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SPARROW Newsletter
SNL Number 39 December 2019 SPARROW newsletter SOUND & PICTURE ARCHIVES FOR RESEARCH ON WOMEN Photographs............................................. 19267 Ads................................................................ 7449 Books in 12 languages............................ 5728 Newspaper Articles in 8 languages... 31018 Journal Articles in 8 languages..............5090 Brochures in 9 languages........................2062 CURRENT Print Visuals................................................. 4552 Posters........................................................... 1772 SPARROW Calendars...................................................... 129 Cartoons..............................................................3629 Maya Kamath’s cartoons...........................8000 HOLDINGS Oral History.................................................. 659 Video Films................................................. 1262 Audio CDs and Cassettes...................... 929 Private Papers......................................... 280 SPARROW TRUSTEES SPARROW TEAM Founder Trustees: Dr C S Lakshmi Director Dr Charanjeet Kaur Dr C S Lakshmi Associate Director Late Dr Neera Desai Priya D’Souza Dr Maithreyi Krishna Raj Sr Project Coordinator Pooja Pandey Sr Project Coordinator & Administration Officer Former Trustees (1997-2016) Maitreyi Yajnik Project Coordinator Dr C S Lakshmi Aarti Pandey Dr Divya Pandey Sr Accountant Dr Roshan G Shahani Sharmila Sontakke Dr Usha Thakkar Sr Librarian Asmita Deshpande Dr Shoba Venkatesh Ghosh Librarian Sayali Bhalekar -
Ramayan Ki Kathayen, Pandemic and the Hindu Way of Life and the Contribution of Hindu Women, Amongst Others
Hindu Sevika Samiti (UK) Mahila Shibir 2020 East and South Midlands Vibhag FOREWORD INSPIRING AND UNPRECEDENTED INITIATIVE In an era of mass consumerism - not only of material goods - but of information, where society continues to be led by dominant and parochial ideas, the struggle to make our stories heard, has been limited. But the tides are slowly turning and is being led by the collaborative strength of empowered Hindu women from within our community. The Covid-19 pandemic has at once forced us to cancel our core programs - which for decades had brought us together to pursue our mission to develop value-based leaders - but also allowed us the opportunity to collaborate in other, more innovative ways. It gives me immense pride that Hindu Sevika Samiti (UK) have set a new precedent for the trajectory of our work. As a follow up to the successful Mahila Shibirs in seven vibhags attended by over 500 participants, 342 Mahila sevikas came together to write 411 articles on seven different topics which will be presented in the form of seven e-books. I am very delighted to launch this collection which explores topics such as: The uniqueness of Bharat, Ramayan ki Kathayen, Pandemic and the Hindu way of life and The contribution of Hindu women, amongst others. From writing to editing, content checking to proofreading, the entire project was conducted by our Sevikas. This project has revealed hidden talents of many mahilas in writing essays and articles. We hope that these skills are further encouraged and nurtured to become good writers which our community badly lacks. -
December 1: Textual and Narrative Representation of P Sheshadri's Film
Review Article Global Media Journal 2021 ISSN 1550-7521 Vol. 19 No.40: 246 December 1: Textual and Narrative Representation of P Sheshadri’s Film. December 1: Illustrating Documentary Description of P Sheshadri’s Film Illustrating Documentary Description of P Sheshadri’s Film D r. Prashanth G Malur* Manipal Academy of Higher Education, MGA-BFSI Campus, Bangalore, India *Corresponding author: Dr. Prashanth G Malur, Associate Professor-Digital Media, Manipal Academy of Higher Education, MGA-BFSI Campus, Bangalore, India, E-mail: [email protected] Received date: April 30, 2021; Accepted date: May 14, 2021; Published date: May 21, 2021 Copyright: © 2021 Malur PG. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Citation: Malur PG (2021) Illustrating Documentary Description of P Sheshadri’s Film. Global Media Journal. 19.40 from academic circle and critics from the scholars pursuing media Abstract studies. The first film Kannada film industry (presently popular as A Sign is the primary non-verbal visual language to Sandalwood), produced was film Bhakta Kabir, a play enacted communicate and communicating through a sequence of sign by veteran theatre artist Gubbi Veeranna who tried to film it, in forms a vital structure adopted to display the theme in films. 1924. Ten years later in 1934 Sati Sulochana made its first release The study attempts to analyse the thematic narration of the and hence is considered as the first film of the language, followed film December 1, drawing upon the social reality of a political by Bhakta Dhruva. -
TAMIL CINEMA Tamil Cinema
TAMIL CINEMA Tamil cinema (also known as Cinema of Tamil Nadu, the Tamil film industry or the Chennai film industry) is the film industry based in Chennai, Tamil Nadu, India, dedicated to the production of films in the Tamil language. It is based in Chennai's Kodambakkam district, where several South Indian film production companies are headquartered. Tamil cinema is known for being India's second largest film industry in terms of films produced, revenue and worldwide distribution,[1] with audiences mainly including people from the four southern Indian states of Tamil Nadu, Kerala, Andra Pradesh, and Karnataka. Silent films were produced in Chennai since 1917 and the era of talkies dawned in 1931 with the film Kalidas.[2] By the end of the 1930s, the legislature of the State of Madras passed the Entertainment Tax Act of 1939.[3] Tamil cinema later had a profound effect on other filmmaking industries of India, establishing Chennai as a secondary hub for Telugu cinema, Malayalam cinema, Kannada cinema, and Hindi cinema. The industry also inspired filmmaking in Tamil diaspora populations in other countries, such as Sri Lankan Tamil cinema and Canadian Tamil cinema.[6] Film studios in Chennai are bound by legislation, such as the Cinematography Film Rules of 1948,[7] the Cinematography Act of 1952,[8] and the Copyright Act of 1957.[9] Influences Tamil cinema has been impacted by many factors, due to which it has become the second largest film industry of India. The main impacts of the early cinema were the cultural influences of the country. The Tamil language, ancient than the Sanskrit, was the medium in which many plays and stories were written since the ages as early as the Cholas. -
Bes Eligible Member 2014-16
List BES Members Eligible to Contest /Vote as on 01-01-2014 S. No. Last NameName Mem No. Designation Organisation / Address City Pin State 1 Aagarwal Sh. Suresh Kumar Aggarwal LM 1880 Additional Director E-38, Jalvidyut Aptts. Sector 21 C, Faridabad 121001 Haryana 2 Aalagarsamy Sh. R. Alagarsamy LM 1829 Asstt. Engineer O/o Chief Engineer(SZ) Swami Sivananda Salai Chennai 600 005 Tamilnadu 3 Abidi Sh. S A S Abidi LM 598 Asstt. Director (Retd.) D-119(A),Westend Aptts. Zakir Nagar Okhla New Delhi 110025 Delhi 4 Abraham Sh. Chitturi Abraham LM 2592 Engg. Asstt. All India Radio Vijayawada 520010 Andhra Pradesh 5 Achary Sh. V.K. Ravindran Achary LM 2067 Station Engineer Doordarshan Kendra, Thrissur 680010 Kerala Viyyoor P.O, 6 Acharya Sh. Atul Acharya LM 1908 Engg. Asst. Inside Fort, Kartik Chowk Vidisha 464001 Madhya Pradesh 7 Acharya Sh. Acharya Pravat Ranjan LM 1300 Asstt. Engineer Doordarshan Kendra Sainik School Bhubaneshwar 751005 Orissa 8 Adak Sh. N.C. Adak LM 2844 Asstt. Engineer 22/1047 Lodhi Colony New Delhi 110003 Delhi 9 Agarawal Sh. Saket Agarawal LM 2547 Deputy Engineer Systems Projects Jalahali Post Bangalore 560013 Karnataka BTV/T&BS, BEL 10 Agarwal Sh. K.K. Agarwal LM 925 Asstt. Director (Engg.) 11 Agarwal Sh. Akhilesh Agarwal LM 2235 2-CHA-19, Jawahar Nagar Jaipur Rajasthan 12 Agarwal Sh. Lalit Kumar Agarwal LM 1108 E-251, East of Kailash New Delhi 110065 Delhi 13 Agarwal Sh. R. P. Agarwal LM 1497 Dy. Director(Retd.), SP-62, Maurya Enclave Pitam Pura Delhi 110034 Delhi 14 Agarwal Sh. -
Schattentheater II. Indien
Das Indische Schattentheater NIMMALAKUNTA PUPPET GROUP Tholu Bommalata Tholu Bommalata - wörtlich übersetzt "Tanz der Lederpuppen" - ist in Andhra Pradesh beheimatet, einem Bundesstaat im Südosten Indiens. Hier findet sich die landesweit wahrscheinlich ausgeprägteste Tradition des Schattenpuppentheaters. In Madhavapatanam, einem kleinen Dorf etwa sechs Kilometer von der Provinzhauptstadt, leben rund fünfzig Familien traditioneller Schattenhteater-Puppenspieler, die letzten professionellen Künstler dieses Genres. Aus diesem Dorf stammt auch die Nimmalakunta Puppet Group, die ihre Geschichte bis in das 15.Jahrhundert zurückverfolgen kann. Die Kunst der tanzenden Lederpuppen existiert in Andhra Pradesh seit dem 3. Jahrhundert v. Chr. Ursprünglich war Tholu Bommalata eng mit dem Shiva-Kult verknüpft. Zum Frühlingsfest des Mahashivrati, dem Geburtstag Shivas, ließ man häufig neun Nächte hintereinander, von der Dämmerung bis zum Sonnenaufgang, die Schatten auf der Leinwand tanzen. Solche langen, religiös inspirierten Veranstaltungszyklen gibt es heute allerdings kaum noch. Wichtig waren auch reisende Puppenspieler, die mit ihren Vorführungen meist durch ländliche Gegenden zogen. Tatsächlich waren die frühen Puppenspieler meist Nomaden, die oft königliche Protektion genossen. Im allgemeinen wurden die Puppenspieler von einem Dorf eingeladen. In den Dörfern glaubte man, daß eine Schattentheatervorführung Regen oder eine gute Ernte bringe, oder daß man dadurch zum Beispiel eine Viehseuche vertreiben könne. Als traditionsreiche kunstvolle Unterhaltungsform insbesondere für die Landbevölkerung muß sich das Schattentheater in Andhra Pradesh heute vor allem gegenüber der Konkurrenz des Hörspiels, des Fernsehens und des Films behaupten. Ohne elektronische Hilfsmittel bietet Tholu Bommalata auf einer weißen Leinwand bewegte Bilder, bunte Schatten, dazu Gesang und Musik, Dialog und Erzählung. Es findet im Freien statt, nach Einbruch der Dunkelheit, meist auf dem festgestampften Lehmboden eines Dorfplatzes. -
List of Eligible Members.Xlsx
List BES Members Eligible to Contest/Vote as on 01‐01‐2018 S. No. Last NameName Mem No. Designation Organisation/Address City Pin State 1 Aagarwal Sh. Suresh Kumar Aggarwal LF 1880 Additional Director E‐38, Jalvidyut Aptts. Sector 21 C, Faridabad 121001 Haryana Doordarshan, Delanipur 2 Aalagarsamy Sh. R. Alagarsamy LM 1829 Asstt. Engineer Portblar 744102 haddo(PO) 3 Abidi Sh. S A S Abidi LM 598 Asstt. Director (Retd.) 218, 2nd Floor (RHS) Shukhdev Vihar Near Escorts Hospital New Delhi 110025 Delhi Andhra 4 Abraham Sh. Chitturi Abraham LM 2592 Engg. Asstt. All India Radio Vijayawada 520010 Pradesh Doordarshan Kendra, 5Achary Sh.V.K. Ravindran Achary LM 2067 Station Engineer Thrissur 680010 Kerala Viyyoor P.O, 6 Acharya Sh. Acharya Pravat Ranjan LM 1300 Asstt. Engineer Doordarshan Kendra Sainik School Bhubaneshwa 751005 Orissa Madhya 7Acharya Sh.Atul Acharya LM 1908 Engg. Asst. Inside Fort, Kartik Chowk Vidisha 464001 Pradesh 8 Adak Sh. N.C. Adak LM 2844 Asstt. Engineer 22/1047 Lodhi Colony New Delhi 110003 Delhi Systems Projects 9 Agarawal Sh. Saket Agarawal LM 2547 Deputy Engineer Jalahali Post Bangalore 560013 Karnataka BTV/T&BS, BEL 10 Agarwal Sh. K.K. Agarwal LM 925 Asstt. Director (Engg.) Flat #301, Sraddha Somsumdarpallya, 11 Agarwal Sh. Akhilesh Agarwal LM 2235 Sector 2, HSR Layout, Bengaluru 560102 Karnataka Fairmount, 27th Main Road, 12 Agarwal Sh. R. P. Agarwal LM 1497 Dy. Director(Retd.), SP‐62, Maurya Enclave Pitam Pura Delhi 110034 Delhi Ahinsa Khand II Mall (Near Shanti Gopal 13 Agarwal Sh. A.K. Agarwal LM 1513 Asst. Engineer 1314, Tower‐3 Ghaziabad 201010 Uttar Pradesh Road, indirapuram Hospital) 14 Agarwal Sh. -
Critical Analysis on History of Kannada Cinema *Dr. B. P. Mahesh
Critical Analysis on History of Kannada Cinema *Dr. B. P. Mahesh Chandra Guru Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri Karnataka India ** Dr. M.S.Sapna *** M. Prabhudev **** Mr. M. Dileep Kumar Abstract Kannada film industry is indeed an extension of Kannada theatre. The early film personalities had been actively involved in Kannada theatre world. The Kannada film industry had to struggle during 1929 – 1934. Early Kannada films had to struggle against western culture. The film theatres were not equipped well to exhibit silent and talkie films to the audience. The Kannada film industry had recovered from certain setbacks after 1941. About 24 films were made in Kannada after independence. In1950s, Kannada film industry had not gained any identity from the point of view of production of commercial and art films. During 1971 – 1980 several art films and new wave films were made in Kannada. About 138 Kannada films were produced during the decade of 1970s. The decade of 1980s witnessed the production of a large number of commercial Kannada films. There were remarkable economic changes and modifications during 1991 – 2000 in the entire world. Most of the Kannada films were commercial films based on the technique of re-make. In the new millennium, Kannada film industry has grown remarkably. About 80 to 100 films were made every year in Kannada. Kannada film industry has carved a niche for itself in the national and international film avenues. www.ijellh.com 599 Kannada film industry has also incorporated advanced film production technologies and strategies in terms of recording, background music, film song, film editing, special effects, DTS, digital development, use of advanced cameras and so on. -
Daniel Poor Memorial Library the American College, Madurai
Daniel Poor Memorial Library The American College, Madurai Sponsored By: United Board, USA Since 1881 Digitized Books List SN Acc No Title Year Pages 1 8623 Pallava Antiquities vol.2 1918 40 2 8333 Natural Religion in India 1891 65 3 6062 A Birds-eye view of the origin and destiny 1911 181 4 7484 Hampi Ruins 1917 157 5 5959 A Guide of British 1912 189 6 8861 The Yogasara Sangraha 1894 173 7 20110 Economic Studies Vol.1 1918 303 8 17067 The Sciences of the Sulba 1932 267 9 3072 Life of Christ 1884 431 10 23275 Life Beyond Death 1944 303 11 18373 History of Math. Notations 1921 367 12 12693 Tale of Tulsi plant 1916 177 13 12836 Historical Atlas 1927 96 14 7274 The Book of Ser Marco Polo1 1903 661 15 6716 The works of Thomas dicks 1851 666 16 1453 Science of politics 1887 204 17 7564 Asian Athenths 1873 553 18 8992 Indian game birds 1921 328 19 35438 Thirukural Aaivu 1963 1020 20 2020 History of England vol 4 1856 750 21 9874 Coins of the Indian Musium 1895 288 22 7509 Progress of education in India 1912 -1917 1918 215 23 7232 Buddhist Record of West er n India 1906 369 24 7644 Elizabethan Drama 1558 – 1642 1910 685 25 2017 History of England Vol-1 619 26 22101 The Script of Harappa 1934 210 27 9024 On The Art of Writing 1921 251 28 2019 History of England Vol.3 1856 686 29 14056 Thabavani 1927 415 30 4213 German Language 1842 452 31 9869 Ancient Coins 208 32 2098 Popular Antiquies 1908 522 33 16074 Regilious Thought of India 1934 166 34 1608 Works of John Bunyan 1836 352 35 4421 Sivathuvitha Seevapaadiyam 688 36 4429 Pariya Thrimollzi 1908 -
Roll No: Application No: Name: Exam Date: 06-Oct-2020 Exam Time: 09:00-12:00 Examination: 1
Save & Print Roll No: Application No: Name: Exam Date: 06-Oct-2020 Exam Time: 09:00-12:00 Examination: 1. Course Code - M.A./M.Sc./M.C.A. 2. Field of Study - Arts & Aesthetics (SAAM) SECTION 1 - SECTION 1 Question No.1 (Question Id - 76) (A) A - IV, B - I, C - II, D - III (B) A - II, B - III, C - IV, D - I (Correct Answer) (C) A - III, B - II, C - I, D - IV (D) A - II, B - IV, C - I, D - III Question No.2 (Question Id - 30) (A) Franz Osten (B) Ellis Dungan (Correct Answer) (C) J B H Wadia (D) V Shantaram Question No.3 (Question Id - 51) Read the below statements and choose the correct answer from the below options. A. Digital art can only be created using Adobe Software B. Digital art can be created using photography, morphing photographs often called combo photos C. Only good illustrators can become digital artist D. One must learn coding to become digital artist E. One can explore gaming and virtual reality using digital art Choose the correct answer from the options given below : (A) A and E Only (B) B and E Only (Correct Answer) (C) A and C Only (D) D and C Only Question No.4 (Question Id - 59) Which three among the following are the concepts developed by Stanislavski in context of Realistic Acting ? A. Bio-Mechanics B. The method of Physical Actions C. The ‘A’ Effect D. Elements of an action E. The Actor’s physical Apparatus Choose the correct answer from the options given below : (A) B, D and E Only (Correct Answer) (B) A, B and D Only (C) C, D and E Only (D) B, C and D Only Question No.5 (Question Id - 93) Given below are two Statements : one is labelled as Assertion A and the other is labelled as Reason R. -
October2018.Pdf
Advertisement START YOUR CAREER AGED, DISABILITY OR HOME & COMMUNITY CARE WE SOURCE EMPLOYMENT FOR YOU! Health Training Australia offers Training AND Employment in Aged care, Disability, Home & Community Care. Successfully complete our Free preparation for Employment Course and you could be employed on traineeship within three weeks. EARN WHILE YOU LEARN Gain your Nationally Recognised Certificate III with on-the-job training. Apply online at www.htsa.com.au +61 407 610 690 Eligibility criteria will apply 2 DOWNLOAD OUR APP www.DesiAustralia.com October, 2018 Advertisement LIMITED DATES REMAINING M A N J I T S H O S P I T A L I T Y MANJITS.COM.AU/CHRISTMAS October, 2018 www.DesiAustralia.com DOWNLOAD OUR APP 3 Advertisement 4 DOWNLOAD OUR APP www.DesiAustralia.com October, 2018 Advertisement ADVERTISEMENT Happy Diwali. I extend my warmest wishes to those celebrating Diwali. May the light of Diya guide you towards peace, prosperity, happiness and good health. Wishing you and your families a Happy Diwali. The Hon. Tony Burke MP Shadow Minister for Citizenship and Multicultural Australia Federal Member for Watson Email: [email protected] Website: www.tonyburke.com.au Facebook: www.facebook.com/burke.tony.mp Authorised by Tony Burke MP, Australian Labor Party, Shop 29/1 Broadway Punchbowl 2196 NSW October, 2018 www.DesiAustralia.com DOWNLOAD OUR APP 5 Advertisement ADVERTISEMENT Happy Deepavali From Luke Foley and your State MPs We wish you and your family a joyful Deepavali Luke Foley MP Leader of the Opposition, Member for Auburn -
Kannada Film Industry Challenges & the Way
T A PAI MANAGEMENT INSTITUTE (TAPMI) MANIPAL KANNADA FILM INDUSTRY CHALLENGES & THE WAY FORWARD A Report prepared for Karnataka Chalanachitra Academy August 2015 By : Dr. Gururaj Kidiyoor Dr. Prashant Yatgiri Prof. Sham Ranjan Shetty ACKNOWLEDGEMENTS First of all We would like to thank Shri. S V Rajendra Singh Babu, a renowned producer/director and Chairman of Karnataka Chalanachitra Academy, Bengaluru for urging us to take up a study on the regional cinema which is rather unusual for a b-school faculty. Once it was decided to go ahead, he gave us all the support required in terms of data and contacts for primary information. We shall remain indebted to him. We thank Mr. Thomas D’Souza, President, Karnataka Film Chamber of Commerce, Mr.B M Harish, Hon. Secretary, Karnataka Film Chamber of Commerce, Mr. K C N Chandru, Film Producer and Distributor and Mr. N M Kumar, Film Producer and Exhibitor for sharing their views on the Kannada movie industry through interviews. We are also grateful to Mr.Shivaram of Karnataka Chalanachitra Academy for his useful insights on subsidies on movies. The project lead came from Mr.Pramod Fernandes and Sagar Mukhopadhyaya of Manipal Technologies, Manipal. They made it sound exciting and enabled contact with S V Rajendra Singh. Our sincere thanks to them as well. We also take this opportunity to thank our Director, Dr. R C Natarajan for his encouragement and support. Our 2nd year students did all the hard work of data collection from the field. We thank you Shruty D, Ravikeerthi Somayaji, Gourish Bellad, Niharika G, Joel Vas, Mahalasa Kini, Vinayaditya, Mahesh Deshpande, Jayanth Bellur, Sunil Prasad, Pramukh Desai, Arun Bhat, Anup Munavalli and Sagar Manjunath.