DOCSLIB.ORG

9781469658452 WEB.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
9781469658452 WEB.Pdf The Look of Things From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. The Look of Things Poetry and Vision around 1900 carsten strathausen UNC Studies in the Germanic Languages and Literatures Number 126 Copyright © 2003 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Strathausen, Carsten. The Look of Things: Poetry and Vision around 1900. Chapel Hill: University of North Carolina Press, 2003. doi: https://doi.org/10.5149/9780807863237_Strathau- sen Library of Congress Cataloging-in-Publication Data Names: Strathausen, Carsten. Title: The look of things : poetry and vision around 1900 / by Carsten Strathausen. Other titles: University of North Carolina studies in the Germanic languages and literatures ; no. 126. Description: Chapel Hill : University of North Carolina Press, [2003] Series: University of North Carolina Studies in the Germanic Languages and Literatures. | Includes bibliographical references and index. Identifiers: lccn 2002152317 | isbn 978-1-4696-1516-5 (pbk: alk paper) | isbn 978-1-4696-5845-2 (ebook) Subjects: German poetry — 20th century — History and criticism. | German poetry — 19th century — History and criticism. | Rilke, Rainer Maria, 1875-1926 — Criticism and interpretation. | Hofmannsthal, Hugo von, 1874-1929 — Criticism and interpretation. | George, Stefan Anton, 1868-1933 — Criticism and interpretation. | Aestheticism (Literature). Classification: lcc pt551.s77 2003 | ddc 831/.91209 — dc21 Tseng 2003.3.5 06:23 6812 Strathausen / THE LOOK OF THINGS / sheet 7 of 339 To Valerie and Clara Tseng 2003.3.5 06:23 6812 Strathausen / THE LOOK OF THINGS / sheet 8 of 339 contents Acknowledgments xi Introduction 1 Part I 6812 Strathausen / THE LOOK OF THINGS / sheet 9 of 339 1. The Speaking Gaze of Modernity 35 2. Intuition and Language 73 Excursus Methods of Reading 107 Part II 3. Aestheticism, Romanticism, and the Body of Language 137 4. Hofmannsthal and the Voice of Language 146 5. Rilke’s Stereoscopic Vision 190 6. Other as Same: The Politics of the George Circle 237 Notes 275 Works Cited 297 Index 311 Tseng 2003.3.5 06:23 illustrations 1. Title page of the first edition of Der Teppich des Lebens by Stefan George, 1900 15 2. Editorial commentary on the first edition of Der Teppich des Lebens by Stefan George, 1900 16 3. Two poems from the first edition of Der Teppich des Lebens 6812 Strathausen / THE LOOK OF THINGS / sheet 10 of 339 by Stefan George, 1900 17 4. Photo of the train accident at the Gare Montparnasse in Paris in October 1895 36 5. Auguste Rodin, The Gates of Hell, 1880–1917 214 6. Auguste Rodin, The Gates of Hell, 1880–1917, detail 215 7. Paul Cézanne, StillLifewithCurtainandFloweredPitcher,ca. 1899 217 8. Table of contents of the first publication of the Blätter für die Kunst, October 1892 249 9. Photograph of Stefan George by Theodor Hilsdorf, ca. 1928 251 Tseng 2003.3.5 06:23 acknowledgments I am indebted to many of my colleagues and friends who have supported me during the many years that I worked on this project. First and foremost, many thanks to Roger Cook for his congenial support throughout my junior years at the University of Missouri as well as for his good humor and endless patience when working with me on early drafts of this book. Peter Gilgen, 6812 Strathausen / THE LOOK OF THINGS / sheet 11 of 339 Noah Heringman, Brad Prager, and Nancy West all provided detailed and extremely helpful commentaries on single chapters of the manuscript. Bill Kerwin, Karen Piper, and Jeff Williams always gave me good advice and kept my spirits up during the final stages of the project, as did the entire crowd at Teller’s (you know who you are!). Ulrich Baer and Neil H. Donahue offered valuable suggestions for revision of the final manuscript. This book would never have seen the light of day without the tireless efforts of Jonathan Hess, series editor for the University of North Carolina Studies in the Germanic Languages and Literatures, who always found the time to answer my ques- tions and helped me along at every stage of the publication process. Adam Gori did an excellent job copyediting the final version of the manuscript, correcting numerous stylistic and syntactical errors. Many thanks also to the various institutions that granted me permission to reprint photos and illustrations, in particular to Ute Oelmann from the Stefan George-Archiv in Stuttgart. Both the University of Missouri Research Board and the Re- search Council provided financial support for this project. Finally, I want to express my gratitude to Kenneth S. Calhoon. The most inspiring thinker I have known, Ken guided me through my dissertation years at the University of Oregon and helped me to get on track for an academic job. This book is dedicated to my wife, Valerie Kaussen, and our daughter, Clara, with all my love. Tseng 2003.3.5 06:23 Tseng 2003.3.5 06:23 6812 Strathausen / THE LOOK OF THINGS / sheet 12 of 339 Tseng 2003.3.5 06:23 6812 Strathausen / THE LOOK OF THINGS / sheet 13 of 339 the look of things Tseng 2003.3.5 06:23 6812 Strathausen / THE LOOK OF THINGS / sheet 14 of 339 Introduction Epistemology is true as long as it recognizes the inadequacy of its own approach and lets itself be propelled forward by the impossibility of the task itself. It becomes untrue by pretending it is successful. —Adorno, ZurMetakritikderErkenntnistheorie331 6812 Strathausen / THE LOOK OF THINGS / sheet 15 of 339 Question and Answer, or Aesthetics Revisited This study examines the relationship between poetry, philosophy, and the visual media around 1900. More specifically, it focuses on questions of aesthetic mediation in the poetic works of Hugo von Hofmannsthal, Rainer Maria Rilke, and Stefan George. The question of mediation, of course, is central not only to German Aestheticist poetry, but also to literary scholar- ship and philosophical inquiries in general, which, as Jean-François Lyotard has recently argued, is characterized by its condemnation of all possible an- swers in favor of ever new and unanswerable questions.2 If a question can be answered, Lyotard caricatures the philosophical position, it was either not adequately formulated or merely a technical question, meaning that it should not have been asked at all. Unlike Lyotard, I am inclined to take the issue more seriously. Since the investigation into the essence of things and the concomitant notion of abso- lute truth is, by definition, located beyond the dichotomy of question and answer, it follows that a true question cannot be answered, or, put differ- ently: its answer would be superfluous, because it would already be inherent within the question itself. ‘‘[I]n philosophy,’’ Theodor W. Adorno remarks, ‘‘any authentic question almost always in a certain way includes its answer’’ (Sondern in Philosophie schließt stets fast die authentische Frage in gewisser Weise ihre Antwort ein) (Negative Dialektik 71).3 Adorno’s cautious formu- lation (‘‘almost,’’ ‘‘in a certain way’’) betrays a critical distance toward the metaphysical history of this kind of thinking, which he sees exemplified in Martin Heidegger’s ontology. Yet Heidegger is certainly not its only propo- Tseng 2003.3.5 06:23 2:introduction nent, as Walter Benjamin’s opening remarks in the Origin of German Tragic Drama may serve to illustrate. Writing before his serious engagement with and commitment to Marxism, he argues that the unity of truth is ‘‘out of ’’ or ‘‘beyond all question’’ (außer Frage), as he puts it, since otherwise one would necessarily become trapped in an infinite regress of question and answer: ‘‘For if the integral unity in the essence of truth were open to question, then the question would have to be: how far is the answer to the question already given in any conceivable reply which truth might give to questions. And the answer to this question would necessarily provoke the same question again, so that the unity of truth would defy all questioning’’ (Wäre nämlich die integrale Einheit im Wesen der Wahrheit erfragbar, so müßte die Frage lauten, inwiefern auf sie die Antwort selbst schon gegeben sei in jeder denk- 6812 Strathausen / THE LOOK OF THINGS / sheet 16 of 339 baren Antwort, mit der Wahrheit Fragen entspräche. Und wieder müßte vor der Antwort auf diese Frage die gleiche sich wiederholen, dergestalt, daß die Einheit der Frage jeder Fragestellung entginge) (Ursprung; Gesammelte Schriften I/1: 210).4 To a certain degree, Benjamin accepts the epistemological dilemma con- stitutive of philosophical thought, whose eternal quest for primordial mean- ing cannot succeed lest it were to lose its reason for being, and thus, para- doxically, its proper meaning. An answer found signifies truth lost, which is why Lyotard’s mockery of the entire philosophical tradition sells the real issue short. At stake is less the paradoxical (or tautological) nature of human thought, but the question of how to come to terms with it. This problem of presentation (Darstellung) is crucial to the history of philosophy, and both its formulation and its aesthetic ‘‘solution’’ take on a peculiar shape in mod- ernist poetry around 1900. The Look of Things focuses on precisely this shape in works by Hofmannsthal, Rilke, and George.
Load more

Recommended publications
  • SPRING 2017 COURSE LISTING GRMN0110 Intensive Beginning
    SPRING 2017 COURSE LISTING GRMN0110 Intensive Beginning German Jane Sokolosky Students who wish to complete the GRMN 0100-0200 sequence in one semester may do so by enrolling in GRMN 0110 for two semester course credits. There are six hours per week in small drill sections conducted by fluent undergraduate teaching apprentices. Another three hours of class will be conducted by the faculty instructor. Students must register for both the lecture section and one conference. S01 TuTh 9-10:20 C01 MWF 1-2:50 C02 MWF 1-2:50 GRMN0200 Beginning German Jane Sokolosky A course in the language and cultures of German-speaking countries. Four hours per week plus regular computer and listening comprehension work. At the end of the year, students will be able to communicate about everyday topics and participate in the annual film festival. This is the second half of a year-long course. Students must have taken GRMN 0100 to receive credit for this course. The final grade for this course will become the final grade for GRMN 0100. S01 MWF 9-9:50, T 12-12:50 S02 MWF 11-11:50, T 12-12:50 S03 MWF 12-12:50, T 12-12:50 GRMN0400 Intermediate German II Jane Sokolosky An intermediate German course that stresses improvement of the four language skills. Students read short stories and a novel; screen one film; maintain a blog in German. Topics include German art, history, and literature. Frequent writing assignments. Grammar review as needed. Four hours per week. Recommended prerequisite: GRMN 0300. WRIT S01 MWF 10-10:50, Th 12-12:50 S02 MWF 1-1:50, Th 12-12:50 GRMN0600B Was ist Deutsch? Thomas Kniesche In this course we will examine some of the ideas and myths that became entangled with the emerging notion of a "German" identity in the eighteenth and nineteenth centuries.
    [Show full text]
  • The Routledge History of Literature in English
    The Routledge History of Literature in English ‘Wide-ranging, very accessible . highly attentive to cultural and social change and, above all, to the changing history of the language. An expansive, generous and varied textbook of British literary history . addressed equally to the British and the foreign reader.’ MALCOLM BRADBURY, novelist and critic ‘The writing is lucid and eminently accessible while still allowing for a substantial degree of sophistication. The book wears its learning lightly, conveying a wealth of information without visible effort.’ HANS BERTENS, University of Utrecht This new guide to the main developments in the history of British and Irish literature uniquely charts some of the principal features of literary language development and highlights key language topics. Clearly structured and highly readable, it spans over a thousand years of literary history from AD 600 to the present day. It emphasises the growth of literary writing, its traditions, conventions and changing characteristics, and also includes literature from the margins, both geographical and cultural. Key features of the book are: • An up-to-date guide to the major periods of literature in English in Britain and Ireland • Extensive coverage of post-1945 literature • Language notes spanning AD 600 to the present • Extensive quotations from poetry, prose and drama • A timeline of important historical, political and cultural events • A foreword by novelist and critic Malcolm Bradbury RONALD CARTER is Professor of Modern English Language in the Department of English Studies at the University of Nottingham. He is editor of the Routledge Interface series in language and literary studies. JOHN MCRAE is Special Professor of Language in Literature Studies at the University of Nottingham and has been Visiting Professor and Lecturer in more than twenty countries.
    [Show full text]
  • The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W
    DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 8-2012 The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno Joseph Weiss DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Weiss, Joseph, "The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno" (2012). College of Liberal Arts & Social Sciences Theses and Dissertations. 125. https://via.library.depaul.edu/etd/125 This Dissertation is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W. Adorno A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy October, 2011 By Joseph Weiss Department of Philosophy College of Liberal Arts and Sciences DePaul University Chicago, Illinois 2 ABSTRACT Joseph Weiss Title: The Idea of Mimesis: Semblance, Play and Critique in the Works of Walter Benjamin and Theodor W. Adorno Critical Theory demands that its forms of critique express resistance to the socially necessary illusions of a given historical period. Yet theorists have seldom discussed just how much it is the case that, for Walter Benjamin and Theodor W.
    [Show full text]
  • Institute of Germanic and Romance Studies University of London
    Institute of Germanic and Romance Studies University of London Closs / Priebsch Family Papers (reference Closs) To order material, please use the reference (Closs) with the box and file numbers and a description of the item: (eg) Closs box 5 file 1 C.F. Carter – letter, Harrow 1946 and translation of Hoenderlin’s Der Archipelago NB Do not use sub-fonds references (eg Closs/ACT) when ordering material. Table of contents of boxes Acquired material: 1-2, 67 August Closs: 3-36, 51-66, 68 Robert Priebsch: 37-39, 68-9 Hannah Priebsch-Closs: 40-45 Elizabeth Closs-Traugott: 46-49 Alois Closs: 50 1 Box 1 file 1 16th and 17th Century material Hexenprozesse: MSS - 3 folio booklets in originally yellow paper folders, without doubt the original records of the women's trials. Catharina Stroblin, farmer in Schernfeld. Arrested, suspected of witchcraft on Friday 24 November 1617, questioned by the Malefiz Commissarios, and on 26 January 1618 run through with a sword and then burned. Appolonia Nueberin, brewer, 32 years old. Arrested on suspicion of witchcraft on 10 May 1623. On 23 June 1623 she was also executed and burned. Bill put in to cover costs of difficulties caused by and rewards offered for the executed magical persons during the years 1617, 1628 and 1629, by Hans Schoelern. Box1 file 2 Original charter to over 5 hides of land and a farm Sold by Nette, servant of Graf Dieterich von Plesse to a nunnery. Pergament, cut off sharply at the top and torn at the bottom without loss of text.
    [Show full text]
  • Theories of Voice in Twentieth-Century Thought and Performance
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Louisiana State University Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 The sound of meaning: theories of voice in twentieth-century thought and performance Andrew McComb Kimbrough Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Kimbrough, Andrew McComb, "The ounds of meaning: theories of voice in twentieth-century thought and performance" (2002). LSU Doctoral Dissertations. 533. https://digitalcommons.lsu.edu/gradschool_dissertations/533 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE SOUND OF MEANING: THEORIES OF VOICE IN TWENTIETH-CENTURY THOUGHT AND PERFORMANCE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Theatre by Andrew McComb Kimbrough B.A., Wake Forest University, 1984 M.F.A., Carnegie Mellon University, 1997 May 2002 © Copyright 2002 Andrew McComb Kimbrough All rights reserved ii To Liu Zhiguang iii TABLE OF CONTENTS ABSTRACT . .v CHAPTER 1 INTRODUCTION. 1 2 THE VOICE IN PALEOANTHROPOLOGY . 31 3 THE PHENOMENOLOGICAL VOICE. 82 4 THE MUTABLE VOICE IN THE LINGUISTIC TURN.
    [Show full text]
  • "Eric Voegelin and the Stefan George Circle "
    "Eric Voegelin and the Stefan George Circle " Copyright 2006 William Petropulos Eric Voegelin and the Stefan George Circle 1 [1] 2 Late in life Eric Voegelin recorded that his work on Plato was done "in the spirit" of the Plato scholars of the Stefan George circle.3 [2] Today, in the time allotted to me, I want to talk about George's place in the Plato scholarship of his circle, and therefore his role in Voegelin's understanding of Plato. The high point of George's influence on Voegelin was in the early 1930's, and I will confine my remarks to Voegelin's works of that time. I 1 [1] I have dealt with this material more extensively in: "Stefan George und Eric Voegelin", Occasional Papers, LI, Munich : Eric‐Voegelin‐Archiv, December, 2005. 3 [2] See: Eric Voegelin, Autobiographical Reflections. Edited with an Introduction by Ellis Sandoz, Baton Rouge , Louisiana : Louisiana State University , 1989. In a 1930 lecture on Max Weber4 [3] Voegelin pointed out that due to Germany 's long history of religious and political strife, the nation had not achieved a unified view of the human being. The situation, so Voegelin, is so bad, that in Germany "each individual must create a new world for himself". Following the first mention of Weber by name, and as the individual who bears this spiritual isolation heroically, but does not rise above it, Voegelin notes: At the deep point of spiritual decline, "the creator of the new language arose in the person of Stefan George". A few sentences later, Voegelin compares Weber and George.
    [Show full text]
  • Ouida Bergère
    Ouida Bergère Also Known As: Eulalia Bergère, Ida Bergère, Mrs. George Fitzmaurice, Mrs. Basil Rathbone Lived: December 14, 1885 - November 29, 1974 Worked as: adapter, film actress, scenario editor, screenwriter Worked In: United States by Laura Jacquelyn Simmons Ouida Bergère was perhaps best known in the film industry as Mrs. Basil Rathbone and party hostess extraordinaire. However, before her marriage, to Rathbone, Bergère was a prominent and top paid scenario writer. Bergère was born in Spain, but moved to the US at the age of six. Her father was French-Spanish and her mother, British (Lowrey 1920, 22). There is some conflicting information regarding her birth name; most sources claim she was born Ida Bergère, others Eulalia Bergère. Regardless, upon entering the film industry, she changed her name to Ouida. Bergère began her film career by serving as scenario editor and actress for Pathé Freres, eventually writing her own scripts and branching out to other companies, including Vitagraph and Famous Players-Lasky, according to the New York Dramatic Mirror in 1915 (24). Much of Bergère’s screenwriting career coincides with the career of her second husband, George Fitzmaurice, to whom she was married before Rathbone. She met Fitzmaurice after she started her screenwriting career, and after their marriage, he directed almost all of the films she wrote. As is the case with the many Hollywood marriages, Bergère’s relationship to Fitzmaurice must be considered when discussing her career, and, typically, because her career was so closely linked to that of Fitzmaurice, there is confusion about their credits. She very well might have had her hand in directing some of the films that have been credited to him, as was the case with other couples such as actress Alice Terry and director Rex Ingram.
    [Show full text]
  • Alfred Döblin Essays on Literature Autobiographies
    Beyond Alexanderplatz ALFRED DÖBLIN ESSAYS ON LITERATURE AUTOBIOGRAPHIES Selected and translated by C.D. Godwin ©C D Godwin 2019 https://beyond-alexanderplatz.com CONTENTS 1913: To Novelists and their Critics 1 1917: Remarks on the Novel 4 1917-18: Doctor Döblin (unfinished draft) 7 1921: The Thirty Years War (written 1919) 13 1921: The Epicist, his Material, and the Critics 22 1924: Remarks on Mountains Oceans Giants 28 1924: The Spirit of a Naturalistic Age 35 1924: German Conditions, Jewish response 48 1927: Doctor and Writer 52 1928: Two Souls in a Single Breast 56 1929: Construction of the Epic Work 58 1932: Afterword to Giants 76 1936: The Historical Novel and Us 78 1938: Prometheus and the Primitive 92 1948: Epilogue 105 TO NOVELISTS AND THEIR CRITICS: THE BERLIN PROGRAMME Alfred Döblin Der Sturm Nr 158/9, May 1913 The artist toils away in his isolated cell. He himself is two-thirds self-deception and blather. (The door is open for discussion.) Certain things remain immovable over Time: Homer is still enjoyed today; art conserves; but in the course of centuries working methods, like the surface of the Earth, undergo changes; the artist can no longer fly into the arms of Cervantes without becoming motheaten. The world has grown in breadth and depth; old Pegasus, outflanked by technology, has been hoodwinked and transformed into a stubborn mule. I claim that any good speculator, banker, soldier is a better writer than the majority of current authors. Writers of prose, always first to jump on the bandwagon, encompass the world not through new rigorous cold-blooded methods, but rather chew away constantly at “material” and problems of their internal inadequacy.
    [Show full text]
  • (Offen-Barkeit) of Différance, but Always from Within the Text
    Page 1 of 9 Original Research Beyond categories, proper names, types and norms toward a fragile openness (Offen-barkeit) of différance, but always from within the text Author: This article sought to respond to Wessel Stoker’s interpretation of transcendence, specifically 1 Johann-Albrecht Meylahn his last type: transcendence as alterity. It explored the possibilities of this last type as it moves Affiliation: beyond categories, proper names, types and norms toward a fragile openness of différance, 1Department of Practical always from within the text. This transcendence of alterity paves a way for discussion on what Theology, University of is beyond being or beyond language, either horizontally or vertically, so as to move away from Pretoria, South Africa dogmatic assertiveness toward a more poetic humility. This poetic humility, because of its Correspondence to: openness (Offen-barkeit) and its ‘undogmaticness’, offers a fragile creativeness to our cultural– Johann-Albrecht Meylahn social–environmental encounters and praxis. Such poetics is found in Heidegger’s work, as he interpreted humanity to dwell poetically in the house of being (language), if language speaks Email: as the Geläut der Stille. Yet Heidegger did not move far enough beyond names and proper [email protected] names, as he named and identified the kind of poetry that would be ‘proper’ to respond to the Postal address: Geläut der Stille. Derrida deconstructed Heidegger’s interpretation and exposed Heidegger’s PO Box 14885, Lyttelton disastrous method of capitalising cultural-political names, moving beyond such capitalisation 0140, South Africa of ‘proper’ names toward différance and a messianic expectation without Messiah. In this Dates: artricle, both Heidegger and Derrida’s conceptions were brought into dialogue with the Received: 22 Nov.
    [Show full text]
  • Stefan George E Friedrich Hölderlin: Due Ciclicità a Confronto
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unitn-eprints PhD Dottorato di Ricerca in Studi umanistici Indirizzo: Studi letterari e linguistici Ciclo XXVIII Tesi di Dottorato Stefan George e Friedrich Hölderlin: due ciclicità a confronto Relatore: prof. Alessandro Fambrini Dottorando Coordinatore del Dottorato: prof.ssa Elvira Migliario Marco Serio anno accademico 2012-2015 Indice Introduzione ………………………………………………………………………2 1.1 La nozione di ‹ciclicità› nella lirica ….………………….…………………..10 1.2 Il ‹rituale ciclico› in Stefan George ……………………………………....….18 1.3 Analisi contenutistica del Teppich des Lebens………………………….……31 1.4 Le strutture cicliche in Der Teppich des Lebens …………………………...106 1.5 Note sulle intersezioni tra Friedrich Hölderlin e il «George-Kreis» ……….135 1.6 Note sulla poetica di Friedrich Hölderlin …………………………………..160 1.7 La ciclicità negli inni di Hölderlin …………………………………………174 Bibliografia …………………………………………………………………….189 1 Introduzione Il presente studio si focalizza sull’analisi della nozione di ciclicità in due grandi poeti della letteratura tedesca: Stefan George e Friedrich Hölderlin. L’indagine ha riguardato segnatamente i motivi e le strutture cicliche della raccolta di poesie Der Teppich des Lebens und die Lieder von Traum und Tod mit einem Vorspiel e degli inni hölderliniani Patmos, Friedensfeier, Brot und Wein e Der Zeitgeist al fine di comprendere le modalità in cui George ha ereditato la nozione di ciclicità hölderliniana. In prima battuta la nozione di ciclicità è stata scandagliata a partire dal suo significato etimologico. A fronte dell’esponenziale incremento di ricerche letterarie sulla nozione di ciclo, in uno studio del 2008, Siegfried Ulbrecht ha parlato di un vero e proprio «Zweig der Literaturwissenschaft»1, attribuendo al ciclo la definizione di genere letterario.
    [Show full text]
  • Benjamin (Reflections).Pdf
    EFLECTIOMS WALTEU BEHiAMIH _ Essays, Aphorisms, p Autobiographical Writings |k Edited and with an Introduction by p P e t e r D e m e t z SiiiiiiiiiiiiiiiiiiiiiiittiiiiiiiiiiiiiltiAMiiiiiiiAiiiiiiiiii ^%lter Benjamin Essays, Aphorisms, Autobiographical W ritings Translated, by Edmund Jephcott Schocken Books^ New York English translation copyright © 1978 by Harcourt BraceJovanovich, Inc. Alt rights reserved under International and Pan-American Copyright Conven­ tions. Published in the United States by Schocken Books Inc., New YoTk. Distributed by Pantheon Books, a division of Random House, Inc., New York. These essays have all been published in Germany. ‘A Berlin Chronicle” was published as B erliner Chronik, copyright © 1970 by Suhrkamp Verlag; "One-Way Street” as Einbahnstrasse copyright 1955 by Suhrkamp Verlag; "Moscow,” “Marseilles;’ “Hashish in Marseilles:’ and " Naples” as “Moskau “Marseille,” “Haschisch in Marseille,” and “Weapel” in Gesammelte Schrifen, Band IV-1, copyright © 1972 by Suhrkamp Verlag; “Paris, Capital of the Nineteenth Century," “Karl Kraus,” - and "The Destructive Character” as "Paris, die H auptskult des XlX.Jahrhvmdertsl' "Karl Kmus’,’ and “Der destruktive Charakter" in llluminationen, copyright 1955 by Suhrkamp Verlag; “Surrealism,” “On Language as Such and on the Language of Man,” and “On the M i me tic faculty" as “Der Silry:eaWsmus,” “Uber die Sprache ilberhaupt und ilber die Sprache des Menschen” and "Uber das mimelische Vermogen” in Angelus copyright © 1966 by Suhrkamp Verlag; “ Brecht’s Th r eep en n y Novel” as “B r e c h t ’s Dreigroschmroman" in Gesammelte Sr.hrifen, Band III, copyright © 1972 by Suhrkamp Verlag; “Conversations with Brecht” and “The Author as Producer" as “Gespriiche mit Brecht" and “Der Autor ais Produz.erit” in Ver-SMche ilber Brecht, copyright © 1966 by Suhrkamp Verlag; “Critique of Violence/' "Fate and Character,” and “Theologico-Political Fragment” as "Zur K r itiz der Gewalt',' "Schicksal und Charakter" and "Theologisch-polilisches Fr< ^ m ent" in Schrifen, Band I, copyright © 1955 by Suhrkamp Verlag.
    [Show full text]
  • The Unfolding of Language and Being in Heidegger's Later Work, 1949-1976
    Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2009 Sprache als Be-wëgen: The nfoldinU g of Language and Being in Heidegger's Later Work, 1949-1976 Douglas F. Peduti Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Peduti, D. (2009). Sprache als Be-wëgen: The nfoU lding of Language and Being in Heidegger's Later Work, 1949-1976 (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1033 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. SPRACHE ALS BE-WËGEN: THE UNFOLDING OF LANGUAGE AND BEING IN HEIDEGGER’S LATER WORK, 1949-1976 A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Douglas Francis Peduti, S.J. December 2009 Copyright by Douglas F. Peduti, S.J. 2009 SPRACHE ALS BE-WËGEN: THE UNFOLDING OF LANGUAGE AND BEING IN HEIDEGGER’S LATER WORK, 1949-1976 By Douglas F. Peduti, S.J. Approved August 28, 2009 __________________________________ __________________________________ James Swindal, Ph.D. Richard Rojcewicz, Ph.D. Associate Professor of Philosophy Associate Professor of Philosophy (Dissertation Director) Point Park University (Reader) In memoriam, 27 February 2009 __________________________________ Wilhelm Wurzer, Ph.D. Andrew Cutrofello, Ph.D. Professor of Philosophy Professor and Graduate Program Director (Reader) Loyola University Chicago (Outside Reader) _________________________________ __________________________________ Christopher M.
    [Show full text]