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Sherlock Holmes: the Final Adventure the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival Sherlock Holmes: The Final Adventure The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. The Study Guide is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2014, Utah Shakespeare Festival. Please feel free to download and print The Study Guide, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Brian Vaughn (left) and J. Todd Adams in Sherlock Holmes: The Final Adventure, 2015. Contents Sherlock InformationHolmes: on the PlayThe Final Synopsis 4 Characters 5 About the AdventurePlaywright 6 Scholarly Articles on the Play The Final Adventures of Sherlock Holmes? 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: Sherlock Holmes: The Final Adventure The play begins with the announcement of the death of Sherlock Holmes. It is 1891 London; and Dr. Watson, Holmes’s trusty colleague and loyal friend, tells the story of the famous detective’s last adventure. -
Case File #3: the BAKER STREET BUILDING
The Game is On! The Adventure of the Girl with the Light Blue Hair Deazley, R. (Author), Meletti, B. (Author), Bagni, M. (Designer), Bonazzi, D. (Author), ., S. (Composer), & McHugh, A. (Developer). (2015). The Game is On! The Adventure of the Girl with the Light Blue Hair. Digital or Visual Products, Coyright User. http://copyrightuser.org/the-game-is-on/episode-1/ Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Author This is an open access article published under a Creative Commons Attribution License (https://creativecommons.org/licenses/by/3.0/), which permits unrestricted use, distribution and reproduction in any medium, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:02. Oct. 2021 Case File #3: THE BAKER STREET BUILDING Sherlock Holmes and John Watson discuss Joseph’s case at 221B Baker Street. -
A Thematic Reading of Sherlock Holmes and His Adaptations
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2016 Crime and culture : a thematic reading of Sherlock Holmes and his adaptations. Britney Broyles University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the American Popular Culture Commons, Asian American Studies Commons, Chinese Studies Commons, Cultural History Commons, Literature in English, British Isles Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Broyles, Britney, "Crime and culture : a thematic reading of Sherlock Holmes and his adaptations." (2016). Electronic Theses and Dissertations. Paper 2584. https://doi.org/10.18297/etd/2584 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Comparative Humanities University of Louisville Louisville, KY December 2016 Copyright 2016 by Britney Broyles All rights reserved CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 Dissertation Approved on November 22, 2016 by the following Dissertation Committee: Dr. -
My Own 221B Baker Street ”To a Great Mind Nothing Is Little” (STUD)
My Own 221B Baker Street ”To a great mind nothing is little” (STUD) PLANNING AND BUILDING For forty years I had toyed with the idea of making myself a full-scale replica of the most famous room in the world literature, the legendary snug , unconventional sitting room at 221B Baker Street in London where most of the wonderful Sherlock Holmes adventures begin and where the reader, embedded in safe fellowship, listens to the detective revealing his remarkable clues to his dedicated friend Dr Watson while the eternal smoke from his pipe curles against the ceiling. However, on my own retirement we moved to a rather small terrace house and I had to drop the idea. I then suddenly remembered a fine letter from my friend John Bennett Shaw 1 where he temptingly describes the 221B miniature that his wife Dorothy had made for him, and realized that I could build my own scale model. Now, twelve years later, I can hardly think of anything more pleasant than a hobby including cultural and literary research, miniature handicraft and collecting. After having read the Holmes stories once again -- this time taking careful notes -- I started with a design draft. My proper scale would be the English 1:12, one inch to one foot. And my model should at least exibit the ground floor and the second floor of the famous three-storied Baker Street house. When musing about the dimensions of the house I decided on two criteria: The stairs leading up to the second floor must consist of seventeen steps2 and the sitting room had to be large enough to hold all the furniture that is mentioned in the stories3. -
221B Baker Street
Génération Gamerz Page 1 221B BAKER st. “As he spoke, he whipped a tape measure and a large round magnifying glass from his pocket. With these two implements he trotted noiselessly about the room, sometimes stopping, occasionally kneeling, and once lying flat upon his face. So engrossed was he with his occupation that he appeared to have forgotten our presence... as I watched him I was irresistibly reminded of a pure-blooded, well-trained foxhound as it dashes backwards and forwards through the covert, whining in its eagerness, until it comes across the lost scent!” A Study In Scarlet Based on the board game created by Jay Moriarty. Computer version developed by Pacific Softech, Inc. in association with IntelliCreations, Inc. Designed by Steven Duboff, Jeff Harth, and John P. Sohl. Commodore graphics by Todd Camasta.* Apple graphics by Russ Wolvek and Todd Camasta. Atari graphics by Russ Wolvek. Speech synthesis by Software Speech™ (C) (P) 1984, Electronic Speech Systems of Santa Clara, CA. Documentation by Thomas J. Clement & Sir Arthur Conan Doyle. *Courtesy of Interplay Productions. 221 B BAKER ST. is a registered trademark of Antler Productions. Datasoft is a registered trademark of IntelliCreations, Inc. Commodore 64/128 is a trademark of Commodore Business Machines, Inc. Atari is a registered trademark of Atari Computer, Inc. Apple Il is a registered trademark of Apple Computer, Inc. ©1986 IntelliCreations, Inc. All rights reserved. Printed in USA. In keeping with the flavour of 221 B Baker St., English spellings are used. Génération Gamerz Page 2 “Give me problems, give me work, give me the most obscure cryptogram or the most intricate analysis and I am in my own proper atmosphere.. -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
Exsherlockholmesthebakerstre
WRITTEN BY ERIC COBLE ADAPTED FROM THE GRAPHIC NOVELS BY TONY LEE AND DAN BOULTWOOD © Dramatic Publishing Company Drama/Comedy. Adapted by Eric Coble. From the graphic novels by Tony Lee and Dan Boultwood. Cast: 5 to 10m., 5 to 10w., up to 10 either gender. Sherlock Holmes is missing, and the streets of London are awash with crime. Who will save the day? The Baker Street Irregulars—a gang of street kids hired by Sherlock himself to help solve cases. Now they must band together to prove not only that Sherlock is not dead but also to find the mayor’s missing daughter, untangle a murder mystery from their own past, and face the masked criminal mastermind behind it all—a bandit who just may be the brilliant evil Moriarty, the man who killed Sherlock himself! Can a group of orphans, pickpockets, inventors and artists rescue the people of London? The game is afoot! Unit set. Approximate running time: 80 minutes. Code: S2E. “A reminder anyone can rise above their backgrounds and past, especially when someone else respectable also respects and trusts them.” —www.broadwayworld.com “A classic detective story with villains, cops, mistaken identities, subterfuge, heroic acts, dangerous situations, budding love stories and twists and turns galore.” —www.onmilwaukee.com Cover design: Cristian Pacheco. ISBN: 978-1-61959-056-4 Dramatic Publishing Your Source for Plays and Musicals Since 1885 311 Washington Street Woodstock, IL 60098 www.dramaticpublishing.com 800-448-7469 © Dramatic Publishing Company Sherlock Holmes: The Baker Street Irregulars By ERIC COBLE Based on the graphic novel series by TONY LEE and DAN BOULTWOOD Dramatic Publishing Company Woodstock, Illinois • Australia • New Zealand • South Africa © Dramatic Publishing Company *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY, INC., without whose permission in writing no performance of it may be given. -
Scuttlebutt from the Spermaceti Press 2021
Jan 21 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) did not gather in New York to celebrate the Great Detective’s 167th birthday this year, but the somewhat shorter long weekend offered plenty of events, thanks to Zoom and other modern technol- ogy. Detailed reports will be available soon at the web-site of The Baker Street Irregulars <www.bakerstreetirregulars.com>, but here are few brief paragraphs to tide you over: The BSI’s Distinguished Speaker on Thursday was Andrew Lycett, the author of two fine books about Conan Doyle; his topic was “Conan Doyle’s Questing World” (and close to 400 people were able to attend the virtual lecture); the event also included the announcement by Steve Rothman, editor of the Baker Street Journal, of the winner of the Morley-Montgomery Award for the best article the BSJ last year: Jessica Schilling (for her “Just His Type: An Analysis of the Découpé Warning in The Hound of the Baskervilles”). Irregulars and guests gathered on Friday for the BSI’s annual dinner, with Andrew Joffe offering the traditional first toast to Nina Singleton as The Woman, and the program continued with the usual toasts, rituals, and pap- ers; this year the toast to Mrs. Hudson was delivered by the lady herself, splendidly impersonated by Denny Dobry from his recreation of the sitting- room at 221B Baker Street. Mike Kean (the “Wiggins” of the BSI) presented the Birthday Honours (Irregular Shillings and Investitures) to Dan Andri- acco (St. Saviour’s Near King’s Cross), Deborah Clark (Mrs. Cecil Forres- ter), Carla Coupe (London Bridge), Ann Margaret Lewis (The Polyphonic Mo- tets of Lassus), Steve Mason (The Fortescue Scholarship), Ashley Polasek (Singlestick), Svend Ranild (A “Copenhagen” Label), Ray Riethmeier (Mor- rison, Morrison, and Dodd), Alan Rettig (The Red Lamp), and Tracy Revels (A Black Sequin-Covered Dinner-Dress). -
Scuttlebutt from the Spermaceti Press 2014
Jan 14 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 160th birthday during the long weekend from Jan. 15 to Jan. 19. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at O'Casey's and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morning, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was James O'Brien, author of THE SCIENTIFIC SHER- LOCK HOLMES: CRACKING THE CASE WITH SCIENCE & FORENSICS (2013); the title of his talk was "Reassessing Holmes the Scientist", and you will be able to read his paper in the next issue of The Baker Street Journal. The William Gillette Luncheon at Moran's was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton, Sarah Montague, and Andrew Joffe) entertained their audience with a tribute to an aged Sherlock Holmes and Dr. Watson. The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber) honoring the most whimsical piece in The Serpentine Muse last year; the winners (Susan Rice and Mickey Fromkin) received certificates and shared a check for the Canonical sum of $221.17. And Otto Penzler's tradi- tional open house at the Mysterious Bookshop provided the usual opportuni- ties to browse and buy. The Irregulars and their guests gathered for the BSI annual dinner at the Yale Club, where John Linsenmeyer proposed the preprandial first toast to Marilyn Nathan as The Woman. -
Not Your Grandfather's Sherlock Holmes
d “nOt YOuR GRandFatHeR’S SHeRlOCk HOlMeS”: Guy Ritchie’s 21st Century Reboot of a 19th Century british Icon Ashley Liening Sherlock Holmes “has enjoyed the most vigorous afterlife of any fictional character” posits thomas leitch, adaptation scholar and author of Film Adaptation and Its Discontents (leitch 207). Indeed, a franchise has been built around Sir arthur Conan doyle’s quirky detective, so much so that Sherlock Holmes has become one of the most adapted literary figures of all time, outnumbered only by Frankenstein’s monster, tarzan, and dracula (207). Clare Parody asserts, “Franchise practice has produced and surrounded some of the highest grossing and best-known fictional texts, characters, plots, and worlds of the twentieth and twenty-first centuries,” and Sherlock Holmes is no exception (211). From 1900 till the present day, Sherlock Holmes has been portrayed by “nearly 100 actors, in over 200 films, from more than a dozen different countries,” and it does not appear like “Sir arthur Conan doyle’s violin- playing, pipe-smoking, cocaine-injecting sleuth” is going any- where anytime soon (Cook 31). In fact, the twenty-first century has experienced a resurgence in more “straightforward” Holmes adaptations, namely bbC’s Sherlock (2010), which aired in three ninety-minute episodes and portrays a tech-savvy twenty-first century Holmes, and Guy Ritchie’s 2009 and 2011 35 big screen adaptations, the latter of which will be the focus of this essay. I aim to explore the ways in which Guy Ritchie’s Sher lock Holmes (2009) adaptation, while inextricably bound to Conan doyle’s storytelling franchise, diverges from its prede- cessors in that it is not an amalgamation of other Holmes adap- tations. -
Gender Constructions and Mentorship on CBS's Elementary
Regis University ePublications at Regis University All Regis University Theses Spring 2019 An Infinite Capacity for Co-consulting: Gender Constructions and Mentorship on CBS's Elementary Heather Hufford Regis University Follow this and additional works at: https://epublications.regis.edu/theses Recommended Citation Hufford, Heather, "An Infinite Capacity for Co-consulting: Gender Constructions and Mentorship on CBS's Elementary" (2019). All Regis University Theses. 929. https://epublications.regis.edu/theses/929 This Thesis - Open Access is brought to you for free and open access by ePublications at Regis University. It has been accepted for inclusion in All Regis University Theses by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. AN INFINITE CAPACITY FOR CO-CONSULTING: GENDER CONSTRUCTIONS AND MENTORSHIP ON CBS’S ELEMENTARY A thesis submitted to Regis College The Honors Program in partial fulfillment of the requirements for graduation with Honors by Heather Hufford May 2019 Thesis written by Heather Hufford Approved by Thesis Advisor Thesis Reader Accepted by Director, University Honors Program ii TABLE OF CONTENTS ACKNOWLEDGEMENTS iv I. INTRODUCTION: THE FRIENDS OF SHERLOCK HOLMES 1 II. READING ELEMENTARY AS AN ATTEMPT AT PORTRAYING 12 GENDER EQUALITY III. CONFLICTING PERMEABILITIES IN PATERNAL MENTORSHIPS 34 IN “RIP OFF” IV. INTERACTIONS BETWEEN GENDERED SPACE AND 52 MENTORSHIPS IN “TERRA PERICOLOSA” V. GENDERED CONFLICTS BETWEEN HARD-BOILED AND 75 PROCEDURAL TRADITIONS IN “THE ONE THAT GOT AWAY” WORKS CITED 110 iii ACKNOWLEDGEMENTS In the conclusion of “The Five Orange Pipz,” Elementary’s Sherlock Holmes remarks, “They say that genius is an infinite capacity for taking pains. -
Freely Adapted from the Classic Stage Comedy by Sir Arthur Conan Doyle and William Gillette
Freely adapted from the classic stage comedy by Sir Arthur Conan Doyle and William Gillette By Tim Kelly © Copyright 1977, Pioneer Drama Service, Inc. Professionals and amateurs are hereby warned that a royalty must be paid for every performance, whether or not admission is charged. All inquiries regarding rights— including but not limited to amateur, professional, radio broadcast, television, cable, motion picture, live streaming, public reading, and translation into a foreign language—should be addressed to Pioneer Drama Service, Inc., PO Box 4267, Englewood, CO 80155. No performance, broadcast, reading, or presentation of any kind in whole or in part may be given without permission from Pioneer Drama Service. These rights are fully protected under the copyright laws of the United States of America and of all countries covered by the Universal Copyright Convention or with which the United States has reciprocal copyright relations, including Canada, Mexico, Australia, and all nations of the United Kingdom. ONE SCRIPT PER CAST MEMBER MUST BE PURCHASED FOR PRODUCTION RIGHTS. PHOTOCOPYING, REPRODUCING, OR DISTRIBUTING ALL OR ANY PART OF THIS BOOK WITHOUT PERMISSION IS STRICTLY FORBIDDEN BY LAW. On all programs, printing, and advertising, the following information must appear: 1. The full title: Sherlock Holmes 2. Writing credit: By Tim Kelly 3. Publication notice: “Produced by special arrangement with Pioneer Drama Service, Denver, Colorado” SHERLOCK HOLMES By TIM KELLY CAST OF CHARACTERS # of lines NEWSBOY ONE ...................a hard-working lad 16 NEWSBOY TWO ...................another 13 FORMAN .............................an unusual butler 20 MADGE LARRABEE ..............up to no good 74 JAMES LARRABEE ...............can’t be trusted 86 TERESA ..............................a maid who keeps her ears open 26 SID PRINCE ........................a natty safecracker 62 SHERLOCK HOLMES ............’nuff said 220 ALICE FAULKNER .................a damsel in distress 82 MRS.