Stamp Collecting for Grown-Ups
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P O S T a G E S T a M
/8 8 b ONE PENNY. THE YOUNG COLLECTOR’S HANDBOOK POSTAGE STAMPS OF THE BRITISH MUSEUM. LO N D O N ! W. SW AN SO N NEN SCH EIN & CO. PATERNOSTER ROW. ONE PENNY EACH. YOUNG COLLECTORS’ HANDBOOKS. “ We are glad to call attention to this excellent series of penny handbooks, which deserve to be widely known. We are glad to see the staff of the British Museum thus coming forward to make popular the stores of learning which they have. The illustrations are uniformly good— far better thin in many expensive books."— A ca dem y . " A ll written by first-class specialists, and form the most enterprising series ever published. Each contains so much welharranged matter as to make a far from contemptible handbook. "— In q u ir e r . t S " Each Volume is fully Illustrated with Woodcuts. B E E T L E S . By W . F. K ir by. BRITISH BIRDS. By R. B ow dler S harpe. BUTTERFLIES AND MOTHS. By W. F. K irby. COINS, GREEK AND ROMAN. By Barclay V. Head. COINS, ENGLISH. By L lew ellyn J ew itt. [S ho rtly . FLOWERING PLANTS. By J. B r itte n . FO SSILS. By В. B. W oodward. [Shortly. INSECTS, ORDERS OF. By W . F. K irby. POSTAGE STAMPS. By W. T. Og ilv y . SH ELLS. B y B . B. W oodward. %* Numerous others in preparation. OF ALL BOOKSELLERS AND NEWSAGENTS. L o n do n : W. SWAN SONNENSCHEIN & CO., P aternoster R ow THE YOUNG COLLECTOR’S PENNY HANDBOOK OF POSTAGE STAMPS. -
View Catalogue
World Stamp Show–NY 2016 Palmares Name Country Exhibit Title Class Frames Total SP/Fel/GP Comments CHAMPIONSHIP CLASS Andreadis, Stavros Greece “Kassandra Collection” – Greece Large Hermes Heads (1861- 1886) 1 3583-3590 0 Nominated GPH Bauer, Wolfgang Germany Greece-Incoming and Outgoing Mail from 1828 from pre-stamp up to UPU 1875 1 3599-3606 0 Bauer, Wolfgang Germany Large Hermes Heads of Greece 1861-1867 and Combination Frankings 1 3607-3614 0 Boylan, Russell Australia St. Vincent: The Printings of Thomas De La Rue & Co. 1882-1932 1 3615-3622 0 Carcenac, Francis France Round About September 1871 (in the French Internal Rate) 1 3623-3630 0 Castro-Harrigan, Alvaro Costa Rica Panama: First Issues as a State of Colombia and their forerunners 1 3631-3638 0 Grand Prix d’Honneur Homonnay, Géza Hungary Postal History of Hungary 1867-1871 1 3639-3646 0 Inoue, Kazuyuki Japan Japanese Post Offices and Foreign Postal Activities in Korea 1876-1909 1 3655-3662 0 Khalastchy, Alfred U.K. Iraq 1917-1918 Occupation Issues of Baghdad and Iraq 1 3663-3670 0 Ki-Hoon, Kim Korea The History of Taste 1 3671-3678 0 Kramer, George U.S.A. Vignettes of Western Trails and Routes 1849-1870s 1 3679-3686 0 Lewowicz, Enrique Uruguay Uruguayan Air Mail (1910-1930) 1 3687-3694 0 Ljungh, Jan-Olof Sweden The Eagle Shield Stamps Sent to Foreign Destinations 1872-1875 1 3711-3718 0 Nominated GPH Magier, Dr. Joshua Israel Land Cultivation from the Beginning of Agriculture to the Present Time 1 3719-3726 0 Onuma, Yukio Japan L.V. -
Press Kit Program 2016
mumok Annual Press Conference 2016 Statement by the Directors We have planned an ambitious program for the next few years, which combines Museum moderner Kunst Stiftung Ludwig Wien three strands: the presentation of our own collection, exhibitions of outstanding Museumsplatz 1, 1070 Wien international art, and the strengthening of the Austrian art and cultural scene. Our program includes both unique individual positions since modernism—as in our Annual Press Conference 2016 retrospective of the work of Július Koller in the coming year—and also complex January 20, 2016, 10 am thematic exhibitions that we see as our contribution to international discourse in art history–such as our group show Painting 2.0, and also the ongoing review of our Statement by Karola Kraus and own collection, as we open our museum up to new generations. Cornelia Lamprechter An overview of exhibitions in 2016 New acquisitions in 2015 It remains a great challenge to continue to present a quality program of exhibitions Detailed exhibition program and events and at the same time remain true to our commitment to expand our Press contact collection, while securing and gaining the necessary financial means. State budgets Karin Bellmann are far below our requirements, and it remains essential to enter into new T +43 1 52500-1400 [email protected] cooperation agreements and find additional funding. We are particularly pleased that we have begun a new partnership with the Kapsch AG, a wonderful partner with Katja Kulidzhanova T +43 1 52500-1450 whom this year we will present the first Kapsch Contemporary Art Prize for young katja.kulidzhanova @mumok.at artists living and working in Austria. -
Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
Operetta after the Habsburg Empire by Ulrike Petersen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Elaine Tennant Spring 2013 © 2013 Ulrike Petersen All Rights Reserved Abstract Operetta after the Habsburg Empire by Ulrike Petersen Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This thesis discusses the political, social, and cultural impact of operetta in Vienna after the collapse of the Habsburg Empire. As an alternative to the prevailing literature, which has approached this form of musical theater mostly through broad surveys and detailed studies of a handful of well‐known masterpieces, my dissertation presents a montage of loosely connected, previously unconsidered case studies. Each chapter examines one or two highly significant, but radically unfamiliar, moments in the history of operetta during Austria’s five successive political eras in the first half of the twentieth century. Exploring operetta’s importance for the image of Vienna, these vignettes aim to supply new glimpses not only of a seemingly obsolete art form but also of the urban and cultural life of which it was a part. My stories evolve around the following works: Der Millionenonkel (1913), Austria’s first feature‐length motion picture, a collage of the most successful stage roles of a celebrated -
Hollywood Philatelist
HOLLYWOOD STAMP CLUB GOALS: PROMOTING HOLLYWOOD STAMP COLLECTING PHILATELIST IN THE XXI CENTURY MAY/JUNE 2018 Volume 53 Issue 3 SAIDE an Egyptian Airline flight of this airline on August 23, 1948 (Scott C51-2). in 1947, By Editor INDEX The SM-95C S.A.I.D.E was Aircraft was SAIDE Airline FFC ….. Page 1/2 formed in 1947 similar to oth- Around auctions 1 ……. Page 2 as a Societe er contempo- Anonyme Egyp- HSC Calendar ……………. Page 3 rary airliners, tienne where US Certified Mail ……….. Page 3 but the con- Egyptian inter- struction was Topical: Waterfalls ……. Page 4 ests held 55% mixed. Welded steel was used for the and the remain- Penny Black Beyond ….. Page 5 fuselage structure, with light alloy ing by European Editor’s collection, how it began covering fitted to the nose, underside interests mainly Italian ones as evi- . Page 6 and rear fuselage, and fabric covering denced by the choice of airliners the Around auctions 2 ………Page 7 for the fuselage sides and roof. The company made (the FIAT G212 and three-spar wing was also Reminiscences ……… Pages 4-8 the SM95) of wooden construction, In 1949, the company acquired 6 Cur- with plywood skinning. The tis C46 from US wartime surplus sale engines drove three-bladed and soon launched services to Beirut, metal Constant speed pro- Rome, Athens and Alexandria. pellers. The two pilots sat side-by-side in an enclosed Egypt re- cockpit, while behind them leased an sat the Flight engineer (on overprint of the left) and radio operator two Air Mail Enrique Setaro (on the right). -
Goethe in Dachau“
Jörg Wollenberg „Goethe in Dachau“. Das Konzentrationslager als Lernort zur Selbstbehauptung in Grenzsituationen Beitrag zur 27. Konferenz des Arbeitskreises zur Aufarbeitung historischer Quellen der Erwachsenenbildung – Deutschland – Österreich – Schweiz - vom 20. bis 23. November 2007 im Wissensturm Linz/Österreich Musikalischer Einstieg: Aus der Mauthausen Trilogie von Mikis Theodorakis (CD 2000 Verlag ‚pläne’88840). In Erinnerung an die Befreiung am 7. Mai 1945, 1995 uraufgeführt im KZ Mauthausen; Nr. 1: Das Hohelied („Ihr Mädchen aus Auschwitz, Ihr Mädchen aus Dachau, Habt ihr meine Liebste nicht gesehn?“, gesungen von Elinoar Moav Veniadis, Auszug aus dem Stück von 3.33 Minuten). Dazu Folie 1: Programm des Osterkonzerts im KZ Sachsenhausen im Block 28 am 26. April 1943 mit Beteiligung des tschechischen Streichquartetts unter Leitung von Bohumir Cervinka (vgl. Kuna,1998, S.260). Das nicht weit von Linz entfernte, kurz nach dem „Anschluss“ Österreichs an das „Dritte Reich“ eingerichtete KZ Mauthausen erlangte mit seinen rund 40 Außenlagern in der ersten Kriegshälfte mit der Lagerstufe III die politische Funktion eines Tötungslagers, in dem mehr als die Hälfte der über 200.000 Häftlinge aus Europa und den USA zwischen 1938 und 1945 ums Leben kamen. Mehrere tausend Häftlinge wurden ab Sommer 1941 im Rahmen der Aktion 14 f 13 in die am Rande von Linz gelegene Tötungsanstalt Hartheim gebracht und mittels Giftgas erstickt.1 Selbst nach der Umwandlung in ein Zwangsarbeitslager für die Rüstungsindustrie verzeichnete die Lagerleitung Todesraten ab 1942 von 30 bis 40 Prozent. Im Gegensatz zu den anderen großen Konzentrationslagern und Ghettos im „Deutschen Reich“ blieben die individuellen Überlebensstrategien der Häftlinge in Mauthausen auch deshalb eingeschränkt, weil sie kaum auf kulturelle Freizeitaktivitäten zurückgreifen konnten. -
Forced Labor in Austria Late Recognition History Tragic Fates
Fund for Reconciliation, Peace and 19381945 Cooperation:Forced Labor in Austria Late Recognition History Tragic Fates Hubert Feichtlbauer Imprint Austrian Reconciliation Fund (Publisher) Hubert Feichtlbauer (Author) Scientific Advisor Univ. Doz. Florian Freund German Edition: ISBN: 3-901116-21-4 English Edition: ISBN: 3-901116-22-2 Published in German, English, Polish and Russian Printed by Rema Print, Neulerchenfelder Straße 35, A-1160 Vienna, on 100% chlorine-free bleached paper The book, the title, the cover design and all symbols and illustrations used are protected by copyright. All rights reserved, in particular with regard to the translation, reproduction, extraction of photomechanical or similar material and storage in data processing media either in full or in part. Despite careful research, no responsibility is accepted for the correctness of the information contained in this book. In order to ensure the readability of the texts and lists, gender-specific formulations were frequently dispensed with. Quotes from individuals and legal documents were translated solely for the purposes of this publication. No liability is accepted for translation, typesetting and printing errors. www.reconciliationfund.at © 2005 2 Schopenhauerstraße 36, A-1180 Vienna www.braintrust.at Contents 1. ›Preface‹ 5 Wolfgang Schüssel, Maria Schaumayer, Ludwig Steiner, Richard Wotava; About This Book 2. ›Guilt and Atonement‹ 17 3. ›Racism and Exploitation‹ 41 4. ›Every Case a Tragic Fate‹ 71 5. ›Why Such a Late Issue?‹ 127 6. ›The State and the Business Community -
A Penny for Your Thoughts... the Evolution of the British Postal System
Old Dominion University ODU Digital Commons Philosophy Faculty Publications Philosophy & Religious Studies 2017 A Penny For Your Thoughts... The Evolution of the British Postal System Anne-Taylor Cahill Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/philosophy_fac_pubs Part of the European History Commons, and the Philosophy Commons Original Publication Citation Cahill, A.-T. (2017). A penny for your thoughts… The evolution of the British postal system. Nineteenth Century, 37(1), 47. http://victoriansociety.org/upload/NC-37-1.pdf This Article is brought to you for free and open access by the Philosophy & Religious Studies at ODU Digital Commons. It has been accepted for inclusion in Philosophy Faculty Publications by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. Milestones A Penny for Your Thoughts Anne-Taylor Cahill How much would you pay to receive a letter by post? In the teaspoon and its value in pawn could have kept her family fed U.k. prior to 1840 it involved an exorbitant fee. Oddly, the for two months. Pamphlets and posters demanding cheaper sender of the letter did not pay the postage; the recipient paid. postage rates began to circulate. Emotions ran high. To pre-pay a letter was considered a social slur on the receiver. Reformers went so far as to declare the postal system “wicked” The implication being that one was too poor to pay. Thus to because it kept apart families separated by distance. Postal receive a letter required some financial wherewithal. If the fees were a threat to the family and thus to the Empire itself! receiver could not pay the letter was returned to the sender. -
Jw Scott & Co.Sp
J. W. SCOTT & CO.S P<$ai|$iw Pti« &&«.« t OF TH1 POSTAGE STAMPS ALL NATIONS. m T^WEISrirZ--SEVENTH EDITION. gUttftvsti»0 ©WfJIM &nuSxt& Ip*jS. PUBLISHED BY W. SCOTT & CO., 75 <fc 77 NASSAU STREET, NEW YORK, XL 8. A-, AN» 46 LEJD^NHALL STREET, LONDON, E. C, ENGLAND. i PREFACE. There is probably no amusement of the present day more popular and instruc tive than that of collecting Foreign Postage Stamps, and the hope that we can add to the present number of collectors has induced us to write these few lines. 1 Postage Stamps were first issued in Great Britain in the year 1840, and from time to time have been adopted by other countries, our own Government first issuing them in 1847, and now there is scarcely a country in the world that has not acceded to this method of pre-paying postage, so that it must be at once ap parent to eve**y intelligent person, that there is a vast deal of information gained from the study of these labels, coming as they do from every part of the world, and bearing on their face, either the arms of the State or portrait of the ruler, and in nearly all cases the currency of the country where used, so that uncon sciously the collector is made acquainted with the Geography, History and Cur rency of the various nations. Were we to enumerate all the advantages to be gained from the study of Phi lately, we should far exceed the limits of the present work, so we must refer our readers for information to the JOURNAL OP PHILATELY. -
British Penny Black, May 6, 1840 by John F
Historic Events: British Penny Black, May 6, 1840 by John F. Dunn Portions of this article are taken from an article by Philip Ward in the Mekeel’s Weekly of January 1, 1940. History: The Post Office of Great Britain as a state monopoly dates from the time of Queen Elizabeth I, who reigned from 1558 to 1603, although it was not fully established until 1609, and more than two centuries later that Britain became the first nation to issue postage stamps. Great Britain #1 This took place a few years after Queen Victoria acceded to the throne and began her reign of more than 63 years. That year, 1837, was an important one in the events leading up to the issuance, on May 1, 1840 for use starting May 6, 1840, of the world’s first postage stamp, the British Penny Black; for it was in 1837 that the father of the first postage stamp, Sir Rowland Hill, published a pamphlet promoting penny postage and the use of a postage stamp to pay for it. Hill first started showing a serious interest in postal reform in 1835. At that time the need for postal reform was obvious. Not only were the rates complex and the handling of the mail cumbersome—every letter needed to be recorded. In addition, most of the mail was sent unpaid, with the postage cost to be collected from the recipient. At a time when Britain was becoming a far-flung commercial empire, such a system simply did not work. One of those in government who were aware of Hill’s interest in postal reform was Robert Wallace, a member of Parliament, who was a leading advocate for postal reform. -
Austrian Federalism in Comparative Perspective
CONTEMPORARY AUSTRIAN STUDIES | VOLUME 24 Bischof, Karlhofer (Eds.), Williamson (Guest Ed.) • 1914: Aus tria-Hungary, the Origins, and the First Year of World War I War of World the Origins, and First Year tria-Hungary, Austrian Federalism in Comparative Perspective Günter Bischof AustrianFerdinand Federalism Karlhofer (Eds.) in Comparative Perspective Günter Bischof, Ferdinand Karlhofer (Eds.) UNO UNO PRESS innsbruck university press UNO PRESS innsbruck university press Austrian Federalism in ŽŵƉĂƌĂƟǀĞWĞƌƐƉĞĐƟǀĞ Günter Bischof, Ferdinand Karlhofer (Eds.) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 24 UNO PRESS innsbruck university press Copyright © 2015 by University of New Orleans Press All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage nd retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, LA 138, 2000 Lakeshore Drive. New Orleans, LA, 70148, USA. www.unopress.org. Printed in the United States of America Book design by Allison Reu and Alex Dimeff Cover photo © Parlamentsdirektion Published in the United States by Published and distributed in Europe University of New Orleans Press by Innsbruck University Press ISBN: 9781608011124 ISBN: 9783902936691 UNO PRESS Publication of this volume has been made possible through generous grants from the the Federal Ministry for Europe, Integration, and Foreign Affairs in Vienna through the Austrian Cultural Forum in New York, as well as the Federal Ministry of Economics, Science, and Research through the Austrian Academic Exchange Service (ÖAAD). The Austrian Marshall Plan Anniversary Foundation in Vienna has been very generous in supporting Center Austria: The Austrian Marshall Plan Center for European Studies at the University of New Orleans and its publications series. -
CTP Content Standards Manual
CTP Content Standards Manual If you have any questions, please contact ERB Support at (866) 683-2335 or (646) 503-2699 or send an e-mail to [email protected]. Copyright 2014 Educational Records Bureau DEAR ERB MEMBER SCHOOL Welcome to the CTP Content Standards Manual. If you are reading this, you are most likely one of the many ERB member schools that use the CTP, ERB’s Comprehensive Testing Program, and are interested in learning more about our standards and this assessment. ERB, a non-profit educational institution founded in 1927, was built on quality achievement assessments and high standards. ERB’s tests provide rigorous, level-appropriate assessments of student progress in meeting these essential academic standards. And now, we’re taking our commitment even further, making all of our assessments available online for instant, actionable results. CTP is no exception and is now available in the traditional paper-pencil version (CTP 4) and an online version (CTP Online). Whether you are administering the CTP online, or using our CTP4 paper and pencil version, you will find that this guidebook will be a valuable and useful resource. It is designed to help you, and your faculty, understand both the standards that are the foundation of the CTP assessment, and the types of items that students address when taking the CTP. It is also a useful tool to have on hand when conferencing with parents as to their child’s results. This Content Standards Manual (CSM) has two sections. The first section outlines the standards by level and provides references to related sample test items.