A Brief Overview of Some Historical Details of Oak Ridge, Part 3
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The Making of an Atomic Bomb
(Image: Courtesy of United States Government, public domain.) INTRODUCTORY ESSAY "DESTROYER OF WORLDS": THE MAKING OF AN ATOMIC BOMB At 5:29 a.m. (MST), the world’s first atomic bomb detonated in the New Mexican desert, releasing a level of destructive power unknown in the existence of humanity. Emitting as much energy as 21,000 tons of TNT and creating a fireball that measured roughly 2,000 feet in diameter, the first successful test of an atomic bomb, known as the Trinity Test, forever changed the history of the world. The road to Trinity may have begun before the start of World War II, but the war brought the creation of atomic weaponry to fruition. The harnessing of atomic energy may have come as a result of World War II, but it also helped bring the conflict to an end. How did humanity come to construct and wield such a devastating weapon? 1 | THE MANHATTAN PROJECT Models of Fat Man and Little Boy on display at the Bradbury Science Museum. (Image: Courtesy of Los Alamos National Laboratory.) WE WAITED UNTIL THE BLAST HAD PASSED, WALKED OUT OF THE SHELTER AND THEN IT WAS ENTIRELY SOLEMN. WE KNEW THE WORLD WOULD NOT BE THE SAME. A FEW PEOPLE LAUGHED, A FEW PEOPLE CRIED. MOST PEOPLE WERE SILENT. J. ROBERT OPPENHEIMER EARLY NUCLEAR RESEARCH GERMAN DISCOVERY OF FISSION Achieving the monumental goal of splitting the nucleus The 1930s saw further development in the field. Hungarian- of an atom, known as nuclear fission, came through the German physicist Leo Szilard conceived the possibility of self- development of scientific discoveries that stretched over several sustaining nuclear fission reactions, or a nuclear chain reaction, centuries. -
Advocate Newsletter
A publication of the Oak Ridge Site Specific Advisory Board – a federally appointed citizens panel providing independent recommendations and advice to DOE’s Environmental Management Program DOE Launches K-25 Virtual Museum Issue 61• January 2016 Th e Department of Energy (DOE) Park, commemorating the work done to Oak Ridge Offi ce of Environmental develop the fi rst atomic weapon. IN THIS ISSUE Management (OREM) launched Th e K-25 Virtual Museum is the K-25 Virtual Museum in accessible at http://www.k-25virtual- Reservation Update. .3 November, one of the stipulations museum.org/. “Th e website is an ORSSAB 20th Anniversary .. 4-5 impressive product that PermaFix Conference Report . .6 will serve to inform an international audience Recent Recommendations. .7 about the incredible ORSSAB to Host Spring EM SSAB work that happened at Chairs’ Meeting . .8 K-25, beginning with the Manhattan Project and continuing through to the cleanup mission we are executing today,” said OREM Manager Sue Cange. “Th e online museum includes a comprehensive of a memorandum of history of Oak Ridge, photographs, agreement for historic interviews with site interpretation at East former workers, a Tennessee Technology Park 3D model of the (ETTP). K-25 Building Th e debut of the and Happy Valley Th ese images online museum coincided with the are of some hutment, among November 10 signing of an agreement of the main other items of between the Departments of Energy pages of the interest.” and the Interior establishing the K-25 Virtual Th e Virtual Manhattan Project National Historical Museum. Museum has (Continued on page 2) Manhattan Project National Historical Park Established On November 10 Energy Secretary Little Boy and Fat Man. -
Annual Report 2013.Pdf
ATOMIC HERITAGE FOUNDATION Preserving & Interpreting Manhattan Project History & Legacy preserving history ANNUAL REPORT 2013 WHY WE SHOULD PRESERVE THE MANHATTAN PROJECT “The factories and bombs that Manhattan Project scientists, engineers, and workers built were physical objects that depended for their operation on physics, chemistry, metallurgy, and other nat- ural sciences, but their social reality - their meaning, if you will - was human, social, political....We preserve what we value of the physical past because it specifically embodies our social past....When we lose parts of our physical past, we lose parts of our common social past as well.” “The new knowledge of nuclear energy has undoubtedly limited national sovereignty and scaled down the destructiveness of war. If that’s not a good enough reason to work for and contribute to the Manhattan Project’s historic preservation, what would be? It’s certainly good enough for me.” ~Richard Rhodes, “Why We Should Preserve the Manhattan Project,” Bulletin of the Atomic Scientists, May/June 2006 Photographs clockwise from top: J. Robert Oppenheimer, General Leslie R. Groves pinning an award on Enrico Fermi, Leona Woods Marshall, the Alpha Racetrack at the Y-12 Plant, and the Bethe House on Bathtub Row. Front cover: A Bruggeman Ranch property. Back cover: Bronze statues by Susanne Vertel of J. Robert Oppenheimer and General Leslie Groves at Los Alamos. Table of Contents BOARD MEMBERS & ADVISORY COMMITTEE........3 Cindy Kelly, Dorothy and Clay Per- Letter from the President..........................................4 -
Y-12 Shift Change, Famous Ed Westcott Image Recreated
Y-12 Shift Change, famous Ed Westcott image recreated In the Jack Case Center there is a huge 20’ by 50’ photographic mural that was donated to Y-12 by Turner Universal. It has become an icon, and several Y-12 employees recognize people in their family who were in the photo. During the filming of the final episode of the miniseries, A Nuclear Family: Y-12 National Security Complex, Lifting the veil, which was shown on East Tennessee Public Broadcasting System, Buck Kahler, of Y-12 Photography and Video Services, was looking for the final images to conclude the miniseries. The original Ed Westcott “Y-12 Shift Change” image with the large Buildings 9201-1 (Alpha 1) and 9201-2 (Alpha 2) in the Something was needed that would catch the eye of background. The “CEW” on the signs stands for Clinton the viewer and would tie back to the history of the Engineer Works (not Engineering!). beginning of the series. Buck settled on the thought of recreating the famous “Y-12 Shift Change” photo and approached Terry Marlar, Supervisor of Digital and Photographic Services, with his idea. Buck felt this image was a good selection because it is readily recognizable as being an image of Y-12 and one that many of the viewers would have seen before. Terry immediately saw the huge value of such an opportunity and being a good friend of Ed Westcott, the famous Manhattan Project era and Cold War era Department of Energy photographer who actually shot the original “Y-12 Shift Change” image, he wanted to involve Ed in creating this new historical image. -
Weapon Physics Division
-!! Chapter XV WEAPON PHYSICS DIVISION Introduction 15.1 At the time of its organization in August 1944, the Weapon Physics or G Division (G for gadget, code for weapon) was given a directive to carry out experiments on the critical assembly of active materials, to de- vise methods for the study of the implosion, and to exploit these methods to gain information about the implosion. In April 1945, the G Division directive was extended to fnclude the responsibility for the design and procurement of the hnplosion tamper, as well as the active core. In addition to its primary work with critical assemblies and implosion studies, G Division undertook the design and testing of an implosion initiator and of electric detonators for the high explosive. The Electronics Group was transferred from the Experi- mental Physics Division to G Division, and the Photographic Section of the Ordnance Division became G Divisionts Photographic Group. 15.2 The initial organization of the division, unchanged during the year which this account covers, was as follows: G-1 Critical Assemblies O. R. Frisch G-2 The X-Ray Method L. W. Parratt G-3 The Magnetic Method E. W. McMillan G-4 Electronics W. A. Higginbotham G-5 The Betatron Method S. H. Neddermeyer G-6 The RaLa Method B. ROSSi G-7 Electric Detonators L. W. Alvarez G-8 The Electric Method D. K. Froman G-9 (Absorbed in Group G-1) G-10 Initiator Group C. L. Critchfield G-n Optics J. E. Mack - 228 - 15.3 For the work of G Division a large new laboratory building was constructed, Gamma Building. -
Ed Westcott's 95Th Birthday
Ed Westcott’s 95th Birthday (As published in The Oak Ridger’s Historically Speaking column on February 6, 2017) My good friend, Ed Westcott, reached yet another milestone on Friday, January 20, 2017. He turned 95 years of age! What fun it was to celebrate with him and his family the next day. Of course, Ed is a hero to all of Oak Ridge and as such he belongs to the community, so a huge crowd joined his immediate family to celebrate this significant occasion. The Wildcat Den at the Midtown Community Center was filled to overflowing at 2:00 PM on Saturday, January 21, 2017. Don Hunnicutt, Ed’s son-in-law, who is married to Ed’s “favorite” daughter, Emily (actually Ed’s only daughter), and Jim, David, John and William, who are Ed’s sons, all had endearing remarks about Ed. Ed’s grandchildren and even his great-grandchildren were there to celebrate as well. It was a FULL HOUSE! Don began by telling, in excellent detail, the story of Ed’s life. We listened as he told of Ed’s parents and how he came to be a photographer, having gotten his first camera at age 11. He then went on to tell about Ed becoming the 29th person hired in Oak Ridge for the Manhattan Project effort at the Kingston Demolition Range which soon became known as the Clinton Engineer Works and finally Oak Ridge. According to Don, Ed was born on January 20, 1922, in Chattanooga, TN. The family moved to Nashville, TN. At age 13, Ed started his first business, Centennial Photography. -
Children's Museum of Oak Ridge and the History of Oak Ridge – Part 1
Children’s Museum of Oak Ridge and the History of Oak Ridge – part 1 (As published in The Oak Ridger’s Historically Speaking column on September 7, 2010) When I first began this series on the Children’s Museum of Oak Ridge, it was at the suggestion of Gordon Fee, long time supporter of the Children’s Museum and board member. His association with the museum goes back to the very beginning and his daughter was one of those Girl Scouts who helped the start the museum in the very early days. Among the many things Gordon said to me about the museum and its role in our community was that he felt the museum had been a key element in the preservation of the history of the city of Oak Ridge. So, I looked for that when I did the research on the museum’s history. As he suggested, I found some examples of that role. Margaret Allard says, “I can confirm that we have a large collection of Alvin Weinberg's personal papers. He personally asked Selma Shapiro to put them in the museum's collections to save them. We also have collections of William Pollard, Charles Vanden Bulck (the chief administrative officer for the Manhattan Project after whom they named the Vanden Bulck Bridge), a collection of Ed Westcott photos as well as three of his cameras, Joyce Maienschein's large Girl Scout collection which includes over 100 historic uniforms, books, awards, papers, artwork, and memorabilia, and a collection of photos, papers and speeches donated by the family of Mayor Bissell. -
Ed Westcott – Oak Ridge Photographer Extraordinaire (As Published in the Oak Ridger’S Historically Speaking Column on February 21, 2006)
Ed Westcott – Oak Ridge Photographer Extraordinaire (As published in The Oak Ridger’s Historically Speaking column on February 21, 2006) Lynn Freeny, present day official photographer for the Department of Energy, Oak Ridge Office proudly calls Ed Westcott his friend and fellow photographer. In honoring Ed by contributing to the book “Through the Lens of Ed Westcott” Lynn tells how he met Ed Westcott. It seems Lynn was a young photographer working at the Oak Ridge National Laboratory in the early 1980’s when, because of the heavy workload, Ed Westcott was hired part- time to help in the darkroom. Lynn noted that the prints coming out were better than when he printed the same negatives. He wanted to know “Who is the person?” That is when he was introduced to our own renowned Manhattan Project photographer Ed Westcott. From that introduction Ed and Lynn formed a fast friendship. Lynn gives Ed credit for paving the way for other photographers in Oak Ridge. I might add that Ed set a standard of excellence that few have attained. His photographs are truly works of art! Baldwin Lee, Professor of Art in the School of Art at the University of Tennessee, chronicled the early history of Ed in the same book mentioned above. Lee begins with Ed’s assignment on December 15, 1942 as official Manhattan Project photographer at age 20. He then recalls Ed’s early introduction to photography by his father Jamie Westcott who, after saving for year, purchased his son a German Foth Derby camera for $25 in 1934 when Ed was 12 years old. -
General Groves Takes Charge
General Groves takes charge Colonel James C. Marshall, head of the DSM project (Development of Substitute Materials), did not make much headway, yet he did accomplish some things that lasted. Colonel Nichols being appointed as his second in command was the most significant. Marshall delayed selection of a production site and generally did not make the progress that Vannevar Bush and others expected. Frustration at the lack of tangible action grew to the point that Bush was soon again attempting to reorganize to get things moving. The Army came to his aid when General Somervell appointed Colonel (soon to be General) Leslie R. Groves to head the project. Somervell made this decision while Bush was thinking of appointing Somervell to the job. Somervell knew of Groves’ ability to produce results. He had just completed construction of the Pentagon. This decision by Somervell would ultimately prove to likely be the most significant personnel decision made with regard to the Manhattan Project. On September 17, 1942, the same day he was appointed to lead the project, Groves and Nichols went to Vannevar Bush, who was actually unaware of the change. He was a bit uneasy with Groves and his assertiveness. Yet, he was also glad to see a man of action coming on the scene. Bush asked Styler who was this brash Army officer. On September 18, 1942, Groves sent Nichols to purchase the 1,200 tons of uranium ore. Nichols was met by Sengier who reportedly said, “I have been waiting for your visit.” Nichols negotiated a contract to purchase all the uranium ore Sengier had brought to the United States as well as all he had remaining in the Belgian Congo. -
OPA Blog Archive for July & August 2014
OPSMPEm Resource From: West, Stephanie Sent: Thursday, September 11, 2014 8:43 AM To: OPSMPEm Resource; OPSMNPEm Resource Subject: OPA Blog archive for July & August 2014 Attachments: [email protected] OPA NRC 1 Hearing Identifier: NRC_OfficialPresenceSocialMedia_Public Email Number: 54 Mail Envelope Properties (C0A338EE37A11447B136119705BF9A3F0214F9BACC6C) Subject: OPA Blog archive for July & August 2014 Sent Date: 9/11/2014 8:42:41 AM Received Date: 9/11/2014 8:42:46 AM From: West, Stephanie Created By: [email protected] Recipients: "OPSMPEm Resource" <[email protected]> Tracking Status: None "OPSMNPEm Resource" <[email protected]> Tracking Status: None Post Office: HQCLSTR02.nrc.gov Files Size Date & Time MESSAGE 17 9/11/2014 8:42:46 AM [email protected] 3112333 Options Priority: Standard Return Notification: No Reply Requested: No Sensitivity: Normal Expiration Date: Recipients Received: U.S. NRC Blog Archive file prepared by NRC REFRESH: 2.802 vs. 2.206 -- What’s the Difference? posted on Mon, 21 Jul 2014 05:15:48 +0000 George Deegan Senior Program Analyst (Nuclear Materials/Waste Management) Mathematically, of course, the answer is 0.596 – a tiny amount – but when referring to two different parts of NRC regulations, there’s a big difference. 10 CFR Part 2.802 and 10 CFR Part 2.206 both describe petition processes. However, 2.802 petitions are requests from the public for a new rule (regulation) while 2.206 petitions are related to enforcement actions. My area, the Office of Federal and State Materials and Environmental Management Programs (FSME), usually gets two to four 2.802 rulemaking petitions a year about medical or general license issues. -
Reflections of War Culture in Silverplate B-29 Nose Art from the 509Th Composite Group by Terri D. Wesemann, Master of Arts Utah State University, 2019
METAL STORYTELLERS: REFLECTIONS OF WAR CULTURE IN SILVERPLATE B-29 NOSE ART FROM THE 509TH COMPOSITE GROUP by Terri D. Wesemann A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in American Studies Specialization Folklore Approved: ______________________ ____________________ Randy Williams, MS Jeannie Thomas, Ph.D. Committee Chair Committee Member ______________________ ____________________ Susan Grayzel, Ph.D. Richard S. Inouye, Ph.D. Committee Member Vice Provost for Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2019 Copyright © Terri Wesemann 2019 All Rights Reserved ABSTRACT Metal Storytellers: Reflections of War Culture in Silverplate B-29 Nose Art From the 509th Composite Group by Terri D. Wesemann, Master of Arts Utah State University, 2019 Committee Chair: Randy Williams, MS Department: English Most people are familiar with the Enola Gay—the B-29 that dropped Little Boy, the first atomic bomb, over the city of Hiroshima, Japan on August 6, 1945. Less known are the fifteen Silverplate B-29 airplanes that trained for the mission, that were named and later adorned with nose art. However, in recorded history, the atomic mission overshadowed the occupational folklore of this group. Because the abundance of planes were scrapped in the decade after World War II and most WWII veterans have passed on, all that remains of their occupational folklore are photographs, oral and written histories, some books, and two iconic airplanes in museum exhibits. Yet, the public’s infatuation and curiosity with nose art keeps the tradition alive. The purpose of my graduate project and internship with the Hill Aerospace Museum was to collaborate on a 60-foot exhibit that analyzes the humanizing aspects of the Silverplate B-29 nose art from the 509th Composite Group and show how nose art functioned in three ways. -
Pre-Memorial Day Memories Shared by Famed Photog (As Published As a Joint Russ Langley/Ray Smith Column in the Oak Ridger on May 26, 2015)
Pre-Memorial Day memories shared by famed photog (As published as a joint Russ Langley/Ray Smith column in The Oak Ridger on May 26, 2015) In what was likely to be the last Oak Ridge meeting of the National Association of Retired Federal Employees (NARFE), Don and Emily Hunnicutt gave a tour of the building of Oak Ridge through the lens of Emily's father – famed Manhattan Project Photographer Ed Westcott. By Russel Langley and D. Ray Smith/The Oak Ridger Posted May. 26, 2015 at 1:41 PM In what was likely to be the last Oak Ridge meeting of the National Association of Retired Federal Employees (NARFE), Don and Emily Hunnicutt gave a tour of the building of Oak Ridge through the lens of Emily's father – famed Manhattan Project Photographer Ed Westcott. Westcott sat at one of the lunch tables, beaming through the presentation and clearly enjoying the event. His ability to speak clearly taken by a stroke in recent years, Westcott appeared to have written what he wanted Don to say while Emily worked the computer slide presentation. Westcott was born in Chattanooga in 1922. His family moved to Nashville where Westcott grew up and “developed” his photography skills. He even built a backyard development lab out of a horse-drawn pie wagon. Westcott began his photography career with the Army Corps of Engineers in Nashville, taking photos of what was to become prisoner of war camps for German and Italian soldiers in Crossville. The Corps, in 1942, told Westcott he had the choice of going to Alaska or to an unknown job in Knoxville when the Corps detachment in Nashville closed.