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Reshaping a Tradition. Founding the Habsburg-Lorraine Dynastic State in the 18Th Century
Исторические исследования www.historystudies.msu.ru _____________________________________________________________________________ Лебо К. Reshaping a tradition. Founding the Habsburg-Lorraine dynastic state in the 18th century Аннотация: В статье исследуются компоненты власти в композитарной монархии Габсбургов и конструирование политической легитимности посредством управленческих практик, сочинений, речей и изображений. Монархия Габсбургов в XVIII в. не представляла собой однородного целого, объединяя территории с различной степенью интеграции. Выборность корон и их переходы от одной ветви рода к другой создавали сложную ситуацию, в которой Габсбургам удавалось утвердить свое господство, сочетая следование традиции и изменения. Административные реформы поддерживались символическим дискурсом. Династический дискурс пришел на смену истории правящего дома и стал способом утвердить принцип государственного интереса. Власть династии была основана на доминировании над территорией. Новые вертикальные связи исходили от Марии Терезии, распространяя ее господство за пределы владений Австрийского дома. На своих более чем двухстах портретах Мария Терезия всегда изображалась с регалиями, вид которых варьировался в зависимости от места, где картина должна была находиться, с тем, чтобы подчеркнуть своеобразие каждой территории и единство монархии, связь между правителем и подвластной территорией. Ключевые слова: династическое государство, дом Габсбургов, империя, институциональные реформы, композитарная монархия, наследственная монархия, символический -
The Habsburg Monarchy Makes Peace (1606)
Volume 1. From the Reformation to the Thirty Years War, 1500-1648 Rebels and Ottomans – The Habsburg Monarchy Makes Peace (1606) War and peace between the Ottoman sultans and the Holy Roman emperors was a major strand of Imperial history from the Ottomans’ first invasion of Hungary in 1526 to their decisive defeat at Imperial hands in Vienna in 1683. In contested Hungary, there were alternating periods of serious campaigning (1526-47, 1593-1606, 1663-83) and long, negotiated truces (1547-93, 1606-63). In its early phase, this contest played a significant role in the Protestant Reformation, for it provided the Protestant princes with a tactic that became a policy: no taxes without concessions on religion. During the next decades, some saw the Ottoman threat as a more or less welcome Habsburg problem, others as a threat to the Empire. Financial and symbolic goods played an important role in this rhythm. For example, the peace of 1547, which was renewed in 1562 and 1590, contained passages in which the Holy Roman emperor acknowledged the Ottoman overlordship of Hungary and agreed to pay the sultans 30,000 Venetian ducats per year in tribute. Between major campaigns, the respective positions were held by two heavily fortified systems of defense. On the Habsburg side, the defensive line was called “the military frontier” and was manned by Croats, Vlachs, and Serbs who were both free farmers and resident warriors. Trading across the frontier was a reality, but so were raids in strength, which sometimes presaged major outbreaks of all-out war. One such incident occurred in 1592, when Emperor Rudolph II sent a large force to the front and helped spark the so-called Long War. -
Universalmuseum Joanneum (Graz,11-12 Mar 10)
Ein Museum erfindet sich neu: Universalmuseum Joanneum (Graz,11-12 Mar 10) Schatz Elisabeth Workshop "Ein Museum erfindet sich neu. Die Entwicklung eines Corporate Design am Beispiel des Universalmuseum Joanneum" 11.-12.3.2010 l Heimatsaal, Paulustorgasse 13a, 8010 Graz (A) Voranmeldungen sind schon jetzt per Mail an [email protected], oder per Fax +43 (0)316/8017-9808 möglich! Seit 2003 erneuert sich das Landesmuseum Joanneum in Graz mit einem vorläufigen Höhepunkt der Umbenennung in "Universalmuseum" und der Schaffung eines vollkommen neuen Corporate Design 2009. Gleichzeitig werden mehrere große und zentrale Sammlungen und deren Dauerausstellungen erneuert, an neuen Standorten oder auch in neuen Architekturen gezeigt. Diese 'Neuerfindung' soll exemplarisch für Modernisierungsprozesse von Museen insgesamt dargestellt und untersucht werden. Mit Augenmerk sowohl für die Wechselbeziehung von Öffentlichkeitsarbeit, Marketing, Corporate Identity und Corporate Design einerseits und inhaltlicher Erneuerung andererseits. Es geht in der Veranstaltung aber auch um die praktische Seite, um Produktion und Umsetzung. Am konkreten Beispiel sollen die Entscheidungen, die Produkte und Projekte vorgestellt, erläutert und diskutiert werden, aus denen eine solche 'Rundumerneuerung' zusammengesetzt ist. Die Beteiligten berichten über den Planungs- und Umsetzungsprozess, über die Ergebnisse, über erste Erfahrungen mit den entwickelten Produkten und über den ideellen und strategischen Hintergrund. Mit Dr. Wolfgang Muchitsch Direktor Universalmuseum -
Goings Ralph
LOUIS K. MEISEL GALLERY RALPH GOINGS Biography Updated: 2/14/20 BORN 1928 Corning, CA EDUCATION 1965 Sacramento State College, Sacramento, CA; M.F.A. 1953 California College of Arts and Crafts, Oakland, CA; B.F.A. SOLO EXHIBITIONS 2005 Great Goings: Vintage Pick-up Trucks and Diner Paintings, Louis K. Meisel Gallery, New York, NY 2004 Ralph Goings: Four Decades of Realism, The Butler Institute of American Art, Youngstown, OH 2003 Ralph Goings: Paintings & Watercolors, Vintage & Current Works, Bernarducci Meisel Gallery, New York, NY 1997 Ralph Goings: Photorealism, Solomon Dubnick Gallery, Sacramento, CA 1996 O.K. Harris Works of Art, New York, NY 1994 Ralph Goings, A Retrospective View of Watercolors: 1972-1994, Jason McCoy Inc., New York, NY 1991 O.K. Harris Works of Art, New York, NY 1988 O.K. Harris Works of Art, New York, NY 1985 O.K. Harris Works of Art, New York, NY 1983 O.K. Harris Works of Art, New York, NY 1980 O.K. Harris Works of Art, New York, NY 1977 O.K. Harris Works of Art, New York, NY 1973 O.K. Harris Works of Art, New York, NY 141 Prince Street, New York, NY 10012 | T: 212 677 1340 | F: 212 533 7340 | E: [email protected] LOUIS K. MEISEL GALLERY 1970 O.K. Harris Works of Art, New York, NY 1968 Artists CooperatiVe Gallery, Sacramento, CA 1962 Artists CooperatiVe Gallery, Sacramento, CA 1960 Artists CooperatiVe Gallery, Sacramento, CA GROUP EXHIBITIONS 2019 Reality Check: Photorealist Watercolors, Herbert F. Johnson Museum, Cornell UniVersity, Ithaca, NY, April 27 – July 28 50 Years of Realism, Centro Cultural Center Bank of Brazil, Rio de Janeiro, May 22 – July 29 2017-18 From Lens to Eye to Hand: Photorealism 1969 to Today, traVeling exhibition: Parrish Art Museum, Water Mill, NY August 6, 2017 – Jan. -
Universalmuseum Joanneum Comunicato Stampa Il Castello Di
Universalmuseum Joanneum Comunicato stampa Universalmuseum Joanneum [email protected] Mariahilferstraße 4, 8020 Graz, Austria Telefono +43-664-2061723 www.museum-joanneum.at Il castello di Eggenberg Il complesso del castello di Eggenberg costituisce un’incomparabile opera d’arte risalente al primo Barocco. Struttura ed interni si fondono in una complessa rappresentazione simbolica dell’universo: la dimora terrena di un uomo di stato colto e potente. La residenza del governatore imperiale Hans Ulrich von Eggenberg è architettura politica, pretenziosa legittimazione del dominio di una famiglia. La storia dell’edificio: da residenza principesca a museo universale L’ascesa di Hans Ulrich von Eggenberg a statista di levatura europea sotto il regno dell’imperatore Ferdinando II sollevò l’esigenza di ristrutturare la proprietà di famiglia, collocata nella zona ovest di Graz, trasformandola da provinciale dimora medievale in residenza degna di rivestire le più alte funzioni di rappresentanza. A partire dal 1625, dunque, si venne sviluppando un complesso in grado di esprimere debitamente il nuovo rango del padrone di casa. Eckhenberg: la residenza di famiglia sugli Algersdorfer Felder. Balthasar Eggenberger acquistò l’antica magione sui cosiddetti Algersdorfer Felder, ad un miglio dalla città residenziale di Graz, nel 1460. Negli anni successivi egli diede inizio a lavori di ampliamento e ristrutturazione della dimora nobiliare fortificata. Sul suo aspetto a quest’epoca poco si sa. Certo è che doveva disporre di una torre a pianta quadra e di un edificio a forma di L. Prima ancora del 1470 nella torre fu creata una piccola cappella dedicata alla Madonna, dotata di un prezioso altare con polittico. -
29Th 2017 in Schloss Eggenberg, Graz Austria
Light & Glass Yearly Meeting April 27th - 29th 2017 in Schloss Eggenberg, Graz Austria Shining a Light, Light – Culture – History Together with our host Paul Schuster, we present our Program of Lectures: STAGING OF LIGHT / INSZENIERUNG. John Smith, formerly Malletts, London GB: "Country House Lighting in the 18th Century Britain - The Ascendency of Glass" Siegrun Appelt, Slow Light etc. Vienna, Austria: „Licht im Zeitalter der Industrialisierung” (Light in the Industrial Age) Indre Uzuotaite, Vilnius, Lithuania: "Servant of the Chandelier - Mirrors as Lighting Device" Tereza Svachova / Peter Rath, “Eliaska Project, Progress to date” RADIATING LIGHT / DAS OBJEKT Käthe Klappenbach, Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, Potsdam, Germany: "Kristall-Kronleuchter für den Preußischen König Friedrich II" Angela Gräfin von Wallwitz, Munich, Germany: "An Outstanding and Important Pair of Large Ormolu Wall Lights" Ingrid Thom-Stricker ,Restauratorin für Kunsthandwerk, Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen: "Die Luster in der Residenz Bamberg" Maria Joao Burnay, Glass Collection Curator, Palacio Nacional da Ajuda, Lisbon, Portugal: “Romantic lighting and ambiances. Chandeliers and wall lights in the Palacio da Ajuda.” Susanne Carp + Susanne Conrad, LVR_Amt für Denkmalpflege im Rheinland, Germany : "Die Laterne im Prunktreppenhaus von Schloss Augustenberg in Brühl" Jan Mergl, Deputy Director Scientific Work, West Bohemian Museum, Pilsen CZ, “Beleuchtungskörper auf der Wiener-Ausstellungen 1900-1918 -
University Microfilms, a XEROX Company, Ann Arbor, Michigan
71-7579 THIRY, Jr., Alexander George, 1930- REGENCY OF ARCHDUKE FERDINAND, 1521-1531; FIRST HABSBURG ATTEMPT AT CENTRALIZED CONTROL OF GERMANY, The Ohio State University, Ph.D., 1970 History, modern University Microfilms, A XEROX Company, Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED REGENCY OF ARCHDUKE FERDINAND, 1521-1531: FIRST HABSBURG ATTEMPT AT CENTRALIZED CONTROL OF GERMANY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Alexander G. Thiry, B. A., M. A. ****** The Ohio State University 1970 Approved by Iviser Department of History PREFACE For those with professional interest in the Reforma tion era, Ferdinand of the House of Habsburg requires no special introduction here. As the younger and sole brother of Charles V, who was the Holy Roman Emperor of the German Nation in the first-half of the sixteenth century, Ferdi nand's place among the list of secular, notables of the pe riod is assured. Singled out in 1521 by his imperial brother to be the Archduke of Austria and to become his personal representative in Germany, attaining the kingships of Bohe mia and Hungary in 1526 and 1527 respectively, and designated, following his brother's abdication and retirement from pub lic life in 1556, to succeed him as emperor of Germany, Fer dinand could not help leaving behind him from such political heights indelible footprints upon the course of history. Yet, probably because of the fragmentation of Ferdi nand's energy into these many various channels of responsi bility and the presence of his illustrious brother, Charles V, and his fanatical nephew, Philip II of Spain, who both eclipsed his own place on the stage of history, Ferdinand's historical significance has been largely overlooked by IX posterity. -
Acta Historiae Artis Slovenica 25|2• 2020
XXXXXXXXXXXXXXXXXX Umetnostnozgodovinski inštitut Franceta Steleta ZRC SAZU France Stele Institute of Art History ZRC SAZU ACTA HISTORIAE ARTIS SLOVENICA 25|2• 2020 Likovna umetnost v habsburških deželah med cenzuro in propagando Visual Arts in the Habsburg Lands between Censorship and Propaganda LJUBLJANA 2020 XXXXXXX XXXXXXXXXX Acta historiae artis Slovenica, 25/2, 2020 Likovna umetnost v habsburških deželah med cenzuro in propagando Visual Arts in the Habsburg Lands between Censorship and Propaganda Znanstvena revija za umetnostno zgodovino / Scholarly Journal for Art History ISSN 1408-0419 (tiskana izdaja / print edition) ISSN 2536-4200 (spletna izdaja / web edition) ISBN: 978-961-05-0495-5 Izdajatelj / Issued by ZRC SAZU, Umetnostnozgodovinski inštitut Franceta Steleta / ZRC SAZU, France Stele Institute of Art History Založnik / Publisher Založba ZRC Glavna urednica / Editor-in-chief Tina Košak Urednika številke / Edited by Franci Lazarini, Tina Košak Uredniški odbor / Editorial board Renata Komić Marn, Tina Košak, Katarina Mohar, Mija Oter Gorenčič, Blaž Resman, Helena Seražin Mednarodni svetovalni odbor / International advisory board Günter Brucher (Salzburg), Ana María Fernández García (Oviedo), Hellmut Lorenz (Wien), Milan Pelc (Zagreb), Sergio Tavano (Gorizia-Trieste), Barbara Wisch (New York) Lektoriranje / Language editing Maria Bentz, Kirsten Hempkin, Amy Anne Kennedy, Andrea Leskovec, Tjaša Plut Prevodi / Translations Andrea Leskovec, Borut Praper, Nika Vaupotič Celosten strokovni in jezikovni pregled / Expert and language -
A Few Clerics at Court
Rafferty 1 A Few Clerics at Court Catholic Clergymen in the lay politics and administration of Spain during the reigns of “Los Austrias Mayores”, Charles V/I and Philip II: 1516-1598 Keith Rafferty History Undergraduate Honors Thesis Georgetown University Advisor: Professor Tommaso Astarita, Georgetown University May 9. 2011 Rafferty 2 I authorize the public release of my thesis for anybody who should want to look at it. Rafferty 3 Table of Contents Table of Contents .................................................................................................................................... 2 Introduction ............................................................................................................................................. 4 Thesis Statement.................................................................................................................................. 8 Organization and Explanation .................................................................................................................. 9 Explanation of Terms .......................................................................................................................... 9 CODOIN ..................................................................................................................................... 9 Spain/The Spanish Empire ......................................................................................................... 11 The Spanish Aristocracy ........................................................................................................... -
HERBERT BRANDL Bilderbuch Bilderbogen 5 FEB – 14 MAR 2020
In the LOGIN: HERBERT BRANDL Bilderbuch Bilderbogen 5 FEB – 14 MAR 2020 Concurrently with Herbert Brandl’s major solo exhibition on show at Belvedere 21, Vienna, from 31 January to 24 May 2020, we are presenting a selection of current works entitled Bilderbuch Bilderbogen [Picture Set Picture Sequence] at the LOGIN, the gallery window space on Grünangergasse. New and previously unseen works will be on show on a weekly rotation as part of a dynamic format. This means that, every Tuesday over the course of the run, a further exhibition will emerge which, as a series, will open up a tableau that reveals Brandl’s highly expressive natural and colourful worlds, offering an insight into his stunning imagery. In his latest works Brandl pursues his in-depth exploration of the complex themes of nature, landscape and abstraction. Here, at the focal point of his artistic output, he has chosen to place deserted observations of nature. Captivating his interest is the elaboration of individual motifs such as mountain formations, crystals, waterfalls, hyenas and lions, motifs to which he has returned time and again in cycles of works elaborated over long periods of time. As with his latest theme, the rose, these are motifs with clichéd attributions which he approaches with his own substantive and formal examination. Scaled up onto large-format canvases, framed in excerpt-like details and rendered detached from their contexts, they gain a certain urgency and monumental presence. It is their originality and seemingly untouched nature which Brandl has addressed with his idiosyncratic gaze and highlighted in his works. -
Einprägsam Das Münzkabinett Schloss Eggenberg
Universalmuseum Joanneum Presse Universalmuseum Joanneum [email protected] Mariahilferstraße 4, 8020 Graz, Austria Telefon +43-316/8017-9211 www.museum-joanneum.at Einprägsam Das Münzkabinett Schloss Eggenberg Münzkabinett, Schloss Eggenberg, Eggenberger Allee 90, A-8020 Graz Öffnungszeiten: 1. April bis 31. Oktober: Mi–So 10-17 Uhr 1. November bis 31. Dezember: Mi–So 10-16 Uhr Jänner bis März geschlossen Information: +43-316/58 32 64-9513 Vom Panthertaler der Münzstätte Graz bis zum Schinderling, vom Münzmedaillon aus Flavia Solva bis zum Renaissance-Kleinod Erzherzog Karls II. von Innerösterreich: Das Münzkabinett am Universalmuseum Joanneum hat einprägsame Geschichten über die Macht und Ohnmacht des Geldes zu erzählen und lässt sich dabei von seinem Standort Schloss Eggenberg inspirieren. Die Anfänge der Münzensammlung des Universalmuseums Joanneum gehen auf Erzherzog Johann zurück, der in den Gründungsstatuten des Joanneum im Jahr 1811 festhielt, dass „inländische Münzen von allen Metallgattungen zusammengereihet“ werden sollen. Heute auf rund 70.000 Objekte angewachsen, zählt das joanneische Münzkabinett zu den größten öffentlichen Münzensammlungen Österreichs und beherbergt als Besonderheiten Prunkstücke der Prägestätte Graz und Schatzfunde sowie Einzelfunde aus der ganzen Steiermark. Das seit 1982 im Erdgeschoß von Schloss Eggenberg untergebrachte Münzkabinett wurde im März 2006 geschlossen, weil es nicht mehr den modernen museologischen Anforderungen entsprochen hat. Neuaufstellung im ältesten Teil des Schlosses: im „Castrum Eckenperg“ Das 2007 wiedereröffnete Münzkabinett spiegelt die Stärken der joanneischen Münzensammlung wider und lässt sich vom Präsentationsort inspirieren, der im Kernbereich von Schloss Eggenberg liegt. Die Bühne bilden zwei Räume, die sich im ältesten Teil der Schlossanlage befinden, dem in der zweiten Hälfte des 15. -
Renewable Energy Sources and Technologies in Austria
Renewable Energy Sources and Technologies in Austria State of the Art Report 2005 G. Faninger Berichte aus Energie- und Umweltforschung 26/2006 Imprint: Owner and Publisher: Austrian Federal Ministry for Transport, Innovation and Technology Radetzkystraße 2, A-1030 Vienna, Austria Responsibility and Coordination: Division for Energy and Environmental Technologies Head: Michael Paula This publication series can be ordered via http://www.nachhaltigwirtschaften.at or at Projektfabrik Waldhör Währingerstraße 121/3 A-1180 Vienna, Austria Renewable Energy Sources and Technologies in Austria State of the Art Report 2005 Gerhard Faninger, Prof., Dr. Faculty for Interdisciplinary Studies, iff, University of Klagenfurt, Austria Austrian Delegate in the IEA/OECD Renewable Energy Working Party Austrian National Report 2005 For the IEA-Working Party on Renewable Energy Technologies Klagenfurt, December 2005 On behalf of the Austrian Federal Ministry for Transport, Innovation and Technology CONTENT 1. Renewable Sources of Energy and Technologies 5 2. Conditions for the Market Deployment of Renewables in Austria 6 3. The Competence of the Austrian Industry in Renewable Energy Technologies 17 4. The Role of Renewables in the Austrian Energy Supply 22 5. Development of Energy Supply in Austria 36 6. Renewable Energy Sources and Technologies in Austria 46 6.1. Hydropower 47 6.2. Bioenergy 52 6.2.1. Solid Biomass 54 6.2.2. Liquid Biomass 55 6.2.3. Bio-gas 55 6.2.4. Installed Electrical Load of Bio-energy Products 55 6.3. Solar Energy and Technologies 64 6.3.1. Solar Heat and Solar Thermal Technologies 65 6.3.2. Solar Electricity and Solar Electricity Technologies 69 6.4.