Corporate Identity System Summary Guide for Designers Contents
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Trademark Public Search in India Faqs – Part 2
Trademark public search in India FAQs – Part 2 Continuing with our article on FAQs on trademark public search in India, we present you second part on FAQs related to trademark search in India. Q – Why trademark public search is important? A – Trademark search is one of the most important steps in trademark registration. A through trademark search can prevent your brand name being infringed and reduces risk of loosing a brand name due to a inadequate trademark search. Q – Can you do trademark search on your own? A – Yes, you can perform trademark public search on your own. You can check our guide on step by stepIPIndia trademark search. Though, it is always advised to take help of external professional service providers for trademark public search as it tend to be more professional and less time consuming. Q – When should you do a TM Search? A – Ideally, trademark public search should be done before filing a application for a trademark registration. You don’t want your application to be rejected by examiner due to lack of or incomplete trademark search. Moreover, search should also be conducted post registration of trademark also. As this step would make sure that your registered trademark is not being used by someone else. Q – How to do trademark search? A – Trademark search can be performed with help of different databases such as IPIndia trademark portal, Ministry of corporate affairs, common law database and Madrid system. You should collect information related to each keyword and formulate a decision matrix to outline chances of your selected trademark getting through examination. -
Logo Use Guidelines
Logo Use Guidelines Get the ocial Plone logo in various formats from http://plone.org/logo 1 About the Logo Minimum Size Projects and companies using Plone are encouraged to use the Plone The logo must always be displayed at a size large enough to read both logo on their websites, brochures, packaging, and elsewhere. You may the logo type and the registered trademark. This will vary based on the not use the logo or its likeness as a company logo or for any other resolution of the medium it is being used in - but as a general rule the commercial purpose without permission from the Plone Foundation. logo circle should be no smaller than 1 cm (3/8”) or 36 pixels in height. User groups may use the logo in their materials, as long as they don't make any prot from it and comply with usage guidelines. The Plone logo is a worldwide registered trademark of the Plone Foundation, Clear Space which is responsible for defending against any damaging or confusing It is critical to maintain an open area surrounding the Plone logo so it uses. In general, we want the logo to be used as widely as possible to remains recognizable and does not become lost in other page promote Plone and the Plone community. Derivative versions of the elements. Clear space is dened relative to the size of the logo, not as a Plone logo are generally prohibited, as they dilute Plone's brand iden- border of a set distance (such as saying “1/4 inch”.) tity. -
Harley-Davidson Visual Identity and Trademark Guidelines
Harley-Davidson Visual Identity and Trademark Guidelines TABLE OF CONTENTS 3 PROTECTING OUR BRANDS 4 HARLEY-DAVIDSON VISUAL IDENTITY Bar & Shield Logo “MotorClothes American Legend” Logo Genuine Motor Parts and Accessories Logos Screamin’ Eagle® Logo Harley Owners Group® Logos Color Typography 10 PHOTOGRAPHY AND VIDEO GUIDELINES 11 TRADEMARK USAGE How to Use Our Trademarks Authorized Dealer Rights 13 GENERAL INTERNET GUIDELINES Internet Guidelines Internet Promotion CONTACT INFORMATION Should you have any questions about using Harley- Davidson logos and trademarks — or just need some clarification — please refer to h-dnet.com or contact the following offices: H-D Michigan, Trademark Inquiries 734.665.9243 H-D Marketing Communications, General Brand or Visual Identity Guidelines Inquiries 414.343.7252 Information herein regarding the use of Federal Trademark Symbols relates to the U.S. and Canada only, and should not be applied to other markets. PROTECTING OUR BRANDS Harley-Davidson logos and trademarks symbolize more than just the quality and heritage of our products. They stand for some- thing important enough that people tattoo them on their skin. It’s something that can’t easily be expressed with words, but is felt 3 in the soul. For many, “Harley-Davidson” isn’t a name or a brand. It’s a way of life. Although it may be more difficult to capture the Harley-Davidson experience on paper, all members of the H-D family — corporate employees, distributors, dealers, licensees, suppliers, and marketing partners alike — must use words and symbols to communicate with each other and our customers. Our “visual identity” encompasses all of the ways our brand is communicated graphically — from logos and trademarks to color and typeface. -
United States District Court for the District of New Jersey
Case 2:15-cv-05882-WHW-CLW Document 105 Filed 07/13/17 Page 1 of 26 PageID: 1547 UNITED STATES DISTRICT COURT FOR THE DISTRICT OF NEW JERSEY DIOPSYS, INC. Civil Action No. 2:15-cv-05882-WHW- CLW Plaintiff, SECOND AMENDED COMPLAINT v. AND JURY DEMAND KONAN MEDICAL USA, INC., and ECF Case GEORGE HU, Defendants. Plaintiff, Diopsys, Inc., (“Diopsys” or “Plaintiff”) hereby sues Defendants Konan Medical USA, Inc. (“Konan”) and Dr. George Hu (“Hu,” and collectively “Defendants”) and alleges as follows: THE PARTIES 1. Plaintiff is a corporation of the State of New Jersey having a place of business at 16 Chapin Road, Suite 912, Pine Brook, NJ 07058. 2. Plaintiff is a medical instrumentation company specializing in vision testing equipment. 3. Konan is a California corporation having a place of principal business at 15 Marconi, Suite A, Irvine, CA 92618. 4. Upon information and belief, Hu is a resident of New Jersey residing at 106 Anderson St., Raritan, NJ 08869. JURISDICTION AND VENUE 5. This is a civil action arising under the Patent Laws of the United States relating to Defendants’ infringement of U.S. Patent No. 6,475,162, entitled “System and Method for Vision Case 2:15-cv-05882-WHW-CLW Document 105 Filed 07/13/17 Page 2 of 26 PageID: 1548 Examination Using Interrupt Signals for Synchronizing Visual Evoked Potential Sampling Rate with Visual Stimulus” (“the ‘162 Patent”), U.S. Patent No. 7,578,795 entitled “System and Method for Vision Examination Utilizing Fault Detection” (“the ‘795 Patent”) and U.S. Patent No. -
Underline-Text-In-Illustrator.Pdf
Underline Text In Illustrator Insolent and unvaried Millicent exhilarate some jumpiness so accidentally! Wriggly Ximenez vitalizes that trampler revictual anywhere and inhumes pruriently. Antinomical Reginauld form some fallers and raced his pessary so filthily! Illustrator team has copyright, in illustrator places in order of underline text in illustrator before you sure you would be done so? Illustrator for several hours. Illustrator problem, is can trust very frustrating, but. You may be exported or illustrator text underline in illustrator go way you know what if i learned the interpreted reading order to underline? Actually many text and eye on the left, in text i have to clipboard, i created an incredibly super cool way. Download 70 fancy themselves free vectors Choose from like a. Illustrator go the word may use rgb color change is underline in. Vector text in your designing and distortion percentages within this. You want better designed and text underline in illustrator to watch. For illustrator text. How these underline depth in CSS javatpoint. You italicize in the roman etc. Ungroup the text elements further using the same board so that each lot block distance be selected separately. Dhe kjo, nëse rezulton e vërtetë, është një fitore e prerë për këdo që kërkon të kthejë një predispozitë të caktuar të bazuar në ankth. We improve auto, text underline in illustrator will be an ad blocker turned on. People think and do not together layouts with Photoshop or Illustrator put. To edit fields in text illustrator underline pack as complex concepts and illustrator. -
Or: “How We Built Websites of Indeterminate Design for Adobe Portfolio”
Schrödinger's Website or: “How we built websites of indeterminate design for Adobe Portfolio” a talk by Jackie Balzer (@jackiebackwards) htps://en.wikipedia.org/wiki/File:Schrodinger_cat_in_box.jpg Web Development Life Cycle Adobe Portfolio Challenges • Customizations viewed in the editor must be 100% representative of the final product (WYSIWYG) • Every Thing* must be user-customizable * minus the specifics of the responsive layout • Responsive styles must look good for infinite- possible customizations Tenets • DRY • Reusable • Human writen • Responsive layout should retain the spirit of the user’s customizations WYSIWYG Challenges: Markup • The markup you see for your site inside the editor should be the same markup you see on your final published website WYSIWYG Challenges: CSS • The styles you see for your site inside the editor should be the result of the same CSS you see on your final published website 1 "header": { 2 "align": "center", 3 "color": "#222", 4 "font": { 5 "family": "ftnk", 6 "size": 30, 7 "lineHeight": 30 8 }, 9 "fontStyle": { 10 "bold": "700", 11 "italic": "normal", 12 "underline": null, 13 "strikethrough": null, 14 "uppercase": "uppercase" 15 }, 16 "padding": { 17 "bottom": 0, 18 "left": 0, 19 "right": 0, 20 "top": 0 21 } 22 } 1 $header: ( 2 align: center, 3 color: #222, 4 font: ( 5 family: ftnk, 6 size: 30, 7 lineHeight: 30 8 ), 9 fontStyle: ( 10 bold: 700, 11 italic: normal, 12 underline: null, 13 strikethrough: null, 14 uppercase: uppercase 15 ), 16 padding: ( 17 bottom: 0, 18 left: 0, 19 right: 0, 20 top: 0 21 ) 22 -
Brand Guidelines Released 12.08.20 Contents
Brand Guidelines Released 12.08.20 Contents 01 Mark ���������������������������������������������������������������������������2 02 Clear Space ���������������������������������������������������������������� 4 03 Usage Cases ����������������������������������������������������������������5 04 Color Palette �������������������������������������������������������������� 6 05 Typography �����������������������������������������������������������������7 01 Mark PRIMARY LOGO MARK The following is the primary full-colour logo and icon. The following is the Anuket Icon. LOGOTYPE PRIMARY ICON Anuket • BRAND GUIDELINES 2 01 Mark Cont. BLACK The black version of the Anuket logo should be used when only one color is available for printing. The white or knockout version should WHITE be used over black and colored backgrounds or low-contrast images. KNOCKOUT Anuket • BRAND GUIDELINES 3 02 Clear Space Clear space is the X X minimum “breathing room” maintained around the Logo. To work out the clearspace take the height of the “A”, and divide it in half. (Clearspace = “A” Height /2) This area should be kept free of graphics, text and other marks. This space also defines the minimum distance from the mark to the edge of a border, page, screen, etc. X X Anuket • BRAND GUIDELINES 4 03 USAGE CASES The integrity of SCALE Do not play with the scale and ORIENTATION Do not change the PROPORTIONS Do not change the the Anuket logo perspective, or alter the proportions orientation of the mark by rotating it proportions of the logotype and mark. must be respected of the mark. in any way. at all times. Do not alter, recreate OR distort the mark in any way. Please use approved electronic art when reproducing the COLOR Do not reverse, change, or add EFFECTS Do not add any effects such as a MARK Do not change the layout Anuket logo. -
Logo & Trademark Usage Guide
LOGO & TRADEMARK USAGE GUIDE 2 ABOUT THX Founded by legendary filmmaker George Lucas in 1983, THX and their partners provide premium entertainment experiences in the cinema, in the home and on the go. THX develops audio-video and environmental designs, technologies, products and specifications to ensure an artist’s vision is truthfully delivered to audiences worldwide. For more information on THX please visit www.thx.com. 3 CONTENTS 1. TRADEMARK GUIDELINES 2. GENERAL DESIGN RULES 3. HOME THEATER ADVISOR 4. HOME THEATER INTEGRATOR 5. HOME THEATER ADVANCED INTEGRATOR 6. VIDEO CALIBRATION 1 7. VIDEO CALIBRATION 2 8. HOME THEATER 1 (LEGACY COURSE) 9. HOME THEATER 2 (LEGACY COURSE) 10. FOR USE BY BUSINESSES WITH CERTIFIED PROFESSIONAL ON STAFF 11. CONTACTS 4 1. TRADEMARK GUIDELINES The following directives apply to any THX trademark in print or electronic form and in any published materials, including websites: 1. Only individuals who have successfully completed the 8. The THX word trademarks and logo trademarks should AGREEMENT REQUIREMENTS: requirements for becoming a THX Certified Professional never be altered in any way. THX requires that THX Certified Professionals sign a license may use the trademarks displayed in this guide. agreement with THX prior to use of any THX trademarks. 9. The symbol ® or ™ should be used to signify trademarks. All uses of THX trademarks and service marks must be 2. The trademarks may not be used to suggest that other ® signifies that the mark is registered in the U.S. Patent individuals within an organization are THX Certified and Trademark Office and/or other countries. The ™ is in strict compliance with the terms and conditions of such Professionals. -
Foreign Language Trademarks in Japan: the Linguistic Challenge
University of Miami International and Comparative Law Review Volume 1 Issue 1 THE UNIVERSITY OF MIAMI YEARBOOK Article 13 OF INTERNATIONAL LAW VOLUME 1 1-1-1991 Foreign Language Trademarks in Japan: The Linguistic Challenge Rosalynn Frank Follow this and additional works at: https://repository.law.miami.edu/umiclr Part of the Comparative and Foreign Law Commons, and the International Law Commons Recommended Citation Rosalynn Frank, Foreign Language Trademarks in Japan: The Linguistic Challenge, 1 U. Miami Int’l & Comp. L. Rev. 206 (1991) Available at: https://repository.law.miami.edu/umiclr/vol1/iss1/13 This Article is brought to you for free and open access by the Journals at University of Miami School of Law Institutional Repository. It has been accepted for inclusion in University of Miami International and Comparative Law Review by an authorized editor of University of Miami School of Law Institutional Repository. For more information, please contact [email protected]. FOREIGN LANGUAGE TRADEMARKS IN JAPAN: THE LINGUISTIC CHALLENGE ROSALYNN FRANK* SUMMARY I. INTRODUCTION II. THE JAPANESE LANGUAGE III. JAPANESE TRADEMARK LAW A. THE BASICS B. LINGUISTIC SIMILARITY IV. USE OF A TRADEMARK V. EXAMPLE ANALYSIS VI. CAUTIONS VII. CONCLUSION I. INTRODUCTION As international commerce increases, foreign businesses need to become familiar with the different laws under which they will deal and be held accountable.' The protection of intellectual property rights is one of the most important issues arising in the context of international transactions, particularly in the Japanese market, which is prone to copying and imitation.2 In essence, trademarks are significant because they identify the origin of goods. -
Trademark Public Advisory Committee Meeting
UNITED STATES PATENT AND TRADEMARK OFFICE TRADEMARK PUBLIC ADVISORY COMMITTEE MEETING Alexandria, Virginia Tuesday, October 31, 2017 PARTICIPANTS: USPTO: JOSEPH MATAL, Undersecretary of Commerce for Intellectual Property and Director of the United States Patent and Trademark Office MARY BONEY DENISON, Commissioner for Trademarks DEE ANN WELDON-WILSON, Chair, TPAC WILLIAM G. BARBER, Vice Chair, TPAC MARK KRIEGER, Acting Deputy CFO GERARD ROGERS, Chief Administrative Trademark Judge DANA COLARULLI, Director, Office of Government Affairs SHIRA PERLMUTTER, Chief ROBERT HARRIS, OCIO PAMELA ISOM, OCIO RAMESH PAI, OCIO MEGAN ARTHUR, OCIO HEATHER HOGUE, OCIO Union Members: HOWARD FRIEDMAN, NTEU 245 TPAC Members: TIMOTHY J. LOCKHART PARTICIPANTS (CONT'D): JODY DRAKE MEI-LAN STARK JONATHAN HUDIS * * * * * P R O C E E D I N G S (9:00 a.m.) CHAIRPERSON WELDON-WILSON: Hello. Would everyone take their place, and we'll get started today. I'm Dee Ann Weldon-Wilson, and I want to welcome you to the TPAC meeting today. Those of you sitting at home may notice on the slide it shows October 30th, and it's actually Halloween. I think we were just trying to obscure that fact from you. So, it's actually the 31st. You are in the right place at the right time. We are glad you're here today. I'd like to take just a very quick minute to introduce you to some of our TPAC members: We have Bill Barber here. He's a founding member of the firm of Pirkey Barber, and he is also past president of AIPLA. And next to him we have Jonathan Hudis, who's a partner at Quarles Brady. -
Identity Guidelines
Primary Color 1-color black Identity Guidelines 1-color grayscale Automation Control Products | 1725 Windward Concourse, Suite 300 | Alpharetta, Georgia 30005 | www.thinmanager.com | [email protected] | OFFICE 678-990-0945 | FAX 678-990-0951 1-color grayscale reverse 1-color black (knockout) Pantone Primary Color 1-color black Identity Guidelines Introduction ................................................................ 1 Logo ........................................................................... 2 Clear space and minimum size ................................... 3 Primary color palette ................................................... 5 1-color grayscale Wordmark & logo color variations ............................... 6 Wordmark & logo variations for website ...................... 7 Logo misuse ............................................................... 8 Typography ................................................................. 9 ACP Identity Guideslines / Updated 01-30-2015 Automation Control Products Identity Guidelines iii 1-color grayscale reverse 1-color black (knockout) Pantone Primary Color 1-color black 1-color grayscale Introduction The foundation of our graphic identity system, the ACP As the logo must be presented with consistency and logo represents the most concise visual expression of the care whenever it appears, the following guidelines have ACP brand and an essential asset. It is responsible for been developed to ensure its correct usage whenever it is communicating the qualities that make ACP unique -
Lorem Ipsum Sample Text
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