Collected Poems
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THE NOVELS and the POETRY of PHILIP LARKIN by JOAN SHEILA MAYNE B . a . , U N I V E R S I T Y of H U L L , 1962 a THESIS SUBMITT
THE NOVELS AND THE POETRY OF PHILIP LARKIN by JOAN SHEILA MAYNE B.A., University of Hull, 1962 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF M .A. in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1968 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his represen• tatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of English The University of British Columbia Vancouver 8, Canada April 26, 1968 ii THESIS ABSTRACT Philip Larkin has been considered primarily in terms of his contribution to the Movement of the Fifties; this thesis considers Larkin as an artist in his own right. His novels, Jill and A Girl in Winter, and his first volume of poetry, The North Ship, have received very little critical attention. Larkin's last two volumes of poetry, The Less Deceived and The Whitsun Weddings, have been considered as two very similar works with little or no relation to his earlier work. This thesis is an attempt to demonstrate that there is a very clear line of development running through Larkin's work, in which the novels play as important a part as the poetry. -
Rhyme, Meter, and Closure in Philip Larkin's •Œan Arundel Tomb"
Studies in English, New Series Volume 6 Article 26 1988 Rhyme, Meter, and Closure in Philip Larkin's “An Arundel Tomb" Elizabeth Gargano-Blair Iowa City Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the Literature in English, British Isles Commons Recommended Citation Gargano-Blair, Elizabeth (1988) "Rhyme, Meter, and Closure in Philip Larkin's “An Arundel Tomb"," Studies in English, New Series: Vol. 6 , Article 26. Available at: https://egrove.olemiss.edu/studies_eng_new/vol6/iss1/26 This Article is brought to you for free and open access by the Studies in English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. Gargano-Blair: Rhyme, Meter, and Closure in Philip Larkin's “An Arundel Tomb" RHYME, METER, AND CLOSURE IN PHILIP LARKIN’S “AN ARUNDEL TOMB” Elizabeth Gargano-Blair Iowa City In his 1965 preface to The North Ship, Philip Larkin names three major poets who influenced his “undergraduate” and “post-Oxford” work: W. H. Auden, Dylan Thomas, and W. B. Yeats. He goes on to describe Yeats as the most potent, and potentially destructive, of these influences: “I spent the next three years trying to write like Yeats, not because I liked his personality or understood his ideas but out of infatuation with his music (to use the word I think Vernon [Watkins] used). In fairness to myself it must be admitted that it is a particularly potent music, pervasive as garlic, and has ruined many a better talent.”1 At a time when many young poets were resisting this “dangerous” music, fearful of losing poetic sense in mere sound, one challenge was to find new approaches to the use of rhyme and meter. -
The North Ship Author Summary
ST. LAWRENCE HIGH SCHOOL A JESUIT CHRISTIAN MINORITY INSTITUTION CLASS - IX ENGLISH TEXT STUDY MATERIAL TOPICS: THE NORTH SHIP DATE:09.11.2020 THE NORTH SHIP AUTHOR On August 9, 1922, Philip Larkin was born in Coventry, England. He attended St. John's College, Oxford. His first book of poetry, The North Ship, was published in 1945 and, though not particularly strong on its own, is notable insofar as certain passages foreshadow the unique sensibility and maturity that characterizes his later work.With his second volume of poetry, The Less Deceived (1955), Larkin became the preeminent poet of his generation. Like Hardy, Larkin focused on intense personal emotion but strictly avoided sentimentality or self-pity.In 1964, he confirmed his reputation as a major poet with the publication of The Whitsun Weddings, and again in 1974 with High Windows: collections whose searing, often mocking, wit does not conceal the poet's dark vision and underlying obsession with universal themes of mortality, love, and human solitude. Deeply anti-social and a great lover and published critic of American jazz, Larkin never married and worked as a librarian in the provincial city of Hull, where he died on December 2, 1985. SUMMARY The poem opens with the poet’s own view where he saw that three ships got ready to sail over the sea. It was a pleasant weather to sail by as the wind rose in the morning sky. Each ship was fully ready to go on a journey. The poet saw, the first ship went towards the west sea and it was full of wind and waves and that is how it reached to a wealthy country. -
At Death, You Break Up: Philip Larkin's Struggle with Mortality
Title "At death, you break up" : Philip Larkin's struggle with mortality Author(s) Harada, Keiko Citation Osaka Literary Review. 25 P.16-P.28 Issue Date 1986-12-20 Text Version publisher URL https://doi.org/10.18910/25542 DOI 10.18910/25542 rights Note Osaka University Knowledge Archive : OUKA https://ir.library.osaka-u.ac.jp/ Osaka University "At death , you break up" — Philip Larkin's struggle with mortality — Keiko Harada — "Do you think much about growing older? Is it something that worries you?" — "Yes, dreadfully. If you assume you're going to live to be seventy, seven decades, and think of each decade as a day of the week, starting with Sunday, then I'm on Friday afternoon now. Rather a shock, isn't it? If you ask why does it bother me, I can only say I dread endless extinction. 1) As if he had intended to build up his career along clear landmarks, Philip Larkin published his poetry volumes at the rate of one per decade: The North Ship in 1945, The Less Deceived in 1955, The Whitsun Weddings in 1964 and High Windows in 1974. The poet's sudden death on 2 December, 1985, at the age of sixty-three, unfortunately, left our hope for a final volume unfulfilled. Throughout these four volumes, Larkin has dedicated himself to writing about the 'unhappiness' of people caught up in time: "Deprivation is for me what daffodils were for Wordsworth"?) The recurring themes are 'memory', 'passage of time', 'old age' and 'death'. Larkin insistently dealt with them again and again. -
1. Philip Larkin
Notes References to material held in the Philip Larkin Archive lodged in the Brynmor Jones Library, University of Hull (BJL), are given as file numbers preceded by 'DPL'. 1. PHILIP LARKIN 1. Harry Chambers, 'Meeting Philip Larkin', in Larkin at Sixty, ed. Anthony Thwaite (London: Faber and Faber, 1982) p. 62. 2. John Haffenden, Viewpoints: Poets in Conversation (London, Faber and Faber, 1981) p. 127. 3. Christopher Ricks, Beckett's Dying Words (Oxford: Oxford University Press, 1993). 4. D. J. Enright, 'Down Cemetery Road: the Poetry of Philip Larkin', in Conspirators and Poets (London: Chatto & Windus, 1966) p. 142. 5. Hugo Roeffaers, 'Schriven tegen de Verbeelding', Streven, vol. 47 (December 1979) pp. 209-22. 6. Andrew Motion, Philip Larkin: A Writer's Life (London: Faber and Faber, 1993). 7. Philip Larkin, Required Writing (London: Faber and Faber, 1983) p. 48. 8. See Selected Letters of Philip Larkin 1940-1985, ed. Anthony Thwaite (London: Faber and Faber, 1992) pp. 648-9. 9. DPL 2 (in BJL). 10. DPL 5 (in BJL). 11. Kingsley Amis, Memoirs (London: Hutchinson, 1991) p. 52. 12. Philip Larkin, Introduction to Jill (London: The Fortune Press, 1946; rev. edn. Faber and Faber, 1975) p. 12. 13. Donald Davie, Thomas Hardy and British Poetry (London: Routledge & Kegan Paul, 1973) p. 64. 14. Required Writing, p. 297. 15. Blake Morrison, 'In the grip of darkness', The Times Literary Supplement, 14-20 October 1988, p. 1152. 16. Lisa Jardine, 'Saxon violence', Guardian, 8 December 1992. 17. Bryan Appleyard, 'The dreary laureate of our provincialism', Independent, 18 March 1993. 18. Ian Hamilton, 'Self's the man', The Times Literary Supplement, 2 April 1993, p. -
MAY 2013 Laura Mccullough, Pp
EXCERPTS FROM “GOOD MORNING!” Hugh Behm-Steinberg, pp. 4–10 A MAZE LIVES INSIDE THE SKY Erica Hayes, pp. 11–12 VOLUME 1 OUT OF THE BLUE, WHO ISSUE 5 MAY 2013 Laura McCullough, pp. 13–14 PHILIP LARKIN AND THE POETRY OF SELF-DEFENSE Jerry Bradley, pp. 15–22 © tab: The Journal of Poetry & Poetics. Volume 1. Issue 5. May 2013. No part of this publication may be reproduced in any form or by any WILKINSON COLLEGE FALL 2012 • Colloquium means, electronic or mechanical,of Human iwithoutties and Social prior Sc iwrittenences permission from tab. Rights to individual submissions remain the property of their authors. Department of English Chapman University WILKOneINS OUniversityN COLLE DriveGE WILKINSON COLLEGE of Humanities and Social Sciences Orange, ca 92866 of Humanities and Social Sciences www.chapman.edu/poetry issn: 2169-3013 WILKINSON COLLEGE Department of of Humanities and Social Sciences Department of WILKINSON COLLEGE Department of of Humanities and Social Sciences COMMUNICATION STUDIES Department of COMMUNICATION STUDIES WILKINSON COLLEGE Department of ENGLISH of Humanities and Social Sciences Department of ENGLISH WILKINSON COLLEGE Department of HISTORY of Humanities and Social Sciences Department of HISTORY WILKINSON COLLEGE Department of of Humanities and Social Sciences LANGUAGES Department of LANGUAGES WILKINSON COLLEGE Department of of Humanities and Social Sciences POLITICAL SCIENCE Department of POLITICAL SCIENCE Department of WILKINSON COLLEGE TAB: THE JOURNAL OF POETRY & POETICS VOL 1. ISSUE 5 2 of Humanities and Social Sciences -
Larkin's Springboards
European Journal of English Language and Literature Studies Vol.6, No.1, pp.53-71, February 2018 ___Published by European Centre for Research Training and Development UK (www.eajournals.org) LARKIN’S SPRINGBOARDS: THE POET IN THE MAKING Dr. Milton Sarkar Assistant Professor, Department of English Language and Literature, APC College, Calcutta, West Bengal, India ABSTRACT: Philip Larkin is a key figure in the post-war British poetry. This “effective unofficial Laureate of the post-1945 England” remains the “central figure in British Poetry over the last twenty years.” Larkin’s reputation rose to an extent where “even his detractors are now naming him a major poet.” Writing in the 1970s, David Timms calls him the “best poet England now has.” In the 1980s, commenting on the sales of Larkin’s volumes, Roger Day terms him an “immensely popular poet” by “contemporary standards.” In this essay, an attempt will be made to trace what provided springboards to the making of the poet Larkin. KEYWORDS: British Poetry, Post-Fifties, Philip Larkin, the making of. INTRODUCTION No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists … we shall often find that not only the best, but the most individual parts of his work may be those in which the dead poets, his ancestors, assert their immortality most vigorously. (Eliot, Essays14-5) As a guiding principle I believe that every poem must be its own sole freshly created universe, and therefore have no belief in ‘tradition’ or a common myth-kitty or casual allusions in poems to other poems or poets, which last I find unpleasantly like the talk of literary understrappers letting you see they know the right people. -
Rhetoric and Poetic Excellence of Philip Larkin
================================================================== Language in India www.languageinindia.com ISSN 1930-2940 Vol. 20:5 May 2020 ================================================================ Rhetoric and Poetic Excellence of Philip Larkin Dr. C. Ramya, M.B.A., M.A., M.Phil., Ph.D. Asst. Professor Department of English E.M.G. Yadava College for Women Madurai – 625 014 Tamil Nadu, India ================================================================== Philip Larkin (1922-1985) Courtesy: http://philiplarkin.com/larkin_biography/ Abstract This paper is an attempt to present Philip Larkin as a dramatic poet who uses ‘rhetoric’ and ‘poetic excellence’ simultaneously in his poetic realm. This paper also displays how Larkin adopted a deterministic view of life where time destroys everything as it moves. This paper analyses his poems and claims that there is a conflict among dreams, hopes and expectations as common themes especially in a rhetorical way. Thus, this paper exposes how the rhetorical and lyrical qualities of Larkin moves together. Keywords: Philip Larkin, Rhetoric, Lyric, dramatic, Time, conflicts, sensuous, emotional. ================================================================== Language in India www.languageinindia.com ISSN 1930-2940 20:5 May 2020 Dr. C. Ramya, M.B.A., M.A., M.Phil., Ph.D. Rhetoric and Poetic Excellence of Philip Larkin 1 Philip Larkin is known as ‘Movement Poet’ and his poetry has stemmed from the main lines, quite transmitted from obscurity to clarity. The movement to which he belongs is in a way peculiar assortment with a single animus to be sometimes unendurably explicit and forthright. He is an adept in presenting with rare accuracy the outward appearance and the social climate of suburban England in the 1950’s. “His verse is suffused with a compassionate melancholy, a sense of sadness and the transience of things, an awareness of the random quality inherent in human existence” (Press 254). -
An Analytical Study of Some of the Poems of Philip Larkin Based on His Theme of Death
European Online Journal of Natural and Social Sciences 2018; www.european-science.com Vol.7, No 3 pp. 616-622 ISSN 1805-3602 An Analytical study of some of the poems of Philip Larkin based on his theme of death Baishakhi Banerjee1* and P. K. Senapoti2 1Indira Gandhi National Open University; 2 JK College, Purulia, West Bengal, India *E-mail: [email protected] Received for publication: 17 June 2018. Accepted for publication: 08 September 2018. Abstract: Philip Larkin (1922-1985) is regarded as a British national cultural icon. Larkin creates many volumes of poems. Most of the poems of these volumes are based on the gloomy atmosphere which is related to death. He is a pessimistic poet. In most of his poems, he talks about the hopelessness of life. The gloomy atmosphere of his poems reminds us of sickness, helplessness, and uncertainty of life. His death related poems are very heart-rending and certainly forces us to think about the negative aspects of life. The death of his father moves him a lot and most of his poems are full of the shadow of death. These poems are based on reality and his way of expression such as in The Ambulances, The Building is very shocking but outstanding. The major publications of Larkin are the North-Ship, The Less Deceived, The Whitsun Weddings and High Windows. Introduction: Philip Arthur Larkin (1922-1985) is a prolific modern writer was born in Coventry, England. His father, Sidney Larkin was the treasurer of the city corporation of Coventry. Though Larkin belongs to a rich and aristocratic family and experiences all the facilities and exposes in his childhood days, yet he describes his childhood as “a forgotten boredom”. -
Themes, Structure and Vision in Philip Larkin's the Less Deceived
International Journal on Studies in English Language and Literature (IJSELL) Volume 4, Issue 6, June 2016, PP 42-51 ISSN 2347-3126 (Print) & ISSN 2347-3134 (Online) http://dx.doi.org/10.20431/2347-3134.0406007 www.arcjournals.org Themes, Structure and Vision in Philip Larkin's The Less Deceived Dr. Naila Ahmed Suhail India Philip Larkin was a leading poet of what has come to be called „The Movement‟ in English Poetry in the 1950‟s which rejected the Yeatsian neo-romantic style of the British poets who had emerged a decade before. His immense popularity among the young and the old alike led David Perkins to describe him as “the last great poet of English language”(Perkins:425). Although Larkin remained almost a recluse till the end of his life and avoided giving personal interviews, his poetry helps us delve deep into the mind of the man who wrote it. A study of Philip Larkin‟s four volumes of poetry – The North Ship (1945), The Less Deceived (1955), The Whitsun Weddings (1964) and High Windows (1974) confirms that his poetry is “an affair of sanity, of seeing things as they are”. His distinction lay in his elevation of common, everyday subjects and themes to sublime levels despite the use of simple and colloquial language. Larkin is resolute, forthright, witty and gloomy by turns but underlying all these moods is a genuine, uncultivated, sincere philistinism. His pessimism, which elicited both hostile criticism and passionate defense from a wide variety of critics, forms the core of his poetic corpus. This was a man who declared famously that deprivation for him was what daffodils were for William Wordsworth. -
Critics of Philip Larkin's Poetry Seem to Be Divided Between Those Who Detect in It a Profound Nostalgic Sentiment, Bordering
Jacopo Masi Centre for Classical Studies, School of Arts and Humanities, University of Lisbon “Not only at exclusion”: The Picture of Nostalgia in Philip Larkin’s Poetry* Critics of Philip Larkin’s poetry seem to be divided between those who detect in it a profound nostalgic sentiment, bordering on – when not overflowing into – reactionary conservatism, and those who, on the contrary, lay emphasis on the intellectual aloofness and ironic detachment of the poet’s stance as typical features of the Movement, which Larkin was associated with when his first major collection of poetry, The Less Deceived (1955), was published1. Against any overly simplified explanations of a chronological evolution in the sensibility of the author, Andrew Motion pointed out that “the book that conforms most exactly to the attitudes and styles associated with the Movement” (1982, 77) would rather be Larkin’s second collection The Whitsun Weddings (1964). * This article was written with the support of a postdoctoral fellowship from the Fundação para a Ciência e a Tecnologia (Portugal). 1 Larkin’s The North Ship (London: The Fortune Press, 1945) can hardly be considered the poet’s first main collection, as Anthony Thwaite has made it clear both in his arrangement of Larkin’s Collected Poems ([1988] 1990; referenced as CP, followed by the page and lines number) – where The North Ship poems appear in the “early poems” section – and in his introduction to the volume (CP XV): “[...] Larkin’s reputation as a poet did not, in fact, begin with The North Ship, which on its first appearance was hardly noticed”. -
74035 Battle of Britain
Westminster Abbey The Dedication of a Memorial to PHILIP LARKIN CH CBE 9th August 1922–2 nd December 1985 Friday 2 nd December 2016 6.00 pm HISTORICAL NOTE An invitation to a drinks party, a visit to an empty church, a recently vacated room in a boarding house: such everyday events are transmuted by Larkin into poetry that gives weight to the ordinary dreams and fears of our daily lives, lived out as they are in the shadow of eternity. We recognise ourselves in his poems, as we do in a Chekhov play, and we smile and our smiles are rueful. ‘I like to read about people who have done nothing spectacular, who aren’t beautiful or lucky, who try to behave well in a limited field of activity and who can see in the little autumnal moments of vision that the so called “big experiences” of life are going to miss them. I like to read about such things presented not with self-pity or despair or romanticism but with realistic firmness and even humour.’ This, Larkin wrote, was the ‘moral tone’ of Barbara Pym’s novels. It is the moral tone of much of Larkin’s work. He believed art should help us either to ‘enjoy or endure’. His life was crowned with success. He sailed into Oxford and sailed out again, a published poet, and to his delight, with a first-class honours degree. Shortly after Oxford he published two novels, Jill and A Girl in Winter , and became a professional librarian, combining the roles of scholar, curator and administrator in an exemplary career.