I Winnipeg General Sympathetic Strike MAY-JUNE, I919
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UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title A Soldier at Heart: The Life of Smedley Butler, 1881-1940 Permalink https://escholarship.org/uc/item/6gn7b51j Author Myers, Eric Dennis Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles A Soldier at Heart: The Life of Smedley Butler, 1881 - 1940 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by Eric Dennis Myers 2013 ! ! ! ! ! ! ! ABSTRACT OF THE DISSERTATION A Soldier at Heart: The Life of Smedley Butler, 1881 - 1940 by Eric Dennis Myers Doctor of Philosophy in History University of California, Los Angeles, 2013 Professor Joan Waugh, Chair The dissertation is a historical biography of Smedley Darlington Butler (1881-1940), a decorated soldier and critic of war profiteering during the 1930s. A two-time Congressional Medal of Honor winner and son of a powerful congressman, Butler was one of the most prominent military figures of his era. He witnessed firsthand the American expansionism of the late nineteenth and early twentieth centuries, participating in all of the major conflicts and most of the minor ones. Following his retirement in 1931, Butler became an outspoken critic of American intervention, arguing in speeches and writings against war profiteering and the injustices of expansionism. His critiques represented a wide swath of public opinion at the time – the majority of Americans supported anti-interventionist policies through 1939. Yet unlike other members of the movement, Butler based his theories not on abstract principles, but on experiences culled from decades of soldiering: the terrors and wasted resources of the battlefield, ! ""! ! the use of the American military to bolster corrupt foreign governments, and the influence of powerful, domestic moneyed interests. -
"Ego, Scriptor Cantilenae": the Cantos and Ezra Pound
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 1991 "Ego, scriptor cantilenae": The Cantos and Ezra Pound Steven R. Gulick University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©1991 Steven R. Gulick Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Literature in English, North America Commons Recommended Citation Gulick, Steven R., ""Ego, scriptor cantilenae": The Cantos and Ezra Pound" (1991). Dissertations and Theses @ UNI. 753. https://scholarworks.uni.edu/etd/753 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. "EGO, SCRIPTOR CANTILENAE": THE CANTOS AND EZRA POUND An Abstract of a Thesis Submitted in Fulfillment of the Requirements for the Degree Master of Philosophy Steven R. Gulick University of Northern Iowa August 1991 ABSTRACT Can poetry "make new" the world? Ezra Pound thought so. In "Cantico del Sole" he said: "The thought of what America would be like/ If the Classics had a wide circulation/ Troubles me in my sleep" (Personae 183). He came to write an 815 page poem called The Cantos in which he presents "fragments" drawn from the literature and documents of the past in an attempt to build a new world, "a paradiso terreste" (The Cantos 802). This may be seen as either a noble gesture or sheer egotism. Pound once called The Cantos the "tale of the tribe" (Guide to Kulchur 194), and I believe this is so, particularly if one associates this statement with Allen Ginsberg's concerning The Cantos as a model of a mind, "like all our minds" (Ginsberg 14-16). -
Ouida Bergère
Ouida Bergère Also Known As: Eulalia Bergère, Ida Bergère, Mrs. George Fitzmaurice, Mrs. Basil Rathbone Lived: December 14, 1885 - November 29, 1974 Worked as: adapter, film actress, scenario editor, screenwriter Worked In: United States by Laura Jacquelyn Simmons Ouida Bergère was perhaps best known in the film industry as Mrs. Basil Rathbone and party hostess extraordinaire. However, before her marriage, to Rathbone, Bergère was a prominent and top paid scenario writer. Bergère was born in Spain, but moved to the US at the age of six. Her father was French-Spanish and her mother, British (Lowrey 1920, 22). There is some conflicting information regarding her birth name; most sources claim she was born Ida Bergère, others Eulalia Bergère. Regardless, upon entering the film industry, she changed her name to Ouida. Bergère began her film career by serving as scenario editor and actress for Pathé Freres, eventually writing her own scripts and branching out to other companies, including Vitagraph and Famous Players-Lasky, according to the New York Dramatic Mirror in 1915 (24). Much of Bergère’s screenwriting career coincides with the career of her second husband, George Fitzmaurice, to whom she was married before Rathbone. She met Fitzmaurice after she started her screenwriting career, and after their marriage, he directed almost all of the films she wrote. As is the case with the many Hollywood marriages, Bergère’s relationship to Fitzmaurice must be considered when discussing her career, and, typically, because her career was so closely linked to that of Fitzmaurice, there is confusion about their credits. She very well might have had her hand in directing some of the films that have been credited to him, as was the case with other couples such as actress Alice Terry and director Rex Ingram. -
New Age, Vol. 17, No. 4, May 27, 1915
NOTES OF THE WEEK . MORE LETTERS TO MY NEPHEW. By Anthony Farley CURRENTCANT . LESYA UKRAINKA’S “BABYLONIAN CAPTIVITY.” FOREIGNAFFAIRS. By S. Verdad . (Trans. by S. Wolska and C. E. Bechhofer) MILITARY NOTES. By Romney . PROBLEMS OF CONFLICT. By Everard G. Gilbert- TOWARDSNATIONAL GUILDS. By “National Guildsmen" Cooper . VIEWS AND REVIEWS: BACK TO THE VEDAS. By A. E. R. ASPECTS OF THE GUILDIDEA-IV. By Ivor Brown PASTICHE. By J. A. M. A., 1’. V. C., P. Selver, South AFRICAN ECHOES . Ruth Pitter, B. M., Vectis . WAR ANDSOLIDARITY. By Ramiro de Maeztu . LETTERS TO THE EDITOR from A. E. R., Evan IMPRESSIONSOF PARIS. By Alice Morning . Morgan, S. Reeve, A. Stratton, Fred H. READERS AND WRITERS. By R. H. C. Gorle, F. W. O’Connor . NOTES OF THE WEEK. revolutionaryreconstruction of it? It certainly seems to us insufficient, and, what is more, we do not believe that THE worst of having no House of Commons is that a soul in the country will believe it. Even supposing except for the Front Benches and their favoured Press that this quartette of men should be so unpatriotic as to and City men, nobody in the country knows what is continue their personal quarrels at the cost of the lives going on. We are like the crowd on the outermost of thousands of their countrymen-to say nothing of edges of a fight on the issue of which, nevertheless, our the country itself-it is inconceivable that a Cabinet, very lives depend. Now and then a rift in the throng having no worse troubles on its hands, could find no pressing about the combatants reveals us something. -
Backtomethuselah.Pdf
BACK TO METHUSELAH A Metabiological Pentateuch by BERNARD SHAW 1921 Contents The Infidel Half Century The Dawn of Darwinism The Advent of the Neo-Darwinians Political Inadequacy of the Human Animal Cowardice of the Irreligious Is there any Hope in Education? Homeopathic Education The Diabolical Efficiency of Technical Education Flimsiness of Civilization Creative Evolution Voluntary Longevity The Early Evolutionists The Advent of the Neo-Lamarckians How Acquirements are Inherited The Miracle of Condensed Recapitulation Heredity an Old Story Discovery Anticipated by Divination Corrected Dates for the Discovery of Evolution Defying the Lightning: a Frustrated Experiment In Quest of the First Cause Paley's Watch The Irresistible Cry of Order, Order! The Moment and the Man The Brink of the Bottomless Pit Why Darwin Converted the Crowd How we Rushed Down a Steep Place 1 Darwinism not Finally Refutable Three Blind Mice The Greatest of These is Self-Control A Sample of Lamarcko-Shavian Invective The Humanitarians and the Problem of Evil How One Touch of Darwin makes the Whole World Kin Why Darwin Pleased the Socialists Darwin and Karl Marx Why Darwin pleased the Profiteers also The Poetry and Purity of Materialism The Viceroys of the King of Kings Political Opportunism in Excelsis The Betrayal of Western Civilization Circumstantial Selection in Finance The Homeopathic Reaction against Darwinism Religion and Romance The Danger of Reaction A Touchstone for Dogma What to do with the Legends A Lesson from Science to the Churches The Religious Art of the Twentieth Century The Artist-Prophets Evolution in the Theatre My Own Part in the Matter In the Beginning: B.C. -
Christine Grandy
HEROES AND HAPPY ENDINGS: CLASS, GENDER, AND NATION IN POPULAR FICTION AND FILM IN INTERWAR ENGLAND CHRISTINE GRANDY A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAMME IN HISTORY YORK UNIVERSITY, TORONTO, ONTARIO April 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-39011-5 Our file Notre reference ISBN: 978-0-494-39011-5 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
The Image of the Journalist in Silent Film, Part One: 1890 to 1919
Journalist in Silent Film 35 The Image of the Journalist in Silent Film, 1890 to 1929: Part One 1890 to 1919 Joe Saltzman Professor of Journalism Director of the Image of the Journalist in Popular Culture (IJPC) A Project of the Norman Lear Center Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] with Liz Mitchell Senior Research Associate Image of the Journalist in Popular Culture (IJPC) Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] Introduction This is the first installment in the landmark study of “The Image of the Journalist in Silent Film, 1890 to 1929.” It covers 1,948 films from 1890 to 1919. Part Two will cover the years from 1920 to the beginning of recorded sound in 1929. This is the first comprehensive study of the beginning of cinema’s earliest depictions of the journalist, mostly newspaper reporters, editors, and publishers. Newspaper fiction flourished at a time when journalism “was a revolutionary force, tearing up traditions, redefining public morality, and lending voice and encouragement to the disenfranchised. It reflected currents sweeping through every phase of American life. The skyrocketing circulations, the manic search for exclusive news, the sensational headlines, and the concentration of newspaper ownership were signs of an America changing from a rural society to an urban and industrial one. Since journalism so clearly mirrored and so loudly supported the new order, it became the preeminent symbol for the mechanization, standardization, democratization, and vulgarization of culture.”1 Historian Howard Good points out that the 1890s “represented a watershed not only in American journalism but also in American history. -
The Four Horsemen of the Apocalypse…………..1
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Department of Film THE WAR AS IT WAS: HISTORICAL RECEPTION OF THE GREAT WAR IN AMERICAN POPULAR CINEMA, 1918-1938 by Ryan R. Copping Thesis for the degree of Doctor of Philosophy April 2016 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Film Studies Thesis for the Degree of Doctor of Philosophy THE WAR AS IT WAS: HISTORICAL RECEPTION OF THE GREAT WAR IN AMERICAN POPULAR CINEMA, 1918-1938 Ryan R. Copping This thesis is an examination of the reception of selected films from the United States concerning the Great War during the interwar period. Despite the influential nature of these films at the time of their release, relatively few studies have been conducted on the response of contemporary audiences to these texts. -
Ice Cream Social: the Struggle for the Soul of Ben & Jerry's
More Praise for Ice Cream Social “The pioneering experience of Ben & Jerry’s shows that corporate so- cial responsibility can, thankfully, be contagious. Brad Edmondson takes us behind the scenes to tell this riveting and timely story.” —United States Senator Patrick Leahy “This book reveals the true ingredients that go into every pint of Ben & Jerry’s: GMO-free cream, fair-trade cane sugar, and a lot of blood, sweat, and tears.” —Eric Utne, founder, Utne Reader “What once was radical is becoming mainstream. By earning B Corp certifi cation, Ben & Jerry’s has proven that you can sell without sell- ing out and scale with integrity. Much of the global movement to re- defi ne success in business stands on its shoulders, and much of what we know about better practices and better governance can be traced to lessons the company learned the hard way. Finally, this important story has been well and completely told.” —Jay Coen Gilbert, cofounder, B Lab “Brad Edmondson vividly conveys the passion, confl icts, and raw hu- manity behind an iconic brand. He gives us an uncensored look at how smart, caring people poured their hearts and souls into making Ben & Jerry’s the standard-bearer for ‘caring capitalism.’ The story leaves the reader in awe of all they achieved, and it also imparts invaluable lessons by talking frankly about their failures. It puts on full display the contradictions and painful choices that eventually confront all successful mission-driven businesses. It’s a journey into uncharted territory.” —Rink Dickinson, cofounder and copresident, and Rob Everts, copresident, Equal Exchange “The founders of Ben & Jerry’s put up a long and determined fi ght to keep their dream of a socially responsible company intact. -
The Theater of Jean-Paul Sartre and Jean Giraudoux by Mary
Guilt and the War Within: The Theater of Jean-Paul Sartre and Jean Giraudoux by Mary Ann LaMarca Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Professor Alice Y. Kaplan, Supervisor ___________________________ Professor Mary Ann Frese Witt ___________________________ Professor Paol Keineg ___________________________ Professor David F. Bell Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2008 ABSTRACT Guilt and the War Within: The Theater of Jean-Paul Sartre and Jean Giraudoux by Mary Ann LaMarca Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Professor Alice Y. Kaplan, Supervisor ___________________________ Professor Mary Ann Frese Witt ___________________________ Professor Paol Keineg ___________________________ Professor David F. Bell An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in French Literature in the Department of Romance Languages in the Graduate School of Duke University 2008 Copyright by Mary Ann LaMarca 2008 Abstract The moral and ethical choices made during the Nazi Occupation of France would echo for generations: they served as a source of pain and pride when the French sought to rebuild their national identity after the ignominy of the defeat, and acted as the foundation for the intellectual legacy on which post-war life stands. In my dissertation I examine the diverse trajectory of two writers, Jean- Paul Sartre and Jean Giraudoux, during the Occupation by focusing on their dramatic works. During this period, no writer could legally exercise his vocation and receive compensation without submitting to certain legalities designed to monitor the content of artistic output. -
Science and Practice
Influence: Science and Practice Fourth Edition. Allyn & Bacon: 2001. Cialdini, Robert B. Introduction: - Six basic categories [of influence] . reciprocation, consistency, social proof, liking, authority, and scarcity. - The ever accelerating pace and information crush of modern life will make this particular form of unthinking compliance more and more prevalent in the future. It will be increasingly important for the society, therefore, to understand the how and why of automatic influence. - Material self-interest: a motivational given. Chapter 1: Weapons of Influence Click, Whirr - fixed action patterns . the trigger feature. - A well-known principle of human behavior says that when we ask someone to do us a favor we will be more successful if we provide a reason . ‘because’. - Stereotype: expensive = good . inexpensive = bad . rule: ‘You get what you pay for.” - Stereotyped behavior is prevalent in much human action, because in many cases, it is the most efficient form of behaving . and in other cases it is simply necessary. - You and I exist in an extraordinarily complicated environment, easily the most rapidly moving and complex that has ever existed on the planet. To deal with it, we need shortcuts. - Sometimes the behavior that unrolls will not be appropriate for the situation, because not even the best stereotypes and trigger features work every time. - We will accept their imperfections since there is really no other choice. Without these features we would stand frozen. - Judgmental heuristics . especially relevant . are those heuristics that tell us when to believe or do what we are told. - “If an expert said so, it must be true.” - Controlled responding. -
By Gary Anderson a Thesis Submitted to the University of Plymouth in Partial Fulfilment for the Degree of School of Media and Ph
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2008 Politicizing a film practice Anderson, Gary http://hdl.handle.net/10026.1/776 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. Politicizing a Film Practice by Gary Anderson A thesis submitted to the University of Plymouth in partial fulfilment for the degreeof DOCTOR OF PHILOSOPHY School of Media and Photography Faculty of Arts July 2008 Gary Anderson Abstract: Politicizing a Film Practice. This is a practice-basedPh. D. in filmmaking and concerns the generation of a radical film practice. It is situated in the field of no-budget experimental film and video making and deploys a combination of deconstruction and critical perspectives of cultural production in the construction of its modus operandi. The contribution to knowledge is in two parts. First the bringing together in a film practice established and various knowledges from other areas; contemporary and historical experimental film and video, observational documentary and amateur film practices, specifically Home Movies, in connection to established but various extant modes of reading that material. The second part of the contribution to knowledge relates to the methodology underpinning this amalgamation of knowledges. This is enacted through the tri-partite positioning of the researcher as 'researcher', 'family- maker' and 'filmmaker'.