Redalyc.Rare Earth Element Concentrations in Brazilian
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Yuri Jacques Agra Bezerra Da Silva Interference Of
YURI JACQUES AGRA BEZERRA DA SILVA INTERFERENCE OF HYDRAULIC ROUGHNESS GENERATED BY UNSUBMERGED VEGETATION ON SEDIMENT TRANSPORT IN CAPIBARIBE RIVER RECIFE - PE 2012 YURI JACQUES AGRA BEZERRA DA SILVA INTERFERENCE OF HYDRAULIC ROUGHNESS GENERATED BY UNSUBMERGED VEGETATION ON SEDIMENT TRANSPORT IN CAPIBARIBE RIVER Dissertation presented to Rural Federal University of Pernambuco, as part of the demanding of Graduate Program in Soil Science to obtain the Master Degree. Adviser Prof. José Ramon Barros Cantalice, Dr RECIFE-PE 2012 ii YURI JACQUES AGRA BEZERRA DA SILVA TITLE: INTERFERENCE OF HYDRAULIC ROUGHNESS GENERATED BY UNSUBMERGED VEGETATION ON SEDIMENT TRANSPORT IN CAPIBARIBE RIVER. Approved on January 6, 2012. _______________________________________ Prof. Dr. Brivaldo Gomes de Almeida (Examiner) _______________________________________ Prof. Dr. Vicente de Paula Silva (Examiner) _______________________________________ Prof. Dr. Moacyr Cunha Filho (Examiner) _______________________________________ Prof. Dr. José Ramon Barros Cantalice (Adviser) iii “Aprendi que os sonhos transformam a vida numa grande aventura. Eles não determinam o lugar aonde você vai chegar, mas produzem a força necessária para arrancá-lo do lugar em que você está.” (Augusto Cury) iv God, by giving me health to complete my research; My grandmother: Zene dos Anjos Bezerra da Silva; My mother and father: Vilma Agra da Fonseca and Roberto Jacques Bezerra da Silva; My brother and sister: Ygor Jacques Agra Bezerra da Silva and Rayanna Jacques Agra Bezerra da Silva; My fiancee: Cinthia Maria Cordeiro Atanázio Cruz; All people who contributed with my Dissertation. DEDICATE v ACKNOWLEDGEMENTS I would like to express my sincere gratitude to: God by giving me health for developing this research and help me to overcome all challenges in my life; Rural Federal University of Pernambuco by the opportunity of carrying out the master's degree in the soil science program; My adviser Dr. -
The Brazilian Music Book
The Brazilian Music Book Brazil's Singers, Songwriters and Musicians Tell The Story of Bossa Nova, MPB, and Brazilian Jazz and Pop by Chris McGowan Culture Planet Santa Monica 2012 Copyright © 2012 by Chris McGowan All rights reserved Published 2012 Printed in the United States of America Published by Culture Planet Santa Monica, California www.cultureplanet.com/cpbooks/ ISBN: 978-0-9839806-1-2 Book design by Clay Lord This book is also available in ebook formats. Visit the Culture Planet website or the author's site (www.jcmgowan.net/tbmb/) for more information. "The Brazilian Music Book by Chris McGowan is an involving work thanks to the insight of the author, his integrity and his deep love for music and Brazilian musicians. It is a book destined for success and I hope to see it translated into Portuguese as soon as possible." —guitarist Turibio Santos, director of the Villa-Lobos Museum in Rio de Janeiro and artistic director of the Vale do Café music festival. "The Brazilian Music Book has a fine line-up of guests for a grand series of sessions with timely commentary and historical insight. This volume is of the same quality as The Brazilian Sound and a great complement to that now standard work." —Charles A. Perrone, Professor of Portuguese and Director of Brazilian Studies, University of Florida Praise for The Brazilian Sound: Samba, Bossa Nova and the Popular Music of Brazil by Chris McGowan and Ricardo Pessanha "It continues to be the most informative—and eminently readable—book about Brazilian popular music." —Don Heckman, The Los Angeles Times "An informed, useful introduction to Brazilian music." —Fernando Gonzalez, The Boston Globe "The coverage is complete . -
Bezerra Da Silva: the Voice of the Other Side
Bezerra da Silva: The Voice of the Other Side Victoria Broadus Georgetown University ABSTRACT Samba singer Bezerra da Silva (1927-2005) called himself the porta-voz for Rio’s voiceless masses. This article considers how and why Bezerra played that role so well, arguing that Bezerra fashioned himself in the image of Zé Pelintra and Exu, Umbanda trickster spirits associated with communication and protection of the subaltern classes. Bezerra projected himself as a singular “ambassador” for Rio’s favelas during a crucial period of transition (1970s - early 2000s) on those morros and in the region more broadly. He curated a repertoire of songs composed by residents of those favelas and poor urban outskirts. And through his vocal interpretation, informed by his own life story, Bezerra brought their messages to millions of listeners. Over the course of Bezerra’s career, global and local forces including hyperinflation and the effects of neoliberal reforms, corruption, soaring cocaine use and the war on drugs ravaged the lives of the favelas’ working poor. As those workers were increasingly scapegoated for Rio’s and Brazil’s waves of violence, Bezerra’s songs asserted that white-collar crime and persistent racism were the principal culprits in the spiraling violence and reminded the city and nation that favela residents were, above all, hard workers and good citizens. KEYWORDS: Bezerra da Silva; samba; Umbanda; Partido alto; Rio de Janeiro; Favelas RESUMO O cantor Bezerra da Silva (1927-2005) se autodenominou o “porta-voz” dos povos marginalizados e “sem voz” do Rio de Janeiro. O presente artigo considera como e porque Bezerra desempenhou tão bem esse papel, propondo que Bezerra criou sua própria imagem na figura do Zé Pelintra e Exu, espíritos trickster do panteão da Umbanda que defendem e dão voz aos povos oprimidos. -
Bezerra Da Silva “Provando E Comprovando a Sua Versatilidade” Em Sons E Imagens
DOI: 10.12957/tecap.2016.19496 BEZERRA DA SILVA “PROVANDO E COMPROVANDO A SUA VERSATILIDADE” EM SONS E IMAGENS Rainer Gonçalves Sousa (IFG) Este artigo trabalha com as capas de discos de Bezerra da Silva. Ao lidar com tal manifestação artística, lemos histo- ricamente a importância que as capas – entendidas como evento performático – tiveram na definição de sentidos não só para o samba, mas para outros gêneros musicais contemporâneos. BEZERRA DA SILVA, PERFORMANCE; CAPAS DE DISCO. SOUSA, Rainer Gonçalves. Bezerra da Silva: “pro- vando e comprovando a sua versatilidade” em sons e imagens.. Textos escolhidos de cultura e arte populares, Rio de Janeiro, v.13, n.1, p. 47-67, mai. 2016. SOUSA, Rainer Gonçalves. Bezerra da Silva: “provando e comprovando a sua versatilidade”... 47 BEZERRA DA SILVA “PROVING AND VERIFYING YOUR VERSATILITY” IN SOUNDS AND IMAGES Rainer Gonçalves Sousa (IFG) This article works with the covers of Bezerra da Silva’s al- bums. When dealing with such artistic expression we can historically read the importance the covers - understood as performative event - had in the definition of meaning not only for the samba, but for other contemporary musi- cal genres. BEZERRA DA SILVA; PERFORMANCE; ALBUM COVERS. SOUSA, Rainer Gonçalves. Bezerra da Silva: “pro- vando e comprovando a sua versatilidade” em sons e imagens.. Textos escolhidos de cultura e arte populares, Rio de Janeiro, v.13, n.1, p. 47-67, mai. 2016. 48 Textos Escolhidos de Cultura e Arte Populares, v. 13. n. 1, mai. 2016 INTRODUÇÃO Diante da série de trabalhos que tematizam ou mencionam a obra do sam- bista Bezerra da Silva, nota-se algo no mínimo curioso: além da importância de seu legado musical, muitos autores atentam para a imagem do próprio sambista. -
Avelar, Idelber, and Christopher Dunn. Brazilian Popular Music and Citizenship. Durham: Duke University Press, 2011. Scholarly S
Avelar, Idelber, and Christopher Dunn. Brazilian Popular Music and Citizenship. Durham: Duke University Press, 2011. Scholarly studies on music have for the past thirty years paid particular attention to the ways in which music participates in the construction of national identity. In the case of Brazil, music has often been identified as a crucial expressive practice that creates concrete emblems that stand for and create the nation. By socializing people into experiencing a national sentiment, music actively contributes in generating feelings of identification with an imagined community. However, this is only the first part of the equation when thinking about the dashed identity group associated with the nation-state. Belonging to a nation is often conceived as a subjective position exemplified by feelings of pride, patriotism and even shame and guilt, while associations with the state is seen as an objective condition exemplified by identification documents, taxes, passports, etc. In a way, one is born into a state (thus conferred a citizenship), while socialized into a nation. The book Brazilian Popular Music and Citizenship, challenges the simplicity of this model and is a welcome addition that rethinks how expressive culture participates in how people are integrated—or not—into the state as participants with duties and rights, as member of broader social movements, or as subjects of repressive and coercive social forces. As it is claimed in the book’s introduction, in Brazil “music has been both an instrument through which disenfranchised groups have asserted claims to citizenship, as well as a tool in the formulation of disciplinary or repressive state policies” (1). -
Yuri Jacques Agra Bezerra Da Silva Interference Of
YURI JACQUES AGRA BEZERRA DA SILVA INTERFERENCE OF HYDRAULIC ROUGHNESS GENERATED BY UNSUBMERGED VEGETATION ON SEDIMENT TRANSPORT IN CAPIBARIBE RIVER RECIFE - PE 2012 YURI JACQUES AGRA BEZERRA DA SILVA INTERFERENCE OF HYDRAULIC ROUGHNESS GENERATED BY UNSUBMERGED VEGETATION ON SEDIMENT TRANSPORT IN CAPIBARIBE RIVER Dissertation presented to Rural Federal University of Pernambuco, as part of the demanding of Graduate Program in Soil Science to obtain the Master Degree. Adviser Prof. José Ramon Barros Cantalice, Dr RECIFE-PE 2012 ii YURI JACQUES AGRA BEZERRA DA SILVA TITLE: INTERFERENCE OF HYDRAULIC ROUGHNESS GENERATED BY UNSUBMERGED VEGETATION ON SEDIMENT TRANSPORT IN CAPIBARIBE RIVER. Approved on January 6, 2012. _______________________________________ Prof. Dr. Brivaldo Gomes de Almeida (Examiner) _______________________________________ Prof. Dr. Vicente de Paula Silva (Examiner) _______________________________________ Prof. Dr. Moacyr Cunha Filho (Examiner) _______________________________________ Prof. Dr. José Ramon Barros Cantalice (Adviser) iii “Aprendi que os sonhos transformam a vida numa grande aventura. Eles não determinam o lugar aonde você vai chegar, mas produzem a força necessária para arrancá-lo do lugar em que você está.” (Augusto Cury) iv God, by giving me health to complete my research; My grandmother: Zene dos Anjos Bezerra da Silva; My mother and father: Vilma Agra da Fonseca and Roberto Jacques Bezerra da Silva; My brother and sister: Ygor Jacques Agra Bezerra da Silva and Rayanna Jacques Agra Bezerra da Silva; My fiancee: Cinthia Maria Cordeiro Atanázio Cruz; All people who contributed with my Dissertation. DEDICATE v ACKNOWLEDGEMENTS I would like to express my sincere gratitude to: God by giving me health for developing this research and help me to overcome all challenges in my life; Rural Federal University of Pernambuco by the opportunity of carrying out the master's degree in the soil science program; My adviser Dr.