Of Exhibitors  the City Is Coming Back in Ways That Many People Thought It Never Would

Total Page:16

File Type:pdf, Size:1020Kb

Of Exhibitors  the City Is Coming Back in Ways That Many People Thought It Never Would Welcome! Contents On behalf of the National Art Education Association Board of Directors, Staff and Board of Directors, it is a pleasure to welcome you Local Committee Members 2 Highlights 2 to the 2008 NAEA Convention in New Orleans! The Crayola Reception 3 NAEA convention is the largest professional develop- Dr June King McFee Reception 3 ment opportunity in the world devoted exclusively General Information 4 to art educators. This is a great chance for you to meet and network 2007 NAEF Grant Recipients 5 with others who share your passion for, and commitment to, the NAEA Bookstore 6 field of art education. Artisans Gallery 6 This year the majority of our meetings will be held at the New Orleans Convention Center Museums 8 —we’ve outgrown having conventions in hotels! You’ll find that the meeting rooms are larger Guide to Visiting Exhibitors 8 and there’s more space to move around in the Exhibition Hall. The local convention bureau has rolled out the red carpet for us…”they’re jazzed that NAEA is meeting in New Orleans!” Exhibit Hall Floor Plan 9 Like New Orleans, our association is at a very exciting period of change in its 60-year history. About The SHIP 0 That’s why it is very appropriate that we meet here—where the arts are alive and well—and Index of Exhibitors the city is coming back in ways that many people thought it never would. A city of change… Session Times and Overviews New Orleanians contribute to this rebirth of the arts, because the arts have always been and will continue to be the heart and soul of their city. That’s why it is more important than ever Wednesday 38 for us to come together as an organization in this great city. What better place for us to meet? Thursday 56 There is strength in numbers, and we have such huge potential! The post-Katrina slogan is Friday 79 “Recover, Rebuild, Rebirth”… What better place for our rebirth as an organization as well? Saturday 02 I know you join me in thanking Convention Coordinator Dean Johns, Carolee Miller and Judy Ball Johnson from the Louisiana Host State Committee, and all the local committee members for the Sunday 24 outstanding job they have done in planning and organizing this year’s convention. We hope your stay Index of Presenters 37 here is a memorable one. Please do not hesitate to ask any of us if you have questions or need Convention Questionnaire 6 assistance at any time. Have a great conference! Bonnie B. Rushlow, NAEA President NAEA State Conferences 62 Welcome to New Orleans and the 2008 NAEA National Convention. It has been my pleasure to serve as the Program Coordinator for this convention. Our theme “Innovations in Teaching, Learning, and Leading” sets the expectation for each conference participant. During the week you will be able to immerse yourself in: • Ideas for exploring visual arts concepts and processes to create high quality works of art • Processes for teaching and learning that are based on hands-on methods • A variety of approaches for connecting the visual arts and other curriculum areas • Strategies for involving reading and writing in the exploration of art concepts that can facilitate learning in all three areas New This Year! • Approaches to using traditional media and/or new technology Cyber Cafe • Exploration of ideas, values, and beliefs of other peoples as communicated through the Stay connected during the convention! visual arts The NAEA Cyber Cafe, provided by CELT • Personal well-being, leadership Corporation, will be available in the • A plethora of other topics and activities: Art Production, Art History, Aesthetics, Art Criticism, Registration area for convention attendees. Multiculturalism, Differentiation, Inclusion, Arts Integration, Advocacy, Literacy, Visual Literacy, Visual Culture, Drawing, Painting, Printmaking, Sculpture, Fine Crafts, Graphic Design, Crayola Badge Enhancement Station Writing in the Content Area, Journals, Process Journals, Sketchbooks, Research Workbooks, Create a work of art after you pick up your Assessment, Evaluation, Careers, Collage, Mixed Media, Architecture, Technology, Reading, name badge. The Crayola-sponsored Badge Design, The Creative Process, etc., etc., etc.… Enhancement Station offers the latest There will be speakers, sessions, and events to peek our interest and broaden our products for your one-of-a kind masterpiece! knowledge, experience, and understanding. I hope you will find the convention invigorating, rewarding, and renewing for you as artist and arts educator. Have a wonderful week!! Artsonia Digital Electronic Gallery Dean Johns, 2008 Convention Coordinator See it in the Registration area! New Orleans Highlights National Art Education Association General Sessions Board of Directors 9 AM, Morial Convention Center, La Lousiane Ballroom, 1st Floor President: Bonnie B. Rushlow, Tennessee FIRST .......................................................59 Past President: Thursday, March 27 Susan J. Gabbard, Oklahoma Keynote Speaker: Bonnie Rushlow, NAEA President President-elect: Special Guest: Paint Jam Man R. Barry Shauck, Massachusetts National Elementary Division Director: SECOND .....................................................80 Friday, March 28 Rosie Riordan, Kansas Keynote Speaker: Lynell Burmark National Secondary Division Director: Ralph Caouette, Massachusetts THIRD ......................................................104 National Middle Level Division Director: Saturday, March 29 Shirley Howard, Arkansas Keynote Speaker: Thomas Mann National Higher Education Division Director: FOURTH ....................................................126 Melody Milbrandt, Georgia Sunday, March 30 Keynote Speaker: Dr Charles M Falco National Supervision and Administration Division Director: John Fitzpatrick, Iowa Local Artist Series National Museum Education Division Wednesday, March 26 Director: Mary Jane Parker, Multimedia Artist ......................... 42 Anne Henderson, Tennessee Thursday, March 27 Vice President, Eastern Region: George Rodrigue, Creator of the Blue Dog series ..................60 Margaret Johnson, New York Vice President, Pacific Region: Thursday, March 27 Diana McDougal, Wyoming George Schmidt, American Realist Painter ........................63 Vice President, Southeastern Region: Friday, March 28 Betsy Logan, Alabama James Michalopoulos, Painter, Art Director, Publisher, Restaurateur ....82 Vice President, Western Region: F. Robert Sabol, Indiana Deborah B. Reeve, NAEA Executive Director Super Sessions Wednesday, March 26 National Art Education Association Mac Arthur Goodwin, Chair Convention Staff Connections Between Mental Functions and Artistic Performance .......... 50 Deborah B. Reeve, Executive Director Melanie Dixon, Chief Operating Officer Thursday, March 27 Diana Stanley, Organizational Planning and Faith Ringgold, On Choosing the Artistic Path ......................67 Outreach Manager Kathy Duse, Executive Assistant/ Friday, March 28 Convention and Programs Coordinator Mel Chin, For Your Eyes Only: An Operation Update .....................83 Krista Brooke, Visual Communications Friday, March 28 Coordinator Catherine Fukushima Kenneth Emery, Member Services Associate Qualities of Quality: Excellence in Arts Education and How To Achieve It ...88 Lynn Ezell, Publications Manager Frank Sciurba, Member Services Associate Saturday, March 29 Margi Worrest, Member Services Manager Charles M Falco, The Art of the Motorcycle .......................111 Louisiana Art Education Association Saturday, March 29 Local Arrangements Committee Marilyn Stewart, Issues of Craft in the Art Curriculum ...............108 Carolee Brophy Miller Judy Ball Johnson Meal/Award Functions ................63, 75,90, 96, 102, 106, 111 Barbara Clover Brenda Howell Roundtable Sessions ......................................95 Nancy Keisman Ann Keller Note! Carol Jane Myers Day Sessions are held in the Morial Convention Center. Denise Tullier-Holly Evening Sessions (beginning at 6 PM) are all held in the Hilton New Orleans Riverside. 2 2008 NAEA National Convention Crayola Reception Experience the Magic of Mardi Gras At the Opening Night NAEA Reception in New Orleans! Wednesday, March 26, from 7 – 10 PM The sounds of jazz, blues and Zydeco. The aroma of Cajun and Creole cuisine. The sight of sensational larger-than-life floats and colorful costumes. It’s all part of the famous, festive celebration known as Carnival, showcased all year long at Mardi Gras World in New Orleans! This playful wonderland is the setting for Crayola’s opening night reception for all attendees of the 2008 National Art Education Association Convention. This year’s reception, themed “Happy 50th Birthday Crayola Crayon 64-count Box!” takes place on Wednesday, March 26, from 7 – 10 PM. Every year, Crayola hosts the opening of the convention and creates an atmosphere where attendees can tap into their “inner artist” while participating in hands-on activities with some of the latest Crayola products. Make-and-take projects will include activities specifically created for art educators from the new Crayola Dream-Makers guide “Principles of Art and Design” using Crayola Tempera paint, Slick Stix, Model Magic and Mixing Mediums, as well as new products on tap for 2008. “The event gives us the opportunity to personally say ‘thank you’ to art educators all over the country who inspire imagination and creativity in their students through the visual arts,” says Crayola Director of Education Nancy DeBellis. “It’s our hope that everyone will join us for a creative evening of Crayola-style hospitality in the
Recommended publications
  • Literary Miscellany
    Literary Miscellany Including Recent Acquisitions, Manuscripts & Letters, Presentation & Association Copies, Art & Illustrated Works, Film-Related Material, Etcetera. Catalogue 349 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment.
    [Show full text]
  • The Mississippi Museum of Art and Tougaloo College Art and Civil Rights Initiative | 2017–2020
    The Mississippi Museum of Art and Tougaloo College Art and Civil Rights Initiative | 2017–2020 The Mississippi Museum of Art and Tougaloo College Art and Civil Rights Initiative | 2017–2020 edited by Dr. Redell Hearn Mississippi Museum of Art Jackson in partnership with Tougaloo College Art Collections Turry M. Flucker, Director Tougaloo made possible by the Henry Luce Foundation The Art and Civil Rights Initiative is a partnership between the Mississippi Museum of Art and Tougaloo College, supported by the Henry Luce Foundation. The Mississippi Museum of Art and its programs are sponsored in part by the city of Jackson and Visit Jackson. Support is also provided in part by funding from the Mississippi Arts Commission, a state agency, and by the National Endowment for the Arts, a federal agency. Tougaloo College is a private, coeducational, historically black four-year liberal arts, church related, but not church-controlled institution. Copyright © 2020 Mississippi Museum of Art 380 South Lamar Street, Jackson, MS 39201 / www.msmuseumart.org and Tougaloo College 500 County Line Rd, Tougaloo, MS 39174 / https://www.tougaloo.edu/ All rights reserved. No part of this publication may be reproduced or transmitted in any form without written permission from the publisher. Artwork dimensions are given in inches; height precedes width precedes depth. MMA collection numbers 1966.001, 1966.018, 1972.006, and 2005.029 photographed by Gil Ford Photography; 2005.029 photographed by Roland L. Freeman. All other photography of artwork from MMA and Tougaloo collections is by Mark Geil. Creative director for the exhibitions A Tale of Two Collections and The Prize is Latrice Lawson.
    [Show full text]
  • James Michalopoulos: Rapt in Color, on View at the Alexandria Museum of Art, from September 5, 2014 – November 22, 2014
    Table of Contents About the Guide........................................................................................................................................................................................................................................ 1 Acknowledgements .............................................................................................................................................................................................................................. 2 VTS and Common Core at the Museum ...........................................................................................................................................................................3 Before Your Visit .................................................................................................................................................................................................................................... 4 About the Artist ........................................................................................................................................................................................................................................ 5 Visual Thinking Strategies Activity ................................................................................................................................................................................... 6 Visual Art/Writing Activity: This Old House .................................................................................................................................................
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]
  • Center 34 National Gallery of Art Center for Advanced Study in the Visual Arts Center34
    CENTER 34 CENTER34 NATIONAL GALLERY OF ART CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS NATIONAL GALLERY OF ART CENTER FOR IN STUDY THE ADVANCED VISUAL ARTS CENTER34 CENTER34 NATIONAL GALLERY OF ART CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Record of Activities and Research Reports June 2013 – May 2014 Washington, 2014 National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Washington, DC Mailing address: 2000B South Club Drive, Landover, Maryland 20785 Telephone: (202) 842-6480 Fax: (202) 842-6733 E-mail: [email protected] Website: www.nga.gov/casva Copyright © 2014 Board of Trustees, National Gallery of Art, Washington. All rights reserved. This book may not be reproduced, in whole or in part (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law, and except by reviewers from the public press), without written permission from the publishers. Produced by the Center for Advanced Study in the Visual Arts and the Publishing Office, National Gallery of Art, Washington ISSN 1557-198x (print) ISSN 1557-1998 (online) Editor in Chief, Judy Metro Deputy Publisher and Production Manager, Chris Vogel Series Editor, Peter M. Lukehart Center Report Coordinator, Hayley Plack Managing Editor, Cynthia Ware Design Manager, Wendy Schleicher Assistant Production Manager, John Long Assistant Editor, Lisa Wainwright Designed by Patricia Inglis, typeset in Monotype Sabon and Helvetica Neue by BW&A Books, Inc., and printed on McCoy Silk by C&R Printing, Chantilly, Virginia Frontispiece: Members of Center, December 17, 2013
    [Show full text]
  • Front Matter
    Cambridge University Press 978-1-107-17668-3 — The Beats Steven Belletto Frontmatter More Information THE BEATS Kerouac. Ginsberg. Burroughs. These are the most famous names of the Beat Generation – but in fact they were only the front line of a much more wide-ranging literary and cultural movement. This crit- ical history takes readers through key works by these authors, but also radiates out to discuss dozens more writers and their works, showing how they all contributed to one of the most far-reaching literary movements of the post–World War II era. Moving from the early s to the late s, this book explores key aesthetic and thematic innovations of the Beat writers, the pervasiveness of the Beatnik caricature, the role of the counterculture in the postwar era, the involvement of women in the Beat project, and the changing face of Beat political engagement during the Vietnam War era. is Professor of English at Lafayette College. He is author of No Accident, Comrade: Chance and Design in Cold War American Narratives () and editor of The Cambridge Companion to the Beats () and American Literature in Transition, – (). He is also co-editor of Neocolonial Fictions of the Global Cold War () and American Literature and Culture in an Age of Cold War: A Critical Reassessment (). He is currently an editor for the journal Contemporary Literature. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-17668-3 — The Beats Steven Belletto Frontmatter More Information © in this web service Cambridge
    [Show full text]
  • Americana, Travel, Atlases Section III: Literature, Art, Photography
    Full collations, descriptions, and bibliographical details are available for all items listed. Section I: Human Sciences & Natural History Section II: Americana, Travel, Atlases Section III: Literature, Art, Photography 1 NEWTON, No. 62 2 THE STATE OF CHEMISTRY NEW TECHNOLOGY FOR THE FARMER 1. AIKIN, Arthur & AIKIN, Charles Rochemont 2. ANDERSON, James A dictionary of chemistry and mineralogy, with an account of the processes Essays relating to agriculture and rural affairs. Edinburgh: William Cheech, employed in many of the most important Chemical Manufactures. To which 1775, 1777; Bell & Bradfute, 1796. Three volumes (Volume I in two parts). are added a description of chemical apparatus, and various useful tables of 8vo. Complete with all half-titles, folding engraved plates, errata and weights and measures, chemical instruments, &c. &c. London: John and publisher’s advertisements. Contemporary calf. Arthur Arch and William Phillips, 1807. Two volumes 4to. With 15 engraved plates. Full calf, rebacked with the original spine laid down. First editions. The essays which make up the first volume include treatment of enclosures and fencing, draining bogs and swampy ground, on leveling ridges, on the proper method of sowing grass seeds, on hay-making, and a lengthy one entitled “Miscellaneous disquisitions, doubts and queries relating to agriculture.” This essay was supplemented in the 1777 printing by a treatise on quick-lime. The third volume contains three essays, the first “On the obstacles to the advancement of agriculture in England, and the means of removing them”; the second “On waste lands, and the means of their improvement”; and the third “Hints on the economical consumption of the produce of a farm”.
    [Show full text]
  • THE PAINTINGS of JAMES MICHALOPOULOS March 1-July 16, 2017
    FOR IMMEDIATE RELEASE Miriam Taylor Ogden Museum of Southern Art 504.539.9631 [email protected] Caroline Kerrigan Michalopoulos Studio and Gallery 646.298.5261 OGDEN MUSEUM OF SOUTHERN ART PRESENTS LARGEST RETROSPECTIVE OF NEW ORLEANS ARTIST JAMES MICHALOPOULOS WALTZING THE MUSE: THE PAINTINGS OF JAMES MICHALOPOULOS March 1-July 16, 2017 NEW ORLEANS – On March 1, 2017 the Ogden Museum of Southern Art will open the exhibition Waltzing the Muse: The Paintings of James Michalopoulos, a 30 year retrospective celebrating one of the South’s most influential artists. The exhibition highlights the artist’s decades long exploration of what it means to experience New Orleans’ culture through the intersection of art, architecture and music. Waltzing the Muse showcases Michalopoulos’ iconic cityscapes that capture the city's eternal dance between decadence and decay–as well as works depicting lesser-known subjects, including anthropomorphic perspectives on classic cars, landscapes and an especially poignant series of portraits featuring local music legends. My style is an abstraction of the figurative; I like color, volumetric shape and graphic lines. While one may recognize the subjects of my paintings, through my work one discovers the spirit of them. – Michalopoulos The origins of his singular style can be traced to the days when he would venture out on his scooter to paint the New Orleans cityscape at night, while listening to a portable radio tuned to WWOZ. He channeled the rhythms coming from the radio into his subjects – both infusing and animating them with movement. I like a picture to dance and I often think of a painting in mystical terms.
    [Show full text]
  • September 2013
    Vol. 22, No. 9 Kenner’s Community Newspaper Since 1991 SEPTEMBER 2013 Chateau Golf and Country After 30 years Rivertown becoming a busy, active place Club celebrates 40 years By Allan Katz Rivertown, now celebrating its 30th anniver- ture of Rivertown,” says Gail Yeadon, president of in Kenner sary, had fallen to the state where it was consid- Friends of Rivertown, a non-profit group that has ered a drain on Kenner’s resources and a failed long advocated for the preservation of Kenner’s By Joy Hirdes attempt to recapture the ambiance of the city’s historic district that features one of the region’s history. best collections of 19th century buildings from the But today increased numbers of Kenner res- time when Kenner was a key rail hub and farming idents are finding good reasons to visit Rivertown, community. from the new department of motor vehicles office “You have to give credit to Mayor (Michael to art galleries, concerts in the park, outdoor mov- S.) Yenni and his administration,” says Yeadon. ies and a very successful farmer’s market. “Instead of wringing his hands and complaining “There was a time not that long ago when how much it costs to maintain Rivertown, the everyone in our group was in despair over the fu- page 8 Kenner moving toward Lt. Governor Dardenne tours Chateau Estates and Chateau Golf and Country Club will cel- ebrate 40 years this month as the premier residential and golf com- rezoning of airport Rivertown with Mayor Yenni plex in the city of Kenner as well as one of the tops in the greater New Orleans area.
    [Show full text]
  • The Historic New Orleans Collection Quarterly Outsider Art a New Exhibition and Book Showcase Rarely Seen Photographs from EXHIBITION Cajun Country in the 1970S
    VOLUME XXXVII The Historic New Orleans NUMBER 2 Collection SPRING 2020 Quarterly Shop online at www.hnoc.org/shop ÇA C’EST BON: Touring Cajun Country in the 1970s ON THE COVER Blanchard’s Shoe and Leather Repair Shop, Breaux Bridge 1974 by Douglas Baz and Charles H. Traub © Douglas Baz and Charles H. Traub, 2019.0362.109 OPPOSITE: The Aeolian organ in THNOC’s Seignouret- Brulatour Building has a total of 703 pipes, made of wood, zinc, and lead and tin alloys. FROM THE PRESIDENT As John H. Lawrence writes in the foreword to our latest book, the exhibition catalog Cajun Document: Acadiana, 1973–74, photographers Douglas Baz and Charles H. CONTENTS Traub shot the images 45 years ago, when “Acadians had been living in southern Louisiana for over 200 years.” Part of the images’ power is in their depiction of a culture balancing historical practices and traditions with the forces of 21st-century life. ON VIEW / 2 In the 45 years between the photographs’ creation and their publication, more than a A new book and exhibition survey Cajun generation has passed; Cajun culture has continued to change, making the temporal country during the 1970s. dynamics at play even more poignant. Some things, such as the beauty of a trayful of The Aeolian era: In-home organs as boiled crawfish, have stayed the same, while others, such as the moss-ginning industry, status symbols remind us that the past is a foreign country. Off-Site Once again, I find myself thinking about how our efforts to preserve and docu- ment historical material today provide the groundwork for interpretation and new PUBLICATIONS / 10 knowledge in the future.
    [Show full text]
  • Table of Contents New Orleans for the Articles New Orleans Ray Bradbury's Song of Experience/L T
    the necv ORleans Revierv A Journal Of LOYOLA UNIVERSITY Literature Vol. 1. No. 3/Spring 1969 & Culture Published By Loyola University of the South table of contents New Orleans for the articles New Orleans Ray Bradbury's Song of Experience/L T. B1dd1son Consortium: 226 Loyola University Machine Intelligence and the Arts: St. Mary's The Compleat Imitation Game/ John Mosier 246 Dominican College Blood and Land in 'A View of the Woods'/Don R1so. S.J 255 Xavier University Alain Robbe-Grillet, The Novelist Behind the Venetian Blinds/Catherine Savage Editor: 213 Miller Williams fiction Managing Editor: That's Your Story, Baby/Florence M Hecht .............. 221 Tom Bell Marie/William Kotzwinkle .................. 251 Mogen/Gerald Locklin . ........ Assoc. Editor: 277 Thomas Preston Mr. Bo/Will1am Mills . ...... 230 Secrets/Lawrence Judson Reynolds . 259 Art Director: The Arms of Venus/James Tipton 264 Leonard White interview Advisory Editors: Hodding Carter Talks with NOR's Editor-at-Large Hodding Carter 235 John Ciardi David Daiches photography James Dickey Streetcar/Barney Fortier ............... 241 Thomas Parkinson Walker Percy L. J. Twomey, SJ poetry The Encyclopedia Salesman/Ralph Adamo ................ 252 Editor-at-Large: The Standard Shift/Ralph Adamo . ............ 274 John William L'Ouverture/Fort de Joux/Aiv1n Aubert ..................... 275 Corrington Were There Identifying Marks on the Barracuda?/Ann Darr 257 Elsewhere/Gene Frumkin.. ......... Editorial Assistant: 245 Gayle Gagliano Sunset Poem (for Gordon Quinlan)/Gene Frumk1n 265 Requiem/RobertS Gwynn ..................... 263 Lord Tarzan Drums a Message to His Jane/RobertS. Gwynn 276 The New Orleans Review is pub­ Shedlitz/Shael Herman . ...... 279 lished quarterly by Loyola Uni­ versity, New Orleans (70118) Honey/Larry Johnson .
    [Show full text]
  • School Board Mulls Cyberbullying Policy Weather Tomorrow and Belittling Them.” Lor Said
    The Troup High defense is enjoying a dominant season. Page 9 LaGrange Daily News TUESDAY 50 cents October 18, 2011 lagrangenews.com The School board mulls cyberbullying policy weather tomorrow and belittling them.” lor said. before the disciplinary hearing tri- Proposal would Taylor said state legislation Taylor also said if there is a con- bunal. A student found guilty at the High 56 required a policy on bullying, and nection between the communica- tribunal would be assigned to the expand policy to he felt the cyberbullying trend tion and the school, the board also alternative school. Low 36 needed to be addressed in a policy could have jurisdiction. The school board will discuss the electronic devices as well. The changes to the bullying sec- policy at its Thursday meeting. Partly sunny By Matt Chambers The proposed cyberbullying tion of the code also would speci- In other business at Monday’s Staff writer addition includes a section about fy the location of punishable bul- caucus meeting: Troup County schools soon how far reaching the school lying. The code says students can I Chief financial officer Don could have a policy addressing board’s jurisdiction is when deal- be punished for bullying “on Miller said collection of the school cyberbullying. ing with the issue. school property, on school vehi- system’s current special-purpose Today’s artist: Jamiya School board attorney John Tay- Bray,second grade, Any cyberbullying that occurs cles, at designated school bus local-option sales tax has fallen lor presented changes to the stu- using the school’s electronics or stops, or at school-related func- short by more than $954,000 over Whitesville Road dent behavior code to the board at Elementary School system is punishable.
    [Show full text]