DOCSLIB.ORG

Fiscal 2009 Cultural Development Fund Awardees

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fiscal 2009 Cultural Development Fund Awardees Fiscal 2009 Cultural Development Fund Awardees FY09 Total Organization Award 18 Mai Committee $7,200 3 Graces Theater Company $4,800 3 Legged Dog $24,000 52nd Street Project, Inc. $53,000 7 Loaves, Inc. $15,020 A Gathering of the Tribes $7,800 Aaron Davis Hall, Inc. $123,500 ABC No Rio $4,800 Abingdon Theatre Company $19,400 Academy of American Poets $14,400 Actors' Fund of America $14,400 African Film Festival, Inc. $24,000 African Voices Communications, Inc. $21,800 Afrikan Poetry Theatre, Inc. $65,357 Afro Brazil Arts $7,200 AHL Foundation, Inc. $12,000 AKTINA Productions, Inc. $14,400 All Out Arts, Inc. $19,100 Alley Pond Environmental Center, Inc. $116,800 Alliance for Downtown New York, Inc $96,000 Alliance for the Arts, Inc. $216,000 Alliance of Queens Artists, Inc. $4,800 Alliance of Resident Theatres / New York, Inc. $178,000 Allied Productions, Inc. $4,800 Alpha Omega 1-7 Theatrical Dance Company, Inc. $9,600 Alpha Workshops, Inc. $37,100 Alvin Ailey Dance Foundation, Inc. $152,000 Alwan Foundation $12,000 Amas Musical Theatre, Inc. $33,600 American Composers Orchestra $48,000 American Documentary $24,000 American Folk Art Museum $216,000 American Friends of the Ludwig Foundation of Cuba $7,200 American Globe Theatre, Ltd. $9,600 American Indian Artists, Inc. $9,600 American Indian Community House, Inc. $14,400 American Lyric Theater Center, Inc. $12,000 American Music Center, Inc. $76,800 American Opera Projects, Inc. $14,400 American Place Theatre, Inc. $14,400 American Symphony Orchestra, Inc. $33,600 American Tap Dance Foundation, Inc. $24,000 NYC Department of Cultural Affairs page 1 of 21 Fiscal 2009 Cultural Development Fund Awardees FY09 Total Organization Award Americas Society, Inc. $24,000 An Claidheamh Soluis, Inc. $43,600 ANDHOW! Theater Company Inc. $4,800 Annabella Gonzalez Dance Theater, Inc. $9,600 Anthology Film Archives, Inc. $24,000 Anti-Social Music, Inc. $7,200 Aperture Foundation, Inc. $14,400 ApexArt Curatorial Program $14,400 Apollo Theater Foundation, Inc. $32,500 Aquila Theatre Company, Inc. $14,400 Archipelago Books, Inc. $19,200 Architectural League of New York $33,600 Armitage Foundation Ltd. $24,000 Art Education for the Blind $14,400 Art for Change, Inc. $4,800 Art in General, Inc. $24,000 Art Lab, Inc. $24,000 Art of the Early Keyboard, Inc. $7,200 Art Students League of New York $14,400 Art21, Inc. $14,400 ArteEast, Inc. $14,400 artHARLEM, Inc. $4,800 Arthur Aviles Typical Theatre, Inc. $58,000 Artists Alliance, Inc. $12,000 Artists in Residence, Inc. $7,200 Artists Space $24,000 Arts & Business Council, Inc. $27,500 Arts Engine, Inc. $17,400 Arts for Art, Inc. $17,400 Art's House Schools, Inc. $4,000 Arts Resources in Collaboration, Inc. $9,600 ArtsConnection, Inc. $216,000 Ascension Music Chorus and Orchestra, Inc. $14,400 ASDT, Inc. - The American Spanish Dance Theatre $14,400 Asia Society $48,000 Asian American Arts Alliance $38,600 Asian American Arts Centre, Inc. $9,600 Asian CineVision, Inc. $7,200 Astoria Music Society, Inc. $17,900 Astoria Performing Arts Center $63,400 Atlantic Avenue Local Development Corporation $9,600 Atlantic Theater Company $48,000 NYC Department of Cultural Affairs page 2 of 21 Fiscal 2009 Cultural Development Fund Awardees FY09 Total Organization Award Audience Development Committee, Inc. $9,800 Australian Aboriginal Theatre Initiative $7,200 Balance Dance Theatre $4,800 Ballet Ambassadors, Inc. $12,000 Ballet Hispanico of New York, Inc. $79,800 Ballet Tech Foundation, Inc. $62,400 Ballet Theatre Foundation, Inc. $119,000 Bang on a Can, Inc. $33,600 Bargemusic, Ltd. $62,400 Bartow-Pell Landmark Fund $24,000 Baryshnikov Dance Foundation, Inc. $33,600 Batoto Yetu, Inc. $24,000 Battery Dance Corporation $33,600 Bayside Historical Society $19,400 Bedford Stuyvesant Restoration Corporation $76,800 Behind the Book, Inc. $9,600 Best of Brooklyn $4,800 Beta Israel of North America Cultural Foundation, Inc. $7,200 Big Apple Circus, Ltd. $206,500 Big Apple Performing Arts, Inc. $24,000 Billie Holiday Theatre, Inc. $33,600 Bindlestiff Family Variety Arts, Inc. $9,600 Black Spectrum Theatre Company, Inc. $93,600 Bloomingdale School of Music, Inc. $24,000 Blue Coyote Theater Group $4,800 Blue Pipa, Inc. $4,800 Bond Street Theatre Coalition, Ltd. $4,800 Boricua Festival Committee, Inc. $4,800 Borough of Manhattan Community College Performing Arts Center, Inc. $62,400 Bowery Arts & Science, Ltd. FOR Howl, Inc. $14,400 Bowery Arts and Science $9,600 Bowery Arts and Science FOR Urban Word NYC $24,000 Boys & Girls Harbor, Inc. FOR Harbor Conservatory $38,600 Brave New World Repertory Theatre, Inc. $19,200 Bread & Roses Cultural Project, Inc. $14,400 Brecht Forum $19,200 Brick Theater, Inc. $14,400 Brighton Ballet Theater Company, Inc. $14,400 Brighton Neighborhood Association, Inc. $7,000 Bronx Arts Ensemble $286,625 Bronx Community Cable Programming Corp. $4,800 Bronx Council on the Arts $319,275 NYC Department of Cultural Affairs page 3 of 21 Fiscal 2009 Cultural Development Fund Awardees FY09 Total Organization Award Bronx Council on the Arts, Inc./GNYADF $172,800 Bronx Dance Theatre, Inc. $166,000 Bronx House, Inc. $34,000 Bronx Opera Company $73,500 Bronx River Art Center & Gallery, Inc. $75,275 Bronx Stage & Film Company, Inc. $4,800 Bronx Symphony Orchestra, Inc. $16,000 Brooklyn Art Incubator, Inc. $4,800 Brooklyn Arts Council, Inc. $305,125 Brooklyn Arts Council, Inc./GNYADF $230,400 Brooklyn Arts Exchange $33,600 Brooklyn Ballet, Inc. $24,000 Brooklyn Bridge Park Conservancy, Inc. $14,400 Brooklyn Center for the Urban Environment, Inc. $24,000 Brooklyn Conservatory of Music $69,900 Brooklyn Contemporary Chorus, Inc. $7,200 Brooklyn Four Plus One, Inc. $7,200 Brooklyn Heights Music Society $9,600 Brooklyn Historical Society $96,000 Brooklyn Information & Culture $271,875 Brooklyn Philharmonic Symphony Orchestra, Inc. $290,875 Brooklyn Rail $4,800 Brooklyn Waterfront Artist Coalition $9,600 Brooklyn Youth Chorus Academy, Inc. $96,000 Builders Association, Inc. $33,600 Bushwick Institute of the Performing Arts, Inc. $30,600 Calpulli Mexican Dance Company, Inc. $19,200 Camera News, Inc. $14,400 Career Transition for Dancers, Inc. $14,400 Caribbean American Repertory Theatre, Inc. $14,600 Cathedral of St. John the Divine $12,000 Cave Canem Foundation, Inc. $14,400 CAVE Organization, Inc. $4,800 CEC Stuyvesant Cove, Inc. $14,400 Center for Arts Education, Inc. $96,000 Center for Book Arts, Inc. $33,600 Center for Contemporary Opera $7,200 Center for the Study of Classical Architecture $14,400 Center for Traditional Music and Dance $53,000 Center for Urban Pedagogy, Inc. $24,000 Center Stage Community Playhouse, Inc. $9,800 Central Astoria Local Development Coalition, Inc. $34,200 NYC Department of Cultural Affairs page 4 of 21 Fiscal 2009 Cultural Development Fund Awardees FY09 Total Organization Award Central Brooklyn Jazz Consortium, Inc. $24,200 Centro Civico Cultural Dominicano, Inc. $4,800 Chamber Music America, Inc. $14,400 Chamber Music Society of Lincoln Center, Inc. $14,400 ChaRosa Foundation Corporation $3,000 Chashama, Inc. $52,600 Chashama, Inc. FOR Ujamaa Black Theater, Inc. $10,000 Chelsea Opera, Inc. $4,800 Cherry Lane Alternative, Inc. $38,600 Chez Bushwick, Inc. $12,000 Children's Aid Society $3,840 Children's Art Carnival $10,500 Children's Arts & Science Workshops, Inc. $4,800 Children's Museum of Manhattan $195,000 Children's Museum of the Arts $14,400 Chinese American Arts Council, Inc. $14,400 Chinese Theatre Works, Inc. $19,200 Cinema Tropical, Inc. $9,600 Circle in the Square Theatre School, Inc. $19,400 Circuit Productions, Inc. $14,400 Circus Amok, Inc. $19,200 Cities at Peace, Inc. $14,400 City Grand Opera Society, Inc. $14,400 City Island Historical Society $9,800 City Lights Youth Theatre, Inc. $14,400 City Lore, Inc. $51,500 City Parks Foundation $120,000 CityArts, Inc. $14,400 CityKids Foundation, Inc. $14,400 Civilians, Inc. $14,400 Clarion Music Society, Inc. $4,800 Classical Theatre of Harlem, Inc. $33,600 Clubbed Thumb, Inc. $14,400 Coalition for Hispanic Family Services $14,400 Collapsable Giraffe, Inc. $14,400 Collective Unconscious $9,600 College Community Services, Inc. $48,000 Colonial Dames of America/Mount Vernon Hotel Museum & Garden $40,600 Colonial Farmhouse Restoration Society of Bellerose, Inc. $232,000 Community Works $115,875 Community-Word Project, Inc. $27,500 Complexions - A Concept in Dance $14,400 NYC Department of Cultural Affairs page 5 of 21 Fiscal 2009 Cultural Development Fund Awardees FY09 Total Organization Award Composers Collaborative, Inc. $7,200 Concert Artists Guild, Inc. $33,600 Concerts in the Heights $9,600 Concrete Temple Theatre $4,800 Coney Island History Project, Inc. $9,600 Coney Island, USA $48,000 Conference House Association, Inc. $41,400 Conrad Poppenhusen Association $68,000 Conscientious Musical Revues $12,000 Converging Arts Media Organization $3,000 Cool Culture $42,600 Cooper-Hewitt, National Design Museum $33,600 Council of Literary Magazines and Presses $24,000 Council on the Arts and Humanities for Staten Island $130,800 Council on the Arts and Humanities for Staten Island/GNYADF $74,800 Creative Arts Team $14,400 Creative Arts Workshop for Kids $19,200 Creative Center, Inc. $14,400 Creative Outlet Dance Theatre of Brooklyn, Inc. $19,900 Creative Time, Inc. $101,000 CSC Repertory, Ltd. $33,600 CSI Foundation FOR CSI Center for the Arts $14,400 CUE Art Foundation $14,400 Cultural Center for Soviet Refugees, Inc. $4,800 Cultural Collaborative Jamaica, Inc. $38,400 Culture Project, Inc. $14,400 CultureNOW, Inc. $4,800 Cunningham Dance Foundation, Inc. $24,000 CYPRECO of America, Inc. $24,000 D.U.M.B.O.
Load more

Recommended publications
  • State of NYC Dance & Workforce Demographics 2016
    PAGE 2 ACCESSIBILITY This document has been designed with a number of features to optimize accessibility for low vision scenarios and electronic screen readers: √ Digital Version: Alt text metadata has been added to describe all charts and images √ Digital Version: Alt text has also been duplicated as actual text captions for screen readers that do not read metadata and instead read what is visually seen on the screen (Note: This will result in redundancy for those using advanced screen readers, which read both.) √ Digital Version: The layout has been designed continuously and free of complex layouts in order to maintain a simple and consistent body flow for screen readers √ Digital Version: Page numbers are tagged to be ignored by screen readers so as to not interrupt information flow (and at the top of the page for other screen readers) √ Headlines and body introductions are set at 18 points, which is considered large print by the American Printing House for the Blind (APH) √ Body text is set at 14 points, which is considered enlarged by the APH √ Fine print and labels are set in heavier weights to increase readability √ High contrast has been maintained by using black, white, and APH-approved purple, blue, brown, and tan (for charts) √ Ample white space has been applied (to page margins and line spacing) to make pages more readable by providing contrast to the print and creating luminance around the text PAGE 3 TABLE OF CONTENTS 4 Acknowledgments 6 Testimony 8 Introduction 11 Study Sample & Methodology 14 Report Highlights 20 Snapshots & Trends Economics (Revenue, Expenses, Operating Margins) Dance maker Activity (Events, Attendance) Workforce 41 Workforce Demographics Geographies of the Dance Workforce Heritage, Ethnicity & Race Disability Age Gender LGBT Select Cross Tabulations 60 Call for Recommendations 67 Appendices DataArts Workforce Demographics Survey DataArts Blank Cultural Data Profile PAGE 4 ACKNOWLEDGMENTS Advisors Jody Gottfried Arnhold; Jonah Bokaer; Camille A.
    [Show full text]
  • National Endowment for the Arts Annual Report 1990
    National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................
    [Show full text]
  • Qurrat Ann Kadwani: Still Calling Her Q!
    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
    [Show full text]
  • Patron Services Representatives Are the Official Face of the Theatre Development Fund on the TKTS Lines at Times Square, South Street Seaport and Downtown Brooklyn
    REPRESENTATIVE JOB DESCRIPTION Patron Services Representatives are the official face of the Theatre Development Fund on the TKTS lines at Times Square, South Street Seaport and Downtown Brooklyn. They assist patrons at the booths with all of their questions and are primarily charged with discussing the current theatrical offerings with potential ticket buyers. The goal of a Patron Services Representative is not to “push” or “sell” certain shows or seats, but rather to help our patrons to make informed decisions for themselves and get all the information they need about any given show or shows. In a nutshell, Patron Services Representatives are well informed, kind, and passionate theatre professionals working for TDF/TKTS, in order to help our patrons’ understanding of the booths, and improve the overall TKTS experience. Like all TDF’s programming, they are trying to make theatre accessible to as many people as possible by improving the experience of the booths and simplify the sometimes overwhelming world of New York City Theatre. Representatives are expected to: -Work year round at the TKTS Booths, for the most part out-of doors. -Have an excellent working knowledge of New York City in order to best help patrons (especially of the Theatres and their areas) -Be able to discuss with patrons of TKTS the various shows we have on offer. -Offer help to anyone looking for informational assistance at our Booths. -Keep up to date with information on the current season of Broadway and Off-Broadway productions. This may include attending various shows which offer invitations to the team. -Assist in Patron’s understanding of the TKTS Booth’s operations, rules, and function.
    [Show full text]
  • Andy Truschinski Jessie Mueller
    Sara Bareilles, Pam MacKinnon, Toshiko Mori, Jessie Nelson, and Diane Paulus Honorary Co-Chairs and The Gala Committee and Jefrey R. Gural, Chairman & Susan Bernfield, President and the A.R.T./New York Board of Directors Welcome You to the honoring Jessie Mueller & Andy Truschinski Joe Solway & Arup Director / Choreographer Terry Berliner Associate Director / Choreographer T.J. Newton Lyricists Music Director & Pianist Timothy Huang & Sara Wordsworth Arri Lawton Simon Lighting Designer Production Stage Manager Kirk Fitzgerald Jeromy Hunt Drums Bass Jacob Colin Cohen Andrew Franklin O'Connor Award Presenters Pam MacKinnon / Elaine Molinar / Diane Paulus Host Julie Halston April 11, 2016 / Tribeca Rooftop (2 Desbrosses Street) 6:00 PM Cocktails 7:00 PM Dinner & Program Dear Friends: in Brooklyn and Manhattan. Earlier in the month, we held a cash flow loan closing ACT ONE On behalf of the Board of Directors, the at the ofce and gave testimony at a City Scene 1: Welcome Back Gala Committee, and our Honorary Co- Council hearing urging a $40 million Scene 2: Opening Remarks Chairs, Sara Bareilles, Pam MacKinnon, increase to the Department of Cultural Scene 3: Our Donors: A Love Song Toshiko Mori, Jessie Nelson, and Diane Afairs’ budget. Our honorees Jessie Scene 4: Ain’t Mishearin’: A Musical Paulus, I am thrilled to welcome you to the Mueller and Andy Truschinski have helped A.R.T./New York 2016 Spring Gala! We are us in our quest to advocate for increased Tribute to Joe Solway & Arup delighted to present gifted actors Jessie cultural funding, and their public service Scene 5: Presentation of The Kathy and Mueller and Andy Truschinski with The and dedication to ensuring that the next Howard J.
    [Show full text]
  • Howtosucceed Visionloss Flyer:Wicked, Millie Flyer.Qxd.Qxd
    Theatre Development Fund presents 2 Audio Described Performances of How to Succeed in Business Without Really Trying for Elementary, Middle and High School Students who are blind or have low vision **Priority will be given to students/schools who have not participated in the past** HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING Al Hirschfeld Theatre, 302 West 45th St. (between 8th & 9th Aves.) New York City Running Time: 2 hours 15 minutes including one 15 minute intermission Students under 4 will not be allowed in the theatre Following the advice of a book entitled "How to Succeed in Business" a young window-cleaner, J. Pierrepont Finch, begins a meteoric rise from the mail-room to Vice President of Advertising at the World-Wide Wicket Company. Finch's unorthodox and morally-questionable business practices jeopardize not only his career, but also his romance with co-worker Rosemary Pilkington. With a beloved score by Frank Loesser, this whimsical musical is packed with hit standards such as "I Believe in You," "Happy to Keep His Dinner Warm," "The Company Way," and "The Brotherhood of Man.” “Exhilarating, bright and Irresistible!" – Variety *Please note: Nick Jonas may not be starring in the show in April. Deadline: SEE BELOW **These tickets will sell out fast, so order NOW!** When: Wednesday, April 18, 2012 at 2:00 PM Deadline: April 2, 2012 Wednesday, April 25, 2012 at 2:00 PM Deadline: April 2, 2012 Tickets: Orchestra seating with no ticket fee Please use your school’s recommended student : adult ratio guidelines. Ratio cannot exceed 1 adult to 1 student Please fill out the form below and return it by mail, fax or email.
    [Show full text]
  • Theatre Management & Producing at Columbia University
    MFA in Theatre Management & Producing at Columbia University 2020 Online Q&A Steven Chaikelson Victoria Bailey Professor Adjunct Professor Theatre Management & Producing Theatre Management & Producing Concentration Director Concentration Advisor President Executive Director Snug Harbor Productions Theatre Development Fund Dodge Hall – 116th Street and Broadway • Film • Theatre • Writing • Visual Arts Theatre Program The Oscar Hammerstein II Center for Theatre Studies Offering MFA Degrees in: • Acting • Directing • Dramaturgy • Playwriting • Stage Management • Theatre Management & Producing • Joint JD/MFA with Columbia Law School Why an MFA? • The Big Picture and In-Depth Study • Expand Your Toolkit • Colleagues • Networking • Teaching • Inspiration Class of 2017 at the Shubert Archive Theatre Management & Producing Program Summary • 8-10 Students per year • 3 Year Program • 60 Credits over the first 2 years / 4 semesters • Producing/Management Requirement • 3 Internships • Collaboration Weekend • Crew Assignment • Free Tickets • Thesis Class of 2022 – Collaboration Weekend Faculty Working Professionals • Victoria Bailey (Theatre Development Fund) • Sue Frost (Come From Away) • Renee Blinkwolt (Ars Nova) • Barry Grove (Manhattan Theatre Club) • Jeremy Blocker (New York Theatre Workshop) • Justin Karr (Jujamcyn Theaters) • Gigi Bolt (Arts Consultant) • Karen Kowgios (Withum) • Chris Boneau (Boneau/Bryan-Brown) • Dessie Moynihan (Shubert Organization) • Chris Burney (New York Stage & Film) • Michael Naumann (Theatre Development Fund) • Carolyn
    [Show full text]
  • February 19 - March 22, 2020
    Based on the Motion Picture Written and Directed by JOHN CARNEY Directed by MARK CUDDY Book by ENDA WALSH Music Director Music and Lyrics by DON KOT GLEN HANSARD Choreography by and MARKÉTA IRGLOVÁ WHITNEY G-BOWLEY A Co-production with SYRACUSE STAGE February 19 - March 22, 2020 Lead Co-Producers: Co-Producer: Associate Producer: Media Sponsors: Honorary Producers: Ken & Joan Slater 1 ABOUT GEVA THEATRE CENTER Geva Theatre Center is your not-for-profit theatre company dedicated to creating and producing professional theatre productions, programs and services of a national standard. As Rochester’s flagship professional theatre, Geva is the most attended regional theatre in New York State, and one of the 25 most subscribed in the country, serving up to 160,000 patrons annually, including 20,000 students. Founded in 1972 by William Selden and Cynthia Mason Selden, Geva was originally housed in the Rochester Business Institute building on South Clinton Avenue. In 1982, Geva purchased and converted its current space – formerly a NYS Arsenal designed by noted Rochester architect Andrew J Warner and built in 1868 – and opened its new home at the Richard Pine Theatre in March 1985. Geva operates two venues – the 516-seat Elaine P. Wilson Stage and the 180-seat Ron & Donna Fielding Stage. As one of the country’s leading theatre companies and a member of the national League of Resident Theatres, Geva produces a varied contemporary repertoire from musicals to world premieres celebrating the rich tapestry of our diverse community. We draw upon the talents of some of the country’s top actors, directors, designers and writers who are shaping the American Theatre scene.
    [Show full text]
  • Panel Pool 2
    FY18-19 PEER REVIEW PANELS Panel Applicants (November deadline) This list contains potential panelists to be added to the pool for peer review panels. Approved panelists may be called upon to serve on grant panels in FY2018-2019 or FY2019-2020. Click a letter below to view biographies from applicants with corresponding last name. A .............................................................................................................................................................................. 2 B ............................................................................................................................................................................... 9 C ............................................................................................................................................................................. 18 D ............................................................................................................................................................................. 31 E ............................................................................................................................................................................. 40 F ............................................................................................................................................................................. 45 G ............................................................................................................................................................................
    [Show full text]
  • March 4 – 22, 2020
    By Molly Smith Metzler Directed by M. Bevin O’Gara A production of the Kitchen Theatre, Ithaca MARCH 4 – 22, 2020 The Fielding Studio Series is supported in part by Associate Producer: Media Sponsor: 1 2 ABOUT GEVA THEATRE CENTER Geva Theatre Center is your not-for-profit theatre company dedicated to creating and producing professional theatre productions, programs and services of a national standard. As Rochester’s flagship professional theatre, Geva is the most attended regional theatre in New York State, and one of the 25 most subscribed in the country, serving up to 160,000 patrons annually, including 20,000 students. Founded in 1972 by William Selden and Cynthia Mason Selden, Geva was originally housed in the Rochester Business Institute building on South Clinton Avenue. In 1982, Geva purchased and converted its current space – formerly a NYS Arsenal designed by noted Rochester architect Andrew J Warner and built in 1868 – and opened its new home at the Richard Pine Theatre in March 1985. Geva operates two venues – the 516-seat Elaine P. Wilson Stage and the 180-seat Ron & Donna Fielding Stage. As one of the country’s leading theatre companies and a member of the national League of Resident Theatres, Geva produces a varied contemporary repertoire from musicals to world premieres celebrating the rich tapestry of our diverse community. We draw upon the talents of some of the country’s top actors, directors, designers and writers who are shaping the American Theatre scene. Geva’s education programs serve 20,000 students annually through student matinees, in-school workshops, theatre tours, career day, the acclaimed Summer Academy training program, and opportunities such as the Stage Door Project, which pairs a local school with a production in the Geva season giving students an exclusive look into the entire process of producing a show.
    [Show full text]
  • Downloaded by Michael Mitnick and Grace, Or the Art of Climbing by Lauren Feldman
    The Dream Continues: American New Play Development in the Twenty-First Century by Gregory Stuart Thorson B.A., University of Oregon, 2001 M.A., University of Colorado, 2008 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre This thesis entitled: The Dream Continues: American New Play Development in the Twenty-First Century written by Gregory Stuart Thorson has been approved by the Department of Theatre and Dance _____________________________________ Dr. Oliver Gerland ____________________________________ Dr. James Symons Date ____________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. IRB protocol # 12-0485 iii Abstract Thorson, Gregory Stuart (Ph.D. Department of Theatre) The Dream Continues: American New Play Development in the Twenty-First Century Thesis directed by Associate Professor Oliver Gerland New play development is an important component of contemporary American theatre. In this dissertation, I examined current models of new play development in the United States. Looking at Lincoln Center Theater and Signature Theatre, I considered major non-profit theatres that seek to create life-long connections to legendary playwrights. I studied new play development at a major regional theatre, Denver Center Theatre Company, and showed how the use of commissions contribute to its new play development program, the Colorado New Play Summit. I also examined a new model of play development that has arisen in recent years—the use of small black box theatres housed in large non-profit theatre institutions.
    [Show full text]
  • Syllabus: Theatre Management Trip to New York City, March 20-24, 2002
    Syllabus: Theatre Management Trip to New York City, March 20-24, 2002 Leslie Shook and Maury Collins, instructors, The Theatre School, DePaul University Updated: 3/19/02 Hotel information: Millennium Broadway Manhattan Hotel, 145 W 44th St., New York, NY 10036 - (212) 768-4400 Students: Please read this and study the websites before we go to New York. Also, think about the questions you would like to ask, and write them down BEFORE we go to each meeting. Wednesday, March 20, 2002 3:30 p.m. Meet in Millennium Broadway Hotel lobby. 4:00 p.m. Discussion about producing - Nancy Nagel Gibbs and Susan Vargo - American Airlines Theatre, 227 W. 42nd Street, New York, Nabisco Lounge, 6th floor. The matinee is getting out at 4 p.m. so it will be a bit like salmon swimming upstream, but your names will be with the security guard. Take the elevator to 6. 6:00 p.m. Dinner with East Coast Alumni - Virgil's Barbecue, 152 W. 44th Street, New York, NY 10036 (212) 921-9494. Gary Gorman and others will join us for dinner. 8:00 p.m. Top Dog/Underdog, Ambassador Theatre, 219 West 49th St., New York, NY Thursday, March 21, 2002 10:00 a.m. Lyceum Theatre, 149 West 45th Street, New York, NY 10036 Meet with Reagan Fletcher, Director, Shubert Archives for tour of the Lyceum, one of the oldest Shubert Broadway houses, and then visit the Shubert Archives, repository of the records of 100 years of the Shuberts, and others, on Broadway. 2:30 p.m.
    [Show full text]