Distinguishing Self-Interest from Greed: Ethical Constraints and Economic Efficiency IIEP-WP-2019-17
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
The BBC's Pardoner's Tale
A Popular Change from an Old Man to a Young Girl: The BBC’s Pardoner’s Tale (2003) Angus Cheng-yu Yen National Sun Yat-sen University, Taiwan Adaptation, as Julie Sanders defines it, is an attempt to invite new audiences and readers by re-presenting the source text in a simpler, more easily comprehensible manner. Among film adaptations of Chaucer’s Canterbury Tales, BBC’s 2003 reimagining provides unsurpassed sensitivity to modern issues, and a new relevance. Tony Ground narrates a modern tale intertwined with gothic elements and sex abuse scandals. Compared to the original text, BBC’s The Pardoner’s Tale leaves its reader not with the simple conclusion that avarice can be ultimately conquered, but with the complexities motivating a heinous crime. With the emphasis on the transformation of a character from a pallid old man to a florid young girl, this essay aims to discuss how the reframing of a medieval tale through popular culture sheds light on Chaucer’s reception and adaptation in the twenty-first century. Pasolini argued that it was impossible to make films about the past, idealized or otherwise, because the past had been irreparably corrupted by the present.1 ~Kevin J. Harty Everyone thinks they know the Canterbury Tales. Yet my experience of working on the Tales told me that no one can really remember much about them.2 ~Jonathan Myerson Geoffrey Chaucer’s Canterbury Tales have been adapted into numerous films, musicals, operas, and telefilms, including the BBC’s latest reproduction in 2003. Re- interpretation or re-production can either afford an alternative point of view from the 1 Kevin J. -
The Seven Deadly Sins
Contact: Karen Schwarz Bruce Museum (203)413-6735 [email protected] SEVEN MUSEUMS, SEVEN SINS First-time Exhibition Slated for 2015 May 5, 2015—The Seven Deadly Sins, a groundbreaking series of exhibitions with openings through July, will be presented by seven arts institutions, all members of the Fairfield/Westchester Museum Alliance (FWMA), located in Fairfield County, CT, Westchester County, NY, and the New York City borough of the Bronx. The seven cultural institutions are: The Aldrich Contemporary Art Museum; Bruce Museum; Hudson River Museum; Hudson Valley Center for Contemporary Art; Katonah Museum of Art; Neuberger Museum of Art; and, Wave Hill. The Seven Deadly Sins represents the first collaboration among the FWMA museums. FWMA museums formed an alliance in 2009 to share resources to promote cultural life in the region and offer reciprocal benefits to their members. The Seven Deadly Sins, FWMA’s inaugural exhibition, is offered to the public at large; the members of FWMA institutions are admitted free to Seven Deadly Sin exhibitions and programs. Each of the FWMA institutions explores one of the seven deadly sins — a hardcore group of despised actions that for centuries defined what humans must not do to live good lives. The litany of sins is as familiar to us now as to past generations — Envy, Gluttony, Greed, Lust, Pride, Sloth, and Wrath —and, each sin is often contrasted with a contrary virtue: Kindness, Temperance, Charity, Chastity, Humility, and Diligence, whose practice protects us from the ever present temptation to sin. The “Deadly Seven,” the favorite subject of painters and poets over centuries, is woven into the warp and weft of the Western world’s cultural allusions. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Seven Deadly Sins Art Scavenger Hunt - Vocabulary
Seven Deadly Sins Art Scavenger Hunt - Vocabulary 1. Use the definitions from the Merriam-Webster’s Online Dictionary below to aid in your hunt for pieces of art that exemplify each sin. Lust - romantic desire especially if strong or uncontrolled Gluttony - the act or habit of eating or drinking too much Greed - selfish desire for food, money, or possessions over and above one's needs Sloth - the quality or state of being lazy Wrath - 1: violent anger; 2: punishment for sin or crime Envy - painful or resentful awareness of an advantage or possession enjoyed by another and the desire to possess the same thing Pride - too high an opinion of one's own ability or worth: a feeling of being better than others 2. In the space below, brainstorm how each of the sins might look in a piece of artwork. Use simple pictures, nouns and adjectives. Lust Gluttony Greed Sloth Wrath Envy Pride 3. Use the following terms to describe the pieces of art you identify for each sin on your “Works of Art” page. Here we have used the most famous painting in the world, the Mona Lisa, as an example. Title of work- the full name of the work in italics | The Scream Date of work- around when the work is believed to be completed. You may sometimes see a small “c.” in front of the date which stands for circa and means “around”. | 1893 Artist (if known) - give the name of the artist or group that is recognized for the work. If there is no artist known, write unknown | Edvard Munch Current location- list the name of where the work is currently housed | The National Gallery, Oslo, Medium- what materials were used to create the work of art | Oil on cardboard Dimensions- what is the size of the work of art in feet and/or inches*you must convert centimeters over| (36 in × 28.9 in) How it represents a deadly sin- explain what images you see in the work of art that let’s you know that the sin is present. -
Greed and Grievance in Civil War
# Oxford University Press 2004 Oxford Economic Papers 56 (2004), 563–595 563 All rights reserved doi:10.1093/oep/gpf064 Greed and grievance in civil war By Paul Collier* and Anke Hoefflery *Centre for the Study of African Economies, University of Oxford yCentre for the Study of African Economies, University of Oxford, 21 Winchester Road, Oxford OX2 6NA; e-mail: anke.hoeffl[email protected] We investigate the causes of civil war, using a new data set of wars during 1960–99. Rebellion may be explained by atypically severe grievances, such as high inequality, a lack of political rights, or ethnic and religious divisions in society. Alternatively, it might be explained by atypical opportunities for building a rebel organization. While it is difficult to find proxies for grievances and opportunities, we find that political and social variables that are most obviously related to grievances have little explanatory power. By contrast, economic variables, which could proxy some griev- ances but are perhaps more obviously related to the viability of rebellion, provide considerably more explanatory power. 1. Introduction Civil war is now far more common than international conflict: all of the 15 major armed conflicts listed by the Stockholm International Peace Research Institute for 2001 were internal (SIPRI, 2002). In this paper we develop an econometric model which predicts the outbreak of civil conflict. Analogous to the classic principles of murder detection, rebellion needs both motive and opportunity. The political science literature explains conflict in terms of motive: the circumstances in which people want to rebel are viewed as sufficiently rare to constitute the explanation. -
The Global Financial Crisis of 2008: the Role of Greed, Fear, and Oligarchs Cate Reavis
09-093 Rev. March 16, 2012 The Global Financial Crisis of 2008: The Role of Greed, Fear, and Oligarchs Cate Reavis Free enterprise is always the right answer. The problem with it is that it ignores the human element. It does not take into account the complexities of human behavior.1 – Andrew W. Lo, Professor of Finance, MIT Sloan School of Management; Director, MIT Laboratory of Financial Engineering The problem in the financial sector today is not that a given firm might have enough market share to influence prices; it is that one firm or a small set of interconnected firms, by failing, can bring down the economy.2 – Simon Johnson, Professor of Entrepreneurship, MIT Sloan School of Management; Former Chief Economist, International Monetary Fund On October 9, 2007, the Dow Jones Industrial Average set a record by closing at 14,047. One year later, the Dow was just above 8,000, after dropping 21% in the first nine days of October 2008. Major stock markets in other countries had plunged alongside the Dow. Credit markets were nearing paralysis. Companies began to lay off workers in droves and were forced to put off capital investments. Individual consumers were being denied loans for mortgages and college tuition. After the nine-day U.S. stock market plunge, the head of the International Monetary Fund (IMF) had some sobering words: “Intensifying solvency concerns about a number of the largest U.S.-based and European financial institutions have pushed the global financial system to the brink of systemic meltdown.”3 1 Interview with the case writer, April 10, 2009. -
Fear, Greed, and Financial Crises: a Cognitive Neurosciences Perspective Andrew W
23 Fear, Greed, and Financial Crises: A Cognitive Neurosciences Perspective Andrew W. Lo Abstract Historical accounts of financial crises suggest that fear and greed are the common denominators of these disruptive events: periods of unchecked greed eventually lead to excessive leverage and unsustainable asset-price levels, and the inevitable collapse results in unbridled fear, which must subside before any recov- ery is possible. The cognitive neurosciences may provide some new insights into this boom/bust pattern through a deeper understanding of the dynamics of emotion and human behavior. In this chapter, I describe some recent research from the neu- rosciences literature on fear and reward learning, mirror neurons, theory of mind, and the link between emotion and rational behavior. By exploring the neuroscien- tific basis of cognition and behavior, we may be able to identify more fundamental drivers of financial crises, and improve our models and methods for dealing with them. 23.1 Introduction In March 1933, unemployment in the United States was at an all-time high. Over 4,000 banks had failed during the previous two months. Bread lines stretched around entire blocks in the largest cities. The country was in the grip of the Great Depression. This was the context in which Franklin Delano Roosevelt delivered his first inaugural address to the American people as the 32nd president of the United States. He began his address not by discussing economic conditions, nor by laying out his proposal for the “New Deal”, but with a powerful observation that still resonates today: “So, first of all, let me assert my firm belief that the only thing we have to fear is fear itself – nameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance”. -
Luck Be a Dreidl Tonight: "Millionaire," Chanukah and Other Games of Chance
Luck Be a Dreidl Tonight: "Millionaire," Chanukah and Other Games of Chance By Jennifer E. Krause People are talking about two new shows: ABC's "Who Wants to Be a Millionaire?" and Fox's "Greed." "Who Wants to Be a Millionaire?" and its host, Regis Philbin, burst on the television screen during the ratings dust bowl days of August, amidst re-runs and re-runs of re-runs. An estimated five million people responded to the show's call for contestants, and reportedly some 18 million people tuned in to witness the spectacle. Even now, amidst the stiff competition of November "sweeps," the fascination has not waned. The "Who Wants to Be a Millionaire?" set is all neon and sweeping spotlights, and the music sounds eerily like the music you hear when newscasters are interrupting your regularly scheduled programming. The main attraction, of course, is that contestants can walk away with a million dollars in one night simply by answering a few questions. Before offering an answer, each person has to choose whether to go for broke or take the money and run. It is an alarmingly thrilling process to watch. I hesitate to say that I find myself sitting on the edge of my seat as "Reege" takes his sweet time revealing the right answer. I worry that Don from Tuscaloosa might lose his $64,000 jackpot trying to take a guess at the $125,000 question on "The Sound of Music." How many of those von Trapp kids were there? One wrong answer and you could lose it all, Don! What about your kids' college funds, that dream trip to Hawaii? The pressure mounts. -
Themes List (Quotations, Mottos, Proverbs and Old Sayings)
Themes List (Quotations, Mottos, Proverbs and Old Sayings) Prejudice • Things are not always as they appear. • Things are usually not as bad as you think they will be. • Look for the golden lining. • Beauty is only skin deep. • Prejudice leads to: wrong conclusions, violence, false perceptions, a vicious cycle, oppression. o Don’t judge a book by its cover. o Mercy triumphs over judgment. • Beware of strangers. • People from other cultures are really very much like us. • Look before you leap. Belief • Believe in yourself. To succeed, we must first believe that we can. • Believe one who has proved it. Believe an expert. • The thing always happens that you really believe in; and the belief in a thing makes it happen. • One needs something to believe in, something for which one can have whole-hearted enthusiasm. • As long as people believe in absurdities, they will continue to commit atrocities. • Moral skepticism can result in distance, coldness, and cruelty. Change • People are afraid of change but things always change. • Things are usually not as bad as you think they will be. • Knowledge can help us prepare for the future. • Forewarned is forearmed. • It is impossible to be certain about things. Good and Evil • Good triumphs over evil. • Evil is punished and good is rewarded. • Power corrupts and absolute power corrupts absolutely. • Bullies can be overcome. • Good manners have positive results. • Greed leads to negative outcomes: suffering, disaster, catastrophe, evil, callousness, arrogance, megalomania. • It is possible to survive against all odds. • Jealousy leads to negative outcomes: guilt, resentment, loneliness, violence, madness. • Good and evil coexist. -
Greed and Grievance in Civil War
POLICY RESEARCH WORKING PAPER 2355 Public Disclosure Authorized Greed and Grievance Of the 27 major armed conflicts that occurred in in Civil War 1999, all but two took place within national boundaries. Paul Collier As an impediment to Public Disclosure Authorized Anke Hoe ffler development, internal rebellion especiallyhurts the world's poorest countries. What motivates civil wars? Greed or grievance? Public Disclosure Authorized Public Disclosure Authorized The World Bank DevelopmentResearch Group U POLICY RESEARCH WORKING PAPER 2355 Summaryfindings Collier and Hoeffler compare two contrasting effect might be present in both greed-motivated and motivations for rebellion: greed and grievance. Most grievance rebellions. rebellions are ostensibly in pursuit of a cause, supported The authors' results contrast with conventional beliefs by a narrative of grievance. But since grievance about the causes of conflict. A stylized version of assuagement through rebellion is a public good that a conventional beliefs would be that grievance begets government will not supply, economists predict such conflict, which begets grievance, which begets further rebellions would be rare. conflict. With such a model, the only point at which to Empirically, many rebellions appear to be linked to the intervene is to reduce the level of objective grievance. capture of resources (such as diamonds in Angola and Collier and Hoeffler's model suggests that what Sierra Leone, drugs in Colornbia, and timber in actually happens is that opportunities for predation Cambodia). Collier and Hoeffler set up a simple rational (controlling primary commodity exports) cause conflict choice model of greed-rebellion and contrast its and the grievances this generates induce diasporas to predictions with those of a simple grievance model. -
“Take Hold of Life” March 8, 2020
“Take Hold of Life” March 8, 2020 2537 Lee Road Cleveland Heights, OH 44118‐4136 1 Timothy 6:17‐19 Telephone: 216‐321‐8880 Rev. Andy Call, Lead Pastor Website: www.COTSumc.org In 2008, greed was on full display with all its glittering attraction and devastating consequences. Some of the names have been indelibly burned into our permanent memories: Bear Stearns, AIG, Lehman Brothers, Goldman Sachs, Fannie Mae and Freddie Mac. One name you may not remember is that of Jdimytai Damour. On the night of Thanksgiving in 2008, Damour was working as a security guard at Walmart at the Green Acres Mall on Long Island. Overnight, shoppers gathered outside the doors for “Black Friday” sales on toys, DVDs, flat‐panel televisions and other items priced to lure them in for the biggest shopping day of the year. Shortly before 5 a.m., the crowd began to press against the door, jostling to be first in line for the best deals. Damour stood just inside the sliding glass doors, trying to bring order and to hold back the crush of shoppers. Suddenly, the doors shattered and Damour was thrown to the ground. Rather than stopping to help, the crowd continued unabated, rushing into the store and trampling him to death in the process.1 Greed is rampant, from Wall Street to Main Street, among the privileged elite and the poverty stricken poor and everyone in‐between. And its consequences can be catastrophic, both for the body and the soul. Today is the second installment in our sermon series for Lent: Virtues and Vices.