THE Invaders Look Beyond the Fountain of Arethusa and Its Real Water and Thirsty People, No Other Tourists to Be Seen
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The Roman Poets of the Augustan Age: Virgil by W
The Project Gutenberg EBook of The Roman Poets of the Augustan Age: Virgil by W. Y. Sellar This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Roman Poets of the Augustan Age: Virgil Author: W. Y. Sellar Release Date: October 29, 2010 [Ebook 34163] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE ROMAN POETS OF THE AUGUSTAN AGE: VIRGIL*** THE ROMAN POETS OF THE AUGUSTAN AGE: VIRGIL. BY W. Y. SELLAR, M.A., LL.D. LATE PROFESSOR OF HUMANITY IN THE UNIVERSITY OF EDINBURGH AND FELLOW OF ORIEL COLLEGE, OXFORD iv The Roman Poets of the Augustan Age: Virgil THIRD EDITION OXFORD AT THE CLARENDON PRESS OXFORD UNIVERSITY PRESS AMEN HOUSE, E.C. 4 London Edinburgh Glasgow New York Toronto Melbourne Capetown Bombay Calcutta Madras HUMPHREY MILFORD PUBLISHER TO THE UNIVERSITY vi The Roman Poets of the Augustan Age: Virgil IMPRESSION OF 1941 FIRST EDITION, 1877 THIRD EDITION, 1897 vii PRINTED IN GREAT BRITAIN TO E. L. LUSHINGTON, ESQ., D.C.L., LL.D., ETC. LATE PROFESSOR OF GREEK IN THE UNIVERSITY OF GLASGOW. MY DEAR LUSHINGTON, Any old pupil of yours, in finishing a work either of classical scholarship or illustrative of ancient literature, must feel that he owes to you, probably more than to any one else, the impulse which directed him to these studies. -
For a Falcon
New Larousse Encyclopedia of Mythology Introduction by Robert Graves CRESCENT BOOKS NEW YORK New Larousse Encyclopedia of Mythology Translated by Richard Aldington and Delano Ames and revised by a panel of editorial advisers from the Larousse Mvthologie Generate edited by Felix Guirand and first published in France by Auge, Gillon, Hollier-Larousse, Moreau et Cie, the Librairie Larousse, Paris This 1987 edition published by Crescent Books, distributed by: Crown Publishers, Inc., 225 Park Avenue South New York, New York 10003 Copyright 1959 The Hamlyn Publishing Group Limited New edition 1968 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the permission of The Hamlyn Publishing Group Limited. ISBN 0-517-00404-6 Printed in Yugoslavia Scan begun 20 November 2001 Ended (at this point Goddess knows when) LaRousse Encyclopedia of Mythology Introduction by Robert Graves Perseus and Medusa With Athene's assistance, the hero has just slain the Gorgon Medusa with a bronze harpe, or curved sword given him by Hermes and now, seated on the back of Pegasus who has just sprung from her bleeding neck and holding her decapitated head in his right hand, he turns watch her two sisters who are persuing him in fury. Beneath him kneels the headless body of the Gorgon with her arms and golden wings outstretched. From her neck emerges Chrysor, father of the monster Geryon. Perseus later presented the Gorgon's head to Athene who placed it on Her shield. -
Sicily and the Imperialism of Mid-Republican Rome : (289-191BC)
SICILY AND THE IMPERIALISM OF MID- REPUBLICAN ROME : (289-191BC) John Serrati A Thesis Submitted for the Degree of PhD at the University of St Andrews 2001 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/11102 This item is protected by original copyright L Sicily and the Imperialism of mid-Republican Rome (289-191 BC) John Serrati Ph.D. Ancient History 19 January 2001 i) I, John Serrati, hereby certify that this thesis, which is approximately 96,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. Signature of Candidate ii) I was admitted as a research student in October 1995 and as a candidate for the degreeofPh.D. in Ancient History in October 1996; the higher study for which this is a record was carried out in the University of St. Andrews between 1995 and 2001. iii) I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree ofPh.D. in the University of St. Andrews and that the candidate is qualified to submit this thesis in application for that degree. F:-·;T,',,:.-~TD Signature of Supervisor ... .tt,"·.· .:.:.~~::;.L~~J Date ..I.'1.b.J~.~ .. "'"-...... .,r-'" In submitting this thesis to the University of St. Andrews I understand that I am giving permission for it to be made available for use in accordance with the regulations of the University Library for the time being in force, subject to any copyright vested in the work not being affected thereby. -
Copyright by Bronwen Lara Wickkiser 2003
Copyright by Bronwen Lara Wickkiser 2003 The Dissertation Committee for Bronwen Lara Wickkiser certifies that this is the approved version of the following dissertation: The Appeal of Asklepios and the Politics of Healing in the Greco-Roman World Committee: _________________________________ Lesley Dean-Jones, Supervisor _________________________________ Erwin Cook _________________________________ Fritz Graf _________________________________ Karl Galinsky _________________________________ L. Michael White The Appeal of Asklepios and the Politics of Healing in the Greco-Roman World by Bronwen Lara Wickkiser, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2003 ACKNOWLEDGEMENTS My work has benefited immeasurably from the comments and suggestions of countless individuals. I am grateful to them all, and wish to mention some in particular for their extraordinary efforts on my behalf. First and foremost, Lesley Dean-Jones, whose wide-ranging expertise guided and vastly enhanced this project. Her skill, coupled with her generosity, dedication, and enthusiasm, are a model to me of academic and personal excellence. Also Erwin Cook, Karl Galinsky, and L. Michael White, unflagging members of my dissertation committee and key mentors throughout my graduate career, who have shown me how refreshing and stimulating it can be to “think outside the box.” And Fritz Graf who graciously joined my committee, and gave generously of his time and superb insight. It has been an honor to work with him. Special thanks also to Erika Simon and Jim Hankinson who encouraged this project from the beginning and who carefully read, and much improved, many chapters. -
THE Decadrachms of Syracuse Are Con- Sidered to Be the Most
Background: The bridge to Ortygia. (Source: Wikimedia Commons. Photo by Giovanni Dall’orto). Overlay pic: Decadrachm by Kimon. (Triton XVI, January 2013, lot 230). HE decadrachms of Syracuse are con - behalf of the Carthaginians and according Tsidered to be the most beautiful coins to Diodorus Siculus, a historian of the 1 st from the Classical period of ancient century BC, they rewarded her with the Greece. To fully appreciate these wonder - gift of a gold crown. ful coins some historical information is Diodorus said that when Demerete rec- necessary. According to the Greek historian, eived the crown a coin was struck and Thucydides, Syracuse was founded by called a Demareteion after her. Because Greeks from Corinth in 733 BC. Their no gold coins of Syracuse are known from leader was Archias and they settled on the island of Ortygia , which is a small island just off the south-east coast of Sicily (Figure 1 – map of Sicily). Being on an island it was easily defensible and having a harbour to the north and south it became a hub of mercantile trade (Figure 2 – map of Syracuse). Moreover there were fertile plains on the adjacent mainland and a number of the citizens became wealthy land-owners. It was a boom town, and by 500 BC its territory extended over the whole of south-east Sicily. Further expan - Figure 2 – Map of ancient Syracuse. (Source: sion was blocked by Gela, a city founded by The Pocket Guide to Saint Paul: Coins encoun- Greeks from Crete and Rhodes in 688 BC. tered by the Apostle on his travels by Peter They in turn founded the city of Akragas Lewis and Ron Bolden. -
Pindar and Sicilian Nymphs a Healthy Sense of Our Identity
Pindar and Sicilian Nymphs A healthy sense of our identity – as individuals and as a group – sits upon a scaffold of collective memory. Our all-important sense of ‘belonging’ to a community comes from sharing memories and stories of the past, with those we grew up with, with friends from university, for example, and with fellow members of a broader collective - a town, a state or a country. Current thinking about this ‘social’ memory stresses the importance of localizing it in a material space. (“Who are you?” merges with “Where are you from?”) We anchor our personal and collective memories in a socially specific spatial framework – where we were born, where we went to school etc., what history we inherited. But this contextualization of the self is in trouble. The French historian Pierre Nora, in Lieux de mémoire, a 3-volume work published in 1992, described a phenomenon in France that is familiar to most of us: a historical deracination, the erosion of a common sense of what came before. Human achievements are disembodied now; road signs no longer reinforce a common understanding of the patria. Without a common stock of memories the past is forgotten, supplanted by the bric à brac of the present. So memory has been replaced by commemoration – plaques, monuments, historical sites, theme parks – all serving as entertainment and education, as much for tourists as for natives. Our modern communities are fractured by social mobility, leaving individuals without the comfort of shared stories, songs, and literature that can shape us from a young age as members of a collective. -
1 Chapter 24 the Prelude As History Philip Shaw the Long Blank Verse Poem That Was Published As the Prelude, Or Growth of a Poet
1 Chapter 24 The Prelude as History Philip Shaw The long blank verse poem that was published as The Prelude, or Growth of a Poet’s Mind; An Autobiographical Poem in 1850, just three months after Wordsworth’s death, has its origin in a series of verse fragments composed in the early months of 1798. Comprising little more than 1,300 lines, the majority of these verses were conceived as additions to ‘The Ruined Cottage’, the tale of rural hardship that had begun life in the spring and summer of 1797. These poems are: ‘The Old Cumberland Beggar’, ‘Old Man Travelling: Animal tranquillity and Decay, A Sketch’, ‘A Night Piece’ and ‘The Discharged Soldier’. Focused on instances of poverty, grief, and abandonment the thread that binds these works together (the exception is the loco-descriptive ‘A Night Piece’) is a concern with the victims of history. At least three of these poems centre on the sufferings brought about by Britain’s engagement in overseas wars: Margaret, in ‘The Ruined Cottage’, has lost her husband in the American War of Independence; the ailing discharged soldier has returned from suppressing rebellion in the tropics; the old man of ‘Animal Tranquillity and Decay’ is visiting his son, a sailor, ‘“Who from a sea-fight has been brought to Falmouth, / And there is dying in an hospital”’ (LBOP 110; ll. 19–20), and the aged beggar’s vagrancy is almost certainly a consequence of the social deprivations resulting from hostilities with revolutionary France. When addressing the treatment of history in The Prelude, therefore, it is worth bearing in mind the sense in which Wordsworth’s stated ambition, to complete a work encompassing ‘pictures of Nature, Man, and Society’, was born out of observations of the effects of state violence on ordinary men and women. -
Historic Sites & Gardens of Malta & Eastern Sicily
American Horticultural Society Travel Study Program HISTORIC SITES & GARDENS OF MALTA & EASTERN SICILY April 10 – 21 , 2019 WITH AHS TOUR HOSTS HOLLY AND OSAMU SHIMIZU AND TOUR LEADER SUSIE ORSO OF SPECIALTOURS Dear Friends, I personally invite you to join our latest American Horticultural Society tour: “Historic Sites & Gardens of Malta & Eastern Sicily,” April 10–21, 2019. When composing this invitation letter, I found it almost impossible to fit the highlights of this journey on these two islands in the Mediterranean into such a small space. The itinerary is overflowing with memorable and noteworthy experiences, but let me attempt the impossible. First, we will visit Valletta, designated a World Heritage Site and the capital of Malta. We’ll board a Maltese water taxi, locally known as a dghajsa, for a tour of Valletta’s Grand Harbour. St. John’s Co-Cathedral, built by the Order of St. John in the 1570s, is one of the finest examples of Baroque architecture in Europe. A highlight of any trip would be to view a Caravaggio painting; on this tour we will see three! On Sicily, we’ll tour the fifth-century B.C. Greek theater in Siracusa, where Aeschylus saw his own plays performed. The layers of architecture in the city are astounding, and it’s no wonder it has been designated a UNESCO World Heritage Site. Since the Middle Ages, the San Giuliano farm has employed organic farming methods, and we’ll learn how and why the farmers do it. Le Stanze in Fiore — a unique garden of modern sculptures and 1,000 varieties of plants — will make a lasting impression. -
Dalrev Vol23 Iss3 Pp271 280.Pdf (3.379Mb)
SICILY, THE CHANGING ISLAND LAURENCE DAKIN TO treat Sicily within the limits of circumscribed space, it is necessary to adopt a method of selection. One must take its cities, towns, plains or villages and regard them as the living spirit of an island that once equalled Greece in beauty and riches. There is perhaps no spot on earth more glorious in the fallen splendours of the Past, or more lovely in the robe of ruin ;whether that beauty be the serrated north coast, the charm of its folding hills, its picturesque people, its warm and friendly sea, its sunshine, its volcano that claimed all but the slipper of Empedocles, or its ruined temples and amphitheatres that embrace the heart with all the alluring plaint of a lyre when touched by the hand of an Olympian. The spirit of Sicily is so infused into the body of that island, which is less than ten thousand square miles in all, that it is difficut to say where legend leaves off and history begim: But since the earliest dawn of its existence is clothed in mytho-' logy, it is pleasing, even if open to question, to feel that Arethusa landed at the Cape of Naxos on the Taormina shore with the Greeks in the eighth century B.C., and gave her youth to the streams and eternity to the fountains; or that Pythagoras sat with the Iberians, the earliest inhabitants of the isle, and mea sured the heavens or composed a score on the music of the spheres. Taormina the Land of Hyperion: Here overlooking the blue Ionian Sea is one of the loveliest places on earth. -
Publius Vergilius Maro Virgil
PUBLIUS VERGILIUS MARO BUCOLICA VIRGIL THE ECLOGUES a late medieval illumination depicting the meeting of Tityrus and Meliboeus, presented on the cover of David Ferry's The Eclogues of Virgil [see Further Reading] Introduction Chronology PARALLEL TEXT Notes and Glossary Further Reading and Links [The word NOTE in the Latin text indicates a crux of translation that is explored further. The asterisk (*) in the English translation indicates the name of a person or place, identified further in the glossary. In both cases, move your pointer over the asterisked word or NOTE to be given a pop-up description, which will work best in Adobe Reader The notes and glossary are also included at the end of the text.] a medieval illumination prefacing the fifth Eclogue, © tclt.org.uk 2006 presented on the cover of the Penguin Classics edition [see Further Reading] INTRODUCTION the weather can be extreme, animals weak or dying, the harvest fail totally. The myths recited by the different human figures in the poems speak of theft, rape, witchcraft, bestiality, suicide. The passions of human love are more often depicted as destructive than creative. For all this, INTRODUCTION though, these shadows seem incidental correctives to the unalloyed bliss of a remembered, golden age, rather than a wholescale challenge of its legitimacy. The dominant sense that is left is of an idyllic, primitive, Translating Virgil’s Eclogues Eden-like world, where harmony and concord ultimately reign. Some of the issues raised by a translation of the Eclogues, then, derive not so much from Virgil’s actual language, as from the pastoral mode in which he writes. -
Arethusa: Representations of the Syracusan
ARETHUSA: REPRESENTATIONS OF THE SYRACUSAN NYMPH IN COLONIZATION NARRATIVE, CONSOLATIO, AND EPIC by JASMINE AKIYAMA-KIM A THESIS Presented to the Department of Classics and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2015 Because the primary focus of this thesis is Arethusa’s diverse tradition as represented in history and literature, Chapters Two and Three look closely at the intertextual relationships that Seneca and Silius Italicus make use of. Ultimately, the figure of Arethusa transcends genre and singular loyalty to either Greece or Rome: her fluidity and ability to metamorphose account for her many lasting traditions. iii Acknowledgements I am terribly indebted to Professor Mary Jaeger, my primary advisor, for her steadfast support in the writing of this thesis, and for taking me “once more to Syracuse” to examine the city as it appears between texts. A great amount of her influence is evident in these pages, and I am so fortunate to have benefitted from her clear thoughts and insights. I would also like to thank Professor Malcolm Wilson, first for serving as my second reader, but further, for his role as a kindred spirit and guiding principle in my life. He has taught me many valuable life lessons, but most can be encapsulated in this: one must hold fast to the relentless pursuit of academic excellence. In addition, I wish to express my gratitude to Professor Daniel Rosenberg, for ensuring that this thesis upholds the standards set by the Clark Honors College, and Professor Christopher Eckerman, for his help with editing and revising. -
Ibycus: Gorgias and Other Poems
BICS 31 (1984) 13 IBYCUS: GORGZAS AND OTHER POEMS John P. Barron For R.P. W.-I. Those of us who have had the delight of working with Professor R.P. Winnington-Ingram at the Institute of Classical Studies and elsewhere know him not only as one of the most acute and sensitive critics of Greek poetry now writing in the English language, but as an extraordinarily helpful and generous friend to our own studies. Now, as the Institute celebrates his entry into his ninth decade, it is a great pleasure to offer him a small return for all that he has meant to US:^ eEoiti& ool toOhGv apogac hvri6wprpJaiaro. Ibycus is particularly suitable for the occasion, because the beginning of the modern phase of critical work on his poetry exactly coincided with the beginning of Professor Winnington-Ingram’s academic career, when he came up to Trinity from Clifton in 1922. Until then there was little basis for an appreciation of Ibycus, whose seven lost books had earned him a place in the ancient canon of nine pre-eminent lyric poets. Citations by other writers preserved a fragment of thirteen lines and another of seven; but a thorough combing of ancient literature and of the scribblings of scholiasts could not amass as many as fifty lines more, of short and miscellaneous quotations, of imponderable quality. True, the fates had been even less kind to Ibycus’ fellow-Westerner Stesichorus, of whose “graves Camenae” the short and pedestrian snatches which survived gave no idea at all - or so, in charity, one hoped.