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Jonathan Benjamin Myers 205 Seaview Ave., Santa Cruz, CA 95062 [email protected] | 617-650-3307 Education 2016— University of California at Santa Cruz D.M.A. in Music Composition 2012—2014 Mills College M.A. in Music Composition 2007—2011 Wesleyan University B.A. with High Honors in Music Honors 2016-17 Regents Fellowship, University of California at Santa Cruz 2015 Orkest de Ereprijs: Young Composers Meeting Finalist [Netherlands] for Flocking 2013 Performing Indonesia: Conference/Festival of Music, Dance, and Drama Diffusion premiered at Freer Gallery of Art, Smithsonian Institution, Washington D.C. 2013 Now Hear Ensemble [Santa Barbara] Made in California project Mobile commissioned for performance and recording 2011 Gwen Livingston Pokora Prize, Wesleyan University awarded to the outstanding undergraduate in music composition Selected Professional Experience 2018 Instructor of Record for History, Literature, and Technology of Electronic Music; Workshop in Electronic Music. 2017-2018 Teaching Assistant for Laptop Music, Electronic Music; Music of the Beatles; Artificial Intelligence in Music; Advanced Music Theory; History of Rap and Hip Hop; Laptop Music; Psychophysics of Music; at UCSC, Santa Cruz, CA 2016 Administrator / Coordinator for the S.E.M. Ensemble, Brooklyn, NY 2014 Stage Manager for Littlefield Concert Hall, Mills College, Oakland, CA Major Teachers Composition with Larry Polansky (UCSC), David Dunn (UCSC), Zeena Parkins (Mills), James Fei (Mills), Chris Brown (Mills), Anthony Braxton (Wesleyan), Alvin Lucier (Wesleyan). Performance with Roscoe Mitchell (improvisation), William Winant (percussion), Pheeroan AkLaff (percussion), Tyshawn Sorey (percussion), Abraham Adzenyah (West African drumming), I.M. Harjito (Javanese Gamelan) Masterclass/workshop participation with Louis Andriessen, Martijn Padding, George Lewis, Nicolas Collins, Laurie Anderson, Pauline Oliveros, David Behrman..

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Lesbian and Gay Music
Revista Eletrônica de Musicologia Volume VII – Dezembro de 2002 Lesbian and Gay Music by Philip Brett and Elizabeth Wood the unexpurgated full-length original of the New Grove II article, edited by Carlos Palombini A record, in both historical documentation and biographical reclamation, of the struggles and sensi- bilities of homosexual people of the West that came out in their music, and of the [undoubted but unacknowledged] contribution of homosexual men and women to the music profession. In broader terms, a special perspective from which Western music of all kinds can be heard and critiqued. I. INTRODUCTION TO THE ORIGINAL VERSION 1 II. (HOMO)SEXUALIT Y AND MUSICALIT Y 2 III. MUSIC AND THE LESBIAN AND GAY MOVEMENT 7 IV. MUSICAL THEATRE, JAZZ AND POPULAR MUSIC 10 V. MUSIC AND THE AIDS/HIV CRISIS 13 VI. DEVELOPMENTS IN THE 1990S 14 VII. DIVAS AND DISCOS 16 VIII. ANTHROPOLOGY AND HISTORY 19 IX. ACKNOWLEDGEMENTS 24 X. EDITOR’S NOTES 24 XI. DISCOGRAPHY 25 XII. BIBLIOGRAPHY 25 I. INTRODUCTION TO THE ORIGINAL VERSION 1 What Grove printed under ‘Gay and Lesbian Music’ was not entirely what we intended, from the title on. Since we were allotted only two 2500 words and wrote almost five times as much, we inevitably expected cuts. These came not as we feared in the more theoretical sections, but in certain other tar- geted areas: names, popular music, and the role of women. Though some living musicians were allowed in, all those thought to be uncomfortable about their sexual orientation’s being known were excised, beginning with Boulez.
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