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Attachment B
Attachment B Not Recommended for Funding Round Two 2020/21 Festivals and Events Sponsorships (Artform) 14 Festivals and Events Sponsorship (Artform) Not Recommended for Funding Festivals and Events Sponsorship (Artform) 2020/21 Round 2 Organisation Name Project Name Project Description $ Amount Requested VIK Requested NOT RECOMMENDED FOR FUNDING 107 Projects Incorporated as Vincent Ergo A series of immersive theatre events held at $19,999 Nil auspice for Philip Charles Allan 107 Projects Redfern detailing Vincent Van Calloway Gogh’s life. Asian Australian Artists Metal Ox ‘Metal Ox’ activates the Darling $10,000 Nil Association Incorporated Square/Haymarket precinct for Lunar New 15 Year festival with a major immersive installation by Sydney-based Asian-Australian artist James Jirat Patradoon. Bravissimo Music Pty Ltd "Flow Bravissimo" Monthly performances of live music throughout Year 1 - $28,060 Nil Sydney CBD using a mobile grand piano Year 2 - $28,060 stage, bringing live music out of theatres and Year 3 - $28,060 music halls to open areas for the enjoyment of the public. Comedy Development Ltd Sydney Comedy Festival - Break A series of comedy events held across two $10,000 Nil Out Comedy Livestream nights at the Sydney Comedy Store and livestreamed to an online audience showcasing some of Australia's most promising new and emerging artists. Destructive Steps Dance Destructive Steps 13 A three day hip hop dance festival featuring $20,000 Venue hire fee waiver to Association Incorporated local and international dancers held at the the value of $5,000 Ultimo Community Center and comprising of competitions, performances and workshops. Festivals and Events Sponsorship (Artform) 2020/21 Round 2 Organisation Name Project Name Project Description $ Amount Requested VIK Requested NOT RECOMMENDED FOR FUNDING Fire Entertainment Pty. -
Sydney Opera Hou S E 2010/11 IMAGINATION LIVES INSIDE
SYDNEY OPERA HOU S E 2010/11 E 2010/11 ANNUAL REPORT IMAGINATION LIVES INSIDE IMAGINATION LIVES INSIDE IMAGINATION SYDNEY OPERA HOUSE 2010/11 VIVID LIVE 2011 WAS A TRUE SPECTACLE OF CREATIVE GENIUS WITHIN SYDNEY OPERA HOUSE AND BEYOND. COURAGEOUS THOUGHTS, IDEAS AND EXPERIENCES CAME TOGETHER TO INSPIRE IMAGINATION AND CREATE A RELEVANT AND VITAL PART OF THE AUSTRALIAN CULTURAL LANDSCAPE. 'IMAGINATION LIVES INSIDE' PROMOTES INNOVATION THROUGH VIVID COLOUR THEORY AND A UNIQUE HIDE AND REVEAL EXPLORATION, WHICH EXPRESSES NOT ONLY THE SYDNEY OPERA HOUSE BRAND, BUT ALSO THE STRENGTH OF AN IDEA. Sydney Opera House Presents Martha Wainwright 3 ANNUAL REPORT 2010/11 IMAGINATION LIVES INSIDE IMAGINATION TABLE OF CONTENTS The Hon. George Souris MP MiniSTer for THe ArTS We have the pleasure of presenting the Annual Report of the Sydney Opera House for the year ended 30 June 2011, for presentation to Parliament. This report has been prepared in accordance with the provisions of the Annual Reports (Statutory Bodies) Act 1984 and the Public Audit and Finance Act 1983. KiM WilliAMS AM CHAirMAn riCHArd evAnS CHief exeCuTive 3 Letter to Minister 54 Earning Our Way 4 Highlights 58 Governance 6 Chairman’s Message 64 People and Culture 8 CEO’s Message 66 Financial Overview 10 Vision and Goals 70 Financial Statements 12 Outcomes and Objectives 96 Government Reporting 16 Artistic Excellence 116 Performance List 20 Sydney Opera House Presents 120 Donors Acknowledgement 26 Resident and Supported Companies 122 Contact Information 32 Community Engagement and Access 123 Site Map 36 Community Outreach and Participation 124 Index 38 Beyond Bennelong 125 Sponsors 40 Customer Service and Access 42 A Vibrant and Sustainable Site 46 Our Precinct 48 Building and Maintenance 50 Environmental Sustainability 52 Safety and Security 4 SYDNEY OPERA HOUSE IMAGINATION LIVES INSIDE IMAGINATION HIGHLIGHTS 2010/11 A TTENDANCE AT PERFORMANCES HAS INCREASED BY 20% OVER THE LAST 10 YEARS. -
Sydney Opera House Annual Report 2011-2012
SYDNEY OPERA HOUSE ANNUAL REPORT 2011/12 Multi-award winning German design collective, URBANSCREEN was commissioned as part of Vivid LIVE to create a new artwork that explored both the iconic sculptural form of Sydney Opera House, as well as its place as a home for music, dance and drama. Contents 5 Who We Are 5 Letter to Minister 6 Highlights 8 Chairman’s Message 10 CEO’s Message 12 Vision and Goals 14 Our History 16 Outcomes and Objectives 20 Goal 1: Artistic Excellence 22 Sydney Opera House Presents 30 Resident and Supported Companies Sydney Opera House Annual Report 2011/12 Annual Report House Opera Sydney 36 Goal 2: Community Engagement and Access 38 Community Outreach and Participation 40 Beyond Bennelong 44 Customer Service and Access 46 Goal 3: A Vibrant and Sustainable Site 48 Our Precinct 50 Venues, Building and Site 52 Environmental Sustainability 54 Safety and Security 56 Goal 4: Earning Our Way 58 Governance 60 Trust Members 62 Executive Team 64 People and Culture 66 Financial Overview 70 Financial Statements 100 Government Reporting 124 Performance List 128 Donors Acknowledgement 130 Contact Information 131 Site Map 132 Index 134 Corporate Partners 4 Introduction Sydney Opera House is a global icon, We are also a community symbol that the most internationally recognised unites Australians from all geographic, symbol of Australia and one of the great cultural and socio-economic backgrounds. buildings of the world. Nationwide research has shown that 95% of Australians, wherever they live, see We are committed to continuing the Sydney Opera House as a national icon legacy of Utzon’s creative genius by and a source of national pride. -
The Catherineian 2011 ISBN 978-0-9870623-5-2
The Catherineian The Catherineian 2 011 2011 St Catherine’s School Waverley School St Catherine’s St Catherine’s School Waverley Headmistress Dr Julie Townsend BA (Hons) Cert Ed PhD MBA (Ed Ldship) MACE MACEL 26 Albion Street Waverley NSW 2024 Australia email [email protected] web www.stcatherines.nsw.edu.au telephone +61 2 8305 6200 facsimile +61 2 9369 2470 ABN 98 012 260 068 CRICOS provider no 02322K The Catherineian 2011 ISBN 978-0-9870623-5-2 Editorial committee Dr Julie Townsend Mrs Anne Johnstone Mrs Deborah Clancy Ms Sarah Guy Ms Sonya Judd Ms Bronwyn Ridgway www.stcatherines.nsw.edu.au Contents Headmistress’ report . 3 SRC report . .95 Prefects’ report . 5 Indigenous program . .96 School Council . .6 Beyond the Curriculum . .100 Chaplain’s report . .7 Senior School . 102 Junior School . 8 Boarding house report . .104 Chapel services . 9 Camps – Senior School . .106 Library . 10 Student writing . .108 Grandparents’ day . 11 HSC artwork . 110 K–2 investigations . 12 Design and technology . 120 3–4 investigations . 13 Activities . .122 Good causes. 14 Careers and vocational education . 130 Science Week. 14 Drama . .132 ICT-robotics. 15 Senior library . 133 Debating . 16 Academic results . 134 FISH . 16 Community relations . 136 Excursions . 17 Foundation . 137 Camps – Junior School . 18 Archive report . .138 Kindergarten . 20 Old Girls Union . .139 Year 1 . .22 Parents and Friends’ Association . 140 Year 2 . 24 Academic prizes 2011 – Senior School . 141 Year 3 . 26 St Catherine’s School prize list . 142 Year 4 . 28 Barker . .144 Year 5 . .30 Bronte . 145 Year 6 . 33 Casterton . -
Sydney Opera House Annual Report 2010-2011
SYDNEY OPERA HOU S E 2010/11 E 2010/11 ANNUAL REPORT IMAGINATION LIVES INSIDE IMAGINATION LIVES INSIDE IMAGINATION SYDNEY OPERA HOUSE 2010/11 VIVID LIVE 2011 WAS A TRUE SPECTACLE OF CREATIVE GENIUS WITHIN SYDNEY OPERA HOUSE AND BEYOND. COURAGEOUS THOUGHTS, IDEAS AND EXPERIENCES CAME TOGETHER TO INSPIRE IMAGINATION AND CREATE A RELEVANT AND VITAL PART OF THE AUSTRALIAN CULTURAL LANDSCAPE. 'IMAGINATION LIVES INSIDE' PROMOTES INNOVATION THROUGH VIVID COLOUR THEORY AND A UNIQUE HIDE AND REVEAL EXPLORATION, WHICH EXPRESSES NOT ONLY THE SYDNEY OPERA HOUSE BRAND, BUT ALSO THE STRENGTH OF AN IDEA. Sydney Opera House Presents Martha Wainwright 3 ANNUAL REPORT 2010/11 IMAGINATION LIVES INSIDE IMAGINATION TABLE OF CONTENTS The Hon. George Souris MP MiniSTer for THe ArTS We have the pleasure of presenting the Annual Report of the Sydney Opera House for the year ended 30 June 2011, for presentation to Parliament. This report has been prepared in accordance with the provisions of the Annual Reports (Statutory Bodies) Act 1984 and the Public Audit and Finance Act 1983. KiM WilliAMS AM CHAirMAn riCHArd evAnS CHief exeCuTive 3 Letter to Minister 54 Earning Our Way 4 Highlights 58 Governance 6 Chairman’s Message 64 People and Culture 8 CEO’s Message 66 Financial Overview 10 Vision and Goals 70 Financial Statements 12 Outcomes and Objectives 96 Government Reporting 16 Artistic Excellence 116 Performance List 20 Sydney Opera House Presents 120 Donors Acknowledgement 26 Resident and Supported Companies 122 Contact Information 32 Community Engagement and Access 123 Site Map 36 Community Outreach and Participation 124 Index 38 Beyond Bennelong 125 Sponsors 40 Customer Service and Access 42 A Vibrant and Sustainable Site 46 Our Precinct 48 Building and Maintenance 50 Environmental Sustainability 52 Safety and Security 4 SYDNEY OPERA HOUSE IMAGINATION LIVES INSIDE IMAGINATION HIGHLIGHTS 2010/11 A TTENDANCE AT PERFORMANCES HAS INCREASED BY 20% OVER THE LAST 10 YEARS. -
Annual Report 09/10
SYDNEY OPERA HOUSE OPERA SYDNEY ANNUA l REPOR t 09/10 your annual report 09 / 1 0 house. sydneyoperahouse.com contents 09/10 The Hon. Kristina Keneally, MP NEW SOUTH WALES PREMIER We have the pleasure of presenting the Annual Report of the Sydney Opera House for p.1 Letter to Minister the year ended 30 June 2010, for presentation to Parliament. This report has been p. 3 High Points prepared in accordance with the provisions of the Annual Reports (Statutory Bodies) p. 4 Chairman’s Message Act 1984 and the Public Finance and Audit Act 1983. p. 6 CEO’s Message p. 8 Vision and Goals p. 10 Outcomes & Objectives p. 15 Performing Arts p. 27 Broadening the Experience KIM WILLIAMS AM RICHARD EVANS CHAIRMAN CHIEF EXECUTIVE p. 31 Building & Environment p. 35 Governance p. 38 The Trust p. 40 The Executive p. 42 People & Culture p. 45 Financials contents. p. 64 Government Reporting p. 74 Performance List p. 79 Our Donors p. 81 Image Credits p. 83 Contact Information p. 84 Index p. 85 Sponsors e MILY HAInes In tHe oPeRA tHeAtRe [VIVID LIVe , JUne 2010] IMAgInAtIon LIVes I nsIDe. 1 p. 1 HIgH sYDneY oPeRA HoUse 09/ 10 PoInts. ‘It’s such an icon of COMMUNITY ENGAGEMENT AND ACCESS + Open Day 2009 was the biggest free event ever held at Sydney Australia that it needs Opera House with some 50,000 people seeing behind the scenes. to be enjoyed by everyone + We broadened our reach and participation with initiatives such as the online dance competition MyMutation – 252,000 hits worldwide. -
Australian Dictionary of Biography Volume 19
AUSTRALIAN DICTIONARY OF BIOGRAPHY AUSTRALIAN DICTIONARY OF BIOGRAPHY VOLUME 19: 1991–1995 A–Z GENERAL EDITOR Melanie Nolan MANAGING EDITOR Malcolm Allbrook Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760464127 ISBN (online): 9781760464134 WorldCat (print): 1232019838 WorldCat (online): 1232019992 DOI: 10.22459/ADB19 This title is published under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press Cover artwork: Dora Chapman, Australia, 1911–1995, Self portrait, c.1940, Adelaide, oil on canvas, 74.0 x 62.5 cm (sight), Bequest of the artist 1995, Art Gallery of South Australia, Adelaide, © Art Gallery of South Australia, 957P71 This edition © 2021 ANU Press PREFACE: REFITTING THE ADB 1 This volume of the Australian Dictionary of Biography (ADB), the largest and most successful cooperative research enterprise in the humanities and social sciences in Australia, represents the project’s continuing revision process. In 2013, Christine Fernon and I edited a history of the dictionary, The ADB’s Story, which covered its first six decades.2 The ADB going online in 2006 then seemed to be the major turning point. At the time, it was the book reproduced online with a search function. The pace of change has quickened, however, since Volume 18 was published in 2012. Above all, the ADB Online now leads the process, with the hardcopy volume being published in its wake, rather than the other way around.