Parkway Metairie, LA 70001 504-885-2000 www.jpas.org 1 | P a g e Table of Contents Teacher’s Notes………………………..…………..…………..……..3 Standards and Benchmarks…………………..……………….…..5 Background………………………………………..…….………………6 JPAS Mary Poppins Set Design: Curves, Angles and New Orleans Gothic Revival ………… 22 JPAS Mary Poppins Screeving Narratives: Family Odysseys.............................................................46 The World’s First Female Pavement Artist .....................65 JPAS Fantastic Dreams Are Made of Strong Elastic …………………………………...….69 Disney Developing New Original Musical …...........................99 Additional Resources…………………………………..…..….….101 2 | P a g e Teacher’s Notes Mary Poppins Original Music and Lyrics by Richard M. Sherman and Robert B. Sherman Book by Julian Fellowes Everyone’s favorite practically perfect nanny takes the stage in this Supercalifragilisticexpialidocious musical adventure. Featuring all your favorite songs from the movie, plus a few new catchy tunes, this is perfect for the whole family. This magical family musical is based on the series of children’s books by P.L. Travers and the 1964 Disney film starring Julie Andrews and Dick Van Dyke. Story: George and Winifred live at Number 17, Cherry Tree Lane with their misbehaved children, whose latest nanny has just quit with a fit. Enter Mary Poppins, the “practically perfect” nanny who teaches with magic and bonds with the children as no other nanny has. When Mary suddenly leaves the position, and Winifred hires George’s childhood 3 | P a g e nanny to take on the job, sending George and the children fleeing from the house, Mary becomes more valuable than ever. With patience, kindness, and a little bit of magic, Mary and her friend Bert help the family set things right - maybe more right than they’d ever been before. -
Where Culture Means Business
Louisiana:Where Culture MeansBy Mt. Auburn Business Associates s rt A e u h rie f t and o l J. L on tchel ism isi or Mi our iv Offi ce of Lieutenant Govern d T D n an na reatio isia ure, Rec ou Department of Cult t—L men evelop Offi ce of Cultural D Louisiana:ana: Where Culture Means Business Prepared by: Mt. Auburn Associates Beth Siegel Michael Kane Beate Becker with Ralitsa Dimitrova Jonathan Latner Gene Meneray and Jeanne Nathan and Zopari Kristjanson of Creative Industry July 31, 2005 This report was funded by the National Endowment for the Arts – A Great Nation Deserves Great Art— and the State of Louisiana, Offi ce of the Lt. Governor, Department of Culture, Recreation and Tourism, Offi ce of Cultural Development, Louisiana Division of the Arts. Cover design by: Chuck Sanchez, Stun Design & Advertising Cover Art: “The New South” by Terrance Osborne Lieutenant Governor Mitch Landrieu and the Department of Culture, Recreation and Tourism commissioned Terrance Osborne to create the piece of art found on the cover of this program. Osborne has captured the special feel of Louisianaʼs cultural economy with this colorful and festive portrayal of our architecture, our music, our people and our great outdoors. The artwork communicates the true nature of our people enjoying Louisianaʼs culture throughout the piece. The original artwork is acrylic on wood, pieced together to form a three-dimensional 9-foot collage relief. Published 2005 by the State of Louisiana, Offi ce of the Lt. Governor, Department of Culture, Recreation and Tourism, Offi ce of Cultural Development, Louisiana Division of the Arts P.O. -
Of Exhibitors the City Is Coming Back in Ways That Many People Thought It Never Would
Welcome! Contents On behalf of the National Art Education Association Board of Directors, Staff and Board of Directors, it is a pleasure to welcome you Local Committee Members 2 Highlights 2 to the 2008 NAEA Convention in New Orleans! The Crayola Reception 3 NAEA convention is the largest professional develop- Dr June King McFee Reception 3 ment opportunity in the world devoted exclusively General Information 4 to art educators. This is a great chance for you to meet and network 2007 NAEF Grant Recipients 5 with others who share your passion for, and commitment to, the NAEA Bookstore 6 field of art education. Artisans Gallery 6 This year the majority of our meetings will be held at the New Orleans Convention Center Museums 8 —we’ve outgrown having conventions in hotels! You’ll find that the meeting rooms are larger Guide to Visiting Exhibitors 8 and there’s more space to move around in the Exhibition Hall. The local convention bureau has rolled out the red carpet for us…”they’re jazzed that NAEA is meeting in New Orleans!” Exhibit Hall Floor Plan 9 Like New Orleans, our association is at a very exciting period of change in its 60-year history. About The SHIP 0 That’s why it is very appropriate that we meet here—where the arts are alive and well—and Index of Exhibitors the city is coming back in ways that many people thought it never would. A city of change… Session Times and Overviews New Orleanians contribute to this rebirth of the arts, because the arts have always been and will continue to be the heart and soul of their city.