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Connecticut College Alumni Magazine, Fall 1974 Connecticut College
Connecticut College Digital Commons @ Connecticut College Linda Lear Center for Special Collections & Alumni News Archives Fall 1974 Connecticut College Alumni Magazine, Fall 1974 Connecticut College Follow this and additional works at: http://digitalcommons.conncoll.edu/alumnews Recommended Citation Connecticut College, "Connecticut College Alumni Magazine, Fall 1974" (1974). Alumni News. Paper 188. http://digitalcommons.conncoll.edu/alumnews/188 This Magazine is brought to you for free and open access by the Linda Lear Center for Special Collections & Archives at Digital Commons @ Connecticut College. It has been accepted for inclusion in Alumni News by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. .. .,..... ... ' ... .,-..... '"' .. .~. ' . ..... .' " ~.. - .,- ~il -,'; .. .- - • , -; " ... Connecticut College Alumni Magazine VOLUME 51, NUMBER 4, FALL 1974 The Ames Way: Introducing Our New President by Allen Carroll '73 2 At Home With Power Helen F. Mulvey 7 Home: Love Is All You Need David Case II History in Your Own Backyard: A Study of Homes Carol Broggini Catlin '60 12 The House You Call Home Sarah W. Wing '53 14 Homes For Sale-Real Estate, Everyone's Career Lotta Hess Ackerman '28 17 Sharing the Experience Katherine Meili Anderton '40 18 ROUND&ABOUT 22 In the Mailbox 25 What Do the Following Occupations Have in Common? 25 Class Notes Marion Vibert Clark '24 28 List of Class Correspondents 44 COVER: Rita Daly M.A. '71 PHOTOGRAPHS AND ILLUSTRATIONS: pp. 1,2 Constance Avery-Clark '75: pp. 3, 4, 5, 6 the Oakes Ames family: pp. [4, 15 Rita Daly '71: p. -
25 YEARS of JHE LONDON CALYPSO TENT
25 YEARS OfJ HE LONDON CALYPSOTENT Calypso in London 25 YEARS OF THE LONDON CALYPSO TENT by STEPHEN SPARK With a historical introduction by John Cowley Trafton Publishing On behalf of the Association of Calypsonians UK Calypso in London 25 years of the London Calypso Tent ISBN 978 0 947890 09 4 © 2017 Trafton Publishing and the Association of Calypsonians UK The Association of Calypsonians UK (ACUK) The Yaa Centre, 1 Chippenham Mews, London W9 2AN Web: www.acukheritage.co.uk Email: [email protected] All rights reserved. No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any mean, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. Short passages only may be quoted for the purpose of review. For permission to quote or reproduce longer extracts, please apply in writing to the copyright-holders via the ACUK addresses above. The publication of this book was made possible by the generous support of the Heritage Lottery Fund, the Westway Trust and Carnival Village. ON OF TI C IA A C L Y O P S LONDON S S O A CALYPSO N • I TENT A K N U S C A U • K ACUK Logo.indd 1 11/10/2017 09:54:56 Designed by Phil McAllister Design Printed and bound in Great Britain by Berforts Contents Preface ............................................................................................................................ iv Acknowledgements ..................................................................................................... -
The Music of Relationality in the Cinema of Claire Denis
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Concert and disconcertion: the music of relationality in the cinema of Claire Denis https://eprints.bbk.ac.uk/id/eprint/40453/ Version: Full Version Citation: Brown, Geoffrey (2019) Concert and disconcertion: the music of relationality in the cinema of Claire Denis. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 Concert and Disconcertion : the music of relationality in the cinema of Claire Denis Geoffrey Brown Thesis submitted for the degree of PhD in French 2019 Department of European Cultures and Languages Birkbeck, University of London 2 Declaration I declare that the work presented in this thesis is my own, and that this thesis is the one on which I expect to be examined. Geoffrey Brown 3 This thesis is dedicated to Agnès Calatayud, an inspirational teacher, who reconnected me to French cinema after a long carence, and who, crucially, first introduced me to the films of Claire Denis. 4 Abstract This thesis argues that the interest which the films of Claire Denis display in the ever-shifting modes of relations between people is illustrated through analysis of how music is used throughout her corpus of feature films. Denis draws on an extremely eclectic palette of musical styles, and the thesis proposes that these varying musical modalities are central to her treatment of relational issues, as are the ways in which she deploys her chosen musical selections. -
Tony Chin Earl Zero Derrick Lara Papa Michigan Johnny Dread Anthony John Fully Fulwood Mellow Movement Iriemag.Com
DEC 2015 CA 01.04 T R A X ROOTS / ROCK / REGGAE / RESPECT featuring HOUSE OF SHEM ARMY RAS D Z-MAN TONY CHIN EARL ZERO DERRICK LARA PAPA MICHIGAN JOHNNY DREAD ANTHONY JOHN FULLY FULWOOD MELLOW MOVEMENT IRIEMAG.COM CA ISSUE #01.04 / DECEMBER 2015 “ If you haven’t confidence in self, you are twice defeated in the race of life. With confidence, you have won even before you have started.” - Marcus Garvey Nicholas ‘Nico’ Da Silva Founder/Publisher & Editor in Chief IRIEMAG.COM MERCH. The Official ‘Rockers’ Tee from Irie Magazine Available in T-Shirts & Hoodies for Men/Women Two styles to choose from: Jamaica or Ethiopia IRIEMAG.COM House of Shem Derrick Lara Papa Michigan Ras D New Zealand Jamaica Jamaica Jamaica Army Fully Fulwood Tony Chin Johnny Dread U.S. Virgin Islands Jamaica Jamaica United States Earl Zero Anthony John Mellow Movement Z-Man United States Jamaica United States United States NZL HOUSE OF SHEM IRIEMAG.COM REGGAE HOUSE OF SHEM House Of Shem is an Aotearoa (New Zealand) based harmony trio comprised of Carl Perkins and his FOLLOW two sons, Te Omeka Perkins and Isaiah Perkins, who are each multi-instrumentalist and producers. House of Shem Formed 2005 in the rural area of Whanganui, the band embodies elements of roots reggae, pacific reggae and traditional maori music with relatable song-writing that connects powerfully with not only New Zealand and Australia audiences, but reggae listeners globally attracting fans from all Featured Album areas of the world. Since bursting onto the music scene with their debut album ‘Keep Rising’ in 2008, House of Shem has released three very successful Albums and built a rapidly growing loyal fan base. -
Hot Chocolate
Chart - History Singles All chart-entries in the Top 100 Peak:3 Peak:1 Peak: 3 Germany / United Kindom / U S A Hot Chocolate No. of Titles Positions Hot Chocolate are a British soul band popular Peak Tot. T10 #1 Tot. T10 #1 during the 1970s and 1980s, formed by Errol 3 28 5 -- 349 25 -- Brown and Tony Wilson. The act had at least 1 36 14 1 297 54 3 one hit every year from 1970 to 1984, and their 3 8 3 -- 94 14 -- 1975 song "You Sexy Thing" made the Top 10 in three decades. 1 40 15 1 740 93 3 ber_covers_singles Germany U K U S A Singles compiled by Volker Doerken Date Peak WoC T10 Date Peak WoC T10 Date Peak WoC T10 1 Love Is Life 08/1970 6 12 3 2 You Could Have Been A Lady 03/1971 22 9 3 I Believe (In Love) 08/1971 8 11 4 4 You'll Always Be A Friend 10/1972 23 8 5 Brother Louie 04/1973 7 10 4 6 Rumours 08/1973 44 3 7 Emma 05/1974 19 13 03/1974 3 10 5202/1975 8 14 8 Disco Queen 10/1974 48 1 05/1975 11 7 05/1975 28 11 9 Cheri Baby 11/1974 31 9 10 A Child's Prayer 08/1975 7 10 4 11 You Sexy Thing 01/1976 8 24 2811/1975 2 17 11/1975 3 21 8 12 Don't Stop It Now 05/1976 18 10 03/1976 11 8 04/1976 42 6 13 Man To Man 08/1976 13 14 06/1976 14 8 14 Heaven Is In The Back Seat Of My Cadillac 10/1976 28 10 08/1976 25 8 15 So You Win Again 07/1977 6 29 7706/1977 1 3 12 07/1977 31 11 16 Put Your Love In Me 12/1977 7 19 1211/1977 10 9 17 Every 1's A Winner 03/1978 16 26 03/1978 12 11 11/1978 6 18 4 18 I'll Put You Together Again 04/1979 15 11 12/1978 13 11 19 Mindless Boogie 06/1979 48 1 05/1979 46 5 20 Going Through The Motions 10/1979 43 5 07/1979 -
Tarrus Riley “I Have to Surprise You
MAGAZINE #18 - April 2012 Busy Signal Clinton Fearon Chantelle Ernandez Truckback Records Fashion Records Pablo Moses Kayla Bliss Sugar Minott Jah Sun Reggae Month Man Free Tarrus Riley “I have to surprise you. The minute I stop surprising you we have a problem” 1/ NEWS 102 EDITORIAL by Erik Magni 2/ INTERVIEWS • Chantelle Ernandez 16 Michael Rose in Portland • Clinton Fearon 22 • Fashion Records 30 104 • Pablo Moses 36 • Truckback Records 42 • Busy Signal 48 • Kayla Bliss 54 Sizzla in Hasparren SUMMARY • Jah Sun 58 • Tarrus Riley 62 106 3/ REVIEWS • Ital Horns Meets Bush Chemists - History, Mystery, Destiny... 68 • Clinton Fearon - Heart and Soul 69 Ras Daniel Ray, Tu Shung • 149 Records #1 70 Peng and Friends in Paris • Sizzla In Gambia 70 Is unplugged the next big thing in reggae? 108 • The Bristol Reggae Explosion 3: The 80s Part 2 71 • Man Free 72 In 1989 MTV aired the first episode of the series MTV Unplugged, a TV show • Tetrack - Unfinished Business 73 where popular artists made new versions of their own more familiar electron- • Jah Golden Throne 74 Anthony Joseph, Horace ic material using only acoustic instrumentation. It became a huge success • Ras Daniel Ray and Tu Shung Peng - Ray Of Light 75 Andy and Raggasonic at and artists and groups such as Eric Clapton, Paul McCartney and Nirvana per- • Peter Spence - I’ll Fly Away 76 Chorus Festival 2012 formed on the show, and about 30 unplugged albums were also released. • Busy Signal - Reggae Music Again 77 • Rod Taylor, Bob Wasa and Positive Roots Band - Original Roots 78 • Cos I’m Black Riddim 79 110 Doing acoustic versions of already recorded electronic material has also been • Tarrus Riley - Mecoustic 80 popular in reggae music. -
Rita Marley Thrills Fans in Europe
A Quarterly Foundation Newsletter Harambe is an African word which means “working together.” It is also the foundation’s slogan and name of one of Mrs. Rita Marley’s most popular tunes. Available through our website quarterly, this newsletter will be a vital vehicle to inform you of our foundation’s endeavors, events and accomplishments; importantly, we eagerly anticipate “working together” with you, through your contributions and feedback. So with One Love we could nurture Harambe into a constructive newsletter. Editor: Rosemary Duncan Rita Marley Thrills Fans in Europe he Queen of Reggae, Rita Marley, recently tore up the stage at the Novegro Summer Festival in Milan, Italy and the Metarock Festival in September – November 2008 T Pisa, Spain. Inside this issue: Rita Marley Thrills Fans in Europe 1–2 Royal Rita’s Birthday Celebration 2–3 On both warm July nights, Rita Marley mesmerized thousands of fans who converged at both venues. Backed up by C-Sharp band and percussionist Bong Herman, Rita erupted into hypnotic song and dance. The audience was in awe as she belted out a string of songs from her own and husband Bob Marley’s repertoire of hit tunes. While her back-up dancers Naudiann and Rosemary captivated the crowd with their moves. Fans in Spain received a memorable treat as two of Bob Marley’s “Three Little (continued on next page) "The Natural way Harambe / The African way Harambe / Don't feel no way Harambe / A so Jah Jah say Harambe" — Rita Marley “working together” September – November, 2008 2 (continued from previous page) Birds,” Marcia Griffiths and Rita Marley magnetized them with commanding performances. -
Connecticut College Alumni Magazine, Fall 1974
Connecticut College Digital Commons @ Connecticut College Linda Lear Center for Special Collections & Alumni News Archives Fall 1974 Connecticut College Alumni Magazine, Fall 1974 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/alumnews Recommended Citation Connecticut College, "Connecticut College Alumni Magazine, Fall 1974" (1974). Alumni News. 188. https://digitalcommons.conncoll.edu/alumnews/188 This Magazine is brought to you for free and open access by the Linda Lear Center for Special Collections & Archives at Digital Commons @ Connecticut College. It has been accepted for inclusion in Alumni News by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. .. .,..... ... ' ... .,-..... '"' .. .~. ' . ..... .' " ~.. - .,- ~il -,'; .. .- - • , -; " ... Connecticut College Alumni Magazine VOLUME 51, NUMBER 4, FALL 1974 The Ames Way: Introducing Our New President by Allen Carroll '73 2 At Home With Power Helen F. Mulvey 7 Home: Love Is All You Need David Case II History in Your Own Backyard: A Study of Homes Carol Broggini Catlin '60 12 The House You Call Home Sarah W. Wing '53 14 Homes For Sale-Real Estate, Everyone's Career Lotta Hess Ackerman '28 17 Sharing the Experience Katherine Meili Anderton '40 18 ROUND&ABOUT 22 In the Mailbox 25 What Do the Following Occupations Have in Common? 25 Class Notes Marion Vibert Clark '24 28 List of Class Correspondents 44 COVER: Rita Daly M.A. '71 PHOTOGRAPHS AND ILLUSTRATIONS: pp. 1,2 Constance Avery-Clark '75: pp. 3, 4, 5, 6 the Oakes Ames family: pp. [4, 15 Rita Daly '71: p. -
Love & Tragedy Songbook
This event was a collaboration of Bozeman Ukulele Cabaret + WILD JOES! For more uke stuff, check bozemanukes.wordpress.com or find Bozeman Ukulele Cabaret on facebook. Popularized by Johnny Cash and co-written by Ring of Fire (Carter/Kilgore) June Carter Cash and Merle Kilgore, the single appears on Cash’s 1963 album, Ring of Fire: The Best of Johnny Cash. Intro: [G] [C] [G] x 4 G C G [G] Love is a [C] burning [G] thing And it [G] Makes a [C] fiery[G] ring [G] Bound by [C] wild [G] desire [G] I fell into a [C] ring of [G] fire CHORUS: (Repeat 2x) D C G [D] I fell into a [C] burning ring of [G] fire, I went [D] Down, down, down and the [C] flames went[G] higher And it [G] burns, burns, burns, The [C] ring of [G] fire, the[D] ring of [G] fire (repeat chorus 2x) Transition [G] [C] [G] x 4 G C G The [G] taste of [C] love is [G] sweet When [G] hearts like [C] ours [G] meet [G] I fell for you [C] like a [G] child [G] Oh, but the [C] fire went[G] wild CHORUS Not Fade Away (Hardin/Petty) Credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty, “Not Fade Away” was first recorded by The Crickets on May 27, 1957. The song’s rhythm pattern is a variant of the Bo Diddley beat (with the second stress occurring on the second, GCG rather than third beat of the first measure). -
Treasure the Nuttiness Introduction Art and Music Critic Kevin Le Gendre
Treasure the Nuttiness Introduction Art and music critic Kevin Le Gendre discusses the creative case for diversity in music. How hard have black and multi‐ ethnic British artists had to struggle to be recognized over the years, in order to break through in the mainstream on their own terms? For decades, they were seen as inferior to Americans, particularly if they were doing soul‐funk or jazz, and the very idea of a ‘homegrown’ talent with, crucially, its own specific vernacular and modes of expression had little currency. Was there a turning point? Have things really changed? Are there still enough black powerbrokers in the music industry and media to ensure that original black voices are given a platform to do what they feel is progressive without pandering to expectations from ‘inside’ and outside their own community? Along with guests, Sheila Chandra and Kwame Kwaten, Kevin Le Gendre also considered both the diversity within black and multi‐ethnic music and the influence of the images that have derived from its legacy. What were the implications of a British‐Asian appearing on Top Of The Pops in a sari in the 80s way before anybody had coined the term ‘Asian Underground’ – or even coined the term British‐Asian for that matter? The panel will investigate this and the creativity shown by multi‐ethnic musicians in the field of sartorial and visual style, and debate on the cultural and political ramifications of the evolution from Errol Brown’s baldhead to Jazzie B’s funki dreds. Kevin Le Gendre: I want to start off with a general picture; we’re going to go into a bit of history and talk about how things may have developed for Black British artists over the last 20 years or so, or maybe the last 30 years and take us right back to the 70’s and 60’s which is the time when Black British artists have been contributing to the music industry. -
The Coolest Music Book Ever Made Aka the MC 500 Vol. 1 Marcus Chapman Presents… the Coolest Music Book Ever Made Aka the MC 500 Vol
The Coolest Music Book Ever Made aka The MC 500 Vol. 1 Marcus Chapman presents… The Coolest Music Book Ever Made aka The MC 500 Vol. 1 k Celebrating 40 Years of Sounds, Life, and Culture Through an All-Star Team of Songs Marcus Chapman For everyone who knows the joy of spending time shopping in a record store, and for the kids of the present and future who will never have that experience… Copyright © 2015 Marcus Chapman All rights reserved. ISBN: 1511780126 ISBN 13: 9781511780124 Contents Intro: What is The MC 500 and What Makes This Book So Cool? BONUS SONG: #501 Ooh . Roy Ayers 500 to 401 500 You Don’t Know How It Feels . Tom Pett y 499 Diggin’ On You. TLC 498 Here I Go Again . Whitesnake 497 Blame It . Jamie Foxx featuring T-Pain 496 Just Shopping (Not Buying Anything) . The Dramatics 495 Girls Dem Sugar . Beenie Man featuring Mya 494 My Heart Belongs To U . Jodeci 493 What’s My Name? . Rihanna featuring Drake 492 Feel the Need . Chocolate Milk 491 Midnight Flight . Jake Jacobson 490 The Big Payback . EPMD 489 Still Talkin’ . Eazy-E 488 Too Hot Ta Trot . Commodores 487 Who Dat . JT Money featuring Solé 486 Dark Vader . Instant Funk 485 Flow On (Move Me No Mountain). Above the Law 484 Fantasy . Earth, Wind & Fire 483 Payback Is a Dog . The Stylistics 452 Life Can Be Happy . Slave 482 Double Vision . Foreigner 451 I’ll Take Your Man . Salt ‘N Pepa 481 Soliloquy of Chaos . Gang Starr 480 Spirit of the Boogie . -
Abruzzo Heri Tage
Dedicated to the preservation and promotion of the Abruzzo Culture -ABRUZZO HERITAGE- ~ AL MARTINO ~ Al Martino (born Jasper Cini; October 7, 1927 – October 13, 2009) was an American singerand actor. He had his greatest success as a singer between the early 1950s and mid-1970s, being described as "one of the great Italian American pop crooners", and also became well known as an actor, particularly for his role as singer Johnny Fontane in The Godfather. Jasper "Al" Cini was born in Philadelphia, Pennsylvania.The name Jasper was ananglicisation of his father's name, Gasparino. H is parents were immigrants from Abruzzo, Italy, who ran a construction business, and while grow- ing up he worked alongside his brothers as abricklayer. He was inspired to become a singer by emulating artists such as Al Jolson andPerry Como, and by the success of a family friend, Alfredo Cocozza, who had changed his name to Mario Lanza. After serving with the United States Marine Corps in World War II, during which he was part of, and injured in, the Iwo Jima invasion, Cini began his singing career. Encouraged by Lanza, he adopted the stage name Al Martino— based on the name of his good friend Lorraine Cianfrani (née Losavio)'s husband Alfred Martin Cianfrani—and be- gan singing in local nightclubs. In 1948 he moved to New York City, recorded some sides for the Jubilee label, and in 2005 1952 won first place on Arthur Godfrey's Talent Scouts television program with a performance of Como's hit "If". As a result, he won a recording contract with the Philadelphia-based independent label BBS, where he recorded "Here in My Heart".