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And the Ring Trilogy Volume 5 Number 2 Article 15 10-15-1978 "The Northern Literature" and the Ring Trilogy Mariann Russell Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Russell, Mariann (1978) ""The Northern Literature" and the Ring Trilogy," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 5 : No. 2 , Article 15. Available at: https://dc.swosu.edu/mythlore/vol5/iss2/15 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Examines “the northern spirit” in Tolkien’s fiction, the tension between the spirit of “uttermost endurance in the service of indomitable will” and the prideful desire for reputation. Additional Keywords Anglo-Saxon literature—Influence on J.R.R. olkien;T Chivalry in The Lord of the Rings; Norse literature—Influence on J.R.R. olkien;T Old English literature—Influence on olkien;T Tolkien, J.R.R. The Lord of the Rings—Sources; Diana Paxson This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol5/iss2/15 "THE NORTH LITERATURE" AND THE RING TRILOGY by Mariann Russell J.R.R. Tolkien was first known not as a creator of the M aldon (II. 89-90), "will shall be the sterner, heart the "lower mythology" of "fairy story" but as a Professor of bolder, spirit the greater as our strength lessens": the Anglo-Saxon at Oxford, a specialist In the "early-ages" "doctrine of the uttermost endurance in the service of in­ chivalry, and a lover of the "almost wholly lost antiquity domitable w ill" (Homecoming," p. 13). To Tolkien, however, of the North and of these Western Isles."1 A glance at some this northern spirit "is never quite pure, it is of gold and aspects of Tolkien's treatment of early English literature an alloy" ("Homecoming,p. 14); for together with the indomi­ may however shed some light on his own created mythology In table w ill goes pride: a desire for reputation and personal the Ring trilogy. Tolkien's comments on Beowulf, Maldon, glory. The true greatness of the northern heroic spirit is and S i r Oawain may Illustrate that concept of chivalry de­ therefore embodied not in the chief who in Beowulf, Maldon, veloped In his own fiction.2 A note on that tradition of and Gawain disregards the good of his heorJwerod, his com­ English chivalry—seen both as a code of manners and as part pany or fellowship, but is embodied in a loyal subordinate of a religious view of life—may Illustrate the values at and member of the heor?werod. It is suggested that Tolkien the core of the trilogy. constructs his own story in like fashion, using a company to introduce a Christian meaning into his tale patterned after Reviewers have noted the narrative power of J.R.R. Tol­ the northern literature. kien's Ring trilogy, the quality of such mythic Inventions as the Entish treeherders and the golden-leaved forest of In the Ring trilogy the northern spirit of man striving Lorien, and the sheer Inventive power displayed in the crea­ to fu lfill an almost impossible task can be seen in the cen­ tion of another world with Its history and geography detail­ tral action of the book—Frodo's attempt to carry the Ring ed not only in the narrative but in maps, paleography, cal­ of Power to its destruction at Mount Doom. However, Frodo enders, family-trees, and chronological tables. The like Beowulf does not attempt to "do the impossible deed" quality of such Imaginative effort is noteworthy, but the alone but has assigned to him eight companions who make up peculiar quality of the tale w ill not be grasped unless it the Fellowship of the Ring, a modern heorowerod. The inter­ is remembered that the Invented history of the Second and ior structure of the Company finally chosen is based on Third Ages, with Its languages and landscapes, Its ores, loyalty to the other companions and to the quest undertaken. trolls, wizards, and hobbits revolves about the quest of the This loyalty involves a consciousness of hierarchy. Gandalf, grey-cloaked companions of the Ring. The whole complicated, the wizard, is the Company's leader, and after his temporary varied, and fantastic world created in such detail by Tolkien removal, Aragorn, the future king of the western lands, is turns on a conflict between good and evil similar to that the leader. Just as the hobbits respect these leaders, presented in the fiction of Charles Williams and C.S. Lewis. Frodo's servant Sam talks "lower class and respectful and Patricia Spacks has already Indicated how the ethical pat­ never deserts his master."5 The Company's mission is not terns of the trilogy are intended to convey a theological accomplished by the heroic Aragorn or Gandalf but in the scheme.3 It may be further stated that this conflation of Christian (and modern) manner by the subordinate and anti­ ethical patterns and theological outlook has for Tolkien a heroic personality Frodo, and even his mission would be im­ tradition in the early English chivalric narratives. possible without the help of his "dog-like servant Samwise." (Pity, mercy, and submission to the order of the universe, Certain elements that Tolkien found in Norse and Old other virtues of the Company and especially of Frodo, approx­ English literature can be found in the Ring trilogy. The imate the Christian virtue of charity.) dragon or worm as symbol of undying evil, the notion of men and the gods fighting together against evil embodied in a The Company, however, does not remain together through­ monster, the ring of power, and the quest Itself have their out the book. The manner in which the Company is disrupted antecedents in the northern literature.4 Tolkien's use of is illustrative of the impure northern spirit which places a language is evocative of the Old English tradition Just as desire for reputation and personal glory above the good of such characters as trolls, dwarfs, and heroic kings are of the heordwerod. Boromir's attempt to take the ring and use the Norse tradition. it for his own purpose is the result not of malice but of the misguided use of power. Boromir, a truly courageous More specifically, Tolkien sees a continuing tradition prince of Gondor, wishes to use the great power of the Ring of Christian English chivalry. For him the word "heoA- against the forces of evil. Here is his dream: "what could werod" refers not only to the Anglo-Saxon fellowship but not a warrior do in this hour, a great leader? What could also to the early Christian fellowship or court. Beowulf's Aragorn do? Or if he refuses, why not Boromir? The Ring heorJwerod is an early Round Table: "The men of these would g iv e me power o f Command. How I w ould d r iv e th e h o s t s legends were conceived as kings of chivalrous courts, and of Mordor, and a ll men would flock to my banner !"6 This members of societies of noble knights, real Round Tables" dream is clearly the temptation of the Ring. The incident, (Prefatory Notes to Beowulf and Finn.). Arthur in his court eventually leading to the disruption of the fellowship but as "the lord" and "his heortfwerod; the Round Table" ("Home­ not to the abandonment of the quest, is a structural triumph coming," p. 17) is a later development of the same literary for Tolkien, for his story is built around the struggle of tradition of English chivalry, beginning with B eo w u lf, con­ the weak against the strong, of obedience against pride, of tinuing with M aldon, and ending with Sir Gawain, th e end o f the Company against the Enemy. The heroism Tolkien chooses the "older-ages' treatment of chivalry." That this is con­ is that of the "obedient subordinate," Frodo, rather than of sidered a Christian tradition is Indicated by Tolkien's com­ the natural leader, Boromir. The disruption of the Fellow­ ment in Beowulf and Finn., p. xxii, which partially includes ship enables us to focus on Frodo's low key heroism while not even B eo w u lf in the tradition of Christian chivalry. losing sight of his companions' more spectacular battles. The lonely quest into Mordor and the croweded battles de­ But in what does the Christianity of this tradition lie? fending Gondor are alike part of the one battle of the few How are the battles and adventures, the codes of warfare and against the many. bravery, related to a value structure whose context is C h r istia n ? The image of the Company in the world thus expands to include meanings related to the conflict between good and To Tolkien the spirit of northern literature centers evil, and ultimately to proJect a hint of man's condition in upon the quality expressed in the words of Beorhtwold in the universe.
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