Matt Andersen, Triumphant from His Win at the International Blues
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Steve Marriner Ready to Hit the Road to Support His New Stony Plain Release, Hope Dies Last
June 2021 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 37, No 6 PHOTO BY SCOTT DOUBT SCOTT BY PHOTO Steve Marriner ready to hit the road to support his new Stony Plain release, Hope Dies Last CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 Bill King Top Blues Steve Marriner and More Loose Blues News TORONTO BLUES Talkin' Blues: Diving Into Mako Funasaka Archives On TBS SOCIETY 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2021 BOARD OF DIRECTORS Derek Andrews (President), Janet Alilovic, Jon Arnold, Elaine Bomberry, Ron Clarkin (Treasurer), Lucie Dufault (Vice-President), Carol Flett (Secretary), Sarah French, Lori Murray, Ed Parsons, Jordan Safer (Executive), Paul Sanderson, Mike Smith Musicians Advisory Council: Brian Blain, Alana Bridgewater, Ken Kawashima, Gary Kendall, Dan McKinnon, Lily Sazz, Dione 2nd Episode: Morgan Davis, Duane Blackburn, Terrance Simien | 27.06 • 4pm Taylor, Julian Taylor, Jenie Thai, Suzie Vinnick,Ken Whiteley Volunteer & Membership Committee: Lucie Dufault, Rose Ker, Mike Smith, Ed Parsons, Carol Flett MARK YOUR CALENDAR Grants Officer: Barbara Isherwood Office Manager: Hüma Üster Talkin’ Blues: Digging into Mako Funasaka’s Archives Marketing & Social Media Manager: Meg McNabb featuring Morgan Davis, Duane Blackburn, Terrance Simien. Sunday, June 27th -
May-June 293-WEB
May-June 2007 Issue 293 jazz Free &blues report www.jazz-blues.com now in our 33rd year KOKO TAYLOR KOKO TAYLOR Old School Published by Martin Wahl A New CD... Communications On Tour... Editor & Founder Bill Wahl & Appearing at the Chicago Blues Festival Layout & Design Bill Wahl The last time I saw Koko Taylor Operations Jim Martin she was a member of the audience at Pilar Martin Buddy Guy’s Legends in Chicago. It’s Contributors been about 15 years now, and while I Michael Braxton, Mark Cole, no longer remember who was on Kelly Ferjutz, Dewey Forward, stage that night – I will never forget Chris Hovan, Nancy Ann Lee, Koko sitting at a table surrounded by Peanuts, Wanda Simpson, Mark fans standing about hoping to get an Smith, Dave Sunde, Duane Verh, autograph...or at least say hello. The Emily Wahl and Ron Weinstock. Queen of the Blues was in the house that night...and there was absolutely Check out our costantly updated no question as to who it was, or where website. Now you can search for CD Reviews by artists, titles, record she was sitting. Having seen her elec- labels, keyword or JBR Writers. 15 trifying live performances several years of reviews are up and we’ll be times, combined with her many fine going all the way back to 1974. Alligator releases, it was easy to un- derstand why she was engulfed by so Koko at the 2006 Pocono Blues Festival. Address all Correspondence to.... many devotees. Still trying, but I still Jazz & Blues Report Photo by Ron Weinstock. -
Subjectivity in American Popular Metal: Contemporary Gothic, the Body, the Grotesque, and the Child
CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Subjectivity In American Popular Metal: Contemporary Gothic, The Body, The Grotesque, and The Child. Sara Ann Thomas MA (Hons) Submitted in fulfilment for the Degree of Doctor of Philosophy Faculty of Arts University of Glasgow January 2009 © Sara Thomas 2009 Abstract This thesis examines the subject in Popular American Metal music and culture during the period 1994-2004, concentrating on key artists of the period: Korn, Slipknot, Marilyn Manson, Nine Inch Nails, Tura Satana and My Ruin. Starting from the premise that the subject is consistently portrayed as being at a time of crisis, the thesis draws on textual analysis as an under appreciated approach to popular music, supplemented by theories of stardom in order to examine subjectivity. The study is situated in the context of the growing area of the contemporary gothic, and produces a model of subjectivity specific to this period: the contemporary gothic subject. This model is then used throughout to explore recurrent themes and richly symbolic elements of the music and culture: the body, pain and violence, the grotesque and the monstrous, and the figure of the child, representing a usage of the contemporary gothic that has not previously been attempted. Attention is also paid throughout to the specific late capitalist American cultural context in which the work of these artists is situated, and gives attention to the contradictions inherent in a musical form which is couched in commodity culture but which is highly invested in notions of the ‘Alternative’. In the first chapter I propose the model of the contemporary gothic subject for application to the work of Popular Metal artists of the period, drawing on established theories of the contemporary gothic and Michel Foucault’s theory of confession. -
On the Road to Memphis
Ottawa BLUES Society Winter 2008 MonkeyJunk In this issue: OBS AGM & Christmas Party 3 Save DAWG FM 4 Kat Danser’s Blues Pilgrimage 6 On the Road to Cisco Bluesfest News 8 Blues on the Rideau 10 International Blues Challenge 12 Memphis CD Reviews 13 Postcards From The Road 18 Corporate Directory 22 New and Renewing OBS Members – July-December 2008 We welcome two new Corporate Members to the Ottawa Blues Society Gerald Baillie, David Bedard, Pierre Brisson, Ross Brown & Lori Kerfoot, Colin Chesterman, Brian Clark, Bob Crane (family), Louise Dontigny, James Doran & Diane Leduc-Doran, Jean-Louis Dubé, Alison Edgar, Cleo Evans, Bernard Fournier, Robewrt Gowan, Mike Graham, Sandy Kusugak, Jeff Lockhart, Jack Logan, Annette Longchamps, Hugh MacEachern, Fraser Manson, Tom Morelli, Tom Morris, Gary and Vickie Paradis, Roxanne Pilon, Terry Perkins, Chris Pudney, Jeff Roberts, Mark Roberts, Tom Rowe, Jim Roy (benefactor), Bill Saunders, Ursula Scherfer, Ken Stasiak, John Swayze, Liz Sykes (benefactor), Ian Tomlinson, Chris & Linda Waite, Gord White, Larry Williams, Ross Wilson, Linda and Pat Yarema www.worksburger.com www.lorenzos.ca 2 OBScene Deadlines 3 OBS CONTACTS OBS Annual General Meeting Issue Copy Deadline Distribution Date Website: www.OttawaBluesSociety.com OBS Mission Spring March 15 Online in April & Christmas Party E-mail: Please use feedback form on website Summer June 15 Mailed in early July Saturday, December 6, 2008 CORRESPONDENCE AND ADDRESS CHANGES To foster appreciation, Ottawa Blues Society promotion, preservation P.O. Box 708, Station “B” The OBS AGM got underway at 8:15 pm with Cover charges for this event, along with money From the Editor … and enjoyment of the Ottawa, ON K1P 5P8 reports from the President and Board Members. -
LIMP BIZKIT 2018 Veranstaltungsort Westfalenhalle Beginn 20:00 Uhr
20.06.2018 LIMP BIZKIT 2018 Veranstaltungsort Westfalenhalle Beginn 20:00 Uhr Veranstalter handwerker promotion e.GmbH LIMP BIZKIT Live 2018 Mittwoch, 20.06.2018 – Dortmund, Westfalenhalle Beginn: 20:00 Uhr Support: Blvck Ceiling Große Sommer-Tournee der Nu Metal-Pioniere im Juni 2018 Nach ihrer erfolgreichen Tournee im Sommer 2015 haben LIMP BIZKIT ihre erneute Rückkehr nach Deutschland angekündigt. Die Mitbegründer des Nu Metal sind für sieben Shows im Juni 2018 hierzulande bestätigt. Das Quintett um Frontmann Fred Durst wird am 20. Juni 2018 in der Westfalenhalle in Dortmund zu sehen sein. Der einzige Auftritt in NRW! LIMP BIZKIT gehören zu den innovativsten Bands ihres Genres und sind mit über 40 Millionen verkauften Tonträgern eine der erfolgreichsten dazu. Seit ihrer Gründung 1994 in Jacksonville/Florida beeinflussen LIMP BIZKIT im Laufe der letzten beiden Jahrzehnte eine Unzahl von Nachwuchsmusikern. Ihr innovativer, mitreißender Mix aus peitschenden Rhythmen, massiven Gitarrenwänden und funkigen HipHop-Elementen, der Nu Metal, ist eine Neuinterpretation der Crossover-Musik aus den frühen 90ern. Damals gründet Bandleader Fred Durst mit dem Bassisten Sam Rivers und John Otto am Schlagzeug sein erstes Musikprojekt, einige Monate später stößt Gitarrist Wes Borland hinzu. Mithilfe der befreundeten Band Korn touren sie mit den Deftones und House Of Pain. Von letzteren steigt DJ Lethal von House Of Pain ein. Das im Juli 1997 veröffentlichtes Debüt „Three Dollar Bill, Y’all“ wird mit über zwei Millionen Verkäufen zum überwältigenden Erfolg. Die Nachfolger „Significant Other“ (1999) und „Chocolate Starfish And The Hot Dog Flavored Water“ (2000) verkaufen sich zusammen über 16 Millionen Mal, es folgen drei Grammy-Nominierungen, die Singlehits wie „Nookie“, „Rollin’“, „Take A Look Around“ oder die Coverversion von George Michaels „Faith“ untermauern ihre Stilbreite und Experimentierfreude. -
Clemson Commencement Program, May 1974 Clemson University
Clemson University TigerPrints Clemson Commencement Programs Academic Affairs 5-1-1974 Clemson Commencement Program, May 1974 Clemson University Follow this and additional works at: https://tigerprints.clemson.edu/comm_programs Materials in this collection may be protected by copyright law (Title 17, U.S. code). Use of these materials beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. For additional rights information, please contact Kirstin O'Keefe (kokeefe [at] clemson [dot] edu) For additional information about the collections, please contact the Special Collections and Archives by phone at 864.656.3031 or via email at cuscl [at] clemson [dot] edu Recommended Citation University, Clemson, "Clemson Commencement Program, May 1974" (1974). Clemson Commencement Programs. 191. https://tigerprints.clemson.edu/comm_programs/191 This Article is brought to you for free and open access by the Academic Affairs at TigerPrints. It has been accepted for inclusion in Clemson Commencement Programs by an authorized administrator of TigerPrints. For more information, please contact [email protected]. CLEMSON UNIVERSITY Seventy-eighth Commencement May 10, 1974 Clemson, South Carolina Graduation Friday, May 10, 1974 11:15 a. m. Littlejohn Coliseum Order of Ceremonies (Audience will please stand as faculty and candidates march in and remain standing for the Invocation) Invocation The Reverend Thomas Murphy, C.S.P. Pastor, St. Andrews Catholic Church Clemson, South Carolina Conferring of Degrees and Delivery of Diplomas President Robert C. Edwards Benediction Music by Clemson University Concert Band Dr. John H. Butler, Director The University Regalia The University mace is the symbolic representation of the whole of Clemson University and must be present at any convocation where the University, through its delegated members, is acting officially. -
Obscene Summer 2009
Ottawa BLUES Society Summer 2009 In this issue: Op-Ed — Digital Armageddon 3 Update on DAWG FM 4 OBS Board Bluesfest Picks 5 Bringing the Blues to Blues Series 8 Eastern Ontario Kat Danser’s Blues Pilgrimage 14 Ottawa Blues Cruise 17 CD Reviews 18 Postcards From The Road 26 Corporate Directory 30 In this issue … … lots of info about several popular Blues Series in the Ottawa area, heads-up on the upcoming Blues Cruise and this year’s ‘On the Road to Memphis’ local blues competition, update on the DAWG-FM saga, our very first Op-Ed column, the final installment of Kat Danser’s ‘Blues Pilgrimage’, the latest ‘Postcards From The Road’ from JW-Jones and … our CD reviewers went crazy and reviewed CDs from musicians appearing at Bluesfest, CDs from wonderful Canadian musicians and CDs from some up-and-comers you need to hear. 2 OBS CONTACTS OBScene Deadlines Website: www.OttawaBluesSociety.com Issue Copy Deadline Distribution Date E-mail: Please use feedback form on website Fall September 15 Online mid-October CORRESPONDENCE AND ADDRESS CHANGES OBS Mission Ottawa Blues Society Winter December 15 Early January 2010 P.O. Box 708, Station “B” To foster appreciation, Ottawa, ON K1P 5P8 promotion, preservation OBS EXECUTIVE COMMITTEE AND DIRECTORS From the Editor … and enjoyment of the President:: Liz Sykes Starting last Fall, two issues of the blues in all of its forms Vice President: Mike Graham OBScene each year will be converted to Secretary: Gary Paradis electronic only (available on the OBS Directors : Brent Diab, Rob Dufresne, Ken Fraser, website at www.ottawabluessociety.com/ Mike Graham, Denis Paquin, Gary Paradis, Debra newsletters.php). -
Download Get More Fans: the DIY Guide to the New Music Business: (2017 Edition) PDF
Download: Get More Fans: The DIY Guide To The New Music Business: (2017 Edition) PDF Free [508.Book] Download Get More Fans: The DIY Guide To The New Music Business: (2017 Edition) PDF By Jesse Cannon, Todd Thomas Get More Fans: The DIY Guide To The New Music Business: (2017 Edition) you can download free book and read Get More Fans: The DIY Guide To The New Music Business: (2017 Edition) for free here. Do you want to search free download Get More Fans: The DIY Guide To The New Music Business: (2017 Edition) or free read online? If yes you visit a website that really true. If you want to download this ebook, i provide downloads as a pdf, kindle, word, txt, ppt, rar and zip. Download pdf #Get More Fans: The DIY Guide To The New Music Business: (2017 Edition) | #137340 in eBooks | 2014-04-06 | 2014-04-06 | File type: PDF | |4 of 4 people found the following review helpful.| This Is The Real Thing | By Paul A. Godwin |I've honestly read 'em all. Book after book on the music industry. And then...I came across "Get More Fans..." and it blew all the rest away. What I wanted was a book that was practical. That had real plans and methods and procedures that would lead to achieving actual, real-world goals. Not theory. Not possibilities. Not yesterday's old | | "This is the most up to date, reliable source of information I've seen in any form for up- and-coming bands" - Ross Robinson (A&R for I Am Recordings - Slipknot, The Cure, Glassjaw; Producer - At The Drive In, Korn, Deftones)||"This is How Do I Promote My Music On A Small Budget? How Do I Get My YouTube Videos to Spread? How Do I Turn Casual Fans Into One's Who Buy From Me? How Do I Get Written About On Blogs? How Do I Increase Turnout At Shows? How Do I Make Fans Using Facebook, Twitter, Tumblr And SoundCloud? With every day that passes, the power the major labels once had dies a little more. -
Youthandeducation at Canada's National Artscentre
40318_NAC_AnnRprt_ART 1/3/08 11:24 AM Page a ANNUAL REPORT 2006—2007 Youth and Education at Canada’s National Arts Centre INSPIRING YOUNG CANADIANS THROUGH THE PERFORMING ARTS 40318_NAC_AnnRprt_ART 1/3/08 11:24 AM Page b ROLE The National Arts Centre (NAC) raised its curtains for the first time in 1969. Created by the Parliament of Canada as a Centennial project during the 1960s, the NAC has become Canada’s foremost showcase for the performing arts. Today, the NAC works with thousands of artists from across Canada and around the world, and collaborates with dozens of arts organizations across the country. The NAC is strongly committed to being a leader and innovator in each of the performing arts fields in which it works – classical music, English theatre, French theatre, dance, variety and community programming. It is also at the forefront of youth and education activities; supporting programmes for young and emerging artists, presenting programs for young audiences, and producing resources and study materials for teachers and students. The NAC is the only multidisciplinary, bilingual performing arts centre in North America, and one of the largest in the world. ACCOUNTABILITY AND FUNDING The NAC reports to Parliament through the Minister of Canadian Heritage. Of the NAC’s total revenue, approximately half is derived from an annual parliamentary appropriation, while the other half comes from earned revenue – box office sales, the NAC Foundation, NAC catering, Le Café (restaurant), commercial parking and facility rentals. Each year, the NAC tables an annual report before Parliament. The Auditor General of Canada is the NAC’s external auditor. -
R.I.P. B.B. King 1925-2015
June 2015 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 31, No 6 PHOTO COURTESY SHOWTIME MUSIC ARCHIVES (TORONTO) SHOWTIME MUSIC COURTESY PHOTO R.I.P. B.B. King 1925-2015 CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 BB Remembered John’s Blues Picks Talent Search Finals Loose Blues News Selena Evangeline Event Listings 2 MapleBlues June 2015 www.torontobluessociety.com MARK YOUR CALENDAR PHOTO COURTESY SHOWTIME MUSIC ARCHIVES (TORONTO) SHOWTIME MUSIC COURTESY PHOTO Dave "Daddy Cool" Booth will be making his first DJ appearance in many years at the TBS 30th bash at the Palais Royale on July 16 spinning some of his favourite blues tracks for the dinner crowd and Jack de Keyzer will be playing Sundown Solo Sets for both early ticket and concert ticket holders. Saturday, June 20 (afternoon), Dan Aykroyd Wine Tasting, Summerhill LCBO (10 Scrivener Square, just outside the Summerhill subway) Performance by David Owen Barbara Klunder has provided the new imagery for the 29th Women's Blues Revue to be held November 28 at Saturday, June 20 Massey Hall and Charter Member tickets go on sale Tuesday, June 9th at 10am! (preferred seating and 20% off). 2-5pm TBS Talent To retrieve the required promo code, please contact the TBS office. If you're not a member yet, join now to take Search Finals, Distillery advantage of these substantial savings. District (part of the TD Toronto Jazz Festival) Michael Sloski and musical director Lance Saturday, November 28, Massey Hall, th Johanna Pavia & Anderson. Sundown Solo sets by Jack Women's Blues Revue. -
New Releases
Music New Releases GERALD LEVERT synts on the theme song give the lyrics the SINGLES I'D Give Anything - East West ACE/D/EHR ALBUMS required credibility, however. Get Ready is PRODUCER:David Foster still blatantly Euro, and the single edit of ALL -4 -ONE With a wall of violins behind him, Levert BABY CHAOS You & Me (Innocence) is a no risk disc too, (She's Got) SkiIlz -Blitzz D/EHR would give anything to win over his aspirant but with Get On The Move she again strays PRODUCER: Gary St. Clair/Tim O'Brien lover. If she won't give in to this much pas- from the beaten path. Carefully you may A major departure from the sugar sweet I sion, than a whole bunch of romantic pro- speak of an innovation when.P.F.B. comes Swear-one of the biggest singles of 1994-the grammers will. to your ears with its psalm -like aura. four nightingales are now fast womanisers, jive talking on top of a great drum sound. MAGIC AFFAIR THE NOTORIOUS BIG Fire -CDL/Electrola D/EHR Ready To Die - Bad Boy/Arista D/A ANITA PRODUCER: Mike Staab PRODUCER:Sean "Puffy" Combs Na Na Na (EverybodyWake Up) - Ala Bianca D/EHR Nomen est Omen. From the album by that HeavyweightworldchampGeorge PRODUCER: S. Dall'Ora name, the story continues with the fourth sin- Foreman watch out, because here's a real The lyrics are simplistic enough for a nursery gle-basically more of the same. Compared to Big Poppa ready to beat ya. The gangsta rhyme-"na na na, we do it every time!" and the competition, there are only more synth rapper is a big mouth of unknown propor- all that. -
Manson Back WVU Newsstand
6 Monday, October 26,1998 MUSIC The Capital Times Vanilla Ice comes back and colder than ever on Hard to Swallow By Brad Moist then I can’t see how you won’t love to hear that track seven is in fact Assistant Editor this album. If you are true punk, the lyrics of “Ice, Ice Baby” but then Hard to Swallow is just for reved up and retitled as “Too Cold.” Well, the man that told us to The album is worth it just to hear “Stop, collaborate and listen” is Vanilla Ice leaves the flashy, girly this track. back at it again.Vanilla Ice has re- lyrics behind this time. Instead he It is quite an experience to hear turned to the music scene with his attacks the industry, critics, hypo- some ofthe most famous lyrics ever newest project, Hard to Swallow. crites and posers of the world. You set to music that is, for all intents First let me say, “do not and purposes, very be alarmed,” for the once hardcore. The guitarriffs cheesy lyrics and flashy on this track will stick in clothes that made Vanilla your mind all night along photo by Kim Glass Ice popular is not what with the words that you’ll find on his newest started it allfor Rob Van Kastle pounds the keys venture. Instead you will Winkle. But "ice, ice find aggressive and direct baby" will mean some- lyrics backed with slam- thing totally different in Gallery Lounge show ming hardcore music that is once you have heard this recently made a visit to Penn State Harris- dark and scary.