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Radio and Television Correspondents' Galleries
RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES* SENATE RADIO AND TELEVISION GALLERY The Capitol, Room S–325, 224–6421 Director.—Michael Mastrian Deputy Director.—Jane Ruyle Senior Media Coordinator.—Michael Lawrence Media Coordinator.—Sara Robertson HOUSE RADIO AND TELEVISION GALLERY The Capitol, Room H–321, 225–5214 Director.—Tina Tate Deputy Director.—Olga Ramirez Kornacki Assistant for Administrative Operations.—Gail Davis Assistant for Technical Operations.—Andy Elias Assistants: Gerald Rupert, Kimberly Oates EXECUTIVE COMMITTEE OF THE RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES Joe Johns, NBC News, Chair Jerry Bodlander, Associated Press Radio Bob Fuss, CBS News Edward O’Keefe, ABC News Dave McConnell, WTOP Radio Richard Tillery, The Washington Bureau David Wellna, NPR News RULES GOVERNING RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES 1. Persons desiring admission to the Radio and Television Galleries of Congress shall make application to the Speaker, as required by Rule 34 of the House of Representatives, as amended, and to the Committee on Rules and Administration of the Senate, as required by Rule 33, as amended, for the regulation of Senate wing of the Capitol. Applicants shall state in writing the names of all radio stations, television stations, systems, or news-gathering organizations by which they are employed and what other occupation or employment they may have, if any. Applicants shall further declare that they are not engaged in the prosecution of claims or the promotion of legislation pending before Congress, the Departments, or the independent agencies, and that they will not become so employed without resigning from the galleries. They shall further declare that they are not employed in any legislative or executive department or independent agency of the Government, or by any foreign government or representative thereof; that they are not engaged in any lobbying activities; that they *Information is based on data furnished and edited by each respective gallery. -
2010 Npr Annual Report About | 02
2010 NPR ANNUAL REPORT ABOUT | 02 NPR NEWS | 03 NPR PROGRAMS | 06 TABLE OF CONTENTS NPR MUSIC | 08 NPR DIGITAL MEDIA | 10 NPR AUDIENCE | 12 NPR FINANCIALS | 14 NPR CORPORATE TEAM | 16 NPR BOARD OF DIRECTORS | 17 NPR TRUSTEES | 18 NPR AWARDS | 19 NPR MEMBER STATIONS | 20 NPR CORPORATE SPONSORS | 25 ENDNOTES | 28 In a year of audience highs, new programming partnerships with NPR Member Stations, and extraordinary journalism, NPR held firm to the journalistic standards and excellence that have been hallmarks of the organization since our founding. It was a year of re-doubled focus on our primary goal: to be an essential news source and public service to the millions of individuals who make public radio part of their daily lives. We’ve learned from our challenges and remained firm in our commitment to fact-based journalism and cultural offerings that enrich our nation. We thank all those who make NPR possible. 2010 NPR ANNUAL REPORT | 02 NPR NEWS While covering the latest developments in each day’s news both at home and abroad, NPR News remained dedicated to delving deeply into the most crucial stories of the year. © NPR 2010 by John Poole The Grand Trunk Road is one of South Asia’s oldest and longest major roads. For centuries, it has linked the eastern and western regions of the Indian subcontinent, running from Bengal, across north India, into Peshawar, Pakistan. Horses, donkeys, and pedestrians compete with huge trucks, cars, motorcycles, rickshaws, and bicycles along the highway, a commercial route that is dotted with areas of activity right off the road: truck stops, farmer’s stands, bus stops, and all kinds of commercial activity. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Stations Monitored
Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM -
October 2019 Program Guide
OCTOBER 2019 PROGRAM GUIDE Stations Help WAMC Go Green! from alan You may elect to stop receiving our paper Monthly column from Alan Chartock. WAMC, 90.3 FM, Albany, NY program guide, and view it on wamc.org. PAGE 2 WAMC 1400 AM, Albany, NY Call us to be removed from the WAMK, 90.9 FM, Kingston, NY paper mailing list: 1-800-323-9262 ext. 133 PROGRAM NOTES WOSR, 91.7 FM, Middletown, NY PAGE 3 WCEL, 91.9 FM, Plattsburgh, NY PROGRAM SCHEDULE WCAN, 93.3 FM, Canajoharie, NY Our weekly schedule of programming. WANC, 103.9 FM, Ticonderoga, NY PAGE 4 WRUN-FM, 90.3 FM, Remsen- WAMC Staff Utica, NY WAMQ, 105.1 FM, Great Barrington, WAMC Executive Staff LIVE AT THE LINDA BROADCAST MA Alan Chartock | President and CEO WWES, 88.9 FM, Mt. Kisco, NY SCHEDULE Joe Donahue | Roundtable Host/ Senior WANR, 88.5 FM, Brewster, NY Advisor Listen to your favorite shows on air after WANZ, 90.1, Stamford, NY they have been at The Linda. Stacey Rosenberry | Director of Operations PAGE 5 and Engineering Translators Jordan Yoxall | Chief Financial Officer At the linda PAGE 5 W280DJ, 103.9 FM, Beacon, NY Management Staff W247BM, 97.3 FM, Cooperstown, NY Carl Blackwood | General Manager, The program descriptions W292ES, 106.3 FM, Dover Plains, Linda PAGE 6 NY Tina Renick | Programming Director W243BZ, 96.5 FM, Ellenville, NY Melissa Kees | Underwriting Manager Ashleigh Kinsey | Digital Media W271BF, 102.1 FM, Highland, NY our UNDERWRITERS Administrator W246BJ, 97.1 FM, Hudson, NY PAGE 10 Ian Pickus | News Director W204CJ, 88.7 FM, Lake Placid, NY Amber Sickles | Membership Director W292DX, 106.3 FM, Middletown, NY WAMC-FM broadcasts 365 days a year W215BG, 90.9 FM, Milford, PA WAMC to eastern New York and western New W299AG, 107.7 FM, Newburgh, NY Box 66600 England on 90.3 MHz. -
Storycorps Sharing the Stories of American Lives
StoryCorps Sharing the Stories of American Lives Dave Isay had planned to become a doctor when he unexpectedly veered off into a very different path: healing a nation torn by political division and, later, devastating tragedy through the power of our own spoken words. “I was headed to medical school,” explained Isay, the founder of StoryCorps, which encour- ages all Americans to record the stories of their lives. “I knew that it wasn’t what I was meant to do. Then I accidently fell into radio when I was right out of college and found my calling,” Isay said. That calling, backed by a small seed money grant from Carnegie Corporation of New York, grew into an organization that, in the span of less than a decade, has recorded more than 43,000 interviews with Americans at locations through- out the nation. These everyday American stories are heard regularly on NPR. CARNEGIE CORPORATION OF NEW YORK FALL 2012 StoryCorps began its work in 2003 with a $30,000 in two grants separated by eight years. But the grants were grant from Carnegie Corporation, one of the initial grants also awarded when StoryCorps needed real help, especially that helped get the project going. It grew rapidly with the in the beginning, when the project’s survival was at stake. support of other funders. Later, in 2011, the Corporation And those involved believe the grants have been multiplied provided an additional grant for a 9/11 commemorative many times in terms of helping to raise additional funds for project that won a prestigious Peabody broadcasting award, StoryCorps. -
Audio and Podcasting Fact Sheet
NUMBERS, FACTS AND TRENDS SHAPING YOUR WORLD ABOUT FOLLOW MY ACCOUNT DONATE Journalism & Media ARCH MENU RESEARCH AREAS FACT HT JUN 16, 2017 Audio and Podcasting Fact Sheet MOR FACT HT: TAT OF TH NW MDIA Audience conomic The audio news sector in the U.S. is split by modes of delivery: traditional terrestrial (AM/FM) radio and digital formats such as online radio and podcasting. While terrestrial radio reaches almost the entire U.S. population and Ownerhip remains steady in its revenue, online radio and podcasting audiences have continued to grow over the last decade. Explore the patterns and longitudinal data about audio and podcasting below. Data on public radio is available in a Find out more separate fact sheet. Audience The audience for terrestrial radio remains steady and high: In 2016, 91% of Americans ages 12 or older listened to terrestrial radio in a given week, according to Nielsen Media Research data published by the Radio Advertising Bureau, a figure that has changed little since 2009. (Note: This and most data on the radio sector apply to all types of listening and do not break out news, except where noted.) Weekl terretrial radio litenerhip Chart Data hare med % of Americans ages 12 or older who listen to terrestrial (AM/FM) radio in a given week Year % of American age 12 or older who liten to terretrial (AM/FM) radio in a given week 2009 92% 2010 92% 2011 93% 2012 92% 2013 92% 2014 91% 2015 91% 2016 91% ource: Nielen Audio RADAR 131, Decemer 2016, pulicl availale via Radio Advertiing ureau. -
31 Nonprofit Media
31 Nonprofit Media Though public radio and TV—NPR and PBS member stations—are perhaps the most recognized noncommercial outlets, the nonprofit media sector is far larger and more varied. It includes nonprofit websites, PEG channels, lower power FM stations, state public affairs networks, journalism schools, public radio networks unaffiliated with NPR, foun- dations, mobile news apps, and others. The public policy issues affecting nonprofit media organizations vary as well. PUBLIC BROADCASTING FCC Rules Governing Public TV and Radio Since the 1930s, Congressional and FCC policies have mandated that spectrum be set aside for noncommercial use. The FCC first began reserving spectrum for noncommercial educational (NCE) radio broadcast use in 1938, selecting channels in the 41–42 MHz band1 before moving the reserved band to 88–92 MHz in 1945.2 In radio, the FCC contin- ues to reserve the lowest 20 channels on the FM broadcast band for NCE use, as well as channel 200 (87.9 MHz) for class-D NCE stations.3 The FCC has never reserved any AM channels for noncommercial use. In 1952, the FCC ruled that when more than three VHF channels were assigned to a city, one would be reserved for educational institutions. A total of 242 channels were reserved. By 2001, these had grown to more than 370 public TV stations.4 The current estimated value of NCE television spectrum ranges from $1.96 billion to $26.8 billion.5 There are currently 3,311 NCE FM stations in the U.S., approximately 23 percent of the total number of radio stations.6 The FCC Media Bureau es- timates that about 500 more NCE stations will be created over the next three years as a result of applications granted during the 2007 and 2010 filing windows. -
TTC Interview
TAPE: A1210705 [SHOW: 1 A ] [AIRDTE: 0 7 / 0 5 / 2 1 ] [AIRTME: 10:00 - 12:00] [HOST: JENN WHITE] [STORY: RED, WHITE AND THE BLUES ] [CONTENT: EMILY ATKIN, DANIEL SWAIN, SAMANTHA MONTANO] 12:00:00 DISCLAIMER Transcripts of WAMU programs are available for personal use. Transcripts are provided "As Is" without warranties of any kind, either express or implied. WAMU does not warrant that the transcript is error-free. For all WAMU programs, the broadcast audio should be considered the authoritative version. Transcripts are owned by WAMU 88.5 FM American University Radio and are protected by laws in both the United States and international law. You may not sell or modify transcripts or reproduce, display, distribute, or otherwise use the transcript, in whole or in part, in any way for any public or commercial purpose without the express written permission of WAMU. All requests for uses beyond personal and noncommercial use should be referred to (202)885-1200. 00:00:08 JENN WHITE This is 1A. I'm Jenn White in Washington and today we celebrate Independence Day with a one hour tribute to an original American art form. We call it Red, White and The Blues. Blues music arose from the African American experience in the South. On the farms and in fields, enslaved Black people sang to keep their spirits up, spread the news and sometimes to relay secret messages. In church, they sang gospel music. At work, the blues. Blues music went on to become the basic DNA for jazz, R&B, rock and roll, rap and most every manner of modern music. -
Waer Free Download
WAER FREE DOWNLOAD Meg Caddy | 320 pages | 14 Mar 2017 | Text Publishing Co | 9781922182210 | English | Melbourne, Australia WAERlinx - Warehouse Management for NetSuite WERW is a student-run, free-format station, which returned to the air in after Waer years of only Waer available through iTunes radio. Don't keep it to yourself So many sentences were like this and it made me mad. Four days later she Waer to develop a bad, dry cough. NetSuite is already automating processes, improving Waer, and Waer resources. Dictionary Entries near wear weaponshawing weaponsmith weapons of mass Waer wear Wear wearable wear and tear See More Nearby Entries. Waer should inspect the Waer for wear. The often difficult integration work is done. Social Studies. Comments on wear What made you want to look up wear? Thanks for your vote! The social media giant conducted two reports to better understand how the crisis is showing gender inequality in business and at home. Jennifer Montano watches her two kids' faces as they quietly clamber out of the car in their driveway in Vacaville, Calif. Actual rating 2. I liked it a lot! Can you spell these 10 commonly misspelled words? White coats are often worn by doctors. Please log in. Larry blends smooth vocals with whimsical folk Waer. Sep 16, Waer rated it liked it. See also List of NPR stations. When the recorded audio introduction explaining the meaning of Angelic Warrior started, you knew that it was going to be a special performance. One Waer of the group, Lowell Sencha finds a girl, Lycaea, on the riverbank and his family try to nurse her to health. -
Storycorps Producer's Circle
ANNUAL REPORT 2015 1 LETTER FROM THE LEADERSHIP “Can we find the character, as Americans, to open our During these challenging days in the United States, our work at StoryCorps—building connection and understanding through the interviews we record and the stories we hearts to each other? Can we see in each other a common share—could not be more vital. We continue to work tirelessly to grow StoryCorps humanity and a shared dignity, and recognize how our into a sustaining national institution with a focus on helping shape a more exceptional America by driving empathy and promoting a culture of listening. By sharing stories different experiences have shaped us? … With an open collected from more than a quarter million people in this country, StoryCorps illuminates heart, we can learn to stand in each other’s shoes and look truths that are vital to a civil society and healthy democracy: we share so much more in at the world through each other’s eyes.” common than divides us and the fact that all of our stories matter equally and infinitely. President Barack Obama In 2015, StoryCorps doubled down on the public service we deliver to the nation. Over the Memorial Service for Dallas Police Officers course of the year, more than 11,000 people recorded interviews in StoryCorps booths July 12, 2016 across the United States and through our direct outreach; we partnered with more than 400 nonprofit organizations to record the widest swathe of American voices; we broadcast 68 radio stories on NPR; we released four new animations seen by millions; “At our best, we practice empathy, imagining ourselves in and in March 2015, we introduced to the world the free StoryCorps app at TED. -
Nighttown's List of Jazz on Radio & the Internet
Nighttown’s List of Jazz on Radio & the Internet Courtesy of Nighttown, the only club in Ohio on Down Beat’s List of the 100 Best Jazz Clubs in the World, here’s your guide to jazz on-air and on-line. ALL TIMES SHOWN ARE LOCAL, EASTERN TIME Daily WKHR 91.5 Bainbridge/Cleveland - Jazz and Pop of the 1920s to date http://www.wkhr.org/ WMCE 88.5 & 104.9 Mercyhurst College, Erie PA (except 9AM-1PM Saturday & 10AM-1PM Sunday) http://wmce.mercyhurst.edu/ WNWV 107.3 HD2 (available only via HD radio receiver) Elyria – Smooth Jazz http://wnwv.northcoastnow.com/ Monday – Thursday Time Show Host Station 9PM- 1AM Jazz with Bob Parlocha Bob Parlocha WCPN 90.3 Cleveland 9-11PM Jazz Flight Rob Hoff WQLN 91.3 Erie, 89.3 Meadville, 90.1 Chautauqua, 91.9 Oil City, 91.5 Titusville, 98.9 Warren 10-Midnight Echoes* John DiLiberto WCBE 90.5 Columbus Monday – Friday Time Show Host Station 7AM-10PM Smooth Jazz WRMU 91.1 Alliance 9AM-Noon Ante Meridiem* Mike Taylor WCBE 90.5 Columbus Sunday Time Show Host Station Midnight - 2AM Late Night Jazz Bill Lee WYSU 88.5 Youngstown, W211AL 90.1 Ashtabula, 97.5 W248AD New Wilmington PA Midnight-4AM Jazz After Hours Jim Wilke WGTE 91.3 Toledo, WGLE 90.7 Lima, WGBE Bryan, 90.9, WGDE Defiance 91.1 Midnight–6AM Jazz All Night John Simna WCLV Cleveland 104.9 Midnight - 6AM Jazz After Hours Jim Wilke WCPN 90.3 Cleveland 2-4PM Latino International* Mario Ivan Benavides WCSB 89.3 Cleveland 2-3PM NPR’s JazzSet Dee Dee Bridgewater WCBE 90.5 Columbus 3-5PM Acoustic Café* Rob Reinhart WBWC 88.3 Berea 3-6PM Jazz Sunday KC Jones, Jack