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Donas Das Dores No Laço Da Verdade Pontifícia Universidade Católica de São Paulo- Puc-SP Karine Freitas Sousa Donas das dores no laço da verdade: Violências contra mulheres trabalhadoras nos quadrinhos Doutorado em Ciências Sociais São Paulo 2016 DONAS DAS DORES NO LAÇO DA VERDADE: VIOLÊNCIAS CONTRA MULHERES TRABALHADORAS NOS QUADRINHOS - cover, ju.2004) ju.2004) cover, - Identity Crisis Identity Arte: Michael Turner ( Turner Arte: Michael Fonte: http://www.dccomics.com/graphic-novels/identity-crisis-new-edition Pontifícia Universidade Católica de São Paulo –PUC-SP Karine Freitas Sousa DONAS DAS DORES NO LAÇO DA VERDADE: VIOLÊNCIAS CONTRA MULHERES TRABALHADORAS NOS QUADRINHOS Tese apresentada à Banca Examinadora do Programa de Estudos Pós-Graduados em Ciências Sociais, como requisito parcial para obtenção do grau de Doutor em Ciências Sociais (Sociologia), sob a orientação da Prof.ª Dra. Carla Cristina Garcia. São Paulo 2017 Banca examinadora AGRADECIMENTOS A Eu Sou. Agradeço ao Divino e ao Amor que sempre estiveram comigo em todos os momentos da elaboração desta tese. À minha professora Carla Cristina Garcia, pela sua generosidade em compar- tilhar conhecimentos, paciência e cujo exemplo de militância nos estudos e causas das mulheres me despertaram como feminista. Eternamente grata. A Jorge, meu amado companheiro, por absolutamente tudo. A toda minha família, especialmente às mulheres que mobilizaram outras mu- lheres em suas comunidades religiosas, e criaram redes incríveis de orações que alimentavam a minha fé. Aos professores Rita Alves e Francisco Greco, pelas contribuições significati- vas durante a qualificação da tese, e pela ampliação da oportunidade de aprendiza- do. À professora Mônica Mac-Allister, pelas conversas que me despertaram para a ampliação do tema iniciado no mestrado. À minha colega e amiga de todas as horas em São Paulo, Edineide Oliveira, pelos bons momentos que passamos e por seu carinho e acolhida quando precisei. Aos colegas de curso, pelas provocações que me fizeram avançar na pesqui- sa. A todos os amigos, pela paciência com as minhas ausências e pelas palavras de apoio que recebi. À Secretaria da Pós-Graduação em Ciências Sociais/PUC-SP, em especial a Kátia da Silva, assistente da coordenação, pela compreensão das minhas necessi- dades e apoio nos trâmites burocráticos. RESUMO As representações das mulheres nas mídias e nas artes explicitam imagens e lin- guagens que, quando associadas à violência, contribuem para a manutenção de es- tereótipos e perpetuam a cultura machista. Algumas profissionais/trabalhadoras nas histórias em quadrinhos passam por violências de ordem moral, psicológica, emo- cional e física, onde os usos da banalidade, do chiste e da licença poética funciona- ram como ferramentas para seu exercício no mundo ficcional. Esta tese identifica violências contra personagens mulheres, secretárias, nos quadrinhos em tessituras com o feminismo. Estabelece como em uma dita “profissão de mulher”, mesmo nos quadrinhos, ocorrem as relações entre os sexos, e como são refletidas as mentali- dades coletivas do patriarcado que promovem e mantêm as desigualdades de gêne- ro em caráter subalterno. Palavras-chave: Mul- heres.Secretárias.Violência.Feminismo.Patriarcado.Quadrinhos. ABSTRACT Women’s representations in the media and arts show images and languages which associated to violence contribute to the conservation of stereotypes and perpetuate the sexist culture. Some professionals / workers in comics suffered moral, psycholog- ical, emotional and physical harassment which were allowed in the fictional world by the use of trivialities, jokes and poetic license. This thesis detects violence against women characters, secretaries in comics in tessitura with feminism. It also establish- es how the sexual relations occur in the so called “women profession” even in the comics, as well as how the relations are reflected in the collective mentalities of the Patriarchy that provide and also keep the gender inequalities in a subordinate status. Keywords: Women. Secretaries. Harassment. Feminism. Patriarchy. Comics. RESUMEN Las representaciones de las mujeres en las medias y en las artes explicitan imáge- nes y lenguajes que, cuando asociadas a violencia, contribuyen para el manteni- miento de estereotipos y perpetuán a la cultura machista. Algunas profesiona- les/trabajadoras en las historias en los comics sufrieron violencias de orden moral, psicologica, emocional y física, donde los usos de banalidad, del chiste y de la licen- cia poética funcionaron como herramientas para su ejercicio en el mundo ficcional. Esta tesis identifica violencias contra personajes mujeres, secretarias, en las viñetas en tesituras con el feminismo. Establece como en una dicha “profesión de mujer”, aún en los comics, ocurren las relaciones entre los sexos, y como son reflejadas las mentalidades colectivas del patriarcado que promueven y mantienen las desigualda- des del genero en carácter subalterno. Palabras-clave: Mujeres.Secretarias.Violencia.Feminismo.Patriarcado.Comics. LISTA DE ILUSTRAÇÕES Figura 1- Garcia....................................................................................... 19 Figura2- Drummond................................................................................ 62 Figura 3- Nochlin ..................................................................................... 74 Figura 4- Hilst......................................................................................... 75 Figura 5- Pollock .................................................................................... 77 Figura 6-Woolf........................................................................................ 79 Figura 7-Lispector.................................................................................. 80 Figura 8- Foucault................................................................................... 82 Figura 9- Perrot....................................................................................... 89 Figura 10- Bécassine ............................................................................. 93 Figura 11- Reclame de uma escola de datilografia................................. 97 Figura 12-Margaret Sanger.................................................................... 111 Figura 13-Mulher Maravilha disfarçada de Secretária........................... 116 Figura 14- Mulher Maravilha e o convite para ser secretária .................. 117 Figura 15- Mulher Maravilha e o convite para ser secretária ................ 117 Figura 16-Mulher Maravilha e o convite para ser secretária .................. 117 Figura 17- Mulher Maravilha fica para trás quando há algum combate.. 119 Figura 18- Chamada das histórias.......................................................... 120 Figura 19- Mulher Maravilha fica para trás quando há algum combate.. 120 Figura 20- Máquina do tempo ................................................................ 122 Figura 21- Diálogo entre mãe e filha....................................................... 122 Figura 22-O Livro de Ouro do Recruta Zero, n.4, 2016, p.114 .............. 130 Figura 23- O Livro de Ouro do Recruta Zero, n.1, 2014, p.25 ................. 134 Figura 24- O Livro de Ouro do Recruta Zero, n.1, 2014, p.114-115........ 135 Figura 25- O Livro de Ouro do Recruta Zero,n.1, 2014, p.115............... 136 Figura 26- O Livro de Ouro do Recruta Zero, n.1, 2014, p.116............... 137 Figura 27- O Livro de Ouro do Recruta Zero, n.1, 2014, p.116 ............... 138 Figura 28- O Livro de Ouro do Recruta Zero,n.1, 2014, p.116............... 138 Figura 29- O Livro de Ouro do Recruta Zero, n.1, 2014, p.117............... 140 Figura 30- O Livro de Ouro do Recruta Zero, n.4,2016, p.115............... 140 Figura 31- O Livro de Ouro do Recruta Zero, n.4, 2016, p.116............... 140 Figura 32- O Livro de Ouro do Recruta Zero, n.1, 2014, p.117............... 141 Figura 33- O Livro de Ouro do Recruta Zero,n.1, 2014, p.117............... 142 Figura 34-O Livro de Ouro do Recruta Zero, n.1, 2014, p.117............... 142 Figura 35- O Livro de Ouro do Recruta Zero, n.1, 2014, p.118............... 143 Figura 36-O Livro de Ouro do Recruta Zero, n.1, 2014, p.119............... 144 Figura 37- O Livro de Ouro do Recruta Zero, n.1, 2014, p.119............... 144 Figura 38-O Livro de Ouro do Recruta Zero, n.1, 2014, p.121............... 145 Figura 39-O Livro de Ouro do Recruta Zero, n.1, 2014, p.122............... 146 Figura 40-O Livro de Ouro do Recruta Zero, n.1, 2014, p.122............... 147 Figura 41- O Livro de Ouro do Recruta Zero, n.1, 2014, p.123............... 147 Figura 42-O Livro de Ouro do Recruta Zero, n.1, 2014, p.91................. 148 Figura 43- O Livro de Ouro do Recruta Zero, n.1, 2014, p.119............... 149 Figura 44-O Livro de Ouro do Recruta Zero, n.1, 2014, p.123............... 149 Figura 45- O Livro de Ouro do Recruta Zero, n.1, 2014, p.124............... 150 Figura 46-O Livro de Ouro do Recruta Zero, n.1, 2014, p.124............... 151 Figura 47-O Livro de Ouro do Recruta Zero, n.1, 2014, p.124............... 152 Figura 48- O Livro de Ouro do Recruta Zero, n.1, 2014, p.125............... 153 Figura 49- O Livro de Ouro do Recruta Zero, n.3, 2015, p.68................. 154 Figura 50- O Livro de Ouro do Recruta Zero, n.1, 2014, 155 p.50.................... Figura 51-Dona Tetê despida ................................................................. 155 Figura 52-GeraldãoEspocando a Cilibina! Nos gibis da Circo Editorial, 2011, p.154 ...........................................................................................
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