The Lost Oasis of Zerzura. Askwhy
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Tuareg Music and Capitalist Reckonings in Niger a Dissertation Submitted
UNIVERSITY OF CALIFORNIA Los Angeles Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Eric James Schmidt 2018 © Copyright by Eric James Schmidt 2018 ABSTRACT OF THE DISSERTATION Rhythms of Value: Tuareg Music and Capitalist Reckonings in Niger by Eric James Schmidt Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Timothy D. Taylor, Chair This dissertation examines how Tuareg people in Niger use music to reckon with their increasing but incomplete entanglement in global neoliberal capitalism. I argue that a variety of social actors—Tuareg musicians, fans, festival organizers, and government officials, as well as music producers from Europe and North America—have come to regard Tuareg music as a resource by which to realize economic, political, and other social ambitions. Such treatment of culture-as-resource is intimately linked to the global expansion of neoliberal capitalism, which has led individual and collective subjects around the world to take on a more entrepreneurial nature by exploiting representations of their identities for a variety of ends. While Tuareg collective identity has strongly been tied to an economy of pastoralism and caravan trade, the contemporary moment demands a reimagining of what it means to be, and to survive as, Tuareg. Since the 1970s, cycles of drought, entrenched poverty, and periodic conflicts have pushed more and more Tuaregs to pursue wage labor in cities across northwestern Africa or to work as trans- ii Saharan smugglers; meanwhile, tourism expanded from the 1980s into one of the region’s biggest industries by drawing on pastoralist skills while capitalizing on strategic essentialisms of Tuareg culture and identity. -
Gilf Kebir - Wikipedia
14/9/2018 Gilf Kebir - Wikipedia Coordinates: 23°26′29″N 25°50′23″E Gilf Kebir Gilf Kebir ( ) (var. Gilf alKebir, Jilf al Kabir) is a plateau in the New Valley Governorate of the remote southwest corner of Egypt, and southeast Libya. Its name translates as "the Great Barrier". This 7,770 km2 (3,000 sq mi) sandstone plateau, roughly the size of Puerto Rico, rises 300 m (980 ft) from the Libyan Desert floor. The name Gilf Kebir was given to the plateau by Prince Kamal el Dine Hussein in 1925, as it had no local name.[1] It is known for its rugged beauty, remoteness, geological interest, and the dramatic cliff paintings-pictographs and rock carvings-petroglyphs which depict an earlier era of abundant animal life and human habitation. A caravan of tourist 4x4s seen from Contents atop a mesa in Gilf Kebir, Egypt. Geography and climate Climate Wadis History Petroglyphs 20th century exploration WWII archeology Literary setting Curiosity Ancient petroglyphs of a temperate See also era's giraffe, ostrich, and longhorned cow being herded, in the present References day Libyan Desert in Egypt. External links Geography and climate The Uweinat mountain range at the very south of the plateau extends from Egypt into Libya and Sudan. Climate Gilf Kebir Plateau lies in the heart of the eastern part of the vast Sahara Desert, and, thus, gets some of the most extreme climates on Earth. This is the driest place on the planet, not only because the area is totally rainless (the annual average rainfall amount hardly reaches 0.1 mm) but also because the geological aridity index/dryness ratio is over 200, which means that the solar energy received at the ground evaporate 200 times the amount of precipitation received.[2] Rainfall may fall every twenty years in Gilf Kebir. -
Desert and the Nile. Prehistory of the Nile Basin and the Sahara (Studies
Desert and the Nile. Prehistory of the Nile Basin and the Sahara. Papers in honour of Fred Wendorf Studies in African Archaeology 15 Poznań Archaeological Museum 2018 Miroslav Bárta The Birth of Supernatural. On the Genesis of Some Later Ancient Egyptian Concepts The following text represents a new way to understand rock-art preserved in the caves of Wadi Sura I and Wadi Sura II in Gilf Kebir, located on the southwest border of modern Egypt1. The sites are dated to the late seventh and the sixth millennia BC. The principal aim of this paper is to show that there are several elements featuring in their decoration which indicate that creators of this art formulated some very ba- sic ideas which were later on elaborated in the Nile valley and that we traditionally connect with the specific character of Ancient Egyptian civilization. These include the following motifs: running chieftain (renewing his magical powers and physi- cal forces), chieftain smiting his enemies, the ethiological myth of Earth and Sky, swimmers as the souls of the deceased individuals, creatures protecting the Neth- erworld and eventually what seems to be the earliest depiction of the hereditary principle. Surprising as it may be, the suggested link between the Gilf Kebir local populations of hunter-gatherers and cattle keepers, or the Western Desert popula- 1 The publication was compiled within the framework of the Charles University Progress project Q11 – Complexity and resilience. Ancient Egyptian civilisation in multidisci- plinary and multicultural perspective. 670 Miroslav Bárta tions in general, and the much later populations inhabiting the Nile valley finds additional support in the recent discoveries at Gebel Ramlah cemeteries located in between Gilf Kebir and Aswan and slightly later in time (Kobusiewicz et al. -
Full Article
INTERNATIONAL JOURNAL OF CONSERVATION SCIENCE ISSN: 2067-533X Volume 7, Special Issue 2, 2016: 913-934 www.ijcs.uaic.ro PRESERVATION AND RESTORATION OF THE WADI SURA CAVES IN THE FRAMEWORK OF THE “GILF KEBIR NATIONAL PARK”, EGYPT Maria Cristina TOMASSETTI1*, Giulio LUCARINI2, 6, Mohamed A. HAMDAN3, Andrea MACCHIA4, Giuseppina MUTRI2, 6, Barbara E. BARICH5, 6 1 Freelance restorer, via Flavia 16, 00062 Bracciano (Rome), Italy 2 McDonald Institute for Archaeological Research, University of Cambridge, Downing street, CB2 3ER, Cambridge, UK 3 Geology Department, Cairo University, Giza, Cairo 4 YOCOCU - YOuth in COnservation of CUltural Heritage, Rome, Italy 5 Sapienza University of Rome, P.le Aldo Moro 5, 00185, Rome, Italy 6 ISMEO, Palazzo Baleani, Corso Vittorio Emanuele II 244, 00186, Rome, Italy Abstract In 2010 the Italian-Egyptian Environmental Cooperation launched a safeguarding project for the preservation of the caves with prehistoric rock art located in the Gilf Kebir plateau in southwestern Egypt. The project was part of the cooperation program developed to establish the Egyptian Gilf Kebir National Park (GKNP) protected area. Given their bad state of preservation, the Italian conservation project focused on the Caves of Swimmers and Archers, located along the Wadi Sura. Although only very few studies of this kind have been carried out in the Saharan region, our work in the Gilf Kebir can be considered a pilot study, the results of which should be evaluated in the long term. Results obtained to date and reported in this paper provide analytical petrographic studies of the bedrock, a complete photographic and geodetic survey of the two sites, data from climate monitoring, along with a preliminary consolidation of some of the most at-risk areas of the two caves. -
Advances in Cartography and Giscience. Volume 2 (Lecture
Crossing Borders: Cartographic and Military Operations and the International Borders in the Libyan Desert before WW II Zsolt GyĘzĘ TĘrök Department of Cartography and Geoinformatics, Eötvös Loránd University, Budapest [email protected] Abstract In the early 20th century the Libyan Desert in the Eastern Sahara was one of the largest blank spots on the modern world map. The harsh geographic conditions and the featureless terrain made traditional European surveys and cartographic representation difficult. Expedition maps remained important sources for cartographic and military intelligence after WW I, when the international borders were demarcated by colonial powers. This article examines the Italian mapping of the remote Kufra region in the 1930s in connection with contemporary desert expeditions. The unknown region was divided by the invisible international border. In search of the legendary Zerzura the real ‘English patient’ and companion explorers crossed that border. The topographic maps compiled by the Italian military and colonial authorities effectively supported imperialistic territorial claims and the Libyan-Sudanese border was changed in 1934. The topographic survey mission to the Uweinat Mountain remained an exception however, and the generally unreliable and inaccurate topo- graphic maps of the region were not revised until WW II. 1- Exploring and mapping the Libyan Desert The interior of the Libyan Desert remained unknown for so long because of the extreme climate and the rigid terrain. The major problem was drinking water which could be rarely found in the vast area. Therefore, for the traditional camel caravans continuous water supply was extremely difficult. Consequently, the regions beyond the range of camel remained A. -
Korossom Fantastic” and the Karnasahi Pastoralists, the Principal Rock Art Styles of the Eastern Tibesti
International Conference What Ever Happened to the People? Humans and Anthropomorphs in the Rock Art of Northern Africa Royal Academy for Overseas Sciences Brussels, 17-19 September, 2015 pp. 25-34 “Korossom Fantastic” and the Karnasahi Pastoralists, the Principal Rock Art Styles of the Eastern Tibesti by András Zboray* Keywords. — Human Figures; Rock Paintings; Ouri Plain; Tabesti Mountains. Summary. — The innumerable painted shelters dotting the Ouri plain along the eastern edge of the Tibesti mountains rank among the finest manifestations of Saharan rock art. The first sites were discovered in the 1930s, but the remoteness and political instability of the region prevented any systematic surveys. There was a brief window in the early 1990s, when nearly a hundred and fifty sites — the majority previously unknown — were documented during six Italian expeditions, before the Tibesti rebellion closed the area again to all outsiders. With the recent improvement of the political situation in Chad the area became accessible again, our party succeeded in taking the first high resolution digital photographs of some of the principal localities. These photos, coupled with the capabilities of the DStretch image enhancement software, permit the viewing of these very little known paintings in hitherto unseen detail. Like at practically all painting-bearing areas of the Sahara, there is a clear cultural succession in the Ouri plain, with the “Korossom fantastic” style pre-dating the very refined Karnasahi cattle pastoralist paintings. While unique in style, some features of the Korossom fantastic figures exhibit resemblance to the Roundhead style of the Tassili N’Ajjer, and also to elements of the Wadi Sora rock art repertoire. -
El Oasis Perdido. Almásy, Zerzura Y La Guerra Del Desierto
OTROS TÍTULOS LA HISTORIA QUE INSPIRÓ EL PACIENTE INGLÉS SAUL KELLY es profesor adjunto de Historia internacional en el King’s College de AUL «Me gusta pensar en Zerzura como una idea que no ELLY S podemos describir con una palabra, algo que espera a ser K Londres (Joint Services Command and Staff descubierto en algún lugar remoto e inaccesible, si uno College), está especializado en la historia de es lo suficientemente arrojado como para intentar su las Grandes Potencias en Oriente Medio y en búsqueda. Algo indefinido, con contornos diferentes según el norte de África. Es el autor de Cold War el individuo que lo piense; para un árabe, puede ser un EL oasis o un tesoro oculto, para un europeo, un yacimiento in the Desert, War and Politics in the Desert arqueológico, una nueva planta o mineral o, simplemente, y editor de Desert Dispute, the diplomacy of el anhelo de encontrar algo todavía desconocido». boundary-making in South-Eastern Arabia. Así describía Ralph Bagnold la pasión que durante los años treinta del siglo xx arrastró a un grupo de aventureros OASIS La isla de la esperanza cosmopolitas –el Club Zerzura– a internarse en el desierto de ISBN: 978-84-946499-9-8 Libia, recorriéndolo en vehículos y aeroplanos en pos de oasis perdidos y antiguas ciudades de civilizaciones desaparecidas, con las Historias de Heródoto como guía de viaje. Pero, detrás de un aparente y caballeroso espíritu deportivo, estos PERDIDO gentlemen se dedicaban a cartografiar el desierto de Libia por motivos militares. El Club Zerzura enmascaraba una rivalidad despiadada: si Mussolini contaba con hacer de ALMÁSY, ZERZURA Egipto la pieza central de un nuevo Imperio romano, los británicos, para quienes el canal de Suez era estratégico, Y LA GUERRA DEL DESIERTO estaban totalmente dispuestos a impedirlo. -
Political Memory in and After the Persian Empire Persian the After and Memory in Political
POLITICAL IN MEMORY AND AFTER THE PERSIAN EMPIRE At its height, the Persian Empire stretched from India to Libya, uniting the entire Near East under the rule of a single Great King for the rst time in history. Many groups in the area had long-lived traditions of indigenous kingship, but these were either abolished or adapted to t the new frame of universal Persian rule. is book explores the ways in which people from Rome, Egypt, Babylonia, Israel, and Iran interacted with kingship in the Persian Empire and how they remembered and reshaped their own indigenous traditions in response to these experiences. e contributors are Björn Anderson, Seth A. Bledsoe, Henry P. Colburn, Geert POLITICAL MEMORY De Breucker, Benedikt Eckhardt, Kiyan Foroutan, Lisbeth S. Fried, Olaf E. Kaper, Alesandr V. Makhlaiuk, Christine Mitchell, John P. Nielsen, Eduard Rung, Jason M. Silverman, Květa Smoláriková, R. J. van der Spek, Caroline Waerzeggers, IN AND AFTER THE Melanie Wasmuth, and Ian Douglas Wilson. JASON M. SILVERMAN is a postdoctoral researcher in the Faculty of eology PERSIAN EMPIRE at the University of Helsinki. He is the author of Persepolis and Jerusalem: Iranian In uence on the Apocalyptic Hermeneutic (T&T Clark) and the editor of Opening Heaven’s Floodgates: e Genesis Flood Narrative, Its Context and Reception (Gorgias). CAROLINE WAERZEGGERS is Associate Professor of Assyriology at Leiden University. She is the author of Marduk-rēmanni: Local Networks and Imperial Politics in Achaemenid Babylonia (Peeters) and e Ezida Temple of Borsippa: Priesthood, Cult, Archives (Nederlands Instituut voor het Nabije Oosten). Ancient Near East Monographs Monografías sobre el Antiguo Cercano Oriente Society of Biblical Literature Centro de Estudios de Historia del Antiguo Oriente (UCA) Edited by Waerzeggers Electronic open access edition (ISBN 978-0-88414-089-4) available at Silverman Jason M. -
The 'English' Patient, Fools, Foxes and Rats: Exploration, Mapping and War in the Libyan Desert
Zsolt G. Török: The ‘English patient’, fools, foxes and rats …. Page 1 of 18 Symposium on “Shifting Boundaries: Cartography in the 19th and 20th centuries” Portsmouth University, Portsmouth, United Kingdom, 10-12 September 2008 ICA Commission on the History of Cartography International Cartographic Association (ICA-ACI) The ‘English’ patient, fools, foxes and rats: exploration, mapping and war in the Libyan Desert Zsolt G. Török Department of Cartography and Geoinformatics Eötvös Loránd University, Budapest, Hungary [email protected] ABSTRACT The character of ‘Count Almasy’ in the film ‘The English Patient’ was based on the real László Almásy (1895-1951) who explored the Libyan Desert in the 1930s. The search for Zerzura, the legendary lost oasis, resulted in different cartographic hypotheses about the desert. The mental maps of Europeans were substituted by expedition maps, published in geographical journals. The maps of the inner desert were actually based on route surveys. The featureless terrain made cartographic representation difficult: instead of conventional signs, textual information regarding desert conditions, events, observations, old caravan tracks and the routes of expeditions, were represented. From the 1930s onwards the explorers' expedition route maps became important sources for cartographic and military intelligence. The topographical map series of the inner desert, constructed by British and Italian colonial authorities, were based on expedition maps and not on actual surveys. The paper investigates the context of a group of contemporary Italian manuscript military maps in order to reveal their sources. The process of compilation and cartographic masking made the public information, the content of the expedition maps, secret military information displayed on topographic sheets. -
Arts Rupestres Sahariens : État Des Lieux Depuis 2010 Et Perspectives الفنون الصخرية الصحراوية: الواقع والمأمول منذ عام 2010 Jean-Loïc Le Quellec*
Arts rupestres sahariens : état des lieux depuis 2010 et perspectives الفنون الصخرية الصحراوية: الواقع والمأمول منذ عام 2010 Jean-Loïc Le Quellec* ملخص 2009 نرش ادلكتور محدي عبد املنعم عباس يف اعم ًمقاﻻيف العدد الرابع من حويلة أجبديات، يهدف إىل تعريف الفن الصخري وادلور املهم اذلي يؤديه هذا انلوع من ابلقايا اﻷركيولوجية يف دراسة جانب مهم من تاريخ اجلنس البرشي قبل ظهور الكتابة. ويأيت هذا املقال استجابة لدلعوة اليت أطلقها ادلكتور محدي عباس ًا؛ سلفحيث يقدم املقال اذلي بني أيدينا قائمة باﻷعمال ابلحثية اخلاصة بالفن الصخري يف منطقة الصحراء يف الفرتة بني اعم 2010 واعم 2014؛ أما اﻷعمال اليت أجريتقبل تلك الفرتة فيمكن الرجوع إيلها من خﻻل اﻻطﻻع ىلع مؤلفات دكتور ألفريد موزويلين يف الفرتة بني اعم 1990 واعم 1999، وكذلك اﻻطﻻع ىلع مؤلفايت يف الفرتة بني اعم 2000واعم 2009. Issue No. 12 47 Downloaded from Brill.com10/06/2021 02:23:51PM via free access Jean-Loïc Le Quellec « Toute connaissance est, aujourd’hui, nécessairement, par « calBC », ont été calculées avec OxCal 4.2 une connaissance comparée ». en utilisant la courbe de calibration de Bronk Paul Valéry Ramsey & Lee 2013 et elles sont généralement arrondies à la dizaine la plus proche. 1. Introduction Dans cette même revue, Hamdi Abbas Ahmed 2. Nouveaux documents Abd-el-Moniem a publié en 2009 un plaidoyer Encore trop rares sont les auteurs qui publient pour l’utilisation de l’art rupestre comme une des corpus détaillés des sites qu’ils ont visités, source archéologique à croiser avec les données mais cette tendance commence fort heureusement à paléo-environnementales pour écrire l’histoire s’inverser, malgré les difficultés actuelles. -
The Study of Literature and Culture Online (Theory and Application)
UNIVERSITY PRESS <http://www.thepress.purdue.edu> CLCWeb: Comparative Literature and Culture ISSN 1481-4374 <http://docs.lib.purdue.edu/clcweb> Purdue University Press ©Purdue University The Library Series of the peer-reviewed, full-text, and open-access quarterly in the humanities and the social sciences CLCWeb: Comparative Literature and Culture publishes scholarship in the humanities and social sciences following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the CLCWeb Library Series are 1) articles, 2) books, 3) bibliographies, 4) resources, and 5) documents. Contact: <[email protected]> The Study of Literature and Culture Online (Theory and Application) <http://docs.lib.purdue.edu/clcweblibrary/culturestudyonline> Steven Tötösy de Zepetnek 1) Theory and Method The question is this: How does new media technology impact on the study of literature and more spe- cifically, what is online work and research in the humanities in general and in the study of literature in particular? What are the implications of new media scholarship and new media technology for knowledge transfer and knowledge management? In the following, these questions are discussed with focus on aspects of the current situation of the study of literature and culture including issues of theo- ry and methodology. Tasks a) define new media technology b) define "literature" c) define the field of the "humanities" d) define the field of the "social sciences" e) explain differences between scholarship in the humanities and the social sciences 1.1 Frameworks of theory and methodology are tools one employs for study and research. -
Arab Republic of Egypt
Ministry of State for Environmental Affairs Egyptian Environmental Affairs Agency Nature Conservation Sector Action Plan for Implementing the Convention on Biological Diversity’s Programme of Work on Protected Areas Arab Republic of Egypt Submitted to the Secretariat of the Convention on Biological Diversity March, 2012 By Dr. Khaled Allam HARHASH Table of contents: PoWPA Focal Point................................................................................................................................. 7 Lead implementing agency ...................................................................................................................... 7 Multi-stakeholder committee ................................................................................................................... 7 National Targets and Vision for Protected Areas ...................................................................................... 8 Coverage ................................................................................................................................................. 9 Description and background .................................................................................................................... 9 Governance types .................................................................................................................................... 9 Key threats .............................................................................................................................................. 9 Barriers