Tehnologia VST” 2013

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Tehnologia VST” 2013 UNIVERSITATEA ROMÂNO AMERICANĂ FACULTATEA DE INFORMATICĂ MANAGERIALĂ PROGRAM MASTERAT: „SISTEME INFORMATICE MANAGERIALE” Managementul Calității Software „VST: Virtual Studio Technology” Profesor coordonator: Masterand: Prof.Univ.Dr. IVAN ION BURAGA MARIAN -2013- „Tehnologia VST” 2013 Cuprins PREZENTAREA TEHNOLOGIEI .................................................................................................................. 3 ISTORIE .................................................................................................................................................... 5 APLICABILITATE ....................................................................................................................................... 6 ANALIZA CALITATIVĂ ............................................................................................................................... 7 PERSPECTIVE DE CREȘTERE A CALITĂȚII .................................................................................................. 8 EXEMPLE .................................................................................................................................................. 9 BIBLIOGRAFIE ........................................................................................................................................ 15 ANEXE .................................................................................................................................................... 16 2 „Tehnologia VST” 2013 PREZENTAREA TEHNOLOGIEI Am asistat în ultimul deceniu la o adevarată evoluție pe plan tehnologic. Industria IT , motor al acestei ascensiuni, a dat posibilitatea dezvoltatorilor din toate domeniile să atingă noi culmi. De la un banal player muzical până la roboți inteligenți folosiți în liniile de producție a marilor fabrici, toate au trecut de-a lungul anilor printr-un continuu proces de perfecționare. Cea mai câștigată a fost, fără doar și poate, piața media. Trăim într-o adevarată eră „digitală”, unde totul se petrece într-o fracțiune de secundă, iar rezultatele, de cele mai multe ori, sunt impresionante. Urrmează să vă prezint în această lucrare tehnologia care a revolutionat industria muzicală mondială. Fără să ne dăm seama, suntem zilnic bombardați cu muzică produsă digital. „Vinovată” este tehnologia VST: Virtual Studio Technology. Virtual Studio Technology (VST) este o interfață ce integrează sintetizatoare audio digitale si plug-in-uri de efecte în programe de editare audio și unitați fizice deîinregistrare. VST se foloseste de procesarea semnalelor digitale pentru a simula instrumente muzicale, efecte sau aparaturi de studio tradiționale prin echivalentul virtual al acestora. Din perspectivă tehnică, informatică, un instrument sau echipament VST, este ceea ce în limbaj curent se numeşte un PLUGIN. Cu alte cuvinte, un modul încărcabil, destinat unui program de prelucrare audio. În ultima perioadă internetul a început să abunde de plug-in-uri VST, atât cu licenta gratuită cât și plătită, tehnologia fiind suportată de un numar foarte mare de aplicații de editare audio. Dezvoltatorul acesteia este firma Steinberg Soft. Este o tehnologie open- source ceea ce înseamnă că producatorii de VST-uri sau cei de programe de editare audio o pot folosi. 3 „Tehnologia VST” 2013 În cadrul informaticii, un plug-in înseamnă practic un modul de extensie, care poate fi adăugat unui program pentru a îi extinde funcţionalitatea. În programare, acest lucru se realizează cu ajutorul conceptului programatic numit DLL (Dynamic Link Library) - bibliotecă dinamică de legătură. Toate fişierele de pe calculator care au extensia .dll sunt astfel de biblioteci dinamice de legătură, deci ŞI VST/VSTi sunt practic tot nişte astfel de biblioteci. VST-urile pot fi rulate printr-un program gazda. De obicei aceata este un software de editare audio ce oferă suport pentru această tehnologie. În general, plug-in-urile VST au propria interfață, aceasta fiind asemănătoare cu echivalentul sau fizic. La început plug-in-urile se foloseau de gazdă pentru a oferi o interfață de lucru utilizatorului. Fig.1 Exista doua mari tipuri de plug-in-uri VST: VSTi (instrumente) – sunt, în general, sintetizatoare digitale sau samplere (procesare de sunet). Un exemplu ar fi EZ Drummer ce poate emula sunetul a zeci de instrumente de percutie diferite. VSTi, vine de la VST instrument şi semnifică un instrument muzical VIRTUALIZAT. 4 „Tehnologia VST” 2013 Fig.2 VSTfx (efecte), cum ar fi reverbul sau tremolo-ul, proceseaza semnalul de intrare. Majoritatea gazdelor permit folosirea mai multor efecte asupra unui singur track. Un exemplu de VSTfx ar fi Native Instruments Guitar Rig 5 ce preia semnalul de la chitara, transformat in prealabil de PC din analog in digital, si ii aplica unul dintre efecte ce emuleaza sunetul a sute de amplificatoare de legenda. ISTORIE Prima interfata VST a aparut in anul 1996, odata cu lansarea aplicatiei de editare audio Steinberg Cubase 3.02. Incluse in acest host au fost disponibile primele plug-in-uri. Espacial, Choirus, Stereo Echosi Auto-Panner. In 1999 a aparut versiunea 2.0. Odata cu aceasta versiune plug-in-urile puteau procesa date de tip MIDI. Astfel au putut lua nastere VSTi-urile (instrument) despre care vom discuta imediat. In 2006 a fost lansata versiunea 2.4 a acestei tehnologii. Pentru prima data sunetul putea fi procesat cu ajutorul tehnologiei pe 64 biti. 5 „Tehnologia VST” 2013 Versiunea 3.0 a fost lansată in anul 2008. Printre schimbările importante gasim: . Input audio pentru instrumente VST . Input/Output-uri multiple pentru MIDI. În februarie 2011 a aparut versiunea 3.5, acesta fiind și ultimul standard al tehnologiei VST. O inovație a acestei versiuni este adăugarea tehnologiei Note Expression care permite editarea fiecarei note în parte, oferind o foarte mare flexibilitate si un caracter al sunetului foarte apropiat de cel natural. APLICABILITATE De ce VST? Această tehnologie a creat posibilitatea virtualizarii echipamentelor de studio. Astfel, cu ajutorul unui plugin VST, poţi să substitui un echipament fizic oarecare, cum ar fi un instrument muzical, un procesor de efecte, un amplificator. Cum într-un studio sunt sute de echipamente, este lesne de înţeles de ce aceasta tehnologie a fost atât de rapid îmbrăţişata de muzicieni. Pentru a putea deschide un plug-in VST trebuie sa folosim o gazda (host). Din punctul de vedere al utilizatorului, utilizarea unui VST presupune fie instalarea, fie doar dezarhivarea şi copierea fişierului .dll într-un director „..\VST\*.dll”. Atunci când pornim o aplicaţie „VST Enabled” aceasta va scana implicit un director care este creat de installerele VST-urilor şi care este de obicei „C:\Program Files\Steinberg\VSTPlugins\*.dll” Un exemplu foarte bun este programul Reaper dezvoltat de cei de la Cockos Inc. Dupa cum puteti vedea in imaginea de mai jos acesta permite editarea pe mai multe straturi, iar pentru fiecare dintre acestea avem posibilitatea sa adaugam VST-uri. Sa luam spre exemplu linia de 6 „Tehnologia VST” 2013 bass. Aceasta poate fi generata printr-o clapa MIDI fizica sau virtuala. Reaper ne ofera posibilitatea de a incadra corespunzator in masura fiecare nota a bass-ului virtual. Pe de alta parte insa, pentru chitara electrica, am folosit un VSTfx. Acesta a preluat sunetul de chitara curat si l-a transformat intr-un sunet distorsionat specific muzicii Rock, adaugand totodata efecte precum reverb, delay sau chorus. Fig.3 ANALIZA CALITATIVĂ Avantajele folosirii acestor plug-in-uri este incontestabil. Totuși, inevitabil, există și anumite părți la care versiunile viitoare vor trebui să vină cu îmbunătățiri semnificative. În continuare voi încerca sa enumăr o serie de argumente pro și contra folosirii acestei tehnologii. Cu un calculator de 1000 euro, poţi face mult mai multe decât cu un instrument MIDI la aceeaşi categorie de preţ. Ba mai mult decât atât, cu două laptopuri de 500 euro, faci extrem de multe şi practic e greu de făcut o comparaţie cu două instrumente MIDI la acelaşi preţ! Dincolo de preţul mult mai mic al unui echipament VST sau instrument VST, mai sunt şi nişte posibilităţi care ţin de calculatoare. Este vorba despre salvarea setărilor unui sintetizator sau 7 „Tehnologia VST” 2013 instrument sau efect „patch management”, facilitate pe care şi astăzi, o au doar instrumentele MIDI foarte scumpe. Drept exemplu, Korg PA 500 are doar nişte funcţii limitate de salvare a unor setări. Prin contrast, versiunile VST ale unor instrumente realizate chiar de către producătorii lor, permit o gestionare completă a patchurilor de toate tipurile pe calculator, cu un soft dedicat, pe care îl primeşti în pachetul software al instrumentului MIDI. Aşa este de pildă Korg Kronos, Korg PS60 şi altele. Chiar şi o bună parte dintre VST-urile FREE, permit o astfel de gestionare. Pe de altă parte, cazute în mainile unor persoane nepricepute VST-urile pot produce sunete nenaturale, lucrări prost masterizate și de o calitate îndoielnică. De asemenea este încă nedrept să spunem că sunetul digital al acestor instrumente virtuale este de o fidelitate comparabilă cu cel al instrumentelor reale. PERSPECTIVE DE CREȘTERE A CALITĂȚII Asa cum scriam in capitolul anterior, principala problema a VST-urilor este legata de calitatea finala a sunetului. Desi raportul calitate/pret este, indiscutabil, unul excelent marile case de discuri au fost, pana de curand, reticente in folosirea acestei tehnologii in studiourile lor. Situatia s-a schimbat dramatic odata cu cresterea in popularitate a muzicii “electronice”, (ex.
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