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Bruce Geller Papers, 1957-1976
http://oac.cdlib.org/findaid/ark:/13030/kt4w1021tr No online items Finding Aid for the Bruce Geller papers, 1957-1976 Processed by UCLA Library Special Collections staff; machine-readable finding aid created by EEE. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2005 The Regents of the University of California. All rights reserved. Finding Aid for the Bruce Geller PASC 5 1 papers, 1957-1976 Descriptive Summary Title: Bruce Geller papers Date (inclusive): 1957-1976 Collection number: PASC 5 Creator: Geller, Bruce. Extent: 80 boxes (33.4 linear ft.) Abstract: Bruce Geller created, produced, or wrote for a variety of television and motion picture projects. The collection consists scripts and production files related to Geller's career. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Gloria Swanson
Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B. -
The Scarlet Hour
WINTER 2010 Noir City Sentinel 9 By Gary Deane Special to the Sentinel hen theorists and aficionados attempt to • Another female, good and dutiful, in love with and the director Mr. Curtiz has achieved a locate a definitive “end point” for the clas- the man; certain amount of suspense but little else.” Wsic period of film noir, four films emerge as • An urban setting where lives are lived out (UK Times, May 1957) the leading candidates: unhappily by day and by night; • A lurid and convoluted plot conveyed with hard- To present-day eyes, The Scarlet Hour isn’t drab at • Touch of Evil (1958), for its baroque inflations boiled urgency; all, merely dense in its complications and saturated of character and style; • Shadows, low angles, and “trick” shots adding with character types that seem contemporary and • Odds Against Tomorrow (1959), for its modern- unsettled atmosphere. anachronistic at the same time. It’s a familiar tale of ism and progressive tonal shifts; dark love, obsession, duplicity and murder. Tryon is • Psycho (1960), for its narrative and generic The Scarlet Hour was produced and directed by E.V. “Marsh” Marshall, the protégé of land developer dislocations; the renowned Michael Curtiz. Backed by Paramount, Ralph Nevins (Gregory), who happens to be having • Blast of Silence (1961), for its all-pervasive the film received a healthy A-feature budget. an affair with his boss’s wife, Paulie (Ohmart). moral desolation. However, the cast was populated with mostly “new faces,” including Tom Tryon, Carol Ohmart, James Disagreement is inevitable, given that the very Gregory, and Jody Lawrance. -
Dr. Leonard Horatio Mccoy
Victor Grech Doctor by Doctor: Dr. Leonard Horatio McCoy Introduction Castmate Nichelle Nichols (who played Communications Officer Uhura) noted that Kelley, like the doctor that he por- This essay continues my survey of the various doctors in trayed, was the many parts of the Star Trek gesamtkunstwerk. Here I turn to the most well-known of all of the doctors, Leonard [a] kind person, but he was a strong person, and, like Horatio McCoy. McCoy was portrayed by DeForest Kelley Bones, he was irascible, don’t push his buttons.... he (1920–1999) in Star Trek: The Original Series (1966–69) as would quietly put you in your place.... His work, his well as in the animated series (1973–74). Kelley as McCoy craft, his art, was very private, very personal.... you also appeared in the first seven Star Trek movies and made a didn’t notice it—you didn’t see it (Rioux 155). brief appearance as a very elderly doctor in the pilot episode of Star Trek: The Next Generation, “Encounter at Farpoint” Producer Robert Justman reminisced, referring to Captain (Corey) in 1987. More recently, the role was assumed by Karl Kirk and Science Officer Spock, that “[i]t became apparent ... Urban in the franchise film reboot, Star Trek (Abrams 2009) very early on that the character of McCoy was going to be a and its sequels. linchpin—a fulcrum upon which one side was balanced with The fictional Dr. McCoy was born in 2227 in Georgia, the other” (Rioux 158), such that McCoy’s humanity balanced trained at the University of Mississippi, married, with one Spock’s cold and inhuman logic: daughter, and after divorcing (Sutherland, “The Survivor”), became chief medical officer of the Enterprise under the The barbs, bristles, and brotherhood between Spock command of Captain James T. -
''Star Trek: the Original Series'': Season 3
''Star Trek: The Original Series'': Season 3 PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Thu, 13 Mar 2014 18:19:48 UTC Contents Articles Season Overview 1 Star Trek: The Original Series (season 3) 1 1968–69 Episodes 5 Spock's Brain 5 The Enterprise Incident 8 The Paradise Syndrome 12 And the Children Shall Lead 16 Is There in Truth No Beauty? 19 Spectre of the Gun 22 Day of the Dove 25 For the World Is Hollow and I Have Touched the Sky 28 The Tholian Web 32 Plato's Stepchildren 35 Wink of an Eye 38 The Empath 41 Elaan of Troyius 44 Whom Gods Destroy 47 Let That Be Your Last Battlefield 50 The Mark of Gideon 53 That Which Survives 56 The Lights of Zetar 58 Requiem for Methuselah 61 The Way to Eden 64 The Cloud Minders 68 The Savage Curtain 71 All Our Yesterdays 74 Turnabout Intruder 77 References Article Sources and Contributors 81 Image Sources, Licenses and Contributors 83 Article Licenses License 84 1 Season Overview Star Trek: The Original Series (season 3) Star Trek: The Original Series (season 3) Country of origin United States No. of episodes 24 Broadcast Original channel NBC Original run September 20, 1968 – June 3, 1969 Home video release DVD release Region 1 December 14, 2004 (Original) November 18, 2008 (Remastered) Region 2 December 6, 2004 (Original) April 27, 2009 (Remastered) Blu-ray Disc release Region A December 15, 2009 Region B March 22, 2010 Season chronology ← Previous Season 2 Next → — List of Star Trek: The Original Series episodes The third and final season of the original Star Trek aired Fridays at 10:00-11:00 pm (EST) on NBC from September 20, 1968 to March 14, 1969. -
Employing Lethal Autonomous Robots Within Jus in Bello and the Requirement for Command Responsibility
KILLER ROBOTS: EMPLOYING LETHAL AUTONOMOUS ROBOTS WITHIN JUS IN BELLO AND THE REQUIREMENT FOR COMMAND RESPONSIBILITY Lieutenant-Commander P.D. Smithers JCSP 38 PCEMI 38 Master of Defence Studies Maîtrise en études de la défense Disclaimer Avertissement Opinions expressed remain those of the author and do Les opinons exprimées n’engagent que leurs auteurs et not represent Department of National Defence or ne reflètent aucunement des politiques du Ministère de Canadian Forces policy. This paper may not be used la Défense nationale ou des Forces canadiennes. Ce without written permission. papier ne peut être reproduit sans autorisation écrite. © Her Majesty the Queen in Right of Canada, as represented by the © Sa Majesté la Reine du Chef du Canada, représentée par le Minister of National Defence, 2012, 2014. ministre de la Défense nationale, 2012, 2014. CANADIAN FORCES COLLEGE – COLLÈGE DES FORCES CANADIENNES JCSP 38 – PCEMI 38 2011 – 2012 MASTER OF DEFENCE STUDIES – MAÎTRISE EN ÉTUDES DE LA DÉFENSE KILLER ROBOTS: EMPLOYING LETHAL AUTONOMOUS ROBOTS WITHIN JUS IN BELLO AND THE REQUIREMENT FOR COMMAND RESPONSIBILITY By Lieutenant-Commander P.D. Smithers “This paper was written by a student “La présente étude a été rédigée par attending the Canadian Forces College un stagiaire du Collège des Forces in fulfilment of one of the requirements canadiennes pour satisfaire à l'une des of the Course of Studies. The paper is exigences du cours. L'étude est un a scholastic document, and thus document qui se rapporte au cours et contains facts and opinions, which the contient donc des faits et des opinions author alone considered appropriate que seul l'auteur considère appropriés and correct for the subject. -
Critical Issues in Justice and Politics
Critical Issues in Justice and Politics Volume 7 Number 1 May 2014 ISSN 1940-3186 Copyright © 2014 Critical Issues in Justice and Politics ISBN 978-1-300-96964-8 All rights reserved. No part of this publication may be reproduced, stored, transmitted, or disseminated, in any form, or by any means, without prior written permission from Critical Issues in Justice and Politics. The journal Critical Issues in Justice and Politics is an academic extension of the Department of Political Science and Criminal Justice at Southern Utah University. Editorial Contents – The contents of each article are the views, opinions, or academic inferences of the individual article author. Publication of each article may not reflect the views or positions of the journal, the department, or Southern Utah University. All material is published within the spirit of academic freedom and the concepts of free press. Editorial Office Department of Political Science and Criminal Justice Southern Utah University 351 University Blvd., GC406 Cedar City, UT 84720 Phone: 435-586-5429 Fax: 435-586-1925 University Webpage: http://www.suu.edu/ Department Webpage: http://www.suu.edu/hss/polscj/ Journal Webpage: http://www.suu.edu/hss/polscj/CIJP.htm Managing Editor Ryan Yonk Associate Editor Sandi Levy Editorial Board Members David Admire - Department Chair – Phone: 435 586-1926; Office GC406J Political Science Randy Allen – Phone: 435 586-7949; Office: GC 406E John Howell – Phone: 435 865-8093; Office: GC 406H G. Michael Stathis – Phone: 435 586-7869; Office: GC 406K Ryan Yonk -
"Star Trek" and "Doctor Who"
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1987 A Critical Examination of the Mythological and Symbolic Elements of Two Modern Science Fiction Series: "Star Trek" and "Doctor Who". Gwendolyn Marie Olivier Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Olivier, Gwendolyn Marie, "A Critical Examination of the Mythological and Symbolic Elements of Two Modern Science Fiction Series: "Star Trek" and "Doctor Who"." (1987). LSU Historical Dissertations and Theses. 4373. https://digitalcommons.lsu.edu/gradschool_disstheses/4373 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. For example: ® Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
The Inventory of the Leonard Nimoy Collection #1785
The Inventory of the Leonard Nimoy Collection #1785 Howard Gotlieb Archival Research Center BOSTON UNIVERSITY Nimoy, Leonard #1785 6/9/11, 9/1/11, 11/28/11 Box 1 Folder 1 I. Manuscripts. A. Files containing manuscripts by LN. I. "4th Album Music" (includes sheet music and lyrics), 1968. Folder 2 2. "Books," includes photocopied TS drafts of poems published in WE ARE ALL CHILDREN SEARCHING FOR LOVE; also includes printed poster advertising LN's I AM NOT SPOCK, 12/10/76. Folder 3 3. "Books, Poetry, Writings, Co11'espondence," includes correspondence, sheet music and financial materials; TS and TS with holograph corrections, 1976-1983. Folders 4-5 4. "I AM NOT SPOCK (In Progress) Original Notes, Etc ... ", TS and TS with holograph cot1'ections, n.d. Folder 6 5. "In Search of Great Loves Wrote and Directed," by LN, includes voice-over scripts and notes; TS and TS with holograph corrections, 1980. Folder 7-8 6. "Interviews," includes pdnted materials and correspondence; TS and TS with holograph corrections, 1968-1975. Folder 9 7. "Lead Sheets," includes sheet music and lyrics; TS with holograph corrections, n.d. 2 Box 1 cont'd. Folder 10 8. "Lyrics," includes sheet music, correspondence, and printed materials; TS, 1968-1971; includes sheet music for "And It Was Good", TS with holograph c01Tections by Don Henley, n.d. Folder 11 9. "Notes for Spock Experience," includes fan mail from children and notes for I AM SPOCK (TS and holograph); 1974-1975. Folder 12 10. "The New World of Leonard Nimoy - 5th Album Dot Records" ( ca. -
Critical Issues in Justice and Politics
Critical Issues in Justice and Politics Volume 7 Number 1 May 2014 ISSN 1940-3186 Copyright © 2014 Critical Issues in Justice and Politics ISBN 978-1-300-96964-8 All rights reserved. No part of this publication may be reproduced, stored, transmitted, or disseminated, in any form, or by any means, without prior written permission from Critical Issues in Justice and Politics. The journal Critical Issues in Justice and Politics is an academic extension of the Department of Political Science and Criminal Justice at Southern Utah University. Editorial Contents – The contents of each article are the views, opinions, or academic inferences of the individual article author. Publication of each article may not reflect the views or positions of the journal, the department, or Southern Utah University. All material is published within the spirit of academic freedom and the concepts of free press. Editorial Office Department of Political Science and Criminal Justice Southern Utah University 351 University Blvd., GC406 Cedar City, UT 84720 Phone: 435-586-5429 Fax: 435-586-1925 University Webpage: http://www.suu.edu/ Department Webpage: http://www.suu.edu/hss/polscj/ Journal Webpage: http://www.suu.edu/hss/polscj/CIJP.htm Managing Editor Ryan Yonk Associate Editor Sandi Levy Editorial Board Members David Admire - Department Chair – Phone: 435 586-1926; Office GC406J Political Science Randy Allen – Phone: 435 586-7949; Office: GC 406E John Howell – Phone: 435 865-8093; Office: GC 406H G. Michael Stathis – Phone: 435 586-7869; Office: GC 406K Ryan Yonk -
Gene Roddenberry
FUTURE MayWORLDS 2016 I smithsonian.com Smithsonian How Americans SCI-FI are going to get there first and where GETS we might stay along the way REAL THE ORAL HISTORY OF “STAR TREK” ZAP HAPPY: HOW TO PLUG WELCOME IN YOUR BRAIN ROBERT to BIGELOW: THE WORLD’S FIRST SPACE ARCHITECT REINVENTING THE WHEELS: YOUR FLYING CAR IS HERE MARS ABOUT THIS IMAGE An exclusive new picture from the Mars Reconnaissance Orbiter. University of Arizona / JPL / NASA SMITHSONIAN.COM ADVERTISEMENT THE or decades, new car buyers faced a few fairly simple Fchoices: a sexy sports car; cushy, comfortable luxury ROAD BEST vehicle; or boxy-but-safe family van? Then Toyota changed the rules of the road entirely with the introduction of the Prius—its cutting-edge gasoline/electric hybrid that made fuel efficiency practical, became an international TRAVELED best-seller and helped ignite the worldwide eco-friendly transportation movement. Having established itself as the industry leader, what would Toyota introduce next? More innovation, and the future is already here—with the 2016 Toyota Prius. This newest version of the global green icon pushes the hybrid concept farther down the road, with design and technology breakthroughs that will delight the Prius faithful and turn heads of those new to the game. DESIGNED TO MOVE Toyota’s design team took the image of a runner in the starting blocks as inspiration for the 2016 Prius design, and the result is a sporty profile that conveys a palpable sense of forward motion even when the car is in park. The “triangle silhouette” that defined the second- and third-generation Prius is now longer, sleeker and more athletic, with a lower hood and edgy character lines that run along the sides to accentuate the low stance. -
Gene Roddenberry Star Trek Television Series Collection PASC.0062
http://oac.cdlib.org/findaid/ark:/13030/tf5z09n9vr No online items Finding aid for the Gene Roddenberry Star trek television series collection PASC.0062 UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé, 2016. Finding aid updated by Kelly Besser, 2021. UCLA Library Special Collections Finding aid last updated 2021 March 22. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding aid for the Gene PASC.0062 1 Roddenberry Star trek television series collection PASC.0062 Contributing Institution: UCLA Library Special Collections Title: Gene Roddenberry Star trek television series collection Identifier/Call Number: PASC.0062 Physical Description: 18 Linear Feet36 boxes. Date (inclusive): 1966-1969 Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Language of Material: Materials are in English. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Gene Roddenberry papers (Collection PASC 62).