Daniele Antonangeli

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Saverio Clemente Andrea De Amici Luca Targetti He graduated with highest honors at the Giuseppe Verdi Conservatorio in Milan. In 2011,at the age of twenty-two, won the 65th edition of the Teatro Lirico Sperimentale di Spoleto Competition where he had the opportunity to take its first steps on stage led by the baton of M° Carlo Palleschi, making his debut in the role of Sharpless in Madama Butterfly. The next year he debuted in Spoleto as Germont in La Traviata. He had the opportunity to train and improve his vocal technique with Renato Bruson, Ines Salazar and Rolando Panerai. He collaborated with the Teatro Sociale in Como (Opera Domani) singing in a version for children of Der Fliegende Holländer in the leading role in more than 40 performances. In 2012 he was in Adelaide di Borgogna composed by P. Generali at the Teatro Sociale in Rovigo and recorded by the label Bongiovanni. Daniele Antonangeli Since 2012 he is the baritone of the "Fondazione Luciano Pavarotti" and Bass of the project "Bel Canto"; a "theatrical concert" in which he made his debut at the New York City Center. In 2014 he sang the title role in Don Giovanni in the season of the Ticino Music Festival under the baton of M. Umberto Finazzi and he debuted in the role of Uberto in La Serva Padrona conducted by M° Marco Pace in Glazunov Hall in St. Petersburg. He has been Belcore in L'Elisir d'amore and Figaro in Il barbiere di Siviglia at the Hanjun ArtCenter in Seoul. Since 2015 he moved to the repertoire of agility bass and sang Figaro in Le Nozze di Figaro in Lugano, Don Alfonso in Così fan tutte at the Martina Franca Festival conducted by Fabio Luisi, Mustafà in Italiana in Algeri at the Erl Festival conducted by Gustav Kuhn, Assur in Semiramide in Saint Etienne, Alidoro in La Cenerentola at Teatro delle Muse, again in Erl singing Colline in Bohème, Don Parmenione in L’occasione fa il ladro, his debut at Teatro alla Scala in Manon Lescaut; among his future engagements, Adina in Wexford, the main role in Don Giovanni in Pisa and in Trento, Petite Messe Solennelle at Théâtre des Champs Elysées in Paris and in Bruxelles, La Traviata in Monte-Carlo. July 2019 InArt Management Via San Gregorio 53, 20124 Milano Tel. +39 02 97 37 41 66 / Fax +39 02 97 37 42 33 [email protected] www.inartmanagement.com .

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Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
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KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
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Verdi's Rigoletto
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MASCAGNI Overload Distortion
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Decca Discography
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Verdi's Macbeth
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Sir Colin Davis Discography
1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1.
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La Traviata. Giuseppe Verdi
RECORDINGS 107 La traviata. Giuseppe Verdi Violetta de Saint-T: Jane Moriet Docteur Gernumt: Hippolyte Bdhommc Clara/Annette: Marie Ganteri Recorded in 1912 Rodolphc d'Orbel: M. TrosselU Entile Archaimbaud, conductor Georges d'Orbel: Henri Albers Bourg Records (distributed by Entile de Letoriere: M. de Poumayrac Qualiton Imports, Ltd.) Marquis d'Orbigny: Pierre Dupri BG 4023-24 (mono) (2 discs) This is one of the most recent of the "complete" operas from the Pathe" Le Theatre chez soi series that Bourg has been bringing out. It is also the most carelessly produced of this often-intriguing series, as the unreliable pitches of Downloaded from https://academic.oup.com/oq/article/4/4/107/1482974 by guest on 28 September 2021 the originals have not been corrected, the final (78-rpm) side from act 2 has been recorded twice (at the beginning of side 3 of this set), and the cuts are egregious, truly sanguinary. Yet the set has some value, for it gives us a fairly substantial view of the French translation of Piave's libretto by Edouard Duprez (the tenor's brother) that was introduced at the The"atre-Lyrique on the occasion of Christine Nilsson's Paris debut (27 October 1864). This French Traviata (first given widi the title Violetta) was approved by Verdi, and interestingly enough, differs in some musical details from the Italian original: there is an orchestral statement of the "Amami, Alfredo" melody right on the heels of Violetta's singing it, and Pere d'Orbel comforts his son with "Lorsqu'a des folks amours" ("Di Provenza") before young Rodolphe receives Violetta's letter, instead of after- ward as in the Italian version.
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JULES MASSENET – His Life and Works by Nick Fuller I
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LEONCAVALLO Pagliacci
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