5/5/2021 @ 1:49:44 PM Version #2

Total Page:16

File Type:pdf, Size:1020Kb

5/5/2021 @ 1:49:44 PM Version #2 Monday Tuesday Wednesday Thursday Friday Saturday Sunday METV 5/24/2021 5/25/2021 5/26/2021 5/27/2021 5/28/2021 5/29/2021 5/30/2021 METV The Beverly Hillbillies 6521 06:00A Dragnet 29412 {CC} 06:00A Dietrich Law Dietrich Law Dietrich Law Dietrich Law {CC} The Powers of Matthew Star The Beverly Hillbillies 6522 003 {CC} 06:30A 06:30A Dietrich Law Innovations in Health Innovations in Health Dietrich Law Innovations in Health {CC} Saved by the Bell (E/I) AFP15 07:00A Popeye and Pink Panther's 07:00A {CC} <E/I-13-16> Toon In With Me 1101 {CC} Toon In With Me 1102 {CC} Toon In With Me 1103 {CC} Toon In With Me 1012 {CC} Toon In With Me 1025 {CC} Party 111, 049, 035, 1011, Saved by the Bell (E/I) AFR04 07:30A 139, 096, 042 {CC} 07:30A {CC} <E/I-13-16> Saved by the Bell (E/I) AFQ18 08:00A Leave It to Beaver 16136 {CC} Leave It to Beaver 16140 {CC} 08:00A Berkun Law Dietrich Law Innovations in Health The Tom and Jerry Show 170, {CC} <E/I-13-16> 034, 145, 155, 009, 051 {CC} Saved by the Bell (E/I) AFR06 08:30A 08:30A Innovations in Health Dietrich Law Innovations in Health Dietrich Law Dietrich Law {CC} <E/I-13-16> Saved by the Bell (E/I) AFP16 09:00A 09:00A Bugs Bunny and Friends 780, {CC} <E/I-13-16> Perry Mason 6526 {CC} Perry Mason 6527 {CC} Perry Mason 6528 {CC} Perry Mason 6529 {CC} Perry Mason 6530 {CC} 638, 708, 706, 750, 022 {CC} Saved by the Bell (E/I) AFR11 09:30A 09:30A {CC} <E/I-13-16> 10:00A 10:00A Dietrich Law WNY Church Unleashed Matlock 8604 {CC} Matlock 8605 {CC} Matlock 8612 {CC} Matlock 9104 {CC} Matlock 8818 {CC} 10:30A 10:30A WNY at Work Big Picture 11:00A 11:00A In the Heat of the Night 8807 In the Heat of the Night 8811 In the Heat of the Night 8812 In the Heat of the Night 8802 In the Heat of the Night 8808 Good Deeds Buffalo Passionate Living {CC} {CC} {CC} {CC} {CC} 11:30A 11:30A Paid Polka Buzz 12:00P Your Hometown Health 12:00P Dietrich Law Dietrich Law Dietrich Law Dietrich Law Berkun Law Connection Innovations in Health 12:30P 12:30P Paid Paid Paid Community Health Center Paid Berkun Law Paid 01:00P 01:00P Paid Gunsmoke 6817 {CC} Gunsmoke 6818 {CC} Gunsmoke 6819 {CC} Gunsmoke 6820 {CC} Gunsmoke 6821 {CC} Gunsmoke 6822 {CC} 01:30P 01:30P Paid 02:00P Gilligan's Island 15 {CC} 02:00P Bonanza 1103 {CC} Bonanza 1105 {CC} Bonanza 1110 {CC} Bonanza 1104 {CC} Bonanza 1102 {CC} Bonanza 1108 {CC} 02:30P Gilligan's Island 16 {CC} 02:30P 03:00P The Rifleman 146 {CC} The Rifleman 148 {CC} The Rifleman 150 {CC} The Rifleman 152 {CC} The Rifleman 154 {CC} Gilligan's Island 17 {CC} 03:00P Rawhide 6407 {CC} 03:30P The Rifleman 147 {CC} The Rifleman 149 {CC} The Rifleman 151 {CC} The Rifleman 153 {CC} The Rifleman 155 {CC} Gilligan's Island 18 {CC} 03:30P 04:00P Gilligan's Island 19 {CC} 04:00P Wagon Train 0648A {CC} Wagon Train 0647A {CC} Wagon Train 0638A {CC} Wagon Train 0654A {CC} Wagon Train 0629A {CC} 04:30P Gilligan's Island 20 {CC} 04:30P Beat the Champ 05:00P Adam-12 30319 {CC} Adam-12 30307 {CC} Adam-12 30306 {CC} Adam-12 30324 {CC} Adam-12 30330 {CC} 05:00P Innovations in Health Berkun Law 05:30P Adam-12 30304 {CC} Adam-12 30317 {CC} Adam-12 30325 {CC} Adam-12 30322 {CC} Adam-12 30327 {CC} 05:30P Dietrich Law Paid 06:00P The Addams Family 016 {CC} The Addams Family 017 {CC} The Addams Family 018 {CC} The Addams Family 019 {CC} The Addams Family 020 {CC} 06:00P Paid 06:30P Happy Days 112 {CC} Happy Days 114 {CC} Happy Days 107 {CC} Happy Days 113 {CC} Happy Days 122 {CC} 06:30P Dietrich Law The Three Stooges 113, 050, 07:00P M*A*S*H Y119 {CC} M*A*S*H Y125 {CC} M*A*S*H Y122 {CC} M*A*S*H T404 {CC} M*A*S*H T406 {CC} 095, 110, 157, 140 {CC} 07:00P Polka Buzz 07:30P M*A*S*H Y121 {CC} M*A*S*H Y120 {CC} M*A*S*H Y123 {CC} M*A*S*H T401 {CC} M*A*S*H T405 {CC} 07:30P Big Picture 08:00P Your Hometown Health 08:00P The Karyn Reece Show Passionate Living Connection Passionate Living Me-TV Made for TV Movie Svengoolie Classic Horror & The Andy Griffith Show 105 The Andy Griffith Show 113 The Andy Griffith Show 81 The Andy Griffith Show 77 (OTO) Sci-Fi Movie 08:30P Columbo 35001 {CC} 08:30P {CC} {CC} {CC} {CC} Return to Mayberry The Frozen Ghost Gomer Pyle, U.S.M.C. 055 Gomer Pyle, U.S.M.C. 072 Gomer Pyle, U.S.M.C. 083 Gomer Pyle, U.S.M.C. 106 Andy Griffith, Ron Howard Lon Chaney Jr, Evelyn Ankers 09:00P 09:00P {CC} {CC} {CC} {CC} (1986) - Comedy (1944) - Horror, Mystery TV-G {CC} TV-PG {CC} The Best of the Ed Sullivan 09:30P Green Acres 011 {CC} Green Acres 012 {CC} Green Acres 013 {CC} Green Acres 014 {CC} 09:30P Show 069 {CC} The Carol Burnett Show 216 10:00P Hogan's Heroes 6905 {CC} Hogan's Heroes 6907 {CC} Hogan's Heroes 6909 {CC} Hogan's Heroes 6911 {CC} Hogan's Heroes 6913 {CC} 10:00P {CC} Star Trek 047 {CC} 10:30P Hogan's Heroes 6906 {CC} Hogan's Heroes 6908 {CC} Hogan's Heroes 6910 {CC} Hogan's Heroes 6912 {CC} Hogan's Heroes 6914 {CC} The Honeymooners 39 {CC} 10:30P The Carol Burnett Show 220 The Carol Burnett Show 222 The Carol Burnett Show 223 The Carol Burnett Show 221 The Carol Burnett Show 224 The Dick Van Dyke Show 47 11:00P 11:00P {CC} {CC} {CC} {CC} {CC} Buck Rogers in the 25th {CC} Century 55916 {CC} The Dick Van Dyke Show 48 11:30P 11:30P {CC} Perry Mason 171 {CC} Perry Mason 172 {CC} Perry Mason 173 {CC} Perry Mason 174 {CC} Perry Mason 175 {CC} Off Beat Cinema 12:00A The Twilight Zone 137 {CC} 12:00A Beach Girls and 12:30A The Twilight Zone 132 {CC} The Twilight Zone 124 {CC} The Twilight Zone 134 {CC} The Twilight Zone 135 {CC} The Twilight Zone 136 {CC} The Twilight Zone 138 {CC} 12:30A The Monster Alfred Hitchcock Presents Alfred Hitchcock Presents Alfred Hitchcock Presents Alfred Hitchcock Presents Alfred Hitchcock Presents 01:00A 01:00A 13642 {CC} 13688 {CC} 13678 {CC} 13673 {CC} 13662 {CC} 1965 B & W The Alfred Hitchcock Hour Alfred Hitchcock Presents Alfred Hitchcock Presents Alfred Hitchcock Presents Alfred Hitchcock Presents Alfred Hitchcock Presents 16831 {CC} 01:30A 01:30A 13670 {CC} 13684 {CC} 13657 {CC} 13687 {CC} 13683 {CC} 02:00A 02:00A Voyage to the Bottom of the Mannix 175 {CC} Mannix 176 {CC} Mannix 174 {CC} Mannix 178 {CC} Mannix 180 {CC} The Fugitive 177 {CC} Sea TA9207 {CC} 02:30A 02:30A 03:00A 03:00A Cannon 7403 {CC} Cannon 7404 {CC} Cannon 7405 {CC} Cannon 7406 {CC} Cannon 7407 {CC} Land of the Giants 2425 {CC} Mission: Impossible 71 {CC} 03:30A 03:30A 04:00A 04:00A Dietrich Law Barnaby Jones 7613 {CC} Barnaby Jones 7614 {CC} Barnaby Jones 7615 {CC} Barnaby Jones 7616 {CC} Barnaby Jones 7617 {CC} The Time Tunnel TA9603 {CC} 04:30A Peter Gunn 205 {CC} 04:30A 05:00A Highway Patrol 1153 {CC} Petticoat Junction 6427 {CC} 05:00A Dietrich Law Dietrich Law Dietrich Law Dietrich Law The Invaders 558 {CC} 05:30A Dragnet 29407 {CC} Dragnet 29410 {CC} Dragnet 29413 {CC} Dragnet 29415 {CC} Petticoat Junction 6428 {CC} Dragnet 29418 {CC} 05:30A Legend: Subject To Change E/I = Educational/Instructional Yellow = Changes 5/5/2021 @ 1:49:44 PM Version #2.
Recommended publications
  • The Musical Number and the Sitcom
    ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139).
    [Show full text]
  • An Analysis of Hegemonic Social Structures in "Friends"
    "I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season.
    [Show full text]
  • 30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
    30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network.
    [Show full text]
  • Matlock Episode Guide
    Matlock episode guide Continue (Titles and Air Dates Guide) Last updated: Fri, 9 Oct 2020 -1:00 Episode list - details from: TVmaze and TV.com Available videos appear here - Powered by JustWatch Season 9 Season 8 Season 7 Season 6 Season 5 Season 3 Season 2 Season 2 Wikipedia Article List Matlock is an American TV drama, starred Andy Griffith, who ran from March 3, 1986 to May 8, 1992 on NBC and from November 5, 1992 to May 4, 1995 on ABC. A total of nine seasons and 194 episodes were released. Series overview SeasonEpisodesOriginally airedRankRatingFirst airedLast airedNetworkPilot1March 3, 1986 (1986-03-03)NBCN/AN/A123September 23, 1986 (1986-09-23)May 12, 1987 (1987-05-12)1518.6224September 22, 1987 (1987-09-22)May 3, 1988 (1988-05-03)1417.8320November 29, 1988 (1988-11-29)May 16, 1989 (1989-05-16)1217.7424September 19, 1989 (1989-09-19)May 8, 1990 (1990-05- 08)2016.6522September 18, 1990 (1990-09-18)April 30, 1991 (1991-04-30)1715.5622October 18, 1991 (1991-10-18)May 8, 1992 (1992-05-08)N/AN/A718November 5, 1992 (1992-11-05)May 6, 1993 (1993-05-06)ABC2813.3822September 23, 1993 (1993-09-23)May 19, 1994 (1994-05- 19)N/AN/A918October 13, 1994 (1994-10-13)May 7, 1995 (1995-05-07)N/AN/A Episodes Pilot (1986) Actor Character Andy Griffith Ben Matlock Lori Lethin Charlene Matlock Alice Hirson Hazel Kene Holliday Tyler Hudson Title Directed by Written by Original air date Diary of a Perfect MurderRobert DayDean HargroveMarch 3 , 1986 (1986-03-03) Ben Matlock (Andy Griffith) and his daughter Charlene (Lori Letin) defend TV journalist Steve Emerson (Steve Inwood), who is accused of murdering Linda Coolidge (Katherine Cannon), his ex-wife.
    [Show full text]
  • Press Release Preview
    EDITOR’S NOTE: Hallmark Channel has Breaking News, go to www.crownmediapress.com for more information. TWITTER: @HallmarkChannel, @MarthaMoonWater, @Eric_Mabius, @kristintbooth, @RealCrystalLowe, @geoffgustafson, @valerieharper, @TheRealMarilu, @wolfiesmom, @SSD_TV, #POstables FOR IMMEDIATE RELEASE: April 14, 2014 Contact: Pam Slay, 818-755-2480 [email protected] EMMY® AND GOLDEN GLOBE® WINNER CAROL BURNETT CAST AS SPECIAL GUEST STAR ON SEASON ONE FINALE OF ‘SIGNED, SEALED, DELIVERED’ HALLMARK CHANNEL’S NEW ORIGINAL PRIMETIME SERIES FROM MARTHA WILLIAMSON, THE EXECUTIVE PRODUCER OF 'TOUCHED BY AN ANGEL' Series Stars Eric Mabius, Kristin Booth, Crystal Lowe and Geoff Gustafson Hallmark Channel is proud to announce award winning actress Carol Burnett (“The Carol Burnett Show”), one of America’s most beloved and respected comediennes, has signed on as a special guest star on the highly-anticipated Season One Finale of “Signed, Sealed, Delivered,” Hallmark Channel’s new Original Primetime Series. The series, which premieres Sunday, April 20, 2014 (8 p.m. ET/PT, 7C), stars Eric Mabius (“Ugly Betty”), Kristin Booth (“The Kennedys”), Crystal Lowe (“Smallville”) and Geoff Gustafson (“Primeval: New World”) and is Created and Executive Produced by Martha Williamson, best known as the Executive Producer behind the mega-hit “Touched By An Angel.” Williamson and Burnett, who did a star turn on “Touched By An Angel,” will be reunited for the first time since the series. In “Signed, Sealed, Delivered,” Ms. Burnett will guest star as the grandmother of irrepressible #POstable “Norman Dorman (Gustafson),” a core member of the quartet of untraditional mail detectives. “I never cease to be amazed by the depth of Martha Williamson's relationships in this business, as evidenced by her ability to invite one of the all-time Queens of Comedy, Carol Burnett, to be a special guest star on ‘Signed, Sealed, Delivered,’ said Michelle Vicary, Executive Vice President, Programming, Hallmark Channel and Hallmark Movie Channel.
    [Show full text]
  • Jersey Property Tax^Comes Under Strain Mxon Urged to Set up My Lai
    Jersey Property Tax^Comes Under Strain STORY PAGE IS Slowly Clearing THEDMLY FINAL Rain ending and cool today but light rain expected again Red Bank, Freehold tonight and tomorrow. Long Branch T EDITION (See Details. Page 2>( / Monmouth County9* Home Newspaper for 92 Years 93, NO. 114 > RED BANK, N. J., MONDAY, DECEMBER 8, 1969 26 PAGES 10 CENTS Fast Is Mxon Urged to Set Up Set In Protest My Lai Probe Agency LINCROFT —Four county men will lead a 24-Hour Fast WASHINGTON (AP) — President Nixon has been urged Stennis .said the special panel's probe could be under- for Peace next weekend in by two influential Democrats to appoint an independent taken while trials of the accused are under way. the Unitarian Church here. fact-finding panel to investigate the alleged massacre of But the senator spoke against a full-scale congressional The fast, protesting the civilians by U. S. soldiers at the South Vietnamese village investigation, saying "if we in the Congress go to holding war in Vietnam, will be spon- of My Lai. a hearing now and before that trial is over, it will go off sored by-a group called Edu- The proposal came separately yesterday from , Sen. in different directions, be highly confused and totally unfair cation for Peace. John C. Stennis, D.Miss., chairman of the Senate Armed to the defendants." One of the men, Jack Ca- Services Committee, and former Vice President Hubert H. Stennis spoke on the ABC interview program "Issues roli of Fair Haven, said that Humphrey. and Answers." fasting will begin Saturday Stennis said the panel should be composed of persons First Lt.
    [Show full text]
  • What Are They Doing There? : William Geoffrey Gehman Lehigh University
    Lehigh University Lehigh Preserve Theses and Dissertations 1989 What are they doing there? : William Geoffrey Gehman Lehigh University Follow this and additional works at: https://preserve.lehigh.edu/etd Part of the English Language and Literature Commons Recommended Citation Gehman, William Geoffrey, "What are they doing there? :" (1989). Theses and Dissertations. 4957. https://preserve.lehigh.edu/etd/4957 This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. • ,, WHAT ARE THEY DOING THERE?: ACTING AND ANALYZING SAMUEL BECKETT'S HAPPY DAYS by William Geoffrey Gehman A Thesis Presented to the Graduate Committee of Lehigh University 1n Candidacy for the Degree of Master of Arts 1n English Lehigh University 1988 .. This thesis 1S accepted and approved in partial fulfillment of the requirements for the degree of Master of Arts. (date) I Professor 1n Charge Department Chairman 11 ACD01fLBDGBNKNTS ., Thanks to Elizabeth (Betsy) Fifer, who first suggested Alan Schneider's productions of Samuel Beckett's plays as a thesis topic; and to June and Paul Schlueter for their support and advice. Special thanks to all those interviewed, especially Martha Fehsenfeld, who more than anyone convinced the author of Winnie's lingering presence. 111 TABLB OF CONTBNTS Abstract ...................•.....••..........•.•••••.••.••• 1 ·, Introduction I Living with Beckett's Standards (A) An Overview of Interpreting Winnie Inside the Text ..... 3 (B) The Pros and Cons of Looking for Clues Outside the Script ................................................ 10 (C) The Play in Context ..................................
    [Show full text]
  • The Courtroom Trial in American Popular Culture*
    Marquette University Law School Marquette Law Scholarly Commons Faculty Publications Faculty Scholarship 1-1-1999 Conventional Wisdom: The ourC troom Trial in American Popular Culture David Ray Papke Marquette University Law School, [email protected] Follow this and additional works at: http://scholarship.law.marquette.edu/facpub Part of the Law Commons Publication Information David Ray Papke, Conventional Wisdom: The ourC troom Trial in American Popular Culture, 82 Marq. L. Rev. 471 (1999) Repository Citation Papke, David Ray, "Conventional Wisdom: The ourC troom Trial in American Popular Culture" (1999). Faculty Publications. Paper 61. http://scholarship.law.marquette.edu/facpub/61 This Article is brought to you for free and open access by the Faculty Scholarship at Marquette Law Scholarly Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Marquette Law Scholarly Commons. For more information, please contact [email protected]. MARQUETTE LAW REVIEW Volume 82 Spring 1999 Number 3 CONVENTIONAL WISDOM: THE COURTROOM TRIAL IN AMERICAN POPULAR CULTURE* DAVID RAY PAPKE** The courtroom trial takes place not only in actual courthouses but also in literature, film, and television. And indeed, while only a minor- ity of Americans have participated in or even watched a real trial, nearly all have read or watched multiple trials in the courthouses of popular culture. This pervasive engagement with fictional and symbolic court- room trials must influence what the public expects both in actual court- rooms and in American society as a whole. This essay has three parts. Part One seeks to establish how ubiqui- tous the image of the courtroom trial has been and remains in American literature, film, and television.
    [Show full text]
  • 080905 Tv Land Premieres Tv Land Confidential, a New Original Series
    Contacts: Jennifer Zaldivar Vanessa Reyes TV Land & Nick at Nite MTV Networks 212/846-8964 310/752-8081 IT USED TO BE CLASSIFIED INFORMATION BUT NOT ANYMORE… TV LAND PREMIERES TV LAND CONFIDENTIAL, A NEW ORIGINAL SERIES ON SEPTEMBER 14 Series Reveals Untold Stories from Television’s Celebrated Shows and Stars New York, NY, August 9, 2005 – What happened when Barbara Eden found out she was pregnant the same day the I Dream of Jeannie pilot was picked up by NBC? How did Garry Marshall handle network objections to Fonzie wearing a leather jacket on Happy Days ? What did Phil Rosenthal do when he was asked to make Everybody Loves Raymond sexier? You’ve seen the shows and you know all the characters. Now, the network that brings you America’s most beloved television shows, shares the stories you haven’t heard with the debut of its next original series, TV Land Confidential . Beginning September 14, 2005 at 10 p.m. (ET/PT), this seven episode series kicks off with “Network Notes,” and airs every Wednesday at 10 p.m. through October 26. The series is executive produced by David P. Levin of BrainStorm Inc. “These are the untold stories behind some of the greatest shows on TV,” explains Sal Maniaci, Vice President, Development and Production, TV Land and Nick at Nite. “We are thrilled to continue to create originals for TV Land that celebrate all that is special about television.” Each 30-minute episode of TV Land Confidential is filled with anecdotes and clips, bringing viewers the tales behind their favorite comedies, dramas and commercials on and off the screen, from the earliest days of the Golden Age of television through today’s current hits.
    [Show full text]
  • Introduction to the Complete Directory to Prime Time Network and Cable TV Shows
    Broo_9780345497734_2p_fm_r1.qxp 7/31/07 10:32 AM Page ix INTRODUCTION In the following pages we present, in a sin- eral headings. For example, newscasts are gle volume, a lifetime (or several lifetimes) of summarized under News, movie series under television series, from the brash new medium Movies and sports coverage under Football, of the 1940s to the explosion of choice in the Boxing, Wrestling, etc. All other series are 2000s. More than 6,500 series can be found arranged by title in alphabetical order. There here, from I Love Lucy to Everybody Loves is a comprehensive index at the back to every Raymond, The Arthur Murray [Dance] Party cast member, plus appendixes showing an- to Dancing with the Stars, E/R to ER (both nual network schedules at a glance, the top with George Clooney!), Lost in Space to Lost 30 rated series each season, Emmy Awards on Earth to Lost Civilizations to simply Lost. and other information. Since the listings are alphabetical, Milton Network series are defined as those fed out Berle and The Mind of Mencia are next-door by broadcast or cable networks and seen si- neighbors, as are Gilligan’s Island and The multaneously across most of the country. Gilmore Girls. There’s also proof that good Broadcast networks covered are ABC, CBS, ideas don’t fade away, they just keep coming NBC, Fox, CW, MyNetworkTV, ION (for- back in new duds. American Idol, meet merly PAX) and the dear, departed DuMont, Arthur Godfrey’s Talent Scouts. UPN and WB. We both work, or have worked, in the TV Original cable series are listed in two dif- industry, care about its history, and have ferent ways.
    [Show full text]
  • Highway Patrol Dragnet Saved by the Bell (E/I) the Waltons the Flintstones Have Gun, Will Travel the Jetsons (Eff. 2/21) The
    Daniel Boone EFFECTIVE 2/21/21 ALL TIMES EASTERN / PACIFIC MONDAY - FRIDAY SATURDAY SUNDAY 6:00a Dragnet The Beverly Hillbillies 6:00a The Powers of Matthew Star 6:30a My Three Sons The Beverly Hillbillies 6:30a 7:00a Saved by the Bell (E/I) 7:00a Toon In With Me Popeye and Pals 7:30a Saved by the Bell (E/I) 7:30a 8:00a Leave It to Beaver Saved by the Bell (E/I) 8:00a The Tom and Jerry Show 8:30a Leave It to Beaver Saved by the Bell (E/I) 8:30a 9:00a Saved by the Bell (E/I) 9:00a Perry Mason Bugs Bunny and Friends 9:30a Saved by the Bell (E/I) 9:30a 10:00a The Flintstones 10:00a Matlock Maverick 10:30a The Flintstones 10:30a 11:00a The Flintstones 11:00a In the Heat of the Night Wagon Train 11:30a The Jetsons (Eff. 2/21) 11:30a 12:00p 12:00p The Waltons The Big Valley 12:30p 12:30p The Brady Bunch Brunch 1:00p 1:00p Gunsmoke Gunsmoke 1:30p 1:30p 2:00p 2:00p Bonanza Bonanza 2:30p 2:30p 3:00p The Rifleman 3:00p Rawhide Gilligan's Island Three Hour Tour 3:30p The Rifleman 3:30p 4:00p Have Gun, Will Travel 4:00p Wagon Train 4:30p Wanted: Dead or Alive 4:30p 5:00p Adam-12 The Rifleman Mama's Family 5:00p 5:30p Adam-12 The Rifleman Mama's Family 5:30p 6:00p The Flintstones 6:00p The Love Boat 6:30p Happy Days 6:30p The Three Stooges 7:00p M*A*S*H M*A*S*H 7:00p 7:30p M*A*S*H M*A*S*H 7:30p 8:00p The Andy Griffith Show 8:00p 8:30p The Andy Griffith Show Svengoolie 8:30p Columbo 9:00p Gomer Pyle, U.S.M.C.
    [Show full text]
  • A Textual Analysis of the Closer and Saving Grace: Feminist and Genre Theory in 21St Century Television
    A TEXTUAL ANALYSIS OF THE CLOSER AND SAVING GRACE: FEMINIST AND GENRE THEORY IN 21ST CENTURY TELEVISION Lelia M. Stone, B.A., M.P.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2013 APPROVED: Harry Benshoff, Committee Chair George Larke-Walsh, Committee Member Sandra Spencer, Committee Member Albert Albarran, Chair of the Department of Radio, Television and Film Art Goven, Dean of the College of Arts and Sciences Mark Wardell, Dean of the Toulouse Graduate School Stone, Lelia M. A Textual Analysis of The Closer and Saving Grace: Feminist and Genre Theory in 21st Century Television. Master of Arts (Radio, Television and Film), December 2013, 89 pp., references 82 titles. Television is a universally popular medium that offers a myriad of choices to viewers around the world. American programs both reflect and influence the culture of the times. Two dramatic series, The Closer and Saving Grace, were presented on the same cable network and shared genre and design. Both featured female police detectives and demonstrated an acute awareness of postmodern feminism. The Closer was very successful, yet Saving Grace, was cancelled midway through the third season. A close study of plot lines and character development in the shows will elucidate their fundamental differences that serve to explain their widely disparate reception by the viewing public. Copyright 2013 by Lelia M. Stone ii TABLE OF CONTENTS Chapters Page 1 INTRODUCTION ..............................................................................................
    [Show full text]