DW9: EP 4 'Before the Flood' by Toby Whithouse - PINK SCRIPT - XX/XX/15 1
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The Lie of the Land' by Toby Whithouse - TONE DRAFT - 22/11/16 1 PUBLIC INFORMATION FILM
DOCTOR WHO SERIES 10 EPISODE 8 "X" by Toby Whithouse TONE DRAFT (DRAFT TWO) 22/11/16 (SHOOTING BLOCK 6) DW10: EP 8 'The Lie of the Land' by Toby Whithouse - TONE DRAFT - 22/11/16 1 PUBLIC INFORMATION FILM. 1 Space. The sun rising over the peaceful blue Earth. VOICE OVER The Monks have been with us from the beginning. Primordial soup: a fish heaves itself from the swamp, its little fins work like pistons to drag itself up the bank, across the sandy earth. The most important and monumental struggle in the planet’s history. It bumps into the foot of a Monk, waiting for it. VOICE OVER (CONT’D) They shepherded humanity through its formative years, gently guiding and encouraging. Cave paintings: primitive man. Before them, what can only be a Monk. It holds a spear, presenting it to the tribe of men. VOICE OVER (CONT’D) Like a parent clapping their hands at a baby's first steps. Another cave painting: a herd of buffalo, pursued by the men, spears and arrows protruding from their hides. Above and to the right, watching, two Monks. Benign sentinels. VOICE OVER (CONT’D) They have been instrumental in all the advances of technology and culture. Photograph: Edison, holding a lightbulb. The arm and shoulder of a Monk next to him, creeping into the frame. VOICE OVER (CONT’D) They watched proudly as man invented the lightbulb, the telephone, the internet... Photograph: the iconic shot of Einstein halfway through writing the equation for the theory of relativity on a blackboard. -
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
HILLS to HAWKESBURY CLASSIFIEDS Support Your Local Community’S Businesses
September 18 - October 4 Volume 32 - Issue 19 THE HAWKESBURY RIVER BRIDGE is part of the Sydney Trains rail network. The bridge is a multi-span underbridge located at 58.46 km on the Main North Line. It was constructed around 1945, adjacent to the original 1889 structure which it replaced. The main river spans consist of a variety of steel through trusses with concrete land spans. The substructure consists of two abutments on shallow foundations and nine piers supported by caissons bedded into the river soil or rock. Underwater inspections are undertaken every six years as part of ST’s bridge management program. The most recent underwater inspection was in May MARK VINT Motorcycles 2013. Results identified significant deterioration Suitable for Wrecking on the top of the downstream reinforced concrete 9651 2182 cylinder of pier no 2, including concrete section loss Any Condition 270 New Line Road of up to 750mm in the zone directly underneath the Dural NSW 2158 Dirt, MX, Farm, 4x4 marrying slab. [email protected] ABN: 84 451 806 754 Wreckers Opening Soon Sydney Trains is reviewing its options to fix these WWW.DURALAUTO.COM 0428 266 040 issues. “Can you keep my dog from Gentle Dental Care For Your Whole Family. Sandstone getting out?” Two for the price of One Sales Check-up and Cleans Buy Direct From the Quarry Ph 9680 2400 When you mention this ad. Come & meet 432 Old Northern Rd vid 9652 1783 Call for a Booking Now! Dr Da Glenhaven Ager Handsplit Opposite Flower Power It’s time for your Spring Clean ! Random Flagging $55m2 113 Smallwood Rd Glenorie C & M AUTO’S Free ONE STOP SHOP battery Let us turn your tired car into a backup when you mention finely tuned “Road Runner” “We Certainly Can!” this ad ~ Rego Checks including Duel Fuel, LPG Inspections & Repairs BOUTIQUE FURNITURE AND GIFTS ~ New Car Servicing ~ All Fleet Servicing ~ All General Repairs (Cars, Trucks & 4WD) A. -
BBC 3 Final 18/7/06 14:02 Page 7
BBC 3 Final 18/7/06 14:02 Page 7 03 04 BBC 3 Final 18/7/06 14:02 Page 9 TORCHWOOD Torchwood follows the adventures of a team of investigators as they use alien technology to solve crimes, both alien and human. This new British sci-fi crime thriller, from Russell T Davies, follows the team as they delve into the unknown. They are fighting the impossible while keeping their everyday lives going back at home. The cast includes John Barrowman (Doctor Who) as the enigmatic Captain Jack Harkness, the ever-watchful heart of the team guarding against the fragility of humankind. Eve Myles (Doctor Who, Belonging) plays Gwen Cooper, initially an outsider whose first encounter with Torchwood sparks a burning curiosity to get to the truth and throws her into an unfamiliar but exciting world. Burn Gorman (Bleak House) plays the raw but charming medic, Owen Harper, and Naoko Mori (Absolutely Fabulous) is Toshiko Sato, the team member who specialises in all things technical. Torchwood is written by Russell T Davies and Chris Chibnall, with contributing writers including PJ Hammond,Toby Whithouse and Helen Raynor. A BBC production AF2 05 06 BBC 3 Final 18/7/06 14:02 Page 11 BODIES Tense, gripping, darkly humorous and scarily unsettling, the critically acclaimed Bodies, winner of the RTS Award for Best Drama Series, concludes with a 90-minute finale. Rob Lake’s (Max Beesley) life has changed beyond recognition since he fought to prevent patients coming to harm at the hands of his incompetent boss, Roger Hurley (Patrick Baladi). -
Beth Michael-Fox Thesis for Online
UNIVERSITY OF WINCHESTER Present and Accounted For: Making Sense of Death and the Dead in Late Postmodern Culture Bethan Phyllis Michael-Fox ORCID: 0000-0002-9617-2565 Doctor of Philosophy September 2019 This thesis has been completed as a requirement for a postgraduate research degree of the University of Winchester. DECLARATION AND COPYRIGHT STATEMENT No portion of the work referred to in the Thesis has been submitted in support of an application for another degree or qualification of this or any other university or other institute of learning. I confirm that this Thesis is entirely my own work. I confirm that no work previously submitted for credit has been reused verbatim. Any previously submitted work has been revised, developed and recontextualised relevant to the thesis. I confirm that no material of this thesis has been published in advance of its submission. I confirm that no third party proof-reading or editing has been used in this thesis. 1 Acknowledgments I would like to thank Professor Alec Charles for his steadfast support and consistent interest in and enthusiasm for my research. I would also like to thank him for being so supportive of my taking maternity leave and for letting me follow him to different institutions. I would like to thank Professor Marcus Leaning for his guidance and the time he has dedicated to me since I have been registered at the University of Winchester. I would also like to thank the University of Winchester’s postgraduate research team and in particular Helen Jones for supporting my transfer process, registration and studies. -
Impossible Worlds, Impossible Things
Impossible Worlds, Impossible Things Impossible Worlds, Impossible Things: Cultural Perspectives on Doctor Who, Torchwood and The Sarah Jane Adventures Edited by Ross P. Garner, Melissa Beattie and Una McCormack Impossible Worlds, Impossible Things: Cultural Perspectives on Doctor Who, Torchwood and The Sarah Jane Adventures, edited by Ross P. Garner, Melissa Beattie and Una McCormack This book first published 2010 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2010 by Ross P. Garner, Melissa Beattie and Una McCormack and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-1960-3, ISBN (13): 978-1-4438-1960-2 This work is lovingly dedicated to Alexandra Smith, who passed away suddenly in April 2009, and without whom none of this would be possible. Ars Longa Vita Brevis Amicitia Aeterna. TABLE OF CONTENTS Editors’ Acknowledgements....................................................................... ix Foreword .................................................................................................... xi Andrew Pixley Introduction Fifty Not Out: The Doctor’s Enduring Appeal........................................ xvii Ross -
A Portfolio of Thoughts, Analysis, Notes, Art, Etc
McNair 1 from Writing 135-01; Living in the Age of the Antihero a Portfolio of thoughts, analysis, notes, art, etc. Written, Edited, and Compiled by Eliza McNair McNair 2 Table of Contents: Table of Contents - page 1 Introduction - pages 2-3 Blog 1: A Hope in Hell – Setting the Scene - pages 4-5 Assignment 1: The Personification and Characterization of Hell - pages 5-11 Blog 2: Batman – Black, White, and Shades of Gray - pages 12-13 Blog 3: Tender Indifference - pages 13-15 Assignment 2: Analyzing The Outsider Using its Triangular Character Structure - pages 15-21 Blog 4: Time and Shadows, Forward and Backwards - pages 22-23 Blog 5: Speculation, Dystopia, and “The Dead Poets Society” - pages 23-24 Assignment 3: How Monsters can be more Human than Humans - pages 25-34 Zine: Triquetra - (Sheet Protector Insert) Conclusion - pages 35-37 Works Cited - page 38-39 “The way to create art is to burn and destroy ordinary concepts and to substitute them with new truths that run down from the top of the head and out of the heart.” — Charles Bukowski McNair 3 Introduction: Dear Reader, This collection of blog posts and essays documents my changing understanding of antiheroes as this semester progressed. When classes started this past September, my view of antiheroes was limited to reflections on my favorite Marvel characters and Disney’s infamous Captain Jack Sparrow. Reading through the syllabus, I thought that my favorite texts and media from the class would be Frank Miller’s Batman and Joss Whedon’s Buffy both because they were familiar and because they seemed to have obvious antiheroic characters. -
London Southend Airport... Hello Europe
Monday, March 26, 2012 The world’s most popular free newspaper Damon’s back with yet another project Just don’t call it a supergroup, even if that’s exactly what it»p33-34 is Cowell ‘face to face with armed raider’ A WOMAN will appear in court by TARIQ TAHIR detained by Cowell’s security today after Simon Cowell came staff. Nothing was thought to have face-to-face with an armed intruder ‘over-zealous fan’. One friend been stolen from the property. at his £7.5million mansion. added: ‘It was a frightening expe- Leanne Zaloumis, from Catford, An arrest was made on Saturday rience. Simon’s fine but shaken up south London, has been charged night after reports of a disturbance – because he didn’t expect some- with aggravated burglary – defined at the pop mogul’s house in west thing like that to happen.’ under the Theft Act as a break-in London. The incident happened shortly involving a gun, imitation gun, Officers who arrived at the prop- after the first episode of Cowell’s offensive weapon or explosives. erty – the former French ambass- new series of Britain’s Got Talent Cowell who is estimated to be ador’s residence in Holland Park was aired on ITV. worth as much as £300million, – found a woman had forced her The intruder was said to have splits his time between homes in way into the premises. got in through a downstairs win- London and Los Angeles. Sources close to Mr Cowell, 52, dow, after evading extensive secu- Shaken up: Simon Cowell said the intruder was probably an rity at the property. -
GOTHIC: the DARK HEART of FILM Season Launches on 21 October at BFI SOUTHBANK, London
GOTHIC: THE DARK HEART OF FILM Season Launches on 21 October at BFI SOUTHBANK, London Part 1: MONSTROUS & Part 2: THE DARK ARTS Featuring special guests Roger Corman, Dario Argento and George A Romero Plus previews and events with Sir Christopher Frayling, Charlie Brooker, Charlie Higson, Russell Tovey, Anthony Head, Benjamin Zephaniah, Mark Gatiss, John Das, Philip Saville and Sarah Karloff The BFI blockbuster project GOTHIC: THE DARK HEART OF FILM launches at BFI Southbank on Monday 21 October and runs until Friday 31 January 2014. With the longest running season ever held to celebrate GOTHIC, one of Britain’s biggest cultural exports. An interview with the legendary director Roger Corman (The Masque of the Red Death, 1964) on 25 October will be followed with a haunting Hallowe’en that will fill BFI screens with mummies and vampires – old and new. Exclusive Film and TV previews will feature on-stage interviews with cinema luminaries such as George A Romero (Night of the Living Dead, 1968) and Dario Argento (Suspiria, 1976), and Sonic Cinema music nights such as the UK premiere of the Roland S Howard (The Birthday Party, Crime and the City Solution) documentary Autoluminescent (2011), accompanied by a live performance from Savages and HTRK. There will be specially curated exhibitions in the Atrium and Mezzanine that offer the chance to view the original contracts for Peter Cushing and Sir Christopher Lee at Hammer and Truman Capote’s handwritten screenplay for The Innocents (1961), plus Mediatheque programmes from the BFI National Archive, horribly good Family Fundays, education events and panel discussions, while across the length and breadth of the UK, GOTHIC will thrill audiences with fantastic screenings and restored films, starting with Werner Herzog’s Nosferatu the Vampyre (1979) on 31 October. -
NVS 11-1-7 L-Lawrence.Pdf
Doctor Who and the Neo-Victorian Christmas Serial Tradition Lindsy Lawrence (University of Arkansas – Fort Smith, Arkansas, USA) Abstract: Christmas stories are a tradition in British serial literature, be it the annuals and special weekly and monthly magazines published in the nineteenth century or the Christmas- themed episodes of popular television serials today. Festival literature produces an ‘eerie’ sense of past, present, and future, and many of these productions evoke past traumas for narrative impact. For example, Christmas editions of Charles Dickens’s Household Words and All the Year Round provided readers with specially commissioned stories that explored past traumas in order to enable their characters to morally improve, to the betterment of themselves and society. The rebooted Doctor Who, in ‘The Next Doctor’ (2008), ‘A Christmas Carol’ (25 December 2010), and ‘The Snowmen’ (2012), has reinvented the Victorian Christmas serial both via narrative echoes and explicit use of neo-Victorian and steampunk visual designs. In so doing, these neo-Victorian TV specials critique some of the same social problems as Dickens did, commenting on greed and the concept of ‘Victorian values’ while also remediating the affective nature of Christmas stories to help people come to terms with past traumas. Keywords: All the Year Round, Christmas serials, Christmas specials, Russell T. Davies, Charles Dickens, Doctor Who, Household Words, Steven Moffat, Sherlock. ***** In the first new Doctor Who Christmas special, Rose Tyler (Billie Piper) explains to her much put-upon boyfriend, Mickey Smith (Noel Clarke), “You just forget about Christmas and things in the TARDIS. They don’t exist. You get sort of timeless” (Hawes and Davies 2005: 6:14-6:18). -
The Memory of Britain's Cold
The Memory of Britain’s Cold War: An Assessment of Cold War Memory in post-1989 British Film and Television Sarah Marshall (2016) Taught MA, History Supervisor: Dr Matthew Grant ii Contents Acknowledgments p. iii List of Abbreviations p. iv Introduction p. 1 Chapter One: A Bleak Britain p. 11 Chapter Two: Disillusionment Then and Now p. 32 Chapter Three: A Cold War Nostalgia p. 55 Conclusion p. 73 Bibliography p. 77 iii Acknowledgements I gratefully acknowledge the help of my supervisor in matters of style and substance, and would therefore like to thank Dr Matthew Grant for his guidance and support throughout the year, without which this project would not have been possible. iv List of Abbreviations MAD – Mutually Assured Destruction WMD – Weapons of Mass Destruction 1 Introduction Britain’s Cold War changed the face of politics and shaped the Britain we know today. Despite this, there is a limited understanding of the conflict, its impact and its legacy, which can only be wholly understood through an exploration of how the conflict is remembered. Cultural depictions of the Cold War reflect how the conflict is recalled in the modern world, yet also shape memories and understandings of the conflict, and these memories even continue to influence current affairs. The mediums of film and television provide a key insight into how the Cold War narrative is remembered, re-worked and re- circulated. This research will contribute to the study of Britain’s Cold War and also the emerging scholarship of Cold War memory. The Cold War witnessed the division of Europe, with East-West hostilities and competition dominating international politics. -
DW9: EP 3 'Under the Lake' by Toby Whithouse - PINK SCRIPT - XX/XX/15 1
DOCTOR WHO SERIES 9 EPISODE 3 "Ghost in the Machine" by Toby Whithouse SHOOTING SCRIPT (Draft 7) 19/12/2014 (SHOOTING BLOCK 1) (c) BBC Wales 2014 DW9: EP 3 'Under the Lake' by Toby Whithouse - PINK SCRIPT - XX/XX/15 1. 1 EXT. THE DRUM. NIGHT. 1 We’re looking at The Drum. An underwater base, maybe a mile in diameter. The cutting edge of sub-aquatic mining. BENNETT (O.C.) Shouldn’t there be a cockpit. Spaceships in films have cockpits. Caption: The Drum. Underwater mining facility. Caithness, Scotland. 2119. CUT TO: 2 INT. THE DRUM. HANGAR. NIGHT. 2 The grainy, flat eye of a security camera. Looking at a spaceship. Simple design; black, smooth, incongruous against the grimy iron of the Drum. Almost like a space hearse. Exactly like a space hearse, actually. MORAN (O.C.) I guess whoever designed it didn’t watch the same films as you. Cass, how did they miss this in the initial survey? We pan to the left, leaving the security camera screen, until we’re looking at the real thing. Water still running off the spaceship, pooling on the floor. The rear door of the spaceship is open. Lunn stood by, frustrated, wanting to get inside. He’s signing, translating to someone inside the ship. LUNN Cass says it was buried, but the currents of the water must have shifted the rubble around. CUT TO: 3 INT. THE DRUM. HANGAR/ INT. SPACE HEARSE. NIGHT. 3 Inside, crouched slightly in the cramped spaceship, is the crew of the Drum. It's pretty bare.