Christine Capetola American Studies Department • University of Texas at Austin 2505 University Ave • Austin, TX • 78712
[email protected] EDUCATION Ph.D. American Studies, University of Texas at Austin, 2019 Dissertation: “Hyperaural Blackness: Black Pop Stars, New Musical Technologies, and Vibrational Negotiations of Identity in the Mid-1980s and Beyond” Co-Supervisors: Ann Cvetkovich and Shirley Thompson M.A. Performance Studies, New York University, 2014 B.S. Economics, University of Pennsylvania, 2009 PROFESSIONAL EXPERIENCE 2019-2020 Postdoctoral Fellow, Andrew W. Mellon Engaged Scholar Initiative, The University of Texas at Austin PUBLICATIONS Works in Progress “Fit for a Queen: Grace Jones, The Queen’s Diamond Jubilee, and the Sharp Resonances of Diasporic Pasts” (will submit to American Quarterly in September 2019). Peer-Reviewed Publications “Starting Something: Synthesizers and Rhythmic Reorientations in Michael Jackson’s ‘Billie Jean,’” Souls: A Critical Journal of Black Politics, Culture, and Society (forthcoming). Book Chapters “Finding a Home in House: Tracing Vibrations of Black Queer Femmeness from Camille to Robin S. to FKA twigs” (forthcoming), Oxford Handbook of Electronic Dance Music, Luis- Manuel Garcia and Robin James (editors), Oxford. “Future Sounds: Janelle Monáe and Cyberpunk Synthetics” (forthcoming), Routledge Companion to Cyberpunk Culture, Lars Schmeink, Anna McFarlane, and Graham Murphy (editors), Routledge. AWARDS, GRANTS, AND FELLOWSHIPS 2017-2020 Andrew W. Mellon Engaged Scholar Initiative Fellowship 2017-2018 Dissertation Fellowship, College of Liberal Arts, UT Austin 2016 Dissertation Startup Award, Department of American Studies, UT Austin 2015 TA Top Off Award, Department of American Studies, UT Austin INVITED TALKS 2017 “Janet Jackson as a Vibrational Precursor to Beyoncé and Solange Knowles,” Texas State University, San Marcos, TX.