Mccormick Literary | London Book Fair | 2019

Total Page:16

File Type:pdf, Size:1020Kb

Mccormick Literary | London Book Fair | 2019 McCormick Literary | London Book Fair | 2019 2 FICTION RIVALS By Shannon Burke Yet another surprising turn for the extraordinarily talented and versatile writer of Black Flies and Into the Shadow Country. RIVALS is the story of the Brennan family of Chicago, as told by Willie Brennan, the second oldest son, a sensitive, stubborn dreamer who doesn’t quite fit in with the Brennan family ethos. In the Brennan home, “duties” (schoolwork, the newspaper route, and construction and carpentry work) and “pleasure” (concerts, family vacations, baseball games) are meted out to the children with equal intensity and zeal, punctuated by the occasional beat down and remorseful apology. This pressurized environment sets the Brennan kids apart from their rich classmates and neighbors, and it’s not surprising that the relationship between Willie and his older brother Coyle becomes the central focus of Willie’s teenage years. Coyle is Willie’s shadow self—his fiercest competitor, his only meaningful ally against their father, and the person whom Willie regards with as serious scrutiny as he does himself. RIVALS is a novel about what makes a family, about love and hatred, and about growing up and realizing you can’t ever separate yourself from the forces that shaped you. Shannon Burke is the author of Into the Savage Country, Black Flies, and Safelight. He lives in Knoxville, Tennessee. NA rights: Pantheon (Deborah Garrison) | Delivery April 2019; Publication TBD Foreign publishers of INTO THE SAVAGE COUNTRY: 10/18/France PERMANENT RECORD By Mary HK Choi YOUNG ADULT FICTION Making it in New York City is always a challenge—especially when you have no clue what to do with your life. After a year of college Pablo is working at his local 24-hour deli, selling overpriced snacks to brownstone yuppies. He’s dodging calls from the student loan office and desperately searching for his next move. Leanna Smart’s life so far has been nothing *but* success. Age 8, Disney Mouseketeer; Age 15, first Number One single on the US pop chart; Age 17, *tenth* Number One single; and now, at Age 19…it’s all starting to get a little old. Is the rest of life going to be this queasy blur of private planes, weird hotel rooms and strangers asking you for selfies on the street? Leanna and Pab were always going to be an odd couple. After they randomly meet at 4AM in the middle of a snowstorm in Brooklyn, they both know they can’t be together forever. So they keep things DL and off Instagram for as long as they can. Obviously it takes about three seconds before the world finds out—at which point everything goes pear-shaped. McCormick Literary | London Book Fair 2019 3 PERMANENT RECORD is a book about impossible love, but also about young people and ambition. About trying to leave your mark on the world. Because it’s a book by Mary H. K. Choi, we also know that it’s crackling with energy, unexpected insights, jokes, down-the-rabbit-hole digressions, detailed descriptions of junk food, and, at the end of the day, an almost ESP-level grasp of the inner worlds of her characters. Mary H.K. Choi is the author of EMERGENCY CONTACT and a writer for The New York Times, GQ, Wired, and The Atlantic. She has written comics for Marvel and DC, as well as a collection of essays called OH, NEVER MIND. She is the host of Hey, Cool Job!, a podcast about jobs, and is a culture correspondent for VICE News Tonight on HBO. Mary grew up in Hong Kong and Texas and now lives in New York. NA rights: Simon & Schuster Books for Young Readers (Zareen Jaffery) | Delivered; Publication September 3, 2019 Foreign publishers of EMERGENCY CONTACT: Gallimard Jeunesse/France, Urano/Spain, Intrinseca/Brazil, Zysk I Ska/Poland, AST/Russia, Albatros/Czech Republic NIMA By Adam Popescu NIMA is a lyrical debut novel about a young Sherpa woman living in the foothills of the Himalayas, a range so immense and a place so isolated it is hard to imagine anything existing beyond it. Nima is the eldest daughter in a poor farming family that has recently been beset by grief and tragedy. Her baby brother, Ang, was killed in an avalanche that also disabled her father. Nima is betrothed to Norbu, a local Sherpa, but Nima stuns both families by fleeing her home on the eve of their wedding and striking out on her own, in search of a new destiny. Disguised as a man, Nima seeks work and is hired by an American journalist to guide their small group up to Everest Base Camp. The journey is treacherous, and Nima challenges every restriction her culture places on her gender while balancing the duties of her new role as guide. Her journey is ultimately one of adventure, danger, self-discovery, and even love. Popescu –a journalist who has reported from Mount Everest for the BBC –brings to life the many contradictions of the region through Nima’s eyes: trails strewn with litter overlooking majestic views; Buddhist clarity marred by sexual oppression; and a tourism industry that fuels the local economy but also threatens to destroy it. Adam Popescu is a freelance journalist whose work has appeared in The New York Times, Vanity Fair, National Geographic, Conde Nast Traveler, Outside, The Guardian, and others. NA rights: Unnamed Press (Chris Heiser) | Delivered; Publication May 21, 2019 McCormick Literary | London Book Fair 2019 4 BARN 8 By Deb Olin Unferth From the author of the critically acclaimed Wait Till You See Me Dance comes an off-kilter heist story about a group of animal rights activists and their plot to liberate one million chickens from an industrial chicken farm. Without much of a plan, teenaged Janey leaves New York City in search of her biological father in Iowa, and then learns by phone that her mother has died. Having no choice, she stays in rural Iowa, enrolls in school, and eventually becomes an auditor for chicken farms. Janey and her mentor, Cleveland, start smuggling out distressed chickens that they encounter on their audits. They find a co-conspirator in Dill, an animal rights activist who lives on a farm with his banker husband. Janey, Cleveland and Dill get the idea to plan a massive “depopulation” of an entire hen farm. A million hens. The scheme gains traction and a plan takes shape: 120 animal rights investigators, each bringing a couple of helpers, will load the million or so chickens onto 60 trucks, to take them to animal sanctuaries all over the United States. The plan works perfectly, until it all goes horribly wrong...at Barn 8. Deb Olin Unferth is the author of the story collections Wait Till You See Me Dance and Minor Robberies, the novel Vacation, and the memoir Revolution: The Year I Fell in Love and Went to Join the War, which was a finalist for a 2012 National Book Critics Circle Award. Her work has appeared in Granta, Harper’s, McSweeney’s, NOON, the Paris Review, and Tin House. She lives in Austin, Texas. NA rights: Graywolf (Ethan Nosowsky) | Delivery April 2019; Publication March 3, 2020 McCormick Literary | London Book Fair 2019 5 NONFICTION ARE WE THERE YET? The American Automobile Past, Present, and Driverless By Dan Albert In recent years, tech companies have been teaching robots to drive. Those who would sell us self- driving cars promise that they will reduce pollution, eliminate traffic, and prevent countless injuries and deaths. But even if robots turn into responsible drivers, are we ready to become a nation of passengers? In ARE WE THERE YET? Dan Albert combines historical scholarship and personal narrative to explore how car culture has suffused America’s DNA. It was the plain, old-fashioned, human-driven car that built the American economy, won our wars, and shaped our democratic creed as it moved us about. Drivers’ ed made teenagers into citizens; auto repair made boys into men. Are We There Yet? takes us from muddy tracks to superhighways, from horseless buggies to driverless electric vehicles. Like any good road trip, it’s an adventure so fun you don’t even notice how much you’ve learned along the way. Dan Albert holds a PhD in history from the University of Michigan. He writes about the past, present, and future of cars for n + 1 magazine. NA rights: W.W. Norton (Brendan Curry) | Delivered; Publication June 2019 EVERYDAY STRONG: Six Principles to Build Everyday Resilience By Samantha Boardman, M.D. Most of us can cope with a major life crisis with some combination of internal fortitude and outside support. We have capital-r Resilience, a word now so broadly applied as to be nearly meaningless. But what’s harder for most of us to deal with are the everyday challenges, like the competing demands of our families and bosses, conflicts with friends, and routine losses and disappointments. In this energizing, inspiring and practical book, Dr. Boardman shows us how to build and fortify our everyday resilience. Rather than a strict regimen, she offers a toolbox of fresh strategies that challenge our routine responses to stress, expand our emotional vocabulary, and lead to greater happiness and well-being. Samantha Boardman is a Clinical Instructor in Psychiatry and Assistant Attending Psychiatrist at Weill-Cornell Medical College in New York City. A graduate of Harvard and Cornell University Medical College, she has a master’s degree in Applied Positive Psychology from the University of Pennsylvania. She is the founder of PositivePrescription.com. NA rights: Viking (Rick Kot) | Delivery June 2019; Publication TBD UK rights: Penguin Life McCormick Literary | London Book Fair 2019 6 SICK FOR A NEWER GHOST: The Untold Story of the Federal Writers’ Project by Scott Borchert When Franklin Roosevelt signed the Federal Writers’ Project into existence on July 27, 1935, nothing quite like it had been attempted in any nation.
Recommended publications
  • Freedom.” One Could Certainly Quarrel with Wallace’S Characterization of 1960S Postmodernism
    Daniel Green Table of Contents Definitions (1) Postmodern Confusions David Foster Wallace (5) Jonathan Lethem (14) George Saunders (17) Sergio de la Pava (23) Evan Dara (26) Sources of the New—Sentences Gary Lutz (33) Diane Williams (37) Dawn Raffel (41) Melanie Rae Thon (45) Blind Alleys Perils of the Apocalypse Ben Marcus (49) Conceptual Schemes Davis Schneiderman, Mark Danielewski (53) Postmodernism on Steroids Daniel James (60) Supersize It Joshua Cohen (63) Jim Gauer (68) Twice-Told Tales John Keene (71) Gabriel Blackwell (76) Dynamics of the Page Steve Tomasula (79) Zachary Thomas Dodson (84) Shelley Jackson (87) Michael Joyce (91) 1 DEFINITIONS In Art as Experience, the philosopher John Dewey describes a cycle in art and literary history whereby works initially thought to be too radically experimental ultimately are accepted as “classics” that themselves become objects of imitation: [T]he fruits of the new procedure are absorbed; they are naturalized and effect certain modifications of the old tradition. This period establishes the new aims and hence the new techniques as having “classic” validity, and is accompanied with a prestige that holds over into subsequent periods. Dewey’s notion that “new procedures” create “certain modifications of the old tradition” is strongly reminiscent of T.S. Eliot’s argument in “Tradition and the Individual Talent” that “existing monuments” form an ideal order among themselves, which is modified by the introduction of the new (the really new) work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.
    [Show full text]
  • Daniel Green
    Daniel Green Table of Contents Definitions Postmodern Confusions David Foster Wallace Jonathan Lethem George Saunders Sergio de la Pava Sources of the New—Sentences Gary Lutz Diane Williams Dawn Raffel Melanie Rae Thon Blind Alleys Perils of the Apocalypse Ben Marcus Conceptual Schemes Davis Schneiderman, Mark Danielewski Supersize It Joshua Cohen Jim Gauer Twice-Told Tales John Keene Gabriel Blackwell Dynamics of the Page Steve Tomasula Shelley Jackson Michael Joyce 1 DEFINITIONS In Art as Experience, the philosopher John Dewey describes a cycle in art and literary history whereby works initially thought to be too radically experimental ultimately are accepted as “classics” that themselves become objects of imitation: [T]he fruits of the new procedure are absorbed; they are naturalized and effect certain modifications of the old tradition. This period establishes the new aims and hence the new techniques as having “classic” validity, and is accompanied with a prestige that holds over into subsequent periods. Dewey’s notion that “new procedures” create “certain modifications of the old tradition” is strongly reminiscent of T.S. Eliot’s argument in “Tradition and the Individual Talent” that “existing monuments” form an ideal order among themselves, which is modified by the introduction of the new (the really new) work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.
    [Show full text]
  • Literature and the Public Sphere in the Internet Age Daniel James South
    Literature and the Public Sphere in the Internet Age Daniel James South PhD University of York English March 2019 Abstract This thesis explores the relationship between literature and the public sphere in the internet age. The introduction identifies gaps on these three topics in current academic work, and outlines the need for clarification of the links between them. The chapters go on to explicate these links with reference to the work of four contemporary authors, namely Jonathan Franzen, Dave Eggers, Zadie Smith, and David Foster Wallace. In their writing, these authors all identify different challenges to the public sphere in the internet age and, in response, ‘model’ alternative modes of being in the public sphere. These modes of being emerge from the particular formal affordances of literature, and are described here as forms of ‘literary publicness.’ The thesis situates these authors on a spectrum of discursive agency, ranging from a view of the public sphere in which writers are seen as authoritative, to a view in which reading processes are prioritised. Each chapter also addresses how these authors have themselves been considered as figures in the public sphere. As such, the story that this thesis tells both helps to clarify the role that culture plays in the public sphere, and reveals the concept of the public sphere itself as a key locus of the relationship between contemporary literature and the internet. 2 List of Contents Abstract ......................................................................................................................
    [Show full text]
  • Experimental Fiction Now
    EXPERIMENTAL FICTION NOW Daniel Green Table of Contents Definitions 1 Postmodern Confusions David Foster Wallace 6 Jonathan Lethem 15 George Saunders 18 Sergio de la Pava 24 Sources of the New—Sentences Gary Lutz 27 Diane Williams 30 Dawn Raffel 35 Melanie Rae Thon 39 Blind Alleys Perils of the Apocalypse Matthew Sharpe, Steve Erickson 43 Ben Marcus 46 Conceptual Schemes: Davis Schneiderman, Mark Danielewski 50 Supersize It (Joshua Cohen) 57 Twice-Told Tales John Keene 62 Gabriel Blackwell 67 Dynamics of the Page (Steve Tomasula) 70 1 DEFINITIONS In Art as Experience, the philosopher John Dewey describes a cycle in art and literary history whereby works initially thought to be too radically experimental ultimately are accepted as “classics” that themselves become objects of imitation: [T]he fruits of the new procedure are absorbed; they are naturalized and effect certain modifications of the old tradition. This period establishes the new aims and hence the new techniques as having “classic” validity, and is accompanied with a prestige that holds over into subsequent periods. Dewey’s notion that “new procedures” create “certain modifications of the old tradition” is strongly reminiscent of T.S. Eliot’s argument in “Tradition and the Individual Talent” that “existing monuments” form an ideal order among themselves, which is modified by the introduction of the new (the really new) work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.
    [Show full text]
  • Talking Book Topics May-June 2016
    Talking Book Topics May–June 2016 Volume 82, Number 3 About Talking Book Topics Talking Book Topics is published bimonthly in audio, large-print, and online formats and distributed at no cost to participants in the Library of Congress reading program for people who are blind or have a physical disability. An abridged version is distributed in braille. This periodical lists digital talking books and magazines available through a network of cooperating libraries and carries news of developments and activities in services to people who are blind, visually impaired, or cannot read standard print material because of an organic physical disability. The annotated list in this issue is limited to titles recently added to the national collection, which contains thousands of fiction and nonfiction titles, including bestsellers, classics, biographies, romance novels, mysteries, and how-to guides. Some books in Spanish are also available. To explore the wide range of books in the national collection, visit the NLS Union Catalog online at www.loc.gov/nls or contact your local cooperating library. Talking Book Topics is also available in large print from your local cooperating library and in downloadable audio files on the NLS Braille and Audio Reading Download (BARD) site at https://nlsbard.loc.gov. An abridged version is available to subscribers of Braille Book Review. Library of Congress, Washington 2016 Catalog Card Number 60-46157 ISSN 0039-9183 About BARD Most books and magazines listed in Talking Book Topics are available to eligible readers for download. To use BARD, contact your cooperating library or visit https://nlsbard.loc.gov for more information.
    [Show full text]
  • Novel Experiences: on Page, in Ear, on Screen
    Novel Experiences: On Page, In Ear, On Screen Tim Gorichanaz1 1Drexel University Abstract This study examines the experience of literary reading as an example of document work. It launches from the insight that books are mediated through technology, and all technology presents affordances. When a book is remediated, how do the affordances of the remediated technology change the reader’s experience with the book? Using analytical perspectives from phenomenology and semiotics, this study examined reader reviews of Ulysses and Infinite Jest in three formats: hardcover, audiobook and Kindle. Findings suggest that, while immersive experiences occur with both novels across all formats, reviewers of the hardcover books demonstrated deeper experiences with the novels, while reviewers of other formats demonstrated sensitivity to issues in the remediation process. Keywords: reading; phenomenology; remediation; affordance; product reviews doi: 10.9776/16124 Copyright: Copyright is held by the authors. Acknowledgements: The author is grateful to Dr. Denise Agosto for her helpful feedback and guidance. Contact: [email protected] The object we call a book is not the real book, but its potential, like a musical score or seed. It exists fully only in the act of being read; and its real home is inside the head of the reader, where the symphony resounds, the seed germinates. — Rebecca Solnit, The Faraway Nearby, 2014 1 Introduction Literary reading is increasingly of interest to information science researchers. Perhaps first, Ross (1999) described pleasure reading as a way of encountering information. More recently, Colatrella (2015) described the novel as a form of socio-historical information system, and Lundh and Dolatkhah established the act of reading as a dialogic, meaning-making act of document work rather than one of cognitive reception.
    [Show full text]
  • Beyond D.F. Wallace: Internet-Conscious Literature in the 2010S
    Master’s Degree Programme in Language Sciences Second Cycle (D.M. 270/2004) Final Thesis Beyond D.F. Wallace: Internet-Conscious Literature in the 2010s Supervisor Prof. Pia Masiero Assistant Supervisor Prof. Simone Francescato Graduand Alberto Bombarelli 842264 Academic Year 2017/18 1 CONTENTS Abstract………………………………………………………………………………………………………………………….……3 Introduction……………………………………………………………………………………………………………………..….4 1. Ask who David Foster Wallace was…………………………………………………………………………………..9 2. Looking Back or Not……………………………………………………………………………………………………....16 3. Becoming the New: Serious Electro Literature?................................................................31 4. Problematizing the New: Some Internet-Related Literature by Young New Authors………46 5. Exasperating the New: Internet Excursions by Older Authors…………………………………………70 Conclusion………………………………………………………………………………………………………………………...92 Primary works cited…………………………………………………………………………………………………….…….95 Secondary works cited………………………………………………………………………………………………..…….97 2 ABSTRACT David Foster Wallace saw the progressive cultural hegemony of television as detrimental both socially and artistically for human society, and called for a crucial overcoming of the values and aesthetics of high post-modernism which had failed, having been swallowed, assimilated and nullified by that very televisual world they sought in some way to criticize; most of all, irony, a sort of great invalidator of any criticism. Wallace believed the only solution was a return to a new sincerity – the artist as transparent, frail,
    [Show full text]
  • Picador September 2014
    PICADOR SEPTEMBER 2014 PAPERBACK ORIGINAL The Roommates True Tales of Friendship, Rivalry, Romance, and Disturbingly Close Quarters Stephanie Wu; Series Editor Hanya Yanagihara THE SECOND ENTRY OF PICADOR TRUE TALES: ONE OF LIFE’S TRICKIEST RIGHTS OF PASSAGE COLLECTED INTO AN UNFORGETTABLE VOLUME OF STORIES The fraught relationship between roommates is a true cultural obsession. Shows like Friends, The Golden Girls, The Odd Couple, and New Girl have held us HUMOR / FORM / ESSAYS rapt for decades, simultaneously delighting and disconcerting us with their Picador | 9/2/2014 depictions of mismatched couples’ cringe­worthy awkwardness and against­all­ 9781250051455 | $16.00 / $18.50 Can. odds friendship. Maybe it’s that uniquely unnatural experience of living with a Paperback / softback | 288 pages | Carton Qty: 20 total stranger that ignites our curiosity, or just that almost all of us, for better or 5.500 in W | 8.250 in H | 1.000 lb Wt worse, have had one of our own. Subrights: 1st ser., 2nd ser., Brit., trans., dram.: Picador In The Roommates, people of all ages reveal their disastrous, hilarious, and sometimes moving stories of making their best friend for life or lifelong nemesis. Other Available Formats: Ebook ISBN: 9781250051462 Learn what it’s like to share a room in places as unusual as a thirty­person beach house, a billionaire’s yacht, a reality show mansion, and a retirement hotel, and MARKETING those as familiar as sleepaway camps, boarding schools, and college dorms. Put • National Advertising down your roommate’s dirty dishes and passive­agressive Post­its for this eye­ • National Review Coverage opening glimpse into how people live together in the modern age.
    [Show full text]
  • Fitzcarraldo Editions
    2018 Fitzcarraldo Editions RIVER by ESTHER KINSKY — Fiction (FA/FYT) / World English — Published 17 January 2018 Flapped paperback, 368 pages, £12.99 ISBN 978-1-910695-29-6 | Ebook also available Translated from German by Iain Galbraith — Originally published by Matthes & Seitz (Germany) Rights sold: Gallimard (France), Biuro Literackie (Poland), Transit Books (North America) ‘After many years I had excised myself from the life I had led in town, just as one might cut a figure out of a landscape or group photo. Abashed by the harm I had wreaked on the picture left behind, and unsure where the cut-out might end up next, I lived a provisional existence. I did so in a place where I knew none of my neighbours, where the street names, views, smells and faces were all unfamiliar to me, in a cheaply appointed flat where I would be able to lay my life aside for a while.’ A woman moves to a London suburb, near the River Lea, without knowing quite why or how long for. She goes on long, solitary, walks during which she observes and describes her surroundings, an ode to nature and abandoned places that is both luminous and menacing. During the course of these wanderings she is drawn into reminiscences of the different rivers she has encountered over the various stages of her life, from the Rhine, her childhood river, to the Saint Lawrence, the Ganges, and an almost desiccated stream in Tel-Aviv. Written in language that is as precise as it is limpid, River is a masterful novel, full of poignant images and poetic observations, which cements Esther Kinsky’s reputation as one of the leading prose stylists of our time.
    [Show full text]
  • Metafiction and the Maximalist Tradition in Contemporary American Literary History
    BURNS, DANIEL WARREN, Ph.D. Exceptional Scale: Metafiction and the Maximalist Tradition in Contemporary American Literary History. (2015) Directed by Dr. Christian Moraru. 305 pp. This dissertation reexamines the narrative practice of self-reflexivity through the lens of aesthetic size to advance a new approach to reading long-form novels of the late twentieth and early twenty-first centuries. Whereas previous scholarship on the maximalist tradition relies on the totalizing rhetorics of endlessness, exhaustion, encyclopedism, and excess, I interpret the form’s reflexive awareness of its own enlarged scale as a uniquely narrative “knowledge work” that mediates the reader’s experience of information-rich texts. Thus, my narrative and network theory-informed approach effectively challenges the analytical modes of prominent genre theories such as the Mega-Novel, encyclopedic narrative, the systems novel, and modern epic to propose a critical reading method that recovers the extra-literary discourses through which scalarity is framed. Following this logic, each chapter historicizes prior theories of literary scale in postwar U.S. fiction toward redefining cross-national differences that vary across the boundaries of class, race, ethnicity, religion, gender, and sexuality. Chapter two addresses the scholarly discourse of encyclopedism surrounding the Mega-Novels of Thomas Pynchon and Joseph McElroy. Posing an ethical challenge to popular critiques of metafictional aesthetics, both authors, I argue, contest one of the critical orthodoxies of
    [Show full text]