DOCSLIB.ORG

L'index D'improjazz(Du N°51 Au N° 100)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
L'index D'improjazz(Du N°51 Au N° 100) NOM N° DATE PAGE ARTICLE REDACTEUR L’INDEX D’IMPROJAZZ(du n°51 au n° 100) Les noms soulignés correspondent aux photos de couverture NOM N° DATE PAGE ARTICLE REDACTEUR [N : Q] 75 Mai 01 49 chronique Perrot 1 Step 7 Seas 76 Juin 01 47 chronique Tachet 310 4tet 95 mai 03 43 chronique Tachet 32 Janvier 70 no/de00 15 interview Renaud 32 Janvier 70 no/de00 16 chronique Tarche 49° Nord 87 Juill 02 49 chronique Tachet 49° Nord 99 Oct 03 36 Chronique Bouquet 9 Winds Records 65 Mai 00 36 label Serra A Bruit Secret 84 Avr 02 41 label Tarche, Bouquet, Cerutti A bruit secret 88 A/S 02 50 label Tarche A.D.D. Trio 66 Juin 00 44 chronique Pierrepont AACM 80 Nov 01 4 dossier Pierrepont Aaly 85 Mai 02 28 concert Sarrazy Aaly Trio + Vandermark, Ken 63 Mars00 42 chronique Perrot Abdullah, Ahmed (‘s Diapora) 66 Juin 00 44 chronique Pierrepont Aberg, Lennart 75 Mai 01 48 chronique Gentet Abigoba 79 Oct 01 50 chronique Camerlynck Abrams Josh 77 Juil 01 9 interview Pierrepont Abrams Muhal Richard 80 Nov 01 60 chronique Tachet Actis band 98 Sept 03 47 chronique Bouquet Actis' Band 96 juin 03 44 Chronique Cerutti Actis Dato / Lenoci / Laforgia / Magliocchi 91 Janv 03 42 chronique Renaud Actis Dato Carlo 96 juin 03 44 Chronique Cerutti Actis Dato, Carlos 68 ao-se00 48 chronique Cerutti Actis Dato, Carlos 75 Mai 01 44 chronique Cerutti Actis Dato, Carlos / Rocco, Enzo 73 mar 01 42 chronique Cerutti Actis Dato, Carlos / Umezu, Kazutori 65 Mai 00 48 chronique Bouquet Adam Serge / Delbecq Benoît / Foch Philippe 86 Juin 02 45 chronique Tachet Adam, Serge 74 avr 01 39 chronique Tachet Adcock Mike 83 Mar 02 42 chronique Renaud Add N To (X) 55 Mai 99 43 chronique Robert Add N To (X) 64 Avr 00 48 chronique Robert Aerial M 56 Juin 99 42 chronique Robert Afflux 90 N/D 02 44 chronique Delval After Dinner 79 Oct 01 38 chronique Bouquet Agnel Sophie 81 Jan 02 15 blindtest Oger Agnel Sophie / Marchetti L./ Noetinger Jérôme 82 Fév 02 41 chronique Tarche Agnel, Sophie 56 Juin 99 28 concert Bouquet Agnel, Sophie 68 ao-se00 44 chronique Tarche agog 91 Janv 03 45 chronique Bouquet AGRO Brian 81 Jan 02 41 chronique Cerutti AGUILAR Gustavo 83 Mar 02 38 chronique Tachet AIGUI ALEXEI (abécédaire du jazz russe) 98 Sept 03 5 article Sarrazy Aïgui Alexei Ensemble 4'33 97 J/A 03 40 Concert Sarrazy Ajmi – Avignon 99 63 Mars00 39 festival Bouquet Ajmi - Utopia 74 avr 01 32 concert Bouquet Aka Moon 61 janv 00 39 chronique Bouquet Akchoté – Meillier 57 Juil 99 38 chronique Bouquet Akchoté Noël 84 Avr 02 13 blind-test Oger Akchoté Noël 96 juin 03 14 Chronique Ricci / Tachet Akchoté Noël 96 juin 03 14 Chronique Tachet Akchoté Noël 98 Sept 03 14 Interview Vigroux Akchoté, Noël 57 Juil 99 38 chronique Bouquet Akchoté, Noël 59 Oct 99 3 chronique Akchoté I NOM N° DATE PAGE ARTICLE REDACTEUR Akchoté, Noël (musique en société) 51 Jan 99 20 questionnaire Tarche Akchoté, Noël vs Red 59 Oct 99 41 chronique Cerutti Akiyama Tetuzi 77 Juil 01 53 chronique Tarche Akosh S. Unit 58 ao/se99 37 chronique Bouquet Alarm 12 87 Juill 02 48 chronique Tachet Alati / Ielasi / Radaele / Sciajno 62 Fév.00 49 chronique Rosina Alexandrov Alexandr 91 Janv 03 16 article Sarrazy Alexandrov Alexandr 91 Janv 03 20 discographie Sarrazy Ali / Belogenis / Morris 82 Fév 02 40 chronique Bouquet Ali Rashied / LOWE Frank 82 Fév 02 40 chronique Bouquet All Time Present 74 avr 01 38 chronique Tachet Allen, Marshall (Quartet) 67 Juil 00 42 chronique Serra Alperin Misha 92 Fév 03 27 dossier Sarrazy Alperin Misha / Rudy Mikhail 92 Fév 03 35 concert Sarrazy Alterations 85 Mai 02 45 chronique Renaud Alterations 92 Fév 03 49 chronique Debout Altravita 74 avr 01 27 poésie Ly Thanh Altri Suoni 57 Juil 99 40 label Alen Altri Suoni 60 no/de99 61 chronique Serra Altri Suoni 73 mar 01 48 label Sarrazy Altrisuoni 90 no/dé02 55 label Sarrazy Altrisuoni 92 Fév 03 46 label Bouquet Alumine 96 juin 03 46 Chronique Sarrazy Ama Jazz 53 Mar 99 40 chronique Pierrepont Ama Jazz 92 Mar 03 29 dossier Sarrazy Amants de Juliette (Les) 84 Avr 02 44 chronique Renaud Ambiances Magnétiques 67 Juil 00 44 label Bouquet Ambiances Magnétiques 72 fév 01 40 label Bouquet Ambiances Magnétiques 88 ao/se02 44 label Bouquet AMIS Quartet 64 Avr 00 50 chronique Tarche AMM 65 Mai 00 30 concert D.Petit AMM 66 Juin 00 39 concert Sarrazy Amor / Belhom (Duo) 74 avr 01 23 interview Guyomarc’h Amsallem, Franck 74 avr 01 39 chronique Tachet AnAnAnA 54 Avr 99 41 label Encre Ancesthree 96 juin 03 45 Chronique Tachet Anderson Ron / Paquotte Olivier / Zekri Camel 84 Avr 02 45 chronique Renaud Anderson, Chris & Haden, Charlie 56 Juin 99 41 chronique Martinelli Anderson, Fred 67 Juil 00 43 chronique Tarche Anglo-Argentine Jazz Quartet (The) 84 Avr 02 44 chronique Tarche Anliker / Parker / Schmid / Senn / Solothurnmann 82 Fév 02 48 chronique Chenard Anorien 81 Jan 02 40 chronique Tachet Applaudir 81 Jan 02 37 étude Tachet / Tarche Archer Martin / Monk Geraldine / Tippetts Julie 96 juin 03 44 Chronique Tarche Arfi 92 Fév 03 50 label Renaud Arkham 85 Mai 02 42 chronique Renaud Arnold Bruce Trio 76 Juin 01 49 chronique Tachet Arnold Dieter / Kühn Joachim 95 mai 03 40 chronique Sarrazy Art Ensemble of Chicago 99 Oct.03 46 Chronique Colpaert Artistes – musiciens 99 Oct 03 29 Opinion Tocanne Artistes du Cirque (Les) 76 Juin 01 48 chronique Tachet Asano Koji 83 Mar 02 34 chronique Tachet Asano Koji 91 Janv 03 51 chronique Delval Aso / Ando / Kimura 83 Mar 02 45 chronique Tarche Assumed Possibilities 92 Fév 03 35 chronique Tarche Astreja Ensemble 94 avril 03 39 Article Sarrazy Atanasovski – Stergulec 57 Juil 99 39 chronique Sarrazy Audima 98 Sept 03 45 chronique Tachet Aussanaire Jean 97 J/A 03 15 Interview Renaud/Petit II NOM N° DATE PAGE ARTICLE REDACTEUR Austin – Gallivan – Babbington 60 no/de99 37 chronique Renaud Av-Art 87 Juill 02 47 label Tachet Avenel, Jean-Jacques 68 ao-se00 9 interview Colpaert Awake 90 no/dé02 56 chronique Tachet Ayler Albert 96 juin 03 43 Chronique Chauvat Ayler, Albert 52 Fév 99 34 label Bouquet Ayler, Albert 52 Fév 99 34 chroniquel Chauvat Ayler, Albert 70 no/de00 23 discographie Cerutti Baars, Ab 74 avr 01 49 chronique Bouquet Bachmann Leo 78 Sept 01 45 chronique Bouquet Bagnoli, Stefano / Rocco, Enzo 63 Mars00 42 chronique Cerutti Bailey Derek 91 Janv 03 52 chronique Tarche Bailey Derek / Bechegas Carlos 91 Janv 03 52 chronique Tarche Bailey Derek / Hautzinger Frantz 90 no/dé02 46 chronique Tachet Bailey Derek / Hautzinger Franz 86 Juin 02 44 chronique Perrot Bailey Derek / Zach Ingar 86 Juin 02 44 chronique Perrot Bailey, Derek 55 Mai 99 46 chronique Martinelli Bakshi Alexander 85 Mai 02 48 chronique Sarrazy Balance Point Acoustics 83 Mar 02 39 label Tarche Ballin’ The Jack 60 no/de99 62 chronique Fréchet Band Ar Jazz 74 avr 01 39 chronique Tachet Banlieues Bleues 2000 66 Juin 00 40 festival Chaloin Banlieues Bleues 2002 85 Mai 02 28 festival Sarrazy Banlieues Bleues 1999 56 Juin 99 22 concert Chaloin Barbéri, Jacques 64 Avr 00 24 interview Sarrazy Barbéri, Jacques 64 Avr 00 16, 25 récits Barbéri Barbéri, Jacques 64 Avr 00 26 article/bio Sarrazy Bardet / Georgel / Kpade 52 Fév 99 46 chronique Serra Barès, Equidad 61 janv 00 24 interview Gaudas Barkema, Peter 52 Fév 99 3 nécrologie Chauvat Baron Samedi Percussions 74 avr 01 43 chronique Zigue Barthélémy Claude 86 Juin 02 22 interview Bouquet Bassdrumbone 61 janv 00 50 chronique Petit Bassdrumbone 92 Fév 03 43 chronique Bouquet Bastien Pierre 85 Mai 02 47 chronique Petit Bastien, Pierre 51 Jan 99 10 Interview Lecame Bastien, Pierre & Mecanium 65 Mai 00 12 concert Petit Batofar 86 Juin 02 47 chronique Tachet Bauer Conrad / Kowald Peter / Sommer Gunter 96 juin 03 43 Chronique Bouquet Baumann Franziska 91 Janv 03 53 chronique Bouquet Baumann, Franziska 57 Juil 99 35 chronique Alen Baumann, Franziska 63 Mars00 44 chronique Alen Bayashi 97 J/A 03 47 Chronique Tachet Bazan, Silvano 53 Mar 99 39 chronique Gimelfarb Bechika Laïd & Le Ryctus Project + 79 Oct 01 23 chronique Tarche Beckett’s Joy Unlimited 60 no/de99 27 chronique Renaud Beefheart, Captain 65 Mai 00 46 chronique Chauvat Bella Neurox 63 Mars00 47 chronique Robert Bellatalla, Toberto Quartet 71 janv 01 44 chronique Renaud Belle Isle 2000 69 oct 00 40 festival Cotro Belle Isle 2001 79 Oct 01 25 festival Cotro Belle-Isle 2002 91 Janv 03 25 festival Brustel Bendian Gregg Interzone 85 Mai 02 37 chronique Pierrepont Bennani, Abdelhaï 64 Avr 00 46 chronique Bouquet Bennink / Chadbourne / Kondo 67 Juil 00 43 chronique Bouquet Bennink / Chadbourne / Kondo 69 oct 00 51 chronique Pierrepont Bennink Han / Ex Terrie 82 Fév 02 43 chronique Alen Benoit Olivier 79 Oct 01 13 interview Rouy Benoit Olivier / Guionnet Jean-Luc 85 Mai 02 46 chronique Tarche III NOM N° DATE PAGE ARTICLE REDACTEUR Benoit, Olivier 70 no/de00 52 chronique Colpaert Bentley Alison 92 Fév 03 44 chronique Sarrazy Bentzon Niels Viggo 87 Juill 02 48 chronique Tachet Berendt, Joachim- Ernst 64 Avr 00 3 hommage Sarrazy Bergen van / Prins / Fennesz 87 Juill 02 40 chronique Sarrazy Bergen van / Prins / Fennesz 87 Juill 02 40 chronique Delval Berger Karl / Holland Dave 76 Juin 01 39 chronique Chenard Berger, Bengt / Keijser, Roland 58 ao/se99 42 chronique Serra Berndt John 92 Fév 03 43 chronique Sarrazy Berne Tim 79 Oct 01 54 chronique Pierrepont Berne Tim 90 no/dé02 48 chronique Tachet Berne, Tim / Roberts, Hank 60 no/de99 60 chronique Gourgandin Bernstein Steven 91 Janv 03 51 chronique Bouquet Bernstein, Steven 58 ao/se99 9 interview Pierrepont Berthiaume / Frith / Bailey 99 Oct.03 43 Chronique Bouquet Bevan Tony / Smith Damon / Looney Scott R.
Load more

Recommended publications
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Arturo O'farrill Ron Horton Steve Potts Stan Getz
    SEPTEMBER 2015—ISSUE 161 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM GARY BARTZ musical warrior ARTURO RON STEVE STAN O’FARRILL HORTON POTTS GETZ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East SEPTEMBER 2015—ISSUE 161 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Arturo O’Farrill 6 by russ musto [email protected] Andrey Henkin: [email protected] Artist Feature : Ron Horton 7 by sean fitzell General Inquiries: [email protected] On The Cover : Gary Bartz 8 by james pietaro Advertising: [email protected] Encore : Steve Potts by clifford Allen Editorial: 10 [email protected] Calendar: Lest We Forget : Stan Getz 10 by george kanzler [email protected] VOXNews: LAbel Spotlight : 482 Music by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin For subscription assistance, send check, cash or money order to the address above or email [email protected] Festival Report 13 Staff Writers David R. Adler, Clifford Allen, CD Reviews 14 Fred Bouchard, Stuart Broomer, Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Miscellany 39 Brad Farberman, Sean Fitzell, Kurt Gottschalk, Tom Greenland, Event Calendar Alex Henderson, Marcia Hillman, 40 Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Russ Musto, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Alto saxophonist Gary Bartz (On The Cover) turns 75 this month and celebrates with two nights at Dizzy’s Club.
    [Show full text]
  • HENDERSON Trumpeting Change
    November 2012 | No. 127 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com EDDIE HENDERSON Trumpeting Change FRED • TED • PHIL • GLIGG • EVENT VAN HOVE NASH COHRAN RECORDS CALENDAR CHICK COREA & ELLIS MARSALIS QUARTET ERIC PERSON CURTIS STIGERS KENNY G STANLEY CLARKE BAND 11/8 - 11 11/12 11/13 - 14 11/15 - 18 ft. RAVI COLTRANE & MARCUS GILMORE 11/3 - 7 SHEILA JORDAN & STEVE KUHN DUO JACQUI NAYLOR THE MANHATTAN TRANSFER CASSANDRA WILSON 11/19 11/20 - 22 11/23 - 25 11/29 - 12/2 LATE NIGHT GROOVE SERIES: SUNDAY BRUNCH SERIES: JEFF FOXX & CHARMAINE AMEE 11/2 NYU JAZZ: MICHAEL RODRIGUEZ 11/4 THOUSANDS OF ONE 11/3 IRIS ORNIG 11/11 RITMOSIS 11/9 JUILLIARD JAZZ ENSEMBLE 11/18 MAURICIO ZOTTARELLI - MOZIK 11/10 ERIKA 11/25 JOHN RAYMOND PROJECT 11/16 MUTHAWIT 11/17 MATT DICKEY & TRY THIS AT HOME 11/23 SWISS CHRIS 11/24 MICHAEL FEINBERG 11/30 TELECHARGE.COM TERMS, CONDITIONS AND RESTRICTIONS APPLY Everyone has seen one of those classic kung fu movies where some line like “Now the student has become the master” is spoken. It may seem a bit trite when heard with bad overdubbing but jazz wouldn’t be the same without the concept. While New York@Night there have been some players that appeared fully formed, most worked numerous 4 apprenticeships - learning on the bandstand, as it were - with their elders, Interview: Fred Van Hove absorbing lessons they themselves later passed on. Trumpeter Eddie Henderson (On The Cover) got his start as part of Herbie 6 by Clifford Allen Hancock’s Mwandishi band in 1970 but is now an elder statesman himself, sharing Artist Feature: Ted Nash decades of jazz wisdom.
    [Show full text]
  • Free Music Production FMP: the Living Music
    HAUS DER KUNST Free Music Production FMP: The Living Music STRETCH YOUR VIEW Einführung DE Diese Ausstellung widmet sich der Geschichte des Die Ausstellung dokumentiert in noch nicht dagewesenem Musiklabels Free Music Production (FMP), das von 1968 Umfang mithilfe von Fotografien, Postern, Flyern, Ori- bis 2010 als Berliner Plattform für die Produktion, Präsen- ginaldokumenten, Interviews sowie vielen noch nie zuvor tation und Dokumentation von Musik Unvergleichliches gesehen dokumentarischen Videos und bisher unveröffent- geleistet hat. Seit den späten 1950er-Jahren hatte es immer lichten Aufnahmen aus dem FMP-Archiv von Jost Gebers die 1 wieder Versuche von Musikern gegeben, ihre Produktions- verschiedenen FMP-Formate und stellt zudem auch die gesamte und Arbeitsbedingungen selbstbestimmt zu gestalten. So- Tonträgerproduktion vor. wohl in ihrer Langlebigkeit als auch in der Vielfältigkeit ihrer Unternehmungen ist die FMP bis heute einzigartig Heute, kurz vor dem 50-jährigen Jubiläum der FMP, wird klar, und in dieser Form vielleicht nur in Westberlin möglich dass die Free Music Production durch ihre Konsequenz und gewesen. ihre Öffnung für viele verschiedene Musiken und kulturelle Praktiken aus aller Welt zu den wesentlichsten kulturhis- Weil der Saxofonist Peter Brötzmann den Veranstaltern der torischen Beiträgen gehört, die Westberlin zur Kunst- und Berliner Jazztage (heute Jazzfest Berlin) nicht garantieren Kulturgeschichte des 20. Jahrhunderts geleistet hat. konnte, dass seine Gruppe in schwarzen Anzügen auftreten würde, und deshalb wieder ausgeladen wurde, organisierte er 1968 zusammen mit dem Bassisten Jost Gebers das erste Total Music Meeting (TMM). Wie schon zuvor in den Musikszenen der Vereinigten Staaten, ging es auch bei dieser Initia- tive darum, die Arbeitsbedingungen für junge Musiker zu ver- bessern.
    [Show full text]
  • Jazz Experimentalism in Germany, 1950-1975
    European Echoes: Jazz Experimentalism in Germany, 1950-1975 Harald Kisiedu Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Harald Kisiedu All rights reserved ABSTRACT “European Echoes: Jazz Experimentalism in Germany, 1950-1975” Harald Kisiedu “European Echoes: Jazz Experimentalism in Germany, 1950-1975” is a historical and interpretive study of jazz and improvised music in West and East Germany. “European Echoes” illuminates an important period in German jazz whose beginnings are commonly associated with the notion of Die Emanzipation (“The Emancipation”). Standard narratives of this period have portrayed Die Emanzipation as a process in which mid-1960s European jazz musicians came into their own by severing ties of influence to their African American musical forebears. I complicate this framing by arguing that engagement with black musical methods, concepts, and practices remained significant to the early years of German jazz experimentalism. Through a combination of oral histories, press reception, sound recordings, and archival research, I elucidate how local transpositions and adaptations of black musical methods, concepts, and practices in post-war Germany helped to create a prime site for contesting definitions of cultural, national, and ethnic identities across Europe. Using a case study approach, I focus on the lives and works of five of the foremost German jazz experimentalists: multi-reedist Peter Brötzmann, trumpeter and composer Manfred Schoof, pianist and composer Alexander von Schlippenbach, multi-reedist Ernst-Ludwig Petrowsky, and pianist Ulrich Gumpert. Furthermore, I discuss new music composer Bernd Alois Zimmermann’s sustained engagement with African American musical forms in addition to the significance of both Schoof’s and Schlippenbach’s studies and various collaborations with him.
    [Show full text]
  • Recorded Jazz in the Early 21St Century
    Recorded Jazz in the Early 21st Century: A Consumer Guide by Tom Hull Copyright © 2016 Tom Hull. Table of Contents Introduction................................................................................................................................................1 The Consumer Guide: People....................................................................................................................7 The Consumer Guide: Groups................................................................................................................119 Reissues and Vault Music.......................................................................................................................139 Introduction: 1 Introduction This book exists because Robert Christgau asked me to write a Jazz Consumer Guide column for the Village Voice. As Music Editor for the Voice, he had come up with the Consumer Guide format back in 1969. His original format was twenty records, each accorded a single-paragraph review ending with a letter grade. His domain was rock and roll, but his taste and interests ranged widely, so his CGs regularly featured country, blues, folk, reggae, jazz, and later world (especially African), hip-hop, and electronica. Aside from two years off working for Newsday (when his Consumer Guide was published monthly in Creem), the Voice published his columns more-or-less monthly up to 2006, when new owners purged most of the Senior Editors. Since then he's continued writing in the format for a series of Webzines -- MSN Music, Medium,
    [Show full text]
  • Sun Ra Sundays Selections from the Nuvoid Blog
    Sun Ra Sundays Selections from the NuVoid Blog by Rodger Coleman 1 Selections from Rodger Coleman's blog NuVoid (http://nuvoid.blogspot.com/), from 2008 to 2015, with selected comments. Minor edits and formatting by Sam Byrd, 2016. Entries have been rearranged chronologically, to match the order given in Chris Trent's discography included in the 2nd edition of Omniverse Sun Ra (since it is more up-to-date than RLC/Trent). © Rodger Coleman 2 TABLE OF CONTENTS Spaceship Lullaby.................................................. 7 Music from Tomorrow's World.......................... 8 Bad and Beautiful.................................................. 10 Art Forms of Dimensions Tomorrow............... 11 Out There a Minute.............................................. 13 Secrets of the Sun.................................................. 16 What's New............................................................ 18 The Invisible Shield...............................................19 The Earthly Recordings of Sun Ra, 2nd ed...... 21 When Sun Comes Out......................................... 23 Space Probe [1]...................................................... 24 Continuation [1]..................................................... 26 Continuation [2]..................................................... 28 Space Probe [2]...................................................... 30 A Blue One/Orbitration in Blue........................ 33 Janus........................................................................ 35 Cosmic Tones for Mental
    [Show full text]
  • Volltexte/2013/9952/Pdf/GU 15 1982 1 S51 60.Pdf> [12.9.2018]
    Jazzforschung heute sounding heritage volume 4 Jazzforschung heute Themen, Methoden, Perspektiven herausgegeben von Martin Pfleiderer und Wolf-Georg Zaddach Finanziert durch das Institut für Musikwissenschaft Weimar-Jena, Hochschule für Musik FRANZ LISZT Weimar, und das Thüringer Ministerium für Wirtschaft, Wissenschaft und Digitale Gesellschaft (TMWWDG) im Rahmen der Thüringer Strategie zur Digitalisierung im Hochschulbereich. Lektorat/Korrektorat: Eva-Maria von Adam-Schmidmeier, Nicola Heine (English), Megan McCarty (English), Martin Pfleiderer, Ina Rapp, Wolf-Georg Zaddach Umschlaggestaltung: Antje Rautenberg Foto Front: Moritz Unger, Berlin Foto Back: Portrait of Lester Young, Spotlite (Club), New York, N.Y., ca. Sept. 1946, ©William P. Gottlieb (Library of Congress, Washington) Verlag EDITION EMVAS, Berlin Druck und Bindung Pro BUSINESS digital printing Deutschland GmbH, Berlin ISBN 978-3-9817865-3-8 DOI https://doi.org/10.25643/bauhaus-universitaet.3868 Das Werk, einschließlich seiner Teile, ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlages unzulässig und strafbar. Das gilt insbesondere für elektronische und sonstige Vervielfältigung, Übersetzung, Mikroverfilmung und die Einspeicherung und Verarbeitung in elektronischen Systemen. Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie. Detaillierte bibliografische Daten sind im Internet über
    [Show full text]
  • Freier Download BA 68 Als
    BAD 68 ALCHEMY 1 BA‘s Favourites 2010 COSA BRAVA – RAGGED ATLAS (INTAKT) FIRST MEETING – CUT THE ROPE (LIBRA) DANIEL KAHN AND THE PAINTED BIRD – LOST CAUSES (ORIENTE MUSIC) LITTLE WOMEN – THROAT (AUM FIDELITY) MASTER MUSICIANS OF BUKKAKE – TOTEM ONE (CONSPIRACY) MOSTLY OTHER PEOPLE DO THE KILLING – FORTY FORT (HOT CUP!) NICHELODEON – IL GIOCO DEL SILENZIO (LIZARD) GHEDALIA TAZARTES – ANTE-MORTEM (HINTERZIMMER) UNIVERS ZERO – CLIVAGES (CUNEIFORM) WEASEL WALTER - MARY HALVORSON - PETER EVANS – ELECTRIC FRUIT (THIRSTY EAR) www.discogs.com/lists/Bad-Alchemystic-Music-BAs-FAVOURITE-THINGS-1965-1977/13998 www.discogs.com/lists/Bad-Alchemystic-Music-EVERGREENS-FÜR-MORGEN-1978-1992/13999 www.discogs.com/lists/Bad-Alchemystic-Music-THE-ANTI-POP-CONTINUUM-1993-2004/14054 As bad-alchemystic as the world should be: www.myspace.com/b_lange 2 Freakshow: SON ESSENTIEL Und vielleicht kann dann ja so eine Empfindung entstehen: Irgendwie fehlt den ande- ren Körpern etwas, dass also plötzlich der Körper, der nicht der Norm entspricht, als vollendet gesehen wird. Lieder wie von Raimund Hoghe getanzt, Sätze wie auf Artauds Nervenwaage abgewo- gen. Die Musik an diesem Mittwochabend, dem 27.10.2010, im Würzburger Cairo scheint von dem Demiurgen zu stammen, dessen Spleen auch Rhinozeros, Giraffe, Oka- pi und Schnabeltier entsprangen. Frauen haben Filets hinter den Schläfen, die See- pferdchen gleichen. Pascal Godjikian spricht diesen Satz deutsch, ernst wie Max. Über- haupt sind die Surrealismen und Absurditäten von LA SOCIÉTÉ DES TIMIDES À LA PARADE DES OISEAUX, kurz La STPO, verkoppelt mit einem Ernst, den es nicht schert, ob das Theatralische ihrer Aufführung einer Norm entspricht. Godjikian ist kein Showtalent, alles an ihm ist echt, er entblößt sich und seine Phantasiewelt mit dem vol- len Risiko, abzustürzen, zieht sich am eigenen Hosenbund von den Abgründen des All- tags zurück.
    [Show full text]
  • 1968 – Bremen – Brötzmann. Eine Reflektion Über Das Ungewollt Revolutionäre Eines Jazzalbums
    Die internationale Jazzforschung hat sich in den vergangenen Jahrzehnten zahlreiche neue Fragestellungen und Forschungsan- sätze erschlossen. Die dreizehn Beiträge des Tagungsbandes wid- Jazzforschung heute. men sich Themen, Methoden und Desideraten der gegenwärtigen wissenschaftlichen Auseinandersetzung mit dem Jazz. Zudem werden Perspektiven des künstlerischen Forschens im Jazz und Martin Pfleiderer (Jg. 1967) studierte Musikwissenschaft, der Ausbildung von Jazzmusikern und -forschern diskutiert. Philosophie und Soziologie. Seit 2009 lehrt er Geschichte des Jazz und der populären Musik am Institut für Musik- wissenschaft Weimar-Jena. Er hat zahlreiche Aufsätze zum Lorem ipsumThemen, dolor sit amet, consectetur adipisici elit, sed eiusmodMethoden, Perspektiven Jazz veröffentlicht und ist darüber hinaus als Jazzsaxopho- tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim nist aktiv. veniam, quis nostrud exercitation ullamco laboris nisi ut aliquid ex ea commodi consequat. Quis aute iure reprehenderit in voluptate velit Jazzforschung heute esse cillum dolore eu fugiat nulla pariatur. Excepteur sint obcaecat cu- piditat non proident, sunt in culpa qui officia deserunt mollit anim id Wolf-Georg Zaddach (Jg. 1985) studierte Musikwissen- est laborum. schaft, Kulturmanagement und Neuere Geschichte in Weimar/Jena sowie Musikmanagement und Jazzgitarre in Lorem ipsum dolor sit amet, consectetur adipisici elit, sed eiusmod Prag. Er lehrt seit 2011 am Institut für Musikwissenschaft (Hg.) tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim Weimar-Jena sowie seit 2017 am British and Irish Modern herausgegeben von Martin Pfleiderer veniam, quis nostrud exercitation ullamco laboris nisi ut aliquid ex ea Music Institute Berlin. 2018 wurde er mit einer Doktor- commodi consequat. Quis aute iure reprehenderit in voluptate velit arbeit über Heavy Metal in der DDR promoviert.
    [Show full text]
  • All About Jazz Tom Prehn Quartet (1967)
    All About Jazz Tom Prehn Quartet (1967) By AAJ STAFF August 1, 2001 Not generally known as a hotbed for free jazz, the tiny country of Denmark has actually spawned some great music. The single biggest Danish star of modern jazz, alto saxophonist John Tchicai, recorded in a variety of settings with influential American and European improvisers. And the city of Copenhagen hosted some of the most epochal early '60s documents of the free jazz era (eg. Cecil Taylor's Nefertiti.) In 1967, Danish pianist Tom Prehn entered a Copenhagen studio to create the only extant recording of his working group, the self-titled Tom Prehn Quartet. Originally released in a limited vinyl pressing on the obscure V58 label, the Tom Prehn Quartet finally resurfaces in digital form in 2001, courtesy of Atavistic's Unheard Music Series. The sonics of this recording are surprisingly well- balanced and clear, given the inherent limits of the technology involved. The ordering of the tunes on this disc allow the listener to gradually step up to the high intensity free energy Prehn's group is capable of releasing. The quartet engages in quick, punchy, jumpy exaltations on the opener, "F. Eks." Each player pounces like a hungry animal on isolated, disjointed shards of sound. Then, on "Modus Vivendi," Prehn delivers simple repeated treble piano clusters which periodically drop off the cliff into a single dissonant bass bomb — leaving the rest of the group to pick up the pieces. Later tunes explore open-ended group improvisation over an extremely wide dynamic range. Tom Prehn Quartet offers a great deal of explosive, surging energy; as well as a handful of spacious, introspective moments.
    [Show full text]