CSO, Featuring Reagin, to Tell Music History
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Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Romeo and Juliet Teacher Handbook 2016-17
Lady Capulet Barbara Gaines Artistic Director Carl and Marilynn Table of Contents Thoma Endowed Chair Preface . .1 . Art That Lives . .2 . Bard’s Bio . 3. Criss Henderson The First Folio . .3 Executive Director Shakespeare’s England . 4. The English Renaissance Theater . 5 Chicago Shakespeare Theater is Chicago’s professional theater The Courtyard-style Theater . 7. A Brief History of Touring Shakespeare . .8 . dedicated to the works of William Shakespeare. Founded as Shakespeare Timelines . 11 Repertory in 1986, the company moved to its seven-story home on Navy Pier in 1999. In its Elizabethan-style courtyard theater, 500 seats on three levels wrap around a deep thrust stage—with only nine rows separating Shakespeare’s the farthest seat from the stage. Chicago Shakespeare also features a flexible 180-seat black box studio theater, a Teacher Resource Center, Romeo and Juliet and a Shakespeare specialty bookstall. In 2016, construction began on Dramatis Personae . .13 . a. new, innovative performance venue, The Yard at Chicago Shakespeare. Families and Feuds Relationship Web . 13. The year-round, flexible venue can be configured in a variety of shapes The Story . 14 and sizes with audience capacities ranging from 150 to 850, defining the Act by Act Synopsis . 14. S omething Borrowed, Something New: audience–artist relationship to best serve each production. Shakespeare’s Sources . 16 Now in its thirtieth season, the Theater has produced nearly the entire T o Have and To Hold: Shakespeare canon: All’s Well That Ends Well, Antony and Cleopatra, As Elizabethans and their Bonds of Marriage . .17 . Shakespeare, Tragedy, and Us. 19 You Like It, The Comedy of Errors, Cymbeline, Edward III, Hamlet, Henry IV Parts 1 and 2, Henry V, Henry VI Parts 1, 2 and 3, Henry VIII, Julius Caesar, King John, King Lear, Love’s Labor’s Lost, Macbeth, Measure Scholars’ Perspectives for Measure, The Merchant of Venice, The Merry Wives of Windsor, A The Timeless Tragedy . -
Single Tickets Go on Sale September 13 Theatre for a New Audience's a Midsummer Night's Dream Polonsky Shakespeare Center Julie
The Bruce Cohen Group, Ltd For Immediate Release, Please Contact: Bruce Cohen 212 580 9548 [email protected] Single Tickets Go On Sale September 13 For Theatre for a New Audience's A Midsummer Night's Dream At its newly named building Polonsky Shakespeare Center Julie Taymor Directs Elliot Goldenthal Composes Original Music Previews Begin October 19; Opens November 2 BROOKLYN -- Single tickets go on sale September 13 for Theatre for a New Audience’s inaugural production of A Midsummer Night's Dream, directed by multiple Tony Award-winner Julie Taymor with original music composed by Academy Award and Golden Globe-winning Elliot Goldenthal, at the Theatre’s newly-named building, Polonsky Shakespeare Center, 262 Ashland Place between Lafayette Avenue and Fulton Street, Brooklyn. A Midsummer Night's Dream by William Shakespeare features a cast of 36 led by Tina Benko as Titania, Max Casella as Bottom, David Harewood as Oberon and Kathryn Hunter as Puck. Previews begin previews October 19, for an opening November 2. Founding Artistic Director Jeffrey Horowitz explained, “Julie and Elliot are innovative, adventurous artists. We first worked together in 1984 on a 60-minute version of A Midsummer Night’s Dream for Theatre for a New Audience presented at the Public Theater. Twenty-nine years later, it’s thrilling they are directing and composing our first full production of A Midsummer Night's Dream, the inaugural presentation in our first permanent home.” Theatre for a New Audience just named its building Polonsky Shakespeare Center in recognition of a $10 million gift from the Polonsky Foundation. -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
MAY 2015 ARMS AND THE MAN WELCOME Second only to William Shakespeare, George Bernard Shaw is the most produced playwright in the history of The Old Globe. Indeed, Arms and the Man marks our fifteenth production of one of Shaw’s plays, a long and venerable tradition that began with Heartbreak House in 1938, followed by productions of Candida, The Doctor’s Dilemma, Misalliance, Getting Married, You Never Can Tell, and numerous others, including, most recently, Pygmalion in 2013. Not satisfied merely to stage Shaw’s own plays, the Globe has also produced plays about the fascinating and irascible man himself, such as Jerome Kilty’s Dear Liar and John Morogiello’s Engaging Shaw. You might even say that the Globe has had a decades-long romance with this complex, DOUGLAS GATES cantankerous, and compelling playwright. Managing Director Michael G. Murphy and Artistic Director Barry Edelstein. Some of the Globe’s most beloved directors have brought Shaw to life on our stages. Founding Director Craig Noel helmed five productions of Shaw here over the years; other Shaw directors have included Artistic Director Emeritus Jack O’Brien and associate artists William Roesch and Paxton Whitehead. Our 2013 production of Shaw’s Pygmalion was directed by yet another associate artist: the late, great Nicholas Martin, the very man who brought Jessica Stone to the Globe for the first time. A protégé of Nicky’s, Jess stepped in to direct Vanya and Sonia and Masha and Spike when Nicky fell ill, and she quickly became family. We’re more than delighted to have her return. -
360 ° Series
360° SERIES VIEWFINDER: FACTS AND PERSPECTIVES ON THE PLAY, PLAYWRIGHT, AND PRODUCTION WWW.TFANA.ORG TABLE OF CONTENTS The Play 3 Synopsis and Characters 4 Sources 6 Perspectives 8 Dialogues: Finding Concord in Discord by Richard C. McCoy 11 Dialogues: Intoxicating Plants and Narcotic Theater by Tanya Pollard 14 Selected Performance History The Playwright 16 Biography 17 Timeline The Production 20 Dialogues: In Conversation with Julie Taymor by Alisa Solomon 26 Cast and Creative Team Further Exploration 34 Glossary 37 Bibliography About Theatre For a New Audience 38 Mission and Programs 39 Major Supporters Leadership Support for A A Midsummer Night’s Dream Additional Support for A Midsummer Theatre for a New Audience’s Midsummer Night’s Dream sponsored by Night’s Dream provided by production is part of Shakespeare provided by for a New Generation, a national initiative sponsored by the National Endowment for the Arts in cooperation with Arts Midwest. Notes Front Cover Poster Design: Julie Taymor | Photograph: Josef Astor | Graphic Design: Milton Glaser, Inc. Unless otherwise indicated, all Acts, scenes, and numbers in this Viewfinder are from The Oxford Shakespeare, edited by Peter Holland (1994). This Viewfinder will be periodically updated with additional information. Last updated November 2013. Credits “Sources” written by guest contributor Cristine N. Brooks. A Midsummer Night’s Dream 360° | Compiled by: Carie Donnelson, with Cristine N. Brooks, and contributions by Jonathan Kalb | Edited by: Carie Donnelson and Katie Miller | Literary Manager: Jonathan Kalb | Council of Scholars Chair: Richard C. McCoy | Additional research by: Margot Sturc | Designed by: Milton Glaser, Inc. | Copyright 2013 by Theatre for a New Audience. -
Audio Books on Compact Disc
Audio Books on Compact Disc Mail-A-Book Arrowhead Library System 5528 Emerald Avenue Mountain Iron MN 55768-2069 www.arrowhead.lib.mn.us [email protected] 218-741-3840 218-748-2171 (FAX) To Order Materials: • You must be qualify for this service. This tax-supported service from the Arrowhead Library System is available to rural residents, those who live in a city without a public library, and homebound residents living in a city with a public library. This service is available to residents of Carlton, Cook, Itasca, Koochiching, Lake, Lake of the Woods, & St. Louis Counties. Rural residents who live in the following Itasca County areas are eligible for Mail-A-Book service only if they are homebound: Town of Arbo, Town of Blackberry, Town of Feely, Town of Grand Rapids, Town of Harris, Town of Sago, Town of Spang, Town of Wabena, City of Cohasset, City of La Prairie, and the City of Warba. Residents who are homebound in the cities of Virginia and Duluth are served by the city library. • Select your titles from one of our current catalogs. (If you would like something not listed in the catalogs– go to Interlibrary Loan instructions). • Materials can be ordered: 1. by e-mail at: [email protected], 2. by using the form on our web page at: www.arrowhead.lib.mn.us/mab/mabform.htm 3. or by regular mail with a letter, postcard, or an order card. • Print your name, address, county & zip code on each order. (Hint: Some patrons are using mailing address labels when ordering on our order cards.) Put your Arrowhead Library System Library Card number on your order (14-digit number). -
Romeo and Juliet and a Shakespeare Specialty Bookstall
Lady Capulet Barbara Gaines Artistic Director Carl and Marilynn Table of Contents Thoma Endowed Chair Preface . .1 . Art That Lives . .2 . Bard’s Bio . 3. Criss Henderson The First Folio . .3 Executive Director Shakespeare’s England . 4. The English Renaissance Theater . 5 Chicago Shakespeare Theater is Chicago’s professional theater The Courtyard-style Theater . 7. A Brief History of Touring Shakespeare . .8 . dedicated to the works of William Shakespeare. Founded as Shakespeare Timelines . 11 Repertory in 1986, the company moved to its seven-story home on Navy Pier in 1999. In its Elizabethan-style courtyard theater, 500 seats on three levels wrap around a deep thrust stage—with only nine rows separating Shakespeare’s the farthest seat from the stage. Chicago Shakespeare also features a flexible 180-seat black box studio theater, a Teacher Resource Center, Romeo and Juliet and a Shakespeare specialty bookstall. In 2016, construction began on Dramatis Personae . .13 . a. new, innovative performance venue, The Yard at Chicago Shakespeare. Families and Feuds Relationship Web . 13. The year-round, flexible venue can be configured in a variety of shapes The Story . 14 and sizes with audience capacities ranging from 150 to 850, defining the Act by Act Synopsis . 14. S omething Borrowed, Something New: audience–artist relationship to best serve each production. Shakespeare’s Sources . 16 Now in its thirtieth season, the Theater has produced nearly the entire T o Have and To Hold: Shakespeare canon: All’s Well That Ends Well, Antony and Cleopatra, As Elizabethans and their Bonds of Marriage . .17 . Shakespeare, Tragedy, and Us. 19 You Like It, The Comedy of Errors, Cymbeline, Edward III, Hamlet, Henry IV Parts 1 and 2, Henry V, Henry VI Parts 1, 2 and 3, Henry VIII, Julius Caesar, King John, King Lear, Love’s Labor’s Lost, Macbeth, Measure Scholars’ Perspectives for Measure, The Merchant of Venice, The Merry Wives of Windsor, A The Timeless Tragedy .