From the Opera Houses of Italy

Total Page:16

File Type:pdf, Size:1020Kb

From the Opera Houses of Italy Loren-James Clark Mr. Clark came to our church in September 2013, where he has served for the past five years. He earned his BA Music, Organ Performance at Andrews University in 1998, where he studied under Dr. C. Warren Becker, and later finished his degree under Becker’s successor, Dr. Kenneth Logan. His performances include St. Paul’s Cathedral in 2011, Blessed Sacrament Holy Catholic Church in 2012, and at Pacific Beach United Methodist Church in 2016. Mr. Clark also works for Sean O’Neal, who is contracted to service the organ, at O’Neal Pipe Organ Service in Long Beach, CA Plans are in the works to enlarge the current organ, that include a new trumpet in the Great Division, and bringing the Oboe down to the 16’ in the Pedal. Atsuko Neida, Piano Concert pianist from Kyoto. She began playing the piano very young and she graduated from the Conservatory of Osaka. Later, she moved to Stuttgart and then Frankfurt to study with the russian pianist Edelstein, for the piano, and with the prof. Hören for the harpsichord. As soloist and accompanist she performed in various countries: Italy, Germany, the Netherlands, Singapore, Tunisia, Canada and Japan. Currently she works as accompanist at the school of singing of the mezzo Ingrid Steiner in Frankfurt and with The “Compagnia di Canto Vittorio 2019 Tosto” in Milan, Varese and Como. November 2nd 5:00 She performed "Japanese music and NOU" in La Spezia and recorded "Floh Waltz Variations" by Yojiro Minami ZEN-ON. She Realised a CD "Pausa" with tenor Antonio Signorello. From the Opera houses of Italy First Church of Christ, Scientist 1123 Eighth Street First Church of Christ, Scientist Coronado, CA 92118 1123 Eighth Street, Coronado www.christianscience.com Talent Program Antonio signorello, Tenor Sept Piêces en Ré Majeur et ré mineur No.5………..…..… César Franck Panis Angelicus…………………………………………..… César Franck Obtained his diploma in clarinet in Catania, his hometown, and then graduated from Agnus Dei……………………………...…………...……....…George Bizet DAMS in Bologna, after obtaining diplomas in specialization courses at the Accademia Chigiana in Siena and at the Accademia Musicale Pescarese, and after winning many Offertorio from Aida….………………………………….…...Giuseppe Verdi national and international competitions, as a very young man he performed an intense concert activity as a clarinetist in Italy (RAIDUE, Teatro alla Scala – under the direction of L’alba separa dalla luce l’ombra……………………..Francesco Paolo Tosti R. Muti, W. Sawallisch, R. Abbado) and abroad (Czech Republic, Germany, France); he also recorded the CDs Atelier Musicale del XX secolo with Ensemble Garbarino and Rare O paradis from L’africaine…………………………..……….…….Giacomo Meyerbeer Contemporary Sonatas with pianist Véronique Garnier. He trained at the school of singing of tenor Vittorio Tosto and obtained the diploma in this discipline at the Conservatorio “G. Ch’ella mi creda from La fanciulla dal west......................................Giacomo Puccini Verdi” in Milan, then specializing with Nicolai Gedda. Dein ist mein ganzes Herz from Das Land des Lächelns …...…….Franz Lehár Winner of the IV Contest “Romanza da Camera” in Rome, he performed Requiem K626 by Marechiare………………………………………….... Francesco Paolo Tosti Mozart with soprano Cecilia Gasdia at the Teatro Comunale Traiano in Civitavecchia and at the Auditorium San Fedele in Milan he sang the title-role in Salvatore Giuliano by L. El dia que me quieras……………...……………………….Carlos Gardel Ferrero. He has performed several operatic roles in various theatres and musical festivals,both national and international, in Italy, Switzerland, USA, Canada and Japan: he Serse Ombra mai fu…….……....…………………..….George Frederick Händel was Il Duca di Mantova in Rigoletto, Alfredo Germont in La traviata, Manrico in Il trovatore, Ismaele in Nabucco, Rodolfo in Luisa Miller, Riccardo in Un ballo in Ave Maria……………………………………………..….…Franz Schubert maschera, Radamès in Aida by G. Verdi, Faust in Faust by C. Gounod, Nemorino in L’elisir d’amore by G. Donizetti, Jago in Otello by G. Rossini, Pollione in Norma by V. Mattinata siciliana………………………...…….…Gaetano Emanuele Cali Bellini, Giasone in Medea by L. Cherubini, Turiddu in Cavalleria Rusticana by P. Mascagni, Canio in Pagliacci by R. Leoncavallo, Pinkerton in Madama Butterfly, Rodolfo Heil! Der Gnade Wunder Heil! from Tannhäuser………...….Richard Wagner in La bohème, Mario Cavaradossi in Tosca, Des Grieux in Manon Lescaut, Dick Johnson in La fanciulla del West, Calaf in Turandot, Luigi in Il tabarro in G. Puccini, Conte Danilo in La vedova allegra by F. Lehár, Andrea Chénier in Andrea Chénier by U. Giordano, Don Josè in Carmen by G. Bizet, Samson in Samson et Dalila by C. Saint-Saëns. He was also the tenor soloist in the following compositions of church music: Messe Solennelle en l’Honneur de Sainte Cécile by C. Gounod, Stabat Mater by G. Rossini, Messa da requiem by G. Verdi. About Christian Science The Church of Christ, Scientist is founded Antonio Signorello is also the director of “La Compagnia di Canto Vittorio Tosto” for on the basis of Christian Science with "Jesus which he directed several operas (Il trovatore, Aida, Christ, Himself, being the chief corner Norma,Carmen,Turandot,CavalleriaRusticana,Pagliacci,Andrea Chénier, Samson et stone" (Ephesians 2:20). Here you'll find Dalila) and multimedia shows (Quell’amore di Francesca,Forme all’Opera) in which information about Christian Science branch music, theatre and image blend together in a happy marriage. churches, societies, and informal groups all around the globe as well as The Mother Bios continue on back page Church, The First Church of Christ, Scientist, in Boston, Mass., USA. .
Recommended publications
  • KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
    KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von
    [Show full text]
  • Verdi's Rigoletto
    Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered.
    [Show full text]
  • Gounod Faust Mp3, Flac, Wma
    Gounod Faust mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Faust Country: France Released: 1973 Style: Opera, Neo-Classical MP3 version RAR size: 1647 mb FLAC version RAR size: 1494 mb WMA version RAR size: 1805 mb Rating: 4.7 Votes: 296 Other Formats: MP4 AUD MP1 MPC AC3 XM TTA Tracklist A1 Introduction A2 Acte I B Acte II C Acte III - Première Partie D Acte III - Fin E Acte IV - Première Partie F1 Acte IV - Fin F2 Acte V - Première Partie G Acte V - Suite H Acte V - Fin Credits Baritone Vocals – Ernest Blanc, Victor Autran Bass Vocals – Boris Christoff Conductor – André Cluytens Mezzo-soprano Vocals – Rita Gorr Orchestra – Orchestre Du Théâtre National De L'Opéra-Comique Soprano Vocals – Liliane Berton, Victoria De Los Angeles Tenor Vocals – Nicolai Gedda Other versions Category Artist Title (Format) Label Category Country Year Gounod* - Gounod* - Victoria Victoria De Los De Los Angeles, Angeles, Nicolai Nicolai Gedda, His Master's ASD 307-10 ASD 307-10 UK 1959 Gedda, Boris Boris Christoff, Voice Christoff, André André Cluytens - Cluytens Faust (4xLP + Box) Gounod*, Victoria Gounod*, Victoria De Los Angeles, De Los Angeles, Nicolai Gedda, Nicolai Gedda, Boris Christoff, SLPXL Boris Christoff, SLPXL Paris Opera Hungaroton Hungary 1972 31363-65 Paris Opera 31363-65 Orchestra and Orchestra and Chorus*, André Chorus*, André Cluytens - Faust Cluytens (3xLP, Box) Gounod*, Victoria Gounod*, Victoria De Los Angeles, De Los Angeles, Nicolai Gedda, Nicolai Gedda, Boris Christoff, Boris Christoff, 5 67967 2 Orchestre National EMI Classics 5 67967 2 Europe 2003 Orchestre De L'Opéra De National De Paris, André L'Opéra De Paris, Cluytens - Faust André Cluytens (3xCD, Album, RM) Ш.
    [Show full text]
  • Wolfgang Sawallisch Wolfgang Sawallisch
    WOLFGANG SAWALLISCH Conductor Laureate Wolfgang Sawallisch became conductor laureate of The Philadelphia Orchestra in September 2003, following the culmination of his celebrated, decade-long tenure as the Orchestra’s sixth music director. Acclaimed as one of the greatest living exponents of the Germanic musical tradition, Mr. Sawallisch enriched and expanded upon the Orchestra’s century-old tradition of excellence, leaving an enduring legacy of artistic achievements with the ensemble. As music director, Mr. Sawallisch encouraged the exploration of new ways to present music to American audiences. In April 1997 he led the Philadelphians in the first live internet concert “cybercast” made by a major American orchestra, attracting listeners from more than 40 countries around the world. He presented season-long focuses on the works of Schumann, Haydn, Beethoven, and Brahms, and an ongoing overview of the works of Richard Strauss (including a concert presentation of the opera Ariadne auf Naxos ). Through a series of commissions, Mr. Sawallisch re-affirmed the Orchestra’s commitment to new music; and his vision for the Orchestra’s 100th Anniversary Season in 1999-2000, made up exclusively of music written since the ensemble’s creation in 1900, resulted in record ticket sales and critical praise. During his tenure, Mr. Sawallisch led The Philadelphia Orchestra each year in concerts outside Philadelphia, helping to build upon the ensemble’s long tradition of touring. He appeared annually with the Orchestra in a series of concerts at Carnegie Hall and conducted the Orchestra in major concert halls throughout the world on eight international tours (three to Europe, four to Asia, and one to Central and South America).
    [Show full text]
  • Straight to Hear the Opera As It Was Originally Conceived Master Records Are Made by Ma- by Its Creator
    prised modern audience in 1951. I say "sur- made in the score for a projected performance veloped, and Leopold's answers also reveal prised" because the public was not prepared in Vienna. considerable knowledge of the musical stage. for a great opera antedating Figaro. This re- The gestation of ldomeneo can be followed Schmidt-Isserstedt, a trained musicologist be- markable revival in Glyndebourne was con- through the correspondence between father sides being a good and experienced opera con- ducted by Fritz Busch; after his death the fol- and son. Wolfgang went to Munich with the ductor. has by studying these letters been able lowing year. John Pritchard took charge, and opera barely sketched out, while Leopold to offer a more complete score than his two he is the conductor of the 1956 EMI recording. stayed in Salzburg to prod the hapless librettist predecessors. which, with its star cast, has acquired a leg- to finish the book and carry out the com- The most important revision concerns the endary reputation. Fourteen years later Colin poser's urgent wishes for changes. As was cus- castrato part, which Mozart rearranged for Davis addressed himself to this great. rich, and tomary in those days, the composer finished tenor. This substitution was respected by the somber score in an attractively vivid perform- the score on the spot, discussing details with two earlier recordings also, but Davis merely ance for Philips (which I reviewed in March the singers, the opera director, the regisseur, had his tenor sing the original part an octave 1970). The pace now quickens.
    [Show full text]
  • Don Pasquale
    Gaetano Donizetti Don Pasquale CONDUCTOR Dramma buffo in three acts James Levine Libretto by Giovanni Ruffini and the composer PRODUCTION Otto Schenk Saturday, November 13, 2010, 1:00–3:45 pm SET & COSTUME DESIGNER Rolf Langenfass LIGHTING DESIGNER Duane Schuler This production of Don Pasquale was made possible by a generous gift from The Sybil B. Harrington Endowment Fund. The revival of this production was made possible by a gift from The Dr. M. Lee Pearce Foundation. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 129th Metropolitan Opera performance of Gaetano Donizetti’s Don Pasquale Conductor James Levine in o r d e r o f v o c a l a p p e a r a n c e Don Pasquale, an elderly bachelor John Del Carlo Dr. Malatesta, his physician Mariusz Kwiecien* Ernesto, Pasquale’s nephew Matthew Polenzani Norina, a youthful widow, beloved of Ernesto Anna Netrebko A Notary, Malatesta’s cousin Carlino Bernard Fitch Saturday, November 13, 2010, 1:00–3:45 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. Bloomberg is the global corporate sponsor of The Met: Live in HD. Marty Sohl/Metropolitan Opera Mariusz Kwiecien as Chorus Master Donald Palumbo Dr. Malatesta and Musical Preparation Denise Massé, Joseph Colaneri, Anna Netrebko as Carrie-Ann Matheson, Carol Isaac, and Hemdi Kfir Norina in a scene Assistant Stage Directors J. Knighten Smit and from Donizetti’s Don Pasquale Kathleen Smith Belcher Prompter Carrie-Ann Matheson Met Titles Sonya Friedman Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department Wigs by Metropolitan Opera Wig Department Assistant to the costume designer Philip Heckman This performance is made possible in part by public funds from the New York State Council on the Arts.
    [Show full text]
  • Overture Opera Guides
    overture opera guides in association with We are delighted to have the opportunity to work with Overture Publishing on this series of opera guides and to build on the work English National Opera did over twenty years ago on the Calder Opera Guide Series. As well as reworking and updating existing titles, Overture and ENO have commissioned new titles for the series and all of the guides will be published to coincide with repertoire being staged by the company at the London Coliseum. We hope that these guides will prove an invaluable resource now and for years to come, and that by delving deeper into the history of an opera, the poetry of the libretto and the nuances of the score, read- ers’ understanding and appreciation of the opera and the art form in general will be enhanced. John Berry Artistic Director, ENO The publisher John Calder began the Opera Guides series under the editorship of the late Nicholas John in association with English National Opera in 1980. It ran until 1994 and eventu- ally included forty-eight titles, covering fifty-eight operas. The books in the series were intended to be companions to the works that make up the core of the operatic repertory. They contained articles, illustrations, musical examples and a complete libretto and singing translation of each opera in the series, as well as bibliographies and discographies. The aim of the present relaunched series is to make available again the guides already published in a redesigned format with new illustrations, some newly commissioned articles, updated reference sections and a literal translation of the libretto that will enable the reader to get closer to the intentions and meaning of the original.
    [Show full text]
  • COLORATURA and LYRIC COLORATURA SOPRANO
    **MANY OF THESE SINGERS SPANNED MORE THAN ONE VOICE TYPE IN THEIR CAREERS!** COLORATURA and LYRIC COLORATURA SOPRANO: DRAMATIC SOPRANO: Joan Sutherland Maria Callas Birgit Nilsson Anna Moffo Kirstin Flagstad Lisette Oropesa Ghena Dimitrova Sumi Jo Hildegard Behrens Edita Gruberova Eva Marton Lucia Popp Lotte Lehmann Patrizia Ciofi Maria Nemeth Ruth Ann Swenson Rose Pauly Beverly Sills Helen Traubel Diana Damrau Jessye Norman LYRIC MEZZO: SOUBRETTE & LYRIC SOPRANO: Janet Baker Mirella Freni Cecilia Bartoli Renee Fleming Teresa Berganza Kiri te Kanawa Kathleen Ferrier Hei-Kyung Hong Elena Garanca Ileana Cotrubas Susan Graham Victoria de los Angeles Marilyn Horne Barbara Frittoli Risë Stevens Lisa della Casa Frederica Von Stade Teresa Stratas Tatiana Troyanos Elisabeth Schwarzkopf Carolyn Watkinson DRAMATIC MEZZO: SPINTO SOPRANO: Agnes Baltsa Anja Harteros Grace Bumbry Montserrat Caballe Christa Ludwig Maria Jeritza Giulietta Simionato Gabriela Tucci Shirley Verrett Renata Tebaldi Brigitte Fassbaender Violeta Urmana Rita Gorr Meta Seinemeyer Fiorenza Cossotto Leontyne Price Stephanie Blythe Zinka Milanov Ebe Stignani Rosa Ponselle Waltraud Meier Carol Neblett ** MANY SINGERS SPAN MORE THAN ONE CATEGORY IN THE COURSE OF A CAREER ** ROSSINI, MOZART TENOR: BARITONE: Fritz Wunderlich Piero Cappuccilli Luigi Alva Lawrence Tibbett Alfredo Kraus Ettore Bastianini Ferruccio Tagliavani Horst Günther Richard Croft Giuseppe Taddei Juan Diego Florez Tito Gobbi Lawrence Brownlee Simon Keenlyside Cesare Valletti Sesto Bruscantini Dietrich Fischer-Dieskau
    [Show full text]
  • CLAUDE DEBUSSY | SEGMENT LIST © HNH International
    CLAUDE DEBUSSY | SEGMENT LIST © HNH International “I could not do without his music. It is my oxygen.” (Francis Poulenc on Debussy) A unique voice in classical music, Claude Debussy exercised widespread influence over later generations of composers, both in his native France and elsewhere, including Messiaen, Cage and Bartók. His music combines late nineteenth- century Romanticism with a soundscape that exudes evocative imagery. This catalogue contains an impressive collection of works by this master composer: piano music, ranging from his ever-popular Clair de lune to the light-hearted Children’s Corner Suite; examples of his influential orchestral music, including Prelude to the Afternoon of a Faun and La Mer; the exquisite opera Pelléas et Mélisande, and much more. © 2018 Naxos Rights US, Inc. 1 of 2 LABEL CATALOGUE # COMPOSER TITLE FEATURED ARTISTS UPC A Musical Journey DEBUSSY, Claude Naxos 2.110544 FRANCE: A Musical Tour of Provence Various Artists 747313554454 (1862–1918) Music by Debussy and Ravel [DVD] DEBUSSY, Claude Naxos 8.556663 BEST OF DEBUSSY Various Artists 0730099666329 (1862–1918) DEBUSSY, Claude Cello Recital – Cello Sonata Tatjana Vassiljeva, Cello / Naxos 8.555762 0747313576227 (1862–1918) (+STRAVINSKY / BRITTEN / DUTILLEUX) Yumiko Arabe, Piano DEBUSSY, Claude Naxos 8.556788 Chill With Debussy Various Artists 0730099678827 (1862–1918) DEBUSSY, Claude Clair de lune and Other Piano Favorites • Naxos 8.555800 Francois-Joël Thiollier, Piano 0747313580026 (1862–1918) Arabesques • Reflets dans l'eau DEBUSSY, Claude Naxos 8.509002 Complete Orchestral Works [9CDs Boxed Set] Various Artists 747313900237 (1862–1918) DEBUSSY, Claude Early Works for Piano Duet – Naxos 8.572385 Ivo Haah, Adrienne Soos, Piano 747313238576 (1862–1918) Printemps • Le triomphe de Bacchus • Symphony in B Minor DEBUSSY, Claude Naxos 8.578077-78 Easy-Listening Piano Classics (+RAVEL) [2CDs] Various Artists 747313807772 (1862–1918) DEBUSSY, Claude Naxos 8.572472 En blanc et noir (+MESSIAEN) Håkon Austbø, Ralph van Raat, Piano 747313247271 (1862–1918) Four-Hand Piano Music, Vol.
    [Show full text]
  • Nicolai Gedda Tenor Mp3, Flac, Wma
    Nicolai Gedda Nicolai Gedda Tenor mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Nicolai Gedda Tenor Country: USSR Released: 1982 Style: Romantic MP3 version RAR size: 1909 mb FLAC version RAR size: 1762 mb WMA version RAR size: 1742 mb Rating: 4.2 Votes: 609 Other Formats: MPC WMA MOD WAV MP1 MMF MIDI Tracklist A1 Erstes Griin, Op. 35 No. 4 (J. Kerner) A2 An Den Sonnenschein, Op. 36 No. 4 (R. Reinick) A3 Der Himmel, Hat Eine Trane Geweint, Op. 37 No. 1 (F. Rtickert) A4 Ich Hab’ In Mich Gesogen, Op. 37 No. 5 (F. Riickert) A5 Fliigel, Fliigel Um Zu Fliegen Iiber Berg Und Tal, Op. 37 No. 8 (F. Riickert) A6 Rosen, Meer Und Sonne, Op. 37 No. 9 (F. Riickert) A7 Chanson D’avril (L. Bouilhet) L’hiver Est Passe (V. Hugo) A8 Postorale (J. Regnard) B1 Girl Under The Linden B2 The Month Of May B3 Springtide, Op. 33 No. 2 (О. Vinje) B4 I Give My Verse To Spring, Op. 21 No. 3 B5 A Dream, Op. 48 No. 6 (F. Bodenstedt) B6 Skylark’s Song Is More And More Ringing, Op. 43 No. 1 (A. K. Tolstoy) B7 ’Tis Not The Wind From The Height, Op. 43 No. 2 (A. K. Tolstoy) B8 Fresh And Fragrant Is Your Wreath, Op. 48 No. 3 (A. Fet) B9 It Was In Early Spring, Op. 43 No. 4 (A. K. Tolstoy) B10 I’m Alone Again, Op. 26 No. 9 (I. Bunin, From T. Shevchenko) B11 April! It’s A Spring Festival (E.
    [Show full text]
  • Strauss' Capriccio
    Richard Strauss’ Capriccio - A survey of the discography by Ralph Moore Strauss’ swansong opera Capriccio is not especially well represented in the catalogue; of the 22 complete recordings listed in the CLOR catalogue, only around a dozen have ever been available on CD and the rest were on video. Of those CD issues, several are no longer available and only three are studio recordings; two are radio broadcasts and the remainder are live or live composite stage performances. I consider here ten recordings, including all three of those studio accounts. The libretto was based on an original concept by Stefan Zweig, who had fled to the USA after the rise of the Nazis and committed suicide earlier in the year of the opera’s premiere, 1942. It was further developed by his successor as Strauss’ librettist, Josef Gregor, then Strauss himself took it over before passing it to his conductor friend Clemens Krauss – incidentally, possessor of one of the most blatant comb-overs in history - who completed it with continued input from the composer. The text is witty and more enjoyable if the libretto is to hand or you speak German. Like Strauss’ domestic comedy Intermezzo, Capriccio is wordy and conversational, but its intellectual and philosophical content is certainly higher and couched in some of the most sublime music Strauss ever penned. As a result, it is more popular and frequently performed than other of his late works. It is a vehicle for a supreme singer-actress with a creamy voice and a gift for enlivening text; noted performers who made recordings include Krauss’ second wife, Viorica Ursuleac, Lisa Della Casa, Elisabeth Schwarzkopf, Gundula Janowitz, Kiri Te Kanawa and, more recently, Renée Fleming.
    [Show full text]
  • Incarnation Episcopal Church 1750 29Th Avenue, San Francisco 415-564-2324 Sunsetarts.Wordpress.Com
    Building Community through Music & Arts Incarnation Episcopal Church 1750 29th Avenue, San Francisco 415-564-2324 sunsetarts.wordpress.com 1 Dear Friends, Welcome to the Sunset Music & Arts 2017 season. This is our 3rd season and in our short history this is the most ambitious season ever. Since the beginning, our artistic mission has been to present local and international artists who are acclaimed in chamber music, vocal and instrumental recitals, jazz and theater/opera, all at an affordable price. We also wanted to bring high-quality music programming and performing arts to the Sunset district of San Francisco. We are proud of the relationships we have forged between us and the artists, as wells as between the artists and you, our audience, and of the many donors and partnerships that has helped make Sunset Music & Arts a cultural hub in the Sunset district and the San Francisco Bay area. Some of the highlights of the new season include performances by several returning artists as well as many new artists. We are especially proud to add a piano recital series and a choral series to our programming. Heading the piano series is pianist-composer Eric Tran and pianist Robyn Carmichael. Our choral series features the Monaco Boys Choir, Masterworks Serenade (director Dr. Bryan Baker), and the San Francisco Renaissance Voices (director Katherine McKee). We are also proud to announce a 3-part ‘East meets West’ series that feature musicians who uniquely meld music from Western and Eastern classical traditions to produce unique new compositions. Artists include violinist Lucian Balmer, sitarist Joanna Mack, tabla percussionist Josh Mellinger, bansuri master Deepak Ram, and Carnatic vocalist Gautam Ganeshan.
    [Show full text]