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April 2021 New Titles List University of Dubuque
April 2021 New Titles List University of Dubuque Local Item Call Local Item Permanent Number Author Name Title Publisher NamePublication Date Edition Language Name Material Format Material Subformat Shelving Location N/A Neonatology today. Neonatology Today,2006 N/A English JOURNALS/MAGAZIN EJOURNALS/EMAGA ES ZINES Parkman, Francis, A half century of Little, Brown, and Co.,1899 Frontenac English BOOKS PRINTBOOK conflict / edition. Schur, Michael,Scanlon, The Good Place. Universal 2019 N/A English VIDEOS DVDS Claire,Miller, Beth Television,Shout! Factory, McCarthy,Holland, Dean,Bell, Kristen,Danson, Ted,Harper, William Jackson,Jamil, Jameela,Carden, D'Arcy,Jacinto, Manny,; Shout! Factory (Firm),Universal Television (Firm), AM151 .T54 2019 Garcia, Tristan,Normand, Theater, garden, ÉCAL/University of Art 2019 N/A English BOOKSPRINTBOOK New Book Collection: Vincent,; École cantonale bestiary :a and Design Lausanne 1st Floor d'art de Lausanne,Haute materialist history of ;Sternberg Press, école spécialisée de exhibitions / Suisse occidentale. BF789.C7 P3713 Pastoureau, Michel,; Green :the history of Princeton University 2014 N/A English BOOKSPRINTBOOK New Book Collection: 2014 Gladding, Jody, a color / Press, 1st Floor BJ1521 .H76 2020 Miller, Christian B.,West, Integrity, honesty, Oxford University Press,2020 N/A English BOOKSPRINTBOOK New Book Collection: Ryan, and truth seeking / 1st Floor BR65.A9 W47 Wessel, Susan, On compassion, Bloomsbury Academic,2020 N/A English BOOKSPRINTBOOK New Book Collection: 2020 healing, suffering, 1st Floor and the purpose of the emotional life / BS195 .R48 2019 Wansbrough, Henry, The Revised New Image,2019 First U.S. edition. English BOOKSPRINTBOOK New Book Collection: Jerusalem Bible 1st Floor :study edition / BS2553 .R83 Ruden, Sarah, The Gospels / Modern Library,2021 First edition. -
BELOW Press Kit Draft
Below / Press Kit / Page 1 of 15 Screen Australia presents a GoodThing Productions Film in association with Screenwest and Lotterywest, Seville International, Film Victoria And Melbourne International Film Festival Premiere Fund Release: 2019 Running time: 93 minutes Language: English and Farsi Country of Origin: Australia Rating: TBC Aspect Ratio: 2.39/scope Year of Production: 2019 Website: https://goodthingproductions.com.au/projects/below/ Production Company: Australian Distributor: GoodThing Productions Madman Entertainment 42 Glasshouse Road Level 2, 289 Wellington Parade South Collingwood VIC 3066 East Melbourne VIC 3002 Contact: Nick Batzias Contact: Paul Wiegard [email protected] Tel: +61 3 9261 9200 Tel: +61 413 014 446 Press: Caroline Whiteway [email protected] Tel: +61 3 9261 9200 International Sales: Seville International 455, St Antoine Ouest, Bureau 300 Montreal Quebec N2Z1J1 Contact: Anick Poirer [email protected] Tel: +1 514 878 2282 The Filmmakers acknowledge the Traditional Owners, past, present, and emerging of the unceded lands where this film was made. © 2019 GoodThing Productions Company Pty Ltd, Screenwest (Australia) Ltd. Filmfest Limited Below / Press Kit / Page 2 of 15 KEY CAST: Dougie ......................................................... Ryan Corr Terry………..... ............................................... Anthony LaPaglia Azad ............................................................ Phoenix Raei Zahra……………….………….. ............................. Lauren Campbell Cheryl -
Amongst Friends: the Australian Cult Film Experience Renee Michelle Middlemost University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2013 Amongst friends: the Australian cult film experience Renee Michelle Middlemost University of Wollongong Recommended Citation Middlemost, Renee Michelle, Amongst friends: the Australian cult film experience, Doctor of Philosophy thesis, School of Social Sciences, Media and Communication, University of Wollongong, 2013. http://ro.uow.edu.au/theses/4063 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Amongst Friends: The Australian Cult Film Experience A thesis submitted in fulfillment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY From UNIVERSITY OF WOLLONGONG By Renee Michelle MIDDLEMOST (B Arts (Honours) School of Social Sciences, Media and Communications Faculty of Law, Humanities and The Arts 2013 1 Certification I, Renee Michelle Middlemost, declare that this thesis, submitted in fulfillment of the requirements for the award of Doctor of Philosophy, in the Department of Social Sciences, Media and Communications, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Renee Middlemost December 2013 2 Table of Contents Title 1 Certification 2 Table of Contents 3 List of Special Names or Abbreviations 6 Abstract 7 Acknowledgements 8 Introduction -
Kotatsu Japanese Animation Film Festival 2017 in Partnership with the Japan Foundation
Kotatsu Japanese Animation Film Festival 2017 In partnership with the Japan Foundation Chapter - September 29th - October 1st, 2017 Aberystwyth Arts Centre – October 28th, 2017 The Largest Festival of Japanese Animation in Wales Announces Dates, Locations and Films for 2017 The Kotatsu Japanese Animation Festival returns to Wales for another edition in 2017 with audiences able to enjoy a whole host of Welsh premieres, a Japanese marketplace, and a Q&A and special film screening hosted by an important figure from the Japanese animation industry. The festival begins in Cardiff at Chapter Arts on the evening of Friday, September 29th with a screening of Masaaki Yuasa’s film The Night is Short, Walk on Girl (2017), a charming romantic romp featuring a love-sick student chasing a girl through the streets of Kyoto, encountering magic and weird situations as he does so. Festival head, Eiko Ishii Meredith will be on hand to host the opening ceremony and a party to celebrate the start of the festival which will last until October 01st and include a diverse array of films from near-future tales Napping Princess (2017) to the internationally famous mega-hit Your Name (2016). The Cardiff portion of the festival ends with a screening of another Yuasa film, the much-requested Mind Game (2004), a film definitely sure to please fans of surreal and adventurous animation. This is the perfect chance for people to see it on the big-screen since it is rarely screened. A selection of these films will then be screened at the Aberystywth Arts Centre on October 28th as Kotatsu helps to widen access to Japanese animated films to audiences in different locations. -
Guest Biographies: * Distribution, Sales and Financing Executives * Other Panel & Roundtable Moderators/Speakers London
Guest biographies: * Distribution, sales and financing executives * Other Panel & Roundtable moderators/speakers London Production Finance Market (PFM) Company Profile The London Production Finance Market (PFM) occurs each October in association with The BFI London Film Festival and is supported by the London Development Agency, UK Film Council, UK Trade and Investment (UKTI), Skillset, City of London Corporation and Peacefulfish. The invitation-only PFM last year registered 50 producers and more than 150 projects with US$1.16 billion of production value and nearly 60 financing guests including UGC, Rai Cinema, Miramax, Studio Canal, Lionsgate, Nordisk, Ingenious, Celluloid Dreams, Aramid, Focus, Natixis, Bank of Ireland, Sony Pictures Classics, Warner Bros. and Paramount. Film London is the UK capital's film and media agency. It sustains, promotes and develops London as a major international film-making and film cultural capital. This includes all the screen industries based in London - film, television, video, commercials and new interactive media. Helena MacKenzie Helena Mackenzie started her career in the film industry at the age of 19 when she thought she would try and get a job in the entertainment industry as a way out of going to Medical School. It worked! Many years and a few jobs later she is now the Head of International at Film London. Her journey to Film London has crossed many paths of international production, distribution and international sales. At Film London, she devised and runs the Film Passport Programme, runs the London UK Film Focus and the Production Finance Market (PFM), as well as working with emerging markets such as China, India and Russia. -
Toriko, Vol. 11 PDF Book
TORIKO, VOL. 11 PDF, EPUB, EBOOK Mitsutoshi Shimabukuro | 200 pages | 16 Aug 2012 | Viz Media, Subs. of Shogakukan Inc | 9781421543086 | English | San Francisco, United States Toriko, Vol. 11 PDF Book Taizou Mote King Saga 8. Tasogare Otome x Amnesia 4. Hitohira 2. Chrno Crusade 8. Bamboo Blade Jan 15, PM by Aidan 12 Comments. To- Love-Ru Sense 2. Real Bishoku-Ya Toriko!! MH B-day Banner Contest 9. The television show Sakiyomi Jum-Bang! Perfect Girl Evolution Toriko, Volume 6. Komatsu decides to accompany Toriko on the hunt, as he wishes to become the best chef in the world. Appleseed 0. The Reality of the Gourmet World!! Yumekui Merry 2. Sebuah crossover di antara Toriko dan One Piece , dianggap sebagai episode pertama Toriko dan episode One Piece dan ditayangkan sebagai siaran perdana seri tersebut. Black Cat Are you ready for the premiere of Dr. Raqiya 0. Pluto 7. Toriko v03 Yabe Mar 3, Dog Soldier 0. Lives of Eccentrics 1. Ichinensei ni Nacchattara 1. Bara no Maria 1. Industry Comments. Written by Perfect Blue's Sadayuki Murai, Boogiepop Phantom is a supernatural take on obsession, memories, death, and how we're all connected. Toriko is contracted by IGO again, this time to enter one of their biotope gardens and obtain a Rainbow Fruit, which is in the nest of the four-armed Troll Kong gorillas. Fist of the North Star - Rei Gaiden 1. Tak ada twist yang cerdas dalam ceritanya dan karakternya sama sekali tak berkembang, baik secara personal ataupun interpersonal. Jan 17, PM by Amalader. Anime Toriko berakhir di episode pada tanggal 30 Maret dan digantikan oleh kembalinya Dragon Ball Kai. -
Confirmed 2021 Buyers / Commissioners
As of April 13th Doc & Drama Kids Non‐Scripted COUNTRY COMPANY NAME JOB TITLE Factual Scripted formats content formats ALBANIA TVKLAN SH.A Head of Programming & Acq. X ARGENTINA AMERICA VIDEO FILMS SA CEO XX ARGENTINA AMERICA VIDEO FILMS SA Acquisition ARGENTINA QUBIT TV Acquisition & Content Manager ARGENTINA AMERICA VIDEO FILMS SA Advisor X SPECIAL BROADCASTING SERVICE AUSTRALIA International Content Consultant X CORPORATION Director of Television and Video‐on‐ AUSTRALIA ABC COMMERCIAL XX Demand SAMSUNG ELECTRONICS AUSTRALIA Head of Business Development XXXX AUSTRALIA SPECIAL BROADCASTING SERVICE AUSTRALIA Acquisitions Manager (Unscripted) X CORPORATION SPECIAL BROADCASTING SERVICE Head of Network Programming, TV & AUSTRALIA X CORPORATION Online Content AUSTRALIA ABC COMMERCIAL Senior Acquisitions Manager Fiction X AUSTRALIA MADMAN ENTERTAINMENT Film Label Manager XX AUSTRIA ORF ENTERPRISE GMBH & CO KG content buyer for Dok1 X Program Development & Quality AUSTRIA ORF ENTERPRISE GMBH & CO KG XX Management AUSTRIA A1 TELEKOM AUSTRIA GROUP Media & Content X AUSTRIA RED BULL ORIGINALS Executive Producer X AUSTRIA ORF ENTERPRISE GMBH & CO KG Com. Editor Head of Documentaries / Arts & AUSTRIA OSTERREICHISCHER RUNDFUNK X Culture RTBF RADIO TELEVISION BELGE BELGIUM Head of Documentary Department X COMMUNAUTE FRANCAISE BELGIUM BE TV deputy Head of Programs XX Product & Solutions Team Manager BELGIUM PROXIMUS X Content Acquisition RTBF RADIO TELEVISION BELGE BELGIUM Content Acquisition Officer X COMMUNAUTE FRANCAISE BELGIUM VIEWCOM Managing -
Marché Du Film 2018 - List of Buyers As of (15/05/2018) Abbr
Marché du Film 2018 - List of Buyers As of (15/05/2018) Abbr. : World (Worldwide) - Th (Theatrical) - Vid (DVD Video) - TV - VOD 101 FILMS Th TV Vid VOD UNITED KINGDOM LEWES - Tel : 44 1273 917866 - Email : [email protected] PALAIS -1 Booth 20.03 DAVEY Steve - Head of Acquisitions - [email protected] TAYLOR Andrew - Sales Director - [email protected] 102 DISTRIBUTION World Th TV Vid VOD ITALY ROME - Tel : 39 06 62205901 - Email : [email protected] CERQUEGLINI Tommaso - Head of distribution - [email protected] 2I FILM D.O.O. Th TV Vid VOD CROATIA ZAGREB - Tel : 38518894699 - Email : [email protected] SIBER Ivor - Owner - [email protected] 41SHADOWS Th TV Vid VOD DENMARK COPENHAGEN - Tel : 45 3 049 0071 - Email : [email protected] MUNK SKYDSGAARD Pernille - Distributor - Producer - [email protected] - Mob : 45 30490071 4DIGITAL MEDIA LTD Th TV Vid VOD UNITED KINGDOM GERRARDS CROSS - Tel : 44 195 956 9130 - Email : [email protected] SYMONDS Lee - Acquistions & Product Development Manager - [email protected] - Mob : 44 7525 058773? TAGLIENTI Antonio - Managing Director - [email protected] 6A MEDIA ENTERTAINMENT Th TV Vid VOD BULGARIA SOFIA - Tel : 359 897818091 - Email : [email protected] ALEKOVA Ginka - President - CEO - [email protected] - Mob : 359 897818091 7 ART/DISTRIBUTION INC World Th TV Vid VOD CANADA MONTREAL - Tel : 1 514 705 2209 - Email : [email protected] CALHANAS Charles - Buyer - [email protected] - Mob : 33 0761227704 9ERS ENTERTAINMENT -
Media-Kit-High-Ground.Pdf
HIGH GROUND DIRECTED BY STEPHEN JOHNSON RELEASE DATE TBC RUNNING TIME 1 HOUR 45 MINS RATED TBC MADMAN ENTERTAINMENT PUBLICITY CONTACT: Harriet Dixon-Smith - [email protected] Lydia Debus - [email protected] https://www.madmanfilms.com.au TAGLINE In a bid to save the last of his family, Gutjuk, a young Aboriginal man teams up with ex-soldier Travis to track down Baywara, the most dangerous warrior in the Territory, his Uncle. SYNOPSIS Northern Territory, Australia 1919. The Great War is over, the men have returned home. Many return to their normal lives in the cities in the south, others are drawn to the vast open spaces of the North. A sparsely populated wild frontier. They hunt buffalo, they hunt crocodile, and those that can join the overstretched Police service. Travis and Ambrose are two such men. A former sniper, Travis has seen the very worst of humanity and the only thing that keeps him on track is his code of honour, tested to its limit when a botched police operation results in the massacre of an Indigenous tribe. Travis saves a terrified young boy named Gutjuk from the massacre. He takes him to the safety of a Christian mission but unable to deal with the ensuing cover up, Travis leaves his police outpost and disappears into the bush. Twelve years later, 18-year-old Gutjuk hears news of the ‘wild mob’ – a renegade group of Indigenous warriors causing havoc along the frontier attacking and burning cattle stations, killing settlers. It’s said their leader is Gutjuk’s uncle, Baywara thought to be a survivor of the massacre. -
Showing Movies If Your Club/Society Is Planning on Showing a Movie, It Is Imperative That the Club/Society Abides by Any Legislation
Showing movies If your club/society is planning on showing a movie, it is imperative that the Club/Society abides by any legislation. Permission will also be necessary where a non-profit organisation such as a club, or sporting organisation wants to screen a film or DVD as a fundraiser or as a group activity. This may include obtaining and paying for a movie licence to ensure Copyright and/or Public Performance Rights are met. If you screen a film, DVD or video in a non-domestic setting, you need permission. It is illegal to publicly show a film that is intended for home use only. You must have the Public Performance Rights to screen a film in a public venue. There is no general exemption allowing non-profit organisations to screen films, DVDs or videos in public without permission (even if no charge is made for admission). Suggested process to follow: Hire a film from a distributor (for the ‘non-theatrical public performance rights’ – non-theatrical meaning ‘not in a commercial cinema but still public’ – like hotels, oil rigs, prisons, schools, RMIT, etc). The main film distributors in Australia are: • Roadshow Public Performance Licensing (PPL) (roadshowppl.com.au) handles most commercially and independently produced films, including films from Warner, Paramount, Universal and 20th Century Fox (but not Sony or Columbia Tri-Star). roadshowppl.com.au/wpAbout/Contact.aspx • If Roadshow does not handle the film you are interested in, Amalgamated Movies Non-Theatrical Film Distributors (amalgamatedmovies.com) may handle the rights. Amalgamated Movies handles the rights for Columbia/Tri-Star, Sony and Madman Entertainment. -
Annual Report 2019/20
Published by Screen Australia October 2020 ISSN 1837-2740 © Screen Australia 2020 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2019/20. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. TV ratings data; Metropolitan and National market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of OzTAM. Regional market data is copyright to RegionalTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of RegionalTAM. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from Mystery Road series 2. Back cover image from Total Control. Screen Australia operates within Australia, with its head office located in Sydney at 45 Jones Street, Ultimo, and an office in Melbourne at 290 Coventry Street, South Melbourne. -
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned from Selected Jurisdictions and a Strategy for Growth
PATHWAYS TO THE INTERNATIONAL MARKET FOR INDIGENOUS SCREEN CONTENT: SUCCEss STORIES, LEssONS LEARNED FROM SELECTED JURISDICTIONS AND A STRATEGY FOR GROWTH Jan. 31st, 2019 PREPARED FOR SUBMITTED BY imagineNATIVE Maria De Rosa 401 Richmond St. West, Suite 446 Marilyn Burgess Toronto, Ontario M5V 3A8 www.communicationsmdr.com CONTENTS Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned From Selected Jurisdic-tions and a Strategy For Growth ACKNOWLEDGEMENTS P. 6 FOREWORD P. 8 INTRODUCTION P. 10 I. THE NEW CONTEXT: A RISING TIDE OF INDIGENOUS PRODUCTION P. 12 II. SUCCESS STORIES: CASE STUDIES OF CANADIAN AND INTERNATIONAL FILMS, TELEVISION PROGRAMS AND DIGITAL MEDIA P. 22 III. LESSONS LEARNED FROM THE SUCCESS OF INTERNATIONAL INDIGENOUS SCREEN CONTENT P. 42 IV. PATHWAYS TO THE INTERNATIONAL MARKET FOR CONSIDERATION BY THE INDIGENOUS SCREEN SECTOR IN CANADA P. 56 ANNEX 1: SELECTED BIBLIOGRAPHY P. 72 ANNEX 2: SUMMARY OF RESULTS OF ON-LINE QUESTIONNAIRE WITH FESTIVALS P. 78 ANNEX 3: LIST OF INTERVIEWEES P. 90 ACKNOWLEDGEMENTS Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned From Selected Jurisdic-tions and a Strategy For Growth WE WISH TO THANK ADRIANA CHARTRAND, INSTITUTE COORDINATOR FOR IMAGINENATIVE FOR HER CONTRIBUTION TO THIS REPORT. AS AN INTERN ON THE CONSULTING TEAM, ADRIANA’S PROFESSIONALISM, DEEP KNOWLEDGE OF THE INDIGENOUS SCREEN-BASED SECTOR AND HER DEDICATION WERE INSTRUMENTAL TO THE SUCCESS OF THIS REPORT. SHE CONTRIBUTED TO THE RESEARCH AND WRITING OF THE CASE STUDY ANALYSIS OF THE SUCCESS STORIES FEA-TURED IN THIS REPORT, PROFILES OF CANADIAN CREATORS, THE ANALYSIS OF THE ON-LINE SURVEY, AS WELL AS GENERAL OTHER RESEARCH.