Brandon's Dome Slated for January Unveiling
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The Slogans Were Used for Brief Periods Prior to November 11Th
CHAIRMAN THE EDITOR Jeffrey Switt VOL. Daniel G. Rosenblat 3962 Belford Av. 1 SLOGAN 3612 Wood Duck Circle Fort Worth , TX 76103 BOX Stockton, CA 95207 (817) 531-2199 198si (209) 951-9903 Newsletter of the BNAPS Machine Slogan Cancel Study Group VOL. 1 - NO. 5 DECEMBER 1988 Chairman 's Message The last weekend in October brought a real treat for your chairman . Our Editor , Dan Rosenblat , accompanied his wife to nearby Dallas where she was to attend a convention ( how's that for a turnabout ?) and Dan and I spent two delightful days dis- cussing slogans , the newsletter, the study group and other items of mutual interest. Dan is plugging away diligently on the listing of early slogans; the second part is included in*this issue . Also in this issue is Dan's update of his POPPY DAY slogan research which was greatly expanded with new data provided by Doug Lingard from the archives in Ottawa. At the time of this writing I have received renewals from 13 members and can report the addition of 4 new members. Those renewing are Coutts *, Fraser*, Middleton *, Thornet Robertson *, Lingard * Washington * Leith, Steinhart , Jeffrey*, Burega*, Frampton , and Felton *. (* indicates contribution to the financial deficiency in publishing the first 4 issues) New members to our group are GUTZMAN, Wally 272 Vinet Av., Dorval PQ H9S 2M6 Internationals XM XI POORE, Woody 1910 Laurel, Gainsville , TX 76240 General Interest KITCHEN, Ron 1387 Pearl St., Ottawa , ON KiT 1C6 1912 - 1922, and military slogans XI HADDEN, Alex P. 0. Box 34461, Sta. "D", Vancouver,BC V6J 4W4 Boy Scout, Girl Guide and Brotherhood Week slogans XM XI The overwhelming response to my question about how the news- letter should proceed was "continue ' as is' and re - assess dues as necessary ." This is what we plan to do. -
I Dominion Exhibition the APEX GROUP Fresu Meats Pisn
AND SIMILKAMEEN ADVERTISER. Tor, I. No. 33: HEDLEY, B.C., THURSIL^Y, ^UG. 31, 1903. $2.00, IN ADVANCE. Methodist Church. are completed the force is likely' to be Mr; Ros,s!s friends will feel disap increased, and there js every reason to , HKDI.KV, 13. C. THE APEX GROUP pointed at his attempt, at defending believe that before many months the his position on the, dismissal of Mr. Sunday Sclioo! ut 3 o'clock. Evening Service at 7:30 o'clock. I Dominion Exhibition B.C.. Copper Co. will find that they AVade. The obvious suppression of Kvcvybody • welcome. Properties On Indepen.dnce the. time the railway reaches here the sundry ugly facts lias robbed if of even ' » L. THOMAS, PASTOR. 1905—September 27. to October 7—1905 ' Mountain have in this group of claims one of the the semblance of .openness and given real big things of this province and by it a ring of insincerity that he will evi " Untlcrthc nusliiccs'of the' " • "''• Apex group will have tonnage in dently regret Avhen he has to face ful 1 RoVAl/A.GKICVr.TUKAl.-& QtiftRLES f\E. SMW sight whicli will give the railway en ler facts. -. Ji' he'would come, out man INDUSTRIAL SOCIKTY . , CIVIL ENGINEER, B?;C. COPPER CO.'S CAMP gineers no rest until they have provid fully Avith the truth and state that he ' DOMINION AND ^PROVINCIAL ed the necessary *>pui's for. transporta had'acted on misrepresentations made LAND S'URVEYOR. NEW WESTMINSTER, B: 6. Splendid Showings—Getting Ready For tion. to him, the people Avould accept it, for - .-. -
Exhibiting a Nation: Canada at the British Empire Exhibition, 1924–1925
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Histoire sociale / Social History (E-Journal, York University) Exhibiting a Nation: Canada at the British Empire Exhibition, 1924–1925 ANNE CLENDINNING* The British Empire Exhibition held in 1924 and 1925 presented a chance for Canada to assert a national identity and a prominent place, as a self-governing, “white” dominion, within the British imperial family of nations. Those responsible for the gov- ernment pavilion consciously sought to understate regional differences and to con- struct and project a unified, homogeneous image of the nation, despite its vast geographic distances and obvious differences of language and race. While their inten- tions were to attract investment and improve export markets for Canadian goods, the exhibition commissioners assembled a set of images intended to sum up the idea of Canada. The resulting national representation proved to be contested, fragmented, and sometimes controversial. But for Canadians who visited the exhibit, the pavilion seemed to speak on an emotional level, inspiring national identification and pride. L’Exposition de l’empire britannique de 1924 et de 1925 a permis au Canada d’affirmer son identité nationale et de se hisser au palmarès des dominions « blancs » du giron de l’Empire britannique. Les responsables du pavillon gouvernemental ont consciemment cherché à minimiser les différences régionales de même qu’à dépein- dre le Canada comme un pays homogène en dépit de son immensité géographique et de ses différences évidentes de langue et de race. Bien qu’ils cherchaient à séduire les investisseurs et à trouver des débouchés pour les produits canadiens à l’exportation, les commissaires à l’exposition ont assemblé un panorama d’images visant à résumer l’idée du Canada. -
The Calgary Exhibition and Stampedes: Culture, Context and Controversy, 1884-1923
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies Legacy Theses 1999 The Calgary exhibition and stampedes: culture, context and controversy, 1884-1923 English, Linda Christine English, L. C. (1999). The Calgary exhibition and stampedes: culture, context and controversy, 1884-1923 (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/17659 http://hdl.handle.net/1880/24998 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY The Calgary Exhibition and Stampedes: Culture, Context and Controversy, 1884- 1923 Linda Christine English A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF HISTORY CALGARY, ALBERTA MAY, 1999 Q Linda Christine English 1999 National Library Bibliotheque nationale I*I of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON KIA ON4 OttawaON K1AON4 Canada Canada Your file Votre mlemce Our IW Notre relerence The author has granted a non- L'auteur a accordi me licence non exclusive licence allowing the exclusive pernettant a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distribute or sell reproduire, prster, distribuer ou copies of ths thesis in microform, vendre des copies de cette these sous paper or electronic formats. -
Paul Reddick Will Entertain at the TBS Birthday Party June 7 on Toronto Island
May 2019 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 35, No 5 Paul Reddick will entertain at the TBS Birthday Party June 7 on Toronto Island CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 Big Dave McLean Event Listings Festival Roundup Top Blues Loose Blues News and More 2 MapleBlues May 2019 www.torontobluessociety.com MARK YOUR CALENDAR Friday, May 24th 5pm EST Deadline for Talent Search Submissions http://torontobluessociety.com/tbs-talent-search-2019/ Friday, June 7, Island Cafe, Ward's Island TBS Birthday party with Paul Reddick and Kyle Ferguson. Doors at 5pm, Performance 7pm-9pm Countdown for the summer has started and Blues festivals from coast to coast have begun revealing their exciting lineups! Save the date for these upcoming Ontario Blues festivals: Saturday, June 29 - TBS Talent Search - TD Toronto Jazz Festival, Hazelton Stage. Submissions will be open on Friday, April 19th. Stay tuned on TBS website, e-news and social media! June Orangeville Blues and Jazz Festival | May 31-June 2 | Downtown Orangeville, ON Friday, November 29, 8pm - Women's Blues Revue w/Miss Emily Paisley Blues Festival | May 31-June 2 | Paisley, ON and more TBA. Tickets are on sale now! TBS Charter Members can Stratford Blues & Ribfest | June 21-23 | Stratford, ON contact TBS office for the discount code. TD Toronto Jazz Festival | June 21-30 | Toronto, ON Summertime Blues | June 29-30 | Owen Sound, ON - lineup TBA February 3, 2020 7pm, Maple Blues Awards at Koerner Hall. TBS Members -
Cultural Collaboration, Connective Traditions, and Aboriginal Brass Bands on British Columbia's North Coast, 1875-1964
“Here Comes the Band!”: Cultural Collaboration, Connective Traditions, and Aboriginal Brass Bands on British Columbia’s North Coast, 1875-1964* S USAN NEYLAN, WITH MELISSA MEYER Moment One: Susan Neylan In 2002, I visited Haida Gwaii (the Queen Charlotte Islands) for the first time. I was eager to see the new poles recently raised at Skidegate (in the summer of 2001) and the Haida-run museum at Kaay llnagaay. Along with a bit of natural history, the museum features, of course, Haida material culture. One room in particular is filled with historical pieces that most visitors associate with Haida artistic styles – poles, bentwood boxes, elaborately carved argillite. However, in the corner of this room, hanging on the wall, there are also two rather well-worn, obviously well-loved tubas and a big drum. Accompanying these is a photograph of the Skidegate marching brass band. The caption reads: “The band had won three competitions on the mainland in 1910, 1911, and 1912. The cup, brought home with the band after that third win, is now located in the Skidegate Band Office.”1 Nearly a hundred years since being won in the battle of the Aboriginal brass bands, the trophy is still held in high esteem by the village, and the inclusion of mementos of the brass band in their local museum suggests that the Haida value this musical past as cultural history. * Hartley Bay resident Simon Reece told us that when he was young, children who heard the village band strike up a tune used to call out: “Here comes the band … and the marriage,” referring to one of its most common public performative duties, which was to play at weddings (Margaret [neé Clifton] and Simon Reece, interviewed by Susan Neylan and Melissa Meyer at Hartley Bay, 18 July 2003). -
January 1958 Bnat~
JANUARY 1958 BNAT~ A Official Journal • Exhibition offhe and Fair Covers Briiish Norlh America Philatelic Society • Newfoundland Postal Slogans • A Pioneer Canadian Flight from Toronto to Hamilton and return, May 28, 1920 (See page 21) VOLUME 15 NUMBER 1 Whole .Number 153 make a new year resolution to send for details of our BUSY .BUYER'S SERVIC.E which is on important feature of our unique auction service. This system is especially designed for busy collectors with limited interests who hove not the time or the inclination to wade through innumerable catalogues but ore glad to re· ceive any of those containing their particular requiremenh. They ore invited to send in full details of their "wonts", and then, whether on our moiling list or not, their attention is drown to any lots likely to be of interest. FINE EXAMPLES OF THE STAMPS AND COVERS OF B.N.A. ore always available in our London and Bournemouth salerooms so maybe we con help you to locate some of your "missing links". ROBSON LOWE LTD. (Marion Lorve) 50 PALL MALL, LONDON, S.W.J. P/~ase m~ntion that you satll this advertisement in "B.N .A. T opics" BRITISH COLONIES ON COVER AUSTRALIA. No. 139 ................................ .20 NEW ZEALAND. No. 58 ............ ........... 2.00 167, 169 First Oay Cover.... .. ...................... .25 810 F.D.C..... .... ... .. ................................. :... ,. .25 200·2 First Day Cover ................................ .SO 305 F.D .C. .. ........ .......................... .... .......... .lS NEW ZEALAND. No. 812 F.D.C. .......... .25 814-IS F.D.C. ............................................. I.SO BAHAMAS. No. 116-29 censored 9.9S NORFOLK IS. No. 1· 12 on 3 covers .... -
National Historic Sites of Canada System Plan Will Provide Even Greater Opportunities for Canadians to Understand and Celebrate Our National Heritage
PROUDLY BRINGING YOU CANADA AT ITS BEST National Historic Sites of Canada S YSTEM P LAN Parks Parcs Canada Canada 2 6 5 Identification of images on the front cover photo montage: 1 1. Lower Fort Garry 4 2. Inuksuk 3. Portia White 3 4. John McCrae 5. Jeanne Mance 6. Old Town Lunenburg © Her Majesty the Queen in Right of Canada, (2000) ISBN: 0-662-29189-1 Cat: R64-234/2000E Cette publication est aussi disponible en français www.parkscanada.pch.gc.ca National Historic Sites of Canada S YSTEM P LAN Foreword Canadians take great pride in the people, places and events that shape our history and identify our country. We are inspired by the bravery of our soldiers at Normandy and moved by the words of John McCrae’s "In Flanders Fields." We are amazed at the vision of Louis-Joseph Papineau and Sir Wilfrid Laurier. We are enchanted by the paintings of Emily Carr and the writings of Lucy Maud Montgomery. We look back in awe at the wisdom of Sir John A. Macdonald and Sir George-Étienne Cartier. We are moved to tears of joy by the humour of Stephen Leacock and tears of gratitude for the courage of Tecumseh. We hold in high regard the determination of Emily Murphy and Rev. Josiah Henson to overcome obstacles which stood in the way of their dreams. We give thanks for the work of the Victorian Order of Nurses and those who organ- ized the Underground Railroad. We think of those who suffered and died at Grosse Île in the dream of reaching a new home. -
The Crystal Palace in Canada
THE CRYSTAL PALACE IN CANADA BY FERN E . M. GRAHAM In the first months of 1851, the Illustrated London News devoted a number of pages in every issue to preparations for the upcoming Great Exhibition. Through these pages the Empire watched with gathering excitement as the Crystal Palace, the technological marvel that would stand as the industrial exhibition's centrepiece, rose in Hyde Park (figure 1) . Every step of the process was illustrated -occasionally with a disregard for scale that rivalled Piranesi -and its architect, Joseph Paxton, was lionized. The exhibition opened in May, and very quickly the exhibition's illustrated catalogue spread the story of its wonders world-wide. In Kingston, Ontario, the City Book Store announced the arrival of the London Art Journal ... with Illustrated Catalogue of the Exhibition in September of 1851. 1 SSAC BULLETIN SEAC 19:1 • Figure 11. Crystal Palace, Victoria, 1891, Cornelius J. Soule, architect. (Provincial Archives of British "Unfortunately, when fair buildings have Columbia, C-9021) been called crystal palaces, whether properly or colloquially, they have been marginalized as architectural imposters." I "City Book Store," Daily British Whig. 24 September 1851 ,3. 19:1 SSAC BULLETIN SEAC 5 Figure 1 (above). The south front of the Crystal Palace, 1851, Joseph Paxton, architect. (Illustrated London News, 1851, 366) Figure 2 (below). Crystal Palace, New York, 1852-53, Carstensen & Gildemiester, architects. (Canadian Journal of Science, 1852) In the years following the exhibition there were several palaces built for international fairs, in cluding Dublin (1853), New York (1853) (figure 2), Munich (1854), and, much later, Philadelphia (1876). -
Historical Portraits Book
HH Beechwood is proud to be The National Cemetery of Canada and a National Historic Site Life Celebrations ♦ Memorial Services ♦ Funerals ♦ Catered Receptions ♦ Cremations ♦ Urn & Casket Burials ♦ Monuments Beechwood operates on a not-for-profit basis and is not publicly funded. It is unique within the Ottawa community. In choosing Beechwood, many people take comfort in knowing that all funds are used for the maintenance, en- hancement and preservation of this National Historic Site. www.beechwoodottawa.ca 2017- v6 Published by Beechwood, Funeral, Cemetery & Cremation Services Ottawa, ON For all information requests please contact Beechwood, Funeral, Cemetery and Cremation Services 280 Beechwood Avenue, Ottawa ON K1L8A6 24 HOUR ASSISTANCE 613-741-9530 • Toll Free 866-990-9530 • FAX 613-741-8584 [email protected] The contents of this book may be used with the written permission of Beechwood, Funeral, Cemetery & Cremation Services www.beechwoodottawa.ca Owned by The Beechwood Cemetery Foundation and operated by The Beechwood Cemetery Company eechwood, established in 1873, is recognized as one of the most beautiful and historic cemeteries in Canada. It is the final resting place for over 75,000 Canadians from all walks of life, including im- portant politicians such as Governor General Ramon Hnatyshyn and Prime Minister Sir Robert Bor- den, Canadian Forces Veterans, War Dead, RCMP members and everyday Canadian heroes: our families and our loved ones. In late 1980s, Beechwood began producing a small booklet containing brief profiles for several dozen of the more significant and well-known individuals buried here. Since then, the cemetery has grown in national significance and importance, first by becoming the home of the National Military Cemetery of the Canadian Forces in 2001, being recognized as a National Historic Site in 2002 and finally by becoming the home of the RCMP National Memorial Cemetery in 2004. -
Download of the Band’S EP Release Also Been Nabbing National Attention
/20 16 2011 / 01 volume 65 TEN YEARS OF THE TIMES CHANGE(D) THE ARTs page 11 BIG WORLD OF BOTeRO ARTs page 15 CAN DOMESTIC HOMICIDES BE STOPPED? news page 3 02 The UniTer January 20, 2011 www.UniTer.ca "high profile celebrities have looking for listings? what does a an amazing opportunity to CAMPUs & COMMUnITY LIsTInGs AnD COvER Image VOLUnTeeR OPPORTUnITIES page 6, controversial new MPi "The First Lady" use their voices for great MUsIC page 12, policy mean for low causes and should be praised FILM & LIT page 14, BY FERnAnDO BOTERO income people? when they do so." GALLeRIES & MUseUMs pages 14 & 15, Oil and canvas, 1989. THeATRe, DAnCe & COMeDY page 15, See story on page 15. news page 4 COMMenTs page 8 AwARDs AnD FInAnCIAL AID page 18 news UNITER STAFF ManaGinG eDitor Breaking the ice Aaron Epp » [email protected] BUSiness ManaGer city subcommittee Geoffrey Brown » [email protected] PrODUcTiOn ManaGer reviewing plastic product Ayame Ulrich » [email protected] for potential use in small cOPy anD styLe eDitor Britt Embry » [email protected] winnipeg arenas Photo eDitor Cindy Titus » [email protected] newS assiGnMenT eDitor Lauren Parsons Andrew McMonagle » [email protected] Beat Reporter newS PrODUcTiOn eDitor Kristy Rydz » [email protected] Small, stand-alone arenas in Winnipeg could arts anD culture eDitor soon change their rinks’ surfaces from real ice Matt Preprost » [email protected] to polymer, a synthetic ice substitute similar to cOMMents eDitor a thick plastic. Andrew Tod » [email protected] “The prospect is 50/50 and it all depends on Listings cO-OrDinator the quality of the product,” said Gord Steeves, J.P. -
Craig Farkash
How Blue Can You Get? Urban Mythmaking and the Blues in Edmonton, Alberta by Craig Farkash A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Anthropology University of Alberta © Craig Farkash, 2019 Abstract The blues is a genre of music that is rich in storytelling. Growing out of an oral tradition that has spanned generations, its influence on popular music today is undeniable. Many will have some vague recollection of some of these stories—whether related to blues figures, cities, regions, or to moments in time these are stories shared by the entire blues community, and through them, people have become familiar with the mythical importance of places such as Chicago or the Mississippi Delta to blues music. But how does a system of myth-making work in regions that do not have the luxury of being at a blues crossroads? Using the Edmonton blues scene as a case study, this thesis examines some of the stories told by people who have long called Edmonton their home and who have contributed to the mythologization of the local blues scene and turned it into an unlikely home for the blues. By employing qualitative research methodologies, such as participant observation and in-depth interviews, this study aims to understand the role that mythmaking has played in strengthening the Edmonton blues scene. To demonstrate this, the thesis first introduces the history of the Edmonton blues scene and, more generally, the city itself. It then looks at how myth has been written about by other anthropologists and popular music researchers.