Bernstein Tanglew©A

Total Page:16

File Type:pdf, Size:1020Kb

Bernstein Tanglew©A Bernstein Tanglew©a May 6, 1988 Ga'a Bönen Co Ctvm Am Getty Mrs. Artur Rubinstein Kray Callaie Hail James D WoJensctm 22 Square de L'Avenue Foch Paris FRANCE Dear Mrs. Rubinstein, I am very pleased co be able to provide you with more specific details about "Bernstein at 701" The Celebration of Leonard Bernstein's 70th Birthday at Tanglewood in August. As we indicated in an earlier letter, both Seiji Ozawa and I hope that you will be able to join us for this important occasion. Thu celebration will begin on Thursday, August 25, with a Gala Birthday Performance featuring many of Lenny's important works from the fields of both popular and symphonic music. The evening will include a supper prior to the performance for those persons participating as Benefactors and Patrons. There will also be a party in honor of Lenny for members of the cast and Benefactors following the performance. We have enclosed a schedule of the entire weekend for your convenience and a response card which we would appreciate having returned to us as soon as possible. David Burnham, who is coordinating arrangements for us, will be pleased to offer any assistance you might need in making arrangements for hotel accom­ modations. Please feel free to call him at (617) 266-9032 if you have any questions pertaining to plans for the weekend. We look forward to the possibility of having you with us for this most important and exciting tribute to one of the world’s pre-eminent musicians. Kenneth Haas Managing Director enc. S/mpnwiy &ct«>»wa. Se» Ora»n. Music Olmeto» • throuoti Ju»o. Svmchony -uii Boston, .t»t 41» M6 9032 ■ .. MArtlîWTel 4’363» l«0 ’7Jvw V_s----- Ann Getty. Kitty Carlisle l l.iri, |amc» WolfeiiMihn CoC.lwirmcn Tlic Benefit Committee Tlw Board of Trustee* of The Boston Symphony Orchestra request the pleasure of your company at BERNSTEIN AT 7<H The Celebration of Ixonanl Bernstein's “Olli Riiilni.iv it Tanglcwood for the benefit of The Tanglcwood Mink Omer with The Boston Symphony < )rche*rr;i conducted by Seiji Ozawa |uhn William* John Maticen Michael Tilson Thomas hosted by licterly Sill» with perfurmanco by Lauren Bacall Hildegard Behrens Betty Camden Adolph Grern Barbara Hendricks Gwyneth Iones Christa Ludwig Y0Y0M.1 Midori Phyllis Newman Mstislav Rouro|X)vich Frederica vrm Sude and many others preceded by a gala cupper ai I lighwood Thursday, August 25.19SM Tanglcwood Lenox. .M.isMchi>M*.ttN Black Tic 6:00 p.m. Supper R.t.v.p. Card Enclosed 830|Un. Performance Tangle wood Music Center The Tanglewood Music Center—one of the great inusti.d snslitutums of thr world—was established by the Boston Symphony in 1940, fultiiling the dream of Serge Kouwev ilzky that Tangleworn! would lie the setting not only for summer festival concert* by the < IrchcMra. but for an international music academy as welL There, with "summers sjk-iii living and working hi music,” the world’s inosr promising young musician* could accomplish intensive work in performance alongside and under the aegis of a great f kihcstra, help ng them to make the difficult transition from formal studies to concert stages. Today that dream is a reality. Each year mure than ..f rhe be« voung muucans from aero» the country and around the world auditton for the mveted 145 tmtioiHfrcc powtioni in the Tanglcwood Musk Center Fellowship Program. Typically the student enrollment include* students from some 55 Mate* and 25 foreign countries. Alumni of the Tanglcwood Music Center make significant contributions to musn around the world. Instrumentalists Irorn the program make up about Jf>% al the lit major American orchestras and occupy some 35‘A of (he principal chain in those orchestras. < )vcr the years participants ill the Fellowship Program have included such artists asGluudio Ahlxido. Bur: Bacharach. Luciano Berio, Phyllis Curtin, David Del Tredict. Christoph von Dohnlnyi. Jacob Druckman, Marin l-anza, Wynton Marsalis, Zubin Mi Illa, Sherrill Milnes, Scip Oy.iw.i, Leontyne Price. Ned Rorem. and Shirley Verrett, who studied and performed at a critical stage of their development with such rhstinguisherl faculty as Sarah Caldwell. Aaron Copland, Boris Goldovsky, Erich Lritisdurf, Yu-Yu Ma, Gtegor Piatigursky, Andre Previn, Gunther Schuller, and Leonard Bernstein himself, who has served lor virtually every year on the faculty. Proceeds from "Bernstein at 70!". the gala celebration of Leonard Bernsteins accomplishments as conductor, composer, (cache: and performer, will help to ensure the cnntinibilion of this institution that has meant so much to musicians and tnusic lovers .ill over the world. Honorary Committee Claudio Abbadu |ahn Guare Nathan Milucin Anp Silja Maurice Abravanel Ki Hun. Edward Heath Phylli* Newman Beverly Sills Edward Albee Dame Gwyneth Jones Seiji Ozawa Alvin Singleton Claudio Arrau Quincy Jone* George I’erk Sir Georg Solti Uuien Bacall Madeline Kahn Shirley Gabis Perle Stephen Sondheim Daniel Barenboim Gilbert Kalish Bernadette Peters Stephen Spender Pierre Boulez (iene Kelly George Arne* Plimpton Frederica von Stadr Sarah Caldwell Leon Kirchner André Previn Isaac Stern Bruy (xunden Oliver Kriuwcn Hamid Prince William Styron Aaron Copland Arthur l-aurents Sid Ramin Dame Kiri Te Kanawa Phyllo Curtin lames Lx vine Jerome Robbins Michael Tilwn Tlmma Gordon Davidion Yo-Yo Ma Ned Rorem Slur 1er Verre« Chnitoph von Dohnanyi Peter Martin* Patricia Routledge ('lui let Wadsworth Davicl Del Trcdici John Mmxeri Susan Sarandon William Warfield Jacob Druckrnan Roddy McDouall Peter Sr hat Elie Wiesel Eileen Farrell Zubin Mehta William Schuman John Williams Robert Ftzdalc Sir Yehudi Menuhin James Schwabacher Yehudi Wyner Leon Flasher Melina Mercouri Stephen Schwartz Committee if/ formation laika* Frtex Sherrill Milnes Harold Shapero Arthur Gobi Bright Sheng Adolph Green Maxim Shostakovich Ann <ictry. Kitty Carlisle Hart. l.itnrs WrM'iiwihn Co-Chairmen The Benefit ( xirnmitter Mr. and Mrs. Amyjs Aina loan Bennett Kennedy Mr. anti Mrs. Nnrio t )hgj Mr. and Mrs Lionel Krvrr Senator lohn F Kerry Jacqueline Kennedy Onasvi* Mr. and Mk. Humphrey Button Mt und Mn George H. Kidder Mr. and Mrs. Andtall Pearson Mr. and .Mr*. Schuyler ('lupin Dr. and Mrs. Leo Kirch Anne ind Martin Peretz Mn. Nat Cole Mr. and Mr#. Michael V Korda Mr and Mrs. Thoma* D. Perry, It. MW. A. Werk Cook Mr. I larry I Kraut Mt and Mrs. Samuel Pitot (nanne Toor Cummtngi Mt. and Mrs. David Lloyd Krcegct William mid Lta Puorvu Governor and Mr*. Mario (dromo Mr. and Mrs. Harvey Chet Krcntzman Mr. und Mr». Irvmg W. Rabb Mr. D. Ronald Daniel Mathilde and Arthur B. Krim Dr. mil Mn. Raymond IL Schneider Mr. and Mrs. Nelson (. Darling. Ir Ixe Lamont Mr. Avi Shosluni Mi John Ditirnmund Mt. and Mrs. Frederick Lazarus III Mn. |ouett Shouse Governor and Mrs. Militaci S. Dukakis The Honorable and Mn. lohn V Lindsay The Honorable anti Mrs. Leonard Silverstein Osborn and Inger Elliott The Honorable and Mrs. Sol M. Lmowi'.z Mt. ami Mrs Stephen E. Smith .Mr. Paul Epstem Dr Carsate Mazzonts Mr. ami Mrs. Stephen Stamuv Mrs. Harns Fahnestock Senator and Mrs Howard M. Metzerikium Mrs. Arthur Stanton Mr. and .Mn. Sampson R. Field The Honorable and Mrs. Wolter F Mondjlc Mr. and Mrs. Ray Stiita The Honorable and Mrs. John I I Fitzpatrick 1 Lnac .Mori Elizabeth and George Stevens. Jr Mr. and Mrs. George G Gallant? Mr anti Mrs. Akin Minna The Honorable and Mrs. Roger 1_ Stevens Henry and Mary Rodgrr* Giiciiel Helen S Morns Mr und .Mrs. Sidney Stoncman Mr. and Mrs. Klaus Halhg Mr. Carlos Moseley Mr. and Mrs. George Weissman Mr. and Mrs. Naoyasu Kajimnio Senator and Mrs. Daniel Patrick Moynihan Mr Robert Whitehead Senator Edward M. Kennedy Mr. and Mrs. Edward N Ney Mr and Mrs. Ronald A. Will'ord Bernstein at 71)' The Cdcbr.it ichi <il Leonard Bernstein’s 70th Birthday at Tanglewood Thursday. August 2S (rjiti RtrtMiiy Petffirmjnt* 8:«lp.ni It it inn Symphony < Jrvbcstr* conducted by Seiji Ozawa, |ohn Williams, lohn Maucen an.) Michael Tilson Tlmniav with distinguished artists from the l>cl<K olilavsicul and popular music, dance and theater Pre-Gala Supper at Highwood Post-Gab C.wt Party in honor of Ixon.iid Bernstein at Rlantyrc Friday. August 26 Tangiat'wtd A/ron G«Mrt' <h'thatra 9.410 pan. Seiji Ozawa and .Mnharl Tilum l h< ■in,», conductors Soiocsu to include Midori and Yo-Yo Ma Saturday. August 27 Bermtrin MASS. -I Thame I'xrcfot lingers. Pktynf ¿nd Dmwi. A 8:30 pm. fully staged production from the Indiana University Opera Theater Sunday, August 28 Hm'tm A'j wpZorri Ikxktilrt Ixonard Bernstein. conductor Haydn Symphony No. 8X Tchaikovsky Symphony No. 5 IfflW 7^ y „ Bernstein Tangjewœd.
Recommended publications
  • Maurice Abravanel Remembers Kurt Weill
    When it was issued in the Fifties, Columbia's record- serves the stylistic authenticity Lenya brought to the ing of the "Big Mahagonny" (K31.243, three discs, mono) role of Jenny but restores the role to its originalsoprano was a welcome introduction to the most monumental of range-providing the necessary musical and dramatic the Brecht -Weill works and is still indispensable toany contrast with Begbick, the other female principal. The library of Weill recordings. But now that theopera has transposition down an octave for Lenya is particularly become entrenched in the repertory, the shortcomings damaging to the beautiful "Crane Duet." of that version, conducted by Wilhelm Bruckner-Rugge- The Threepenny Opera has always been the most berg and with a cast centered on Lotte Lenya, are more popular of Weill's works: Within five years of its pre- apparent. A new recording is called for, one that pre- miere in 1928 it had been translated into eighteen Ian- and up, and 3/4 and 4/4." I asked about 5. He answered, "5 is only in Tchaikovsky's Pathetique, and that is2and3." During that time he composed and con- ducted a Christmas pantomime, Die Zoo- bernacht, easy and serviceable music that was performed every day for a week or so in Berlin. Busoni, his teacher, went to one performance, and his only comment was Maurice Abravanel that Kurt had conducted it well. We exchanged two or three letters while I had my firstengagement. I Remembers Kurt Weillbumped into him at an opera perform- ance, and we talked excitedly at inter- mission.
    [Show full text]
  • OCTOBER 2002 Winner for PARENTS, EDUCATORS & STUDENTS
    Award www.EDUCATIONUPDATE.com Volume VIII, No. 2 • New York City • OCTOBER 2002 Winner FOR PARENTS, EDUCATORS & STUDENTS JOSHUA BELL Virtuoso Educator U.S. POSTAGE PAID U.S. POSTAGE VOORHEES, NJ Permit No.500 PRSRT STD. 2 Award EDUCATION UPDATE ■ FOR PARENTS, EDUCATORS & STUDENTS ■ OCTOBER 2002 Winner GUEST EDITORIAL EDUCATION UPDATE Leadership in Our Schools: The Principal Part Mailing Address: 276 5th Avenue, Suite 1005 By CHARLOTTE K. FRANK, Ph.D. dren with their studies; dealing with children place. Principal means, quite literally, taking New York, NY 10001 Over this century, countless “magic bullets” with emotional or behavioral problems; follow- the principal role of leadership on the team that email: [email protected] have been suggested for reforming our schools. ing and implementing federal rules regarding contributes to effective learning. That team www.educationupdate.com In the 1920s, a progressive movement sought to special education; and taking on such other must also include parents and members of the Tel: 212-481-5519 eliminate curricula and external standards. In roles as union negotiator, community and par- community, who, so often, are eager to help if Fax: 212-481-3919 the 1950s, we were advised that the answer was ent public relations liaison; master of play- only they were personally called upon and to create fewer, larger schools out of the many, ground rules, bus schedules and budgets; and, guided in making their specific contributions. smaller ones—yet today, we see many larger in some cases, emergency plumber. But seeing where they can help, and personally PUBLISHER AND EDITOR: schools being divided into smaller learning School leadership today is upside down.
    [Show full text]
  • The Egg Center for the Performing Arts Albany, New York Kitty Carlisle Hart Theatre Technical Specifications
    The Egg Center for the Performing Arts Albany, New York Kitty Carlisle Hart Theatre Technical Specifications 1 | Hart Theatre Tech Specs - T h e E g g DIRECTIONS DO NOT USE GPS TO GET TO THE EGG. IT WILL SEND YOU TO THE WRONG PLACE. WE DO NOT HAVE A PHYSICAL STREET ADDRESS From the South (New York City): New York State Throughway/I-87 North to exit 23/787 N. Take 787 N to exit 3. Follow signs towards the Empire State Plaza. Loading dock A will be the first turn off on your right as your enter the tunnel. From the North (Montreal): I-87 South to exit 1A/I-90 east. Take exit 6A/787 S towards Albany downtown. Take exit 3A. Follow signs to the Empire State Plaza. Loading dock A will be the first turn off on your right as your enter the tunnel. From the East (Boston): I-90 W. Take exit 6A/787 S towards Albany downtown. Take exit 3A. Follow signs to the Empire State Plaza. Loading dock A will be the first turn off on your right as your enter the tunnel. From the West (Buffalo): I-90 E to exit 24 (exiting the Throughway). Continue on I-90 E to exit 6A/787 S towards Albany downtown. Take exit 3A. Follow signs to the Empire State Plaza. Loading dock A will be the first turn off on your right as your enter the tunnel. o For non-truck vehicle parking follow signs to visitor parking. o Please contact the Production Manager if you need directions from any local hotel to The Egg’s loading dock or visitor parking.
    [Show full text]
  • Utah Symphony and Utah Opera Search for the Chief Executive Officer Salt Lake City, Utah
    Utah Symphony and Utah Opera Search for the Chief Executive Officer Salt Lake City, Utah The Board of Trustees of the Utah Symphony and Utah Opera (USUO) invites nominations and applications for the position of President and Chief Executive Officer (CEO). The largest arts institution in the state of Utah with a unique multidisciplinary focus, USUO is one of the country’s preeminent arts and cultural institutions. With a mission to “Connect the Community through Great Live Music – Perform. Engage. Inspire,” the USUO reaches 450,000 residents in Utah and the Intermountain region through its four distinctive programming and artistic product lines, including a 52-week orchestra, an opera company with four productions per season, a popular summer concert series in Deer Valley, and one of the largest educational outreach programs in the country that brings classical music to more than 150,000 students annually. The Utah Symphony, which celebrated its 75th anniversary at Carnegie Hall in 2016, is one of the most engaged orchestras in the nation. Built as the home of the Utah Symphony in 1979 and named for Maurice Abravanel, the long-time Music Director of the Symphony and champion of classical music throughout Utah, Abravanel Hall is an architectural and acoustic treasure in the heart of downtown Salt Lake City. Under the leadership of the esteemed Music Director Thierry Fischer, the orchestra has completed two tours across Utah’s five national parks and other major landmarks, records extensively, and attracts guest conductors and artists from around the world. A part of the Salt Lake City community for over 40 years, Utah Opera has engaged Utah residents in inspiring operatic performances and annually performs for 80,000 students in Salt Lake City’s Capitol Theatre and in schools throughout Utah.
    [Show full text]
  • American Music Research Center Journal
    AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301.
    [Show full text]
  • Kurt Weill Newsletter Protagonist •T• Zar •T• Santa
    KURT WEILL NEWSLETTER Volume 11, Number 1 Spring 1993 IN THI S ISSUE I ssues IN THE GERMAN R ECEPTION OF W EILL 7 Stephen Hinton S PECIAL FEATURE: PROTAGON IST AND Z AR AT SANTA F E 10 Director's Notes by Jonathan Eaton Costume Designs by Robert Perdziola "Der Protagonist: To Be or Not to Be with Der Zar" by Gunther Diehl B OOKS 16 The New Grove Dictionary of Opera Andrew Porter Michael Kater's Different Drummers: Jazz in the Culture of Nazi Germany Susan C. Cook Jilrgen Schebera's Gustav Brecher und die Leipziger Oper 1923-1933 Christopher Hailey PERFORMANCES 19 Britten/Weill Festival in Aldeburgh Patrick O'Connor Seven Deadly Sins at the Los Angeles Philharmonic Paul Young Mahagonny in Karlsruhe Andreas Hauff Knickerbocker Holiday in Evanston. IL bntce d. mcclimg "Nanna's Lied" by the San Francisco Ballet Paul Moor Seven Deadly Sins at the Utah Symphony Bryce Rytting R ECORDINGS 24 Symphonies nos. 1 & 2 on Philips James M. Keller Ofrahs Lieder and other songs on Koch David Hamilton Sieben Stucke aus dem Dreigroschenoper, arr. by Stefan Frenkel on Gallo Pascal Huynh C OLUMNS Letters to the Editor 5 Around the World: A New Beginning in Dessau 6 1993 Grant Awards 4 Above: Georg Kaiser looks down at Weill posing for his picture on the 1928 Leipzig New Publications 15 Opera set for Der Zar /iisst sich pltotographieren, surrounded by the two Angeles: Selected Performances 27 Ilse Koegel 0efl) and Maria Janowska (right). Below: The Czar and His Attendants, costume design for t.he Santa Fe Opera by Robert Perdziola.
    [Show full text]
  • Composition Catalog
    1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound.
    [Show full text]
  • She's a Playwright! P.M
    Rhode Island College Digital Commons @ RIC What's News? Newspapers 4-22-1985 What's News @ Rhode Island College Rhode Island College Follow this and additional works at: https://digitalcommons.ric.edu/whats_news Recommended Citation Rhode Island College, "What's News @ Rhode Island College" (1985). What's News?. 295. https://digitalcommons.ric.edu/whats_news/295 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ RIC. It has been accepted for inclusion in What's News? by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. History club brings Robert Clary: Holocaust survivor• and TV star here Robert Clary, known internationally to 16 children, Clary began performing quit e Clar y and the rest of his famil.y were television viewers for his role as LeBeau in early in life. He was singing profes sionally placed in a cattle car with I 00 other French the comedy series about prisoners of war, throughout Paris at age 12. Jews and traveled for three days and two Hogan's Heroes, is a survivor of a much When the Nazis invaded France in 1940 nights before reaching the first of four grimmer sort of German prison camp . cha nges that were to alter his life forever camps in which he was held prisoner dur ­ Clary spent the years from 1942 when he began . ing the war. was 16 until 1945 in German concentration In 1942 the Germans came for him and Because he was young and . strong he was camps.
    [Show full text]
  • John La Montaine Collection
    JOHN LA MONTAINE COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Prepared by Gail E. Lowther Summer 2016 John La Montaine (at far right) presents John F. Kennedy with score to From Sea to Shining Sea, op. 30, which had been commissioned for Kennedy’s inauguration ceremony, with Jackie Kennedy and Howard Mitchell (National Symphony Orchestra conductor) (1961). Photograph from John La Montaine Collection, Box 16, Folder 9, Sleeve 1. John La Montaine and Howard Hanson during rehearsal with the Eastman Philharmonia in preparation for the performance of La Montaine’s Concerto for Piano and Orchestra, op. 9, at Carnegie Hall (November 1962). Photograph from ESPA 27-32 (8 x 10). 2 TABLE OF CONTENTS Description of Collection . 5 Description of Series . 6 INVENTORY Series 1: Manuscripts and sketches Sub-series A: Student works and sketches . 12 Sub-series B: Mature works . 13 Sub-series C: Works with no opus number . 43 Sub-series D: Sketches . 54 Series 2: Personal papers Sub-series A: Original writings . 58 Sub-series B: Notes on composition projects . 59 Sub-series C: Pedagogical material . 65 Sub-series D: Ephemera . 65 Series 3: Correspondence Sub-series A: Correspondence to/from John La Montaine . 69 Sub-series B: Correspondence to/from Paul Sifler . 88 Sub-series C: Other correspondents . 89 Series 4: Publicity and press materials Sub-series A: Biographical information . 91 Sub-series B: Resume and works lists . 91 Sub-series C: Programs, articles, and reviews . 92 Sub-series D: Additional publicity materials . 104 3 Series 5: Library Sub-series A: Published literature .
    [Show full text]
  • Journal of the Conductots' Guild
    Volume 13 Number 1 \Winter/Spring 1992 Journal of the Conductots' Guild Table of Contents COMMENTARY PERFORMING ARTS AND THE NATION: A CHALLENGE FOR TODAY 2 by Joseph\7. Polisi THE IMPACT OF HAYDN'S CONDUCTED PERFORMANCES OF T-HECREANON ON THE \TORK AND THE HISTORY OF CONDUCTING 7 by Pau[ H. Kirby CONDUCTORS, ORCHESTRAS AND SOCIETY: A CONTEMPORARY VIE\T 22 by Kurt Masur STRAVINSKY, TEMPO AND LE SACRE 32 by Erica Heisler Buxbaum AN ANNOTATED BIBLIOGRAPHY OF SELECTED \NND ENSEMBLE/BAND REPERTOIRE TEXTS 40 by Harlan D. Parker SCORES AND PARTS 45 Dimitri Shostakovich,Symphony No. 6 in B Minor, Op. 53 by Glenn Block ARTS MEDICINE CENTERS RESOURCE LIST 54 BOOKS IN REVIE\UT 57 Max Rudolf, TheGrammar of Conducting,3rd edition by Samuel Jones Richard Koshgarian, Arnerican OrcbestralMusic: A PerformanceCaulog by David Daniels Julie Yarbrough, Modem LanguagesforMusicians by Raymond Friday Victor Rangel-Ribeiro and Robert Markel, ChamberMusic: An Intemational Guid,eto V(orksand their Instumenution by John Jay Hilfiger Humphrey Carpenter, Benjamin Britten: A Biography by Judy Ann Voois LETTERS TO THE EDITOR CONDUCTORS' GUILD, INC. tournal of tbe Conductors' Guild Editor .............JacquesVoois 103 South High Street,Room 6 'West Chester, PA 19382 AssociateEditor David Daniels Tel & Fax: 215/430-6010 Band/\Ufind Ensemble Editor .......Harlan D. Parker Officers Editor-at-large .Jonathan Sternberg President .........LarryNewland Vice-Presidents"...... .........AdrianGnam Assistant Editors David Daniels BarbaraSchubert Stephen Heyde John Jay Hilfiger Secretary .........CharlesBontrager Louis Menchaca Jon Mitchell Treasurer .........Joe1Ethan Fried John Noble Moye John Strickler PastPresident........ .........MichaelCharry Contributing Authors Board of Directors Glenn Block Erica Heisler Buxbaum Henry Bloch Glenn Block David Daniels Raymond Friday Canarina Catherine Comet John John Jay Hilfiger Samuel Jones Margery Deutsch Robert Emile Paul H.
    [Show full text]
  • The Rita Williams Popular Song Collection a Handlist
    The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy
    [Show full text]
  • Central Opera Service Bulletin • Vol
    CENTRAL OPERA SERVICE CONFERENCE/BULLETIN Volume 27, Number 1 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM la The MetropotttM Opera GaiM'* Fiftieth AwUveray New York - NoTfber Iud2, 015 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, NY. 10023 • (212) 799-3467 I i ; i Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center • Metropolitan Opera • New York, N.Y. 10023 • (212)799-346? CENTRAL OPERA SERVICE Volume 27, Number 1 Spring/Summer 1986 CENTRAL OPERA SERVICE NATIONAL CONFERENCE AN INTERNATIONAL SYMPOSIUM In Collaboration With "Opera News" Celebrating The Metropolitan Opera Guild's Fiftieth Anniversary New York - November 1 and 2,1985 This is the special COS Conference issue. The next number will be again a regular news issue with the customary variety of subjects and a performance listing. CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BEL MONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. B1NDHARDT National Vice Chairman MRS. MARY H. DARRELL Central Opera Service Bulletin • Vol. 27, No. 1 • Spring/Summer 1986 Editor: MARIA F. RICH Assistant Editor: CHERYL KEMPLER Editorial Assistants: LISA VOLPE-REISSIG FRITZI BICKHARDT NORMA LITTON The COS Bulletin is published quarterly for its members by Central Opera Service. Please send any news items suitable for mention in the COS Bulletin as well as performance information to The Editor, Central Opera Service Bulletin, Metropolitan Opera, Lincoln Center, New York, NY 10023. Copies this issue: $12.00 Regular news issues: $3.00 ISSN 0008-9508 TABLE OF CONTENTS Friday, November 1, 1985 WELCOME 1 Margo H.
    [Show full text]