DOCSLIB.ORG

Welspun India Limited

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

  1113
Copy Link
Welspun India Limited Unpaid Dividend Details for Final Dividend For The Year 2016-2017 06/11/2017 PAGE NO: 1 ---------------------------------------------------------------------------------------------------------- NAMES & ADDRESS OF THE SHARE NO. OF Amount SR NO FOLIO NO. WARRANTNO. HOLDER SHARES (RS.) MICR NO ---------------------------------------------------------------------------------------------------------- 1 1202390000023544 1 SHEEBA GIGI . 90 58.50 547 CHACKALA PADAVIL VELLOOR PAMPADY KOTTAYAM 2 1201750200027375 2 JODHRAJ KANMAL KOTHARI 770 500.50 548 AT POST-VANI TAL-YAVATMAL DIST-YAVATMAL 3 1202980000054497 3 MINI EYYAPPAN . 10 6.50 549 PAYANKAN HOUSE, ARANATTUKARA, TRICHUR 4 1202390000137119 4 RUBIES THARAYIL . 860 559.00 550 THARAYIL HOUSE KOTTEKKAD P O TRICHUR 5 A0130088 5 AXAY M BRAHMBHATT 770 500.50 551 C/O Y H PATHAN SALVA STREET NEAR VOHARWAD CAMBAY 6 00162592 6 NAVID IBRAHIM BHOMBAL 90 58.50 552 SPECTRA MIND POWAI 7 0017483 7 MANJU SOOD 40 26.00 553 108 R MODEL TOWN JALANDHAR 8 00107533 8 LAKSHMI RAJYAM BAISANI 90 58.50 554 C/O B RAJENDRA PRASAD FLAT NO 402 NUTAN FAMYA APARTMENT MCH NO 16 11 73 A 1 B GADDIANNARAM HYDRABAD 9 M0100420 10 MAJ C SRINIVAS 2170 1410.50 556 12 GRENADIERS C/O 99 APO SERVICE ARMY 10 0022679 11 NAVNEET GOYDANI 70 45.50 557 AT PO KHAPERKHADA ST PIPARIYA DIS HOSHANGABAD M P 11 K0131387 13 K SUGUNA 860 559.00 559 1/265 LAKSHMI NAGAR OASIS BLDG MANNIVAKKAM PO MUDICHUR CHENNAI 12 0023120 14 PRADIP KUMAR DHAR 70 45.50 560 QR NO D/111 CTPS COLONY PO CHANDRAPURA DT BOKARO BIHAR ---------------------------------------------------------------------------------------------------------- PAGE TOTAL : 5890 3828.50 CUMM.TOTAL : 5890 3828.50 ---------------------------------------------------------------------------------------------------------- Welspun India Limited Unpaid Dividend Details for Final Dividend For The Year 2016-2017 06/11/2017 PAGE NO: 2 ---------------------------------------------------------------------------------------------------------- NAMES & ADDRESS OF THE SHARE NO. OF Amount SR NO FOLIO NO. WARRANTNO. HOLDER SHARES (RS.) MICR NO ---------------------------------------------------------------------------------------------------------- 13 S0136066 15 SUBHAS DATTA 860 559.00 561 51/3 NATUN PUKUR ROAD CHARAKDANGA BARASAT 14 S0136119 16 SUBHASH KATARIA 700 455.00 562 X X X X 15 A0101748 17 ANURADHA DWIVEDI 1730 1124.50 563 C-8 2ND FLOOR RAMPRASTHA DISTRICT GHAZIABAD U P 16 MIG00001 19 MIGRATION BENPOS DIFFERENCE 1 10 6.50 565 17 00102057 20 INDRA PRAVIN SHAH 290 188.50 566 203 SUKAR APPT LAD SOCY ROAD VASTRAPUR AHMEDABAD 18 00102058 21 DHARMA SINGH 50 32.50 567 4504/B 4TH CROSS A G BLOCK TANK ROAD N R MOHALLA MYSORE 19 00102048 22 PRAMILA LALL 820 533.00 568 17 PRERNA KUTIR BUNGLOWS VASTRAPURA ROAD AHMEDABAD 20 0024804 23 SUSHIL KUMAR JAIN 70 45.50 569 UMA COOP HSG SOC 2ND FLOOR FLAT NO 5 90 FEET ROAD NEAR KAMAL SAGA BHANDUP EAST BOMBAY 21 D0131778 24 DHANLAXMI SHASHIKANT MEHTA 700 455.00 570 XXXXXXX XXXXXXX XXXXXXX 22 00109706 25 PRABHA GUPTA 90 58.50 571 14 MAJOR SHIV DEV SLAGH ROAD NEAR ROSE GARDEN GATE LUDHIANA 23 M0131880 26 MAJOR S S MADRA 860 559.00 572 6 RAJ RIF C/O 56 APO 24 S0131342 27 S SAMPATH 700 455.00 573 X X X 25 H0131818 29 HEMANGINI NAVNIT MEHTA 700 455.00 575 XXXXXXXXXXX XXXXXXXXXXX XXXXXXXXXXX ---------------------------------------------------------------------------------------------------------- PAGE TOTAL : 13470 8755.50 CUMM.TOTAL : 13470 8755.50 ---------------------------------------------------------------------------------------------------------- Welspun India Limited Unpaid Dividend Details for Final Dividend For The Year 2016-2017 06/11/2017 PAGE NO: 3 ---------------------------------------------------------------------------------------------------------- NAMES & ADDRESS OF THE SHARE NO. OF Amount SR NO FOLIO NO. WARRANTNO. HOLDER SHARES (RS.) MICR NO ---------------------------------------------------------------------------------------------------------- 26 D0102199 30 DIMPLE DHAWAN 1940 1261.00 576 C/O HARSUKH MAL DESRAJ BAZAAR GUJRAN MAJITHMANDI AMRITSAR 27 00116397 31 SWETA PARAKH 770 500.50 577 C/O JETHAMAL SURENDRA KUMAR PARAKH RAJU BHAWAN BEGANI CHOWK BIKANER RAJ 28 00132140 32 CHANDRAMAULI P MODY 770 500.50 578 162 HOTEL UTSAV OPP ST STATION G T ROAD VENGURLA 29 J0161001 34 JINAL J SHAH 700 455.00 580 11, SHRI NAGAJI SOCIETY. 30 S0121492 35 SEEMA RAMCHAND MULCHANDANI 790 513.50 581 A-8 A WARD PATIA NEAR NORODA BUS STAND KUBER NAGAR 31 V0131898 37 VIJAY KUMAR RATHORE 860 559.00 583 BLOCK D NO 51 ASP AIR FORCE C/O 99 APO 32 C0131295 38 CHANDADEVI AGRAWAL 700 455.00 584 UMESH INVESTMENTS X 33 N0131883 39 NAVNIT DIPCHAND MEHTA 700 455.00 585 XXXXXXX XXXXXXX XXXXXXX 34 00102132 40 RAMAN GUPTA 390 253.50 586 B-8 MEHDOURI COLONY TELIAR COLONY ALLAHABAD 35 N0160074 41 NITIN ODHAVJI POPAT 1400 910.00 587 PRAPTI 19/B R M C SOCIETY BEHIND CANCER HOSPITAL NEAR RAILWAY CROSSING RAIYA ROAD 36 N0160080 42 NAYAN PATEL 10 6.50 588 SHRINATH SOCIETY PONIA ROAD DAMNI ZAUPA VILLA PARDI TAL PARDI DIST VALSAD 37 A0160131 43 AJAY KUMAR SINGH 10 6.50 589 04 1ST FLOOR DWARKESH APARTMENT OPP BALMANDIR VAPI VALSAD ---------------------------------------------------------------------------------------------------------- PAGE TOTAL : 22510 14631.50 CUMM.TOTAL : 22510 14631.50 ---------------------------------------------------------------------------------------------------------- Welspun India Limited Unpaid Dividend Details for Final Dividend For The Year 2016-2017 06/11/2017 PAGE NO: 4 ---------------------------------------------------------------------------------------------------------- NAMES & ADDRESS OF THE SHARE NO. OF Amount SR NO FOLIO NO. WARRANTNO. HOLDER SHARES (RS.) MICR NO ---------------------------------------------------------------------------------------------------------- 38 A0160133 44 ASHOK K TAILOR 10 6.50 590 B-105 FIRST FLOOR PARSMANI APARTMENT OPP POST OFFICE DESAIWADA VAPI 39 A0160135 45 ANIL LATH 10 6.50 591 302 SHREEPAL CO OP SOCIETY OPP POST OFFICE NEAR HANUMAN TEMPLE VAPI 40 00100134 46 NASEEMBANU M DAFTARI 700 455.00 592 C/O MD HUSSEIN G DAFTARI 29 SAMIR VIHAR SOC SARKHEJ ROAD JUHAPURA 41 0024569 47 SILLOO MEHRA 70 45.50 593 M 15/4 GROUND FLOOR DLF CITY PHASE II GURGAON HARYANA 122002 42 0024190 48 S MOHAN 70 45.50 594 USHA THEATRE CANTEEN DHARAPURAM ROAD TIRUPUR COIMBATORE 43 R0131376 50 RADHAKRISHNA NEERUKONDA 1540 1001.00 596 SIRI TOWERS FLAT NO 203 PLOT NO 5 BEHIND MAITRIVANAM AMEERPET HYDERABAD (A P) 44 R0132569 51 RAM BILAS 700 455.00 597 RAJ G T KARNAL RD PRIT D T C DEPOO LIG FLAT NO 596 NEAR JAYIRPUR 45 00111478 52 RENGASAMY K 320 208.00 598 C/O K BALASUBRAMANIAN AIR TRAFFIC CONTROL SECTION AIR FORCE STATION AGARA (UP) 46 I0160009 53 IVAN JOHNS 10 6.50 599 206 SAMUDRA APARTMENT MAHALAXMI NAGAR DHINAR ROAD VAPI 47 K0160133 55 KIRAN KUMAR BHANDARI 10 6.50 601 AT & POST SANJAN TAL UMBERGAON DIST BULSAR NEAR GOPAL RICE MILL 48 K0700020 56 x4 350 227.50 602 ---------------------------------------------------------------------------------------------------------- PAGE TOTAL : 26300 17095.00 CUMM.TOTAL : 26300 17095.00 ---------------------------------------------------------------------------------------------------------- Welspun India Limited Unpaid Dividend Details for Final Dividend For The Year 2016-2017 06/11/2017 PAGE NO: 5 ---------------------------------------------------------------------------------------------------------- NAMES & ADDRESS OF THE SHARE NO. OF Amount SR NO FOLIO NO. WARRANTNO. HOLDER SHARES (RS.) MICR NO ---------------------------------------------------------------------------------------------------------- 49 T0160029 57 TARANJIT SINGH 10 6.50 603 204 2ND FLOOR PRESTIGE TOWER PANEH RATNA CO OP SOC DAMAN ROAD VAPI DIST VALSAD GUJRAT 50 V0141057 59 VIRENDER KUMAR GUPTA 700 455.00 605 VIRENDRA KUMAR GUPTA 51 X0131001 60 X1 1400 910.00 606 52 00111944 61 SUDHA NARENDRA PATEL 190 123.50 607 304 KRISHNA DHAM APARTMENT NEAR MOTHER SCHOOL HARE KRISHNA TEMPLE ROAD GOTRI ROAD BARODA GUJARAT 53 0019200 62 VIR BHAN SINGH 10 6.50 608 365 SECTOR 29 NOIDA GAUTAM BUDDHA NAGAR U P 54 0022138 63 M BALASUBRAMANIAN 70 45.50 609 SRI LAXMI FINANCE NO 1 NORTH ITADA STREET TIRUCHENCODE SALEM 55 0019350 65 NILESHKUMAR B PATEL 70 45.50 611 C/O JAY JALARAM PAPAD WARD NO 6/1031 PATRA SHERI BESIDES DEEPAK VASAN BHANDAR NAVASARI 396445 GUJARAT 56 0019352 66 SHANTILAL B PATEL 70 45.50 612 AT VISHRAMPURA PO SUNDARNA TA PETLAD DT ANAND GUJRAT 57 0024908 67 SHARDA YADAV 150 97.50 613 C/O AKANKSHA INVESTMENT B-27/92 12-13 JAWAHAR NAGAR BHELUPURA VARANASI 58 M0160133 68 MAHENDRA SINGH DARA 10 6.50 614 303 JALJYOT BEHIND JALARAM MANDIR VAPI 59 00112648 69 SAROJBEN SHANKARLAL PATEL 90 58.50 615 C M D SHAH HIGH SCHOOL AJOL TA VIJAPUR DIST MEHSANA N G 60 0025375 70 VISHNU KUMAR SHARMA 70 45.50 616 SHANTI BHAVAN NO-2 3RD FLOOR GORIA TOLI PATNA ---------------------------------------------------------------------------------------------------------- PAGE TOTAL : 29140 18941.00 CUMM.TOTAL : 29140 18941.00 ---------------------------------------------------------------------------------------------------------- Welspun India Limited Unpaid Dividend Details for Final Dividend For The Year 2016-2017 06/11/2017 PAGE NO: 6 ---------------------------------------------------------------------------------------------------------- NAMES & ADDRESS OF THE SHARE NO. OF Amount SR NO FOLIO NO. WARRANTNO. HOLDER SHARES (RS.) MICR NO ---------------------------------------------------------------------------------------------------------- 61
Recommended publications
  • Music) (Credit System)

    Music) (Credit System)

    Bharati Vidyapeeth Deemed University School of Performing Arts, Pune Semester Wise Detailed Chart of Syllabus of B.A. (Music) (Credit System) B.A. 1st Year (Music) Credits (Vocal / Instrumental / Percussion) Sem – 1st Two Language Papers 01 Credit each Theory Paper 02 Stage Performance 14 Viva 07 Sr. Subject Paper Syllabus no 1 Language (English) L11 Biography of Pt. Sapan Chaudhari, Padma Subramaniam, Pt. Shivkumar Sharma, Pt. Jasraj 2 Language (Marathi) L12 Biography Pt. Vishnu Digambar Paluskar 3 Theory (Music) (Vocal & T11 1. Notation System Instrumental) a) Concept of Notation and use (Notation System) b) History of Notation c) Bhatkhande and Paluskar Notation System 2. Concept and Definitions of Terms: Raga, That, Nad, Swara, Shruti, Awartan, Aroha, Awaroha, Swaralankar, Shuddha Swara, Komal Swara, Teewra Swara, That etc. 3. Old Concepts: Gram, Murchna etc. 4 Theory (Music) T12 1) Notation system (Taal Paddhatee) (Percussion) a) In North Indian Classical Style (Notation System) Bhatkhande and Paluskar styles of notation b) Karnataki system. 2) Writing of different taals 3) Notation writing of intricacies of developing Taal : like Kayda, Tukda, Paran, Tihai etc 4) Definition of terms: Taal, Matra, Khanda, Sam, Kaal, Theka 5 Viva (Music) (Vocal & V11 Information on Practical Syllabus Sem I Instrumental) Note – 1. Presentation of other Raga from syllabus.( Except the Raga sung / Played in stage performance) 2. Information of the Ragas mentioned in syllabus i.e. Aaroh – Avaroh, Swar, Varjya Swar, Vadi, Samvadi, Anuvadi, Vivadi, Jaati, Time of Singing Raga etc. 3. Names of the Raga similar to the Raga mentioned in syllabus. 4. Definition – Sangeet, Raag, Taal.. 5. Information of Taal Teentaal – i.e.
  • SNOW LION PUBLI C'ltl Olss JANET BUDD 946 NOTTINGHAM DR

    SNOW LION PUBLI C'ltl Olss JANET BUDD 946 NOTTINGHAM DR

    M 17 BULK RATE U.S. POSTAGE PAID ITHACA, NY 14851 Permit No. 746 SNOW LION PUBLI C'lTl OLsS JANET BUDD 946 NOTTINGHAM DR REDLANDS CA SNOW LION ORDER FROM OUR NEW TOLL FREE NUMBER NEWSLETTER & CATALOG 1-800-950-0313 SPRING 1992 SNOW LION PUBLICATIONS PO BOX 6483, ITHACA, NY 14851, (607)-273-8506 ISSN 1059-3691 VOLUME 7, NUMBER 2 Nyingma Transmission The Statement of His Holiness How 'The Cyclone' Came to the West the Dalai Lama on the Occasion by Mardie Junkins of the 33rd Anniversary of Once there lived a family in the practice were woven into their he danced on the rocks in an ex- village of Joephu, in the Palrong lives. If one of the children hap- plosion of radiant energy. Not sur- the Tibetan National Uprising valley of the Dhoshul region in pened to wake in the night, the prisingly, Tsa Sum Lingpa is Eastern Tibet. There was a father, father's continuous chanting could especially revered in the Dhoshul mother, two sisters, and two be heard. region of Tibet. As we commemorate today the brothers. Like many Tibetan fam- The valley was a magical place The oldest of the brothers was 33rd anniversary of the March ilies they were very devout. The fa- with a high mountain no one had nicknamed "The Cyclone" for his 10th Uprising in 1959,1 am more ther taught his children and the yet climbed and a high lake with enormous energy. He would run optimistic than ever before about children of the village the Bud- milky white water and yellow crys- up a nearby mountain to explore the future of Tibet.
  • DREAMWORLD INDIA Product Description - 2014

    DREAMWORLD INDIA Product Description - 2014

    DREAMWORLD INDIA Product Description - 2014 About DREAMWORLD INDIA DWI is India’s fastest growing multilayered marketing firm demonstrating deep experience & expertise spanning over a decade. The gradual progression has been challenging & exciting with DWI’s multilayered marketing divisions such as “Direct to consumer, Exhibition sales, Magazine subscription, Institutional sales, Wise Buyers Club & Dream Niketana (Shop)”. Over the years DWI has expanded its distribution nationwide & would shortly go overseas. DWI’s strong sales force has created a direct selling network that has a reach beyond expectations. Our products are sourced from Living Media India Ltd which includes brands like “India Today, Music Today, Business Today, Good house Keeping, Harper Collins, Leopard, Britannica and also branded households, Electronics & several different highly popular magazines of international repute. DWI unceasingly keeps pace with the dynamic market environment to innovate remarkable strategies understanding customer’s needs ensuring unique, branded & exclusive products at an incredible price without any compromise in quality. DWI aims to become a “One-Stop Shop” i.e., our goal is to bring every branded product you need to your door step keeping in mind “Branded products at incredible prices” to help save your hard earned money. Our confidence in our work & product is at the highest level which is why you receive the product or gifts first & then pay. COMPLETE HISTORY OF THE WORLD This is one of the great works of historical reference in the English language .If you were allowed only one history book in the whole of your life. The Complete History of the world would be hard to beat because it conveys a sense not only of time, but also of place.
  • The Fourteenth Dalai Lama's Oral Teachings on the Source of The

    The Fourteenth Dalai Lama's Oral Teachings on the Source of The

    The Fourteenth Dalai Lama’s Oral Teachings on the Source of the Kālacakratantra Ronit Yoeli-Tlalim1 Warburg Institute, School of Advanced Studies, University of London THIS PAPER WILL PRESENT some rhetorical and discursive elements in oral versions of the history of the Kālacakratantra as currently presented by the Fourteenth Dalai Lama. Focusing on the definition of the Kālacakra’s “word of the Buddha” (buddha vacana), the paper will show how the Fourteenth Dalai Lama constructs an innovative version in his teachings, manifesting the relations between the esoteric tradition of Tibetan Buddhism and its contemporary religious milieux as it is being defined in exile. These rela- tions are apparent both in the information that is being taught and in the argumentation that constructs it. DEFINING THE KĀLACAKRATANTRA AS BUDDHA VACANA The issue of the source of the Kālacakratantra, or in other words, defin- ing the Kālacakratantra as buddha vacana, is of prime importance, not only for the study of the Kālacakra itself, but for the study of tantra in general.2 From the esoteric perspective connection with the Buddha is significant, not simply as a quasi-historical element, but as an element of practice, one that establishes a direct link with the possibility of enlightenment. According to the prevailing version in the Kālacakra tradition, the Buddha Śākyamuni taught the Kālacakratantra to King Suchandra of Shambhala. According to the Kālacakra tradition, it was at this occasion that the Buddha taught all of the tantra-s. From a traditional hermeneutical perspective the source of the teaching is of prime importance as it defines the fourfold relationship of: original au- thor/original audience // current teacher/current audience.
  • THE RELIGIOUS and SOCIAL SIGNIFICANCE of CHENREZIG in VAJRĀYANA BUDDHISM – a Study of Select Tibetan Thangkas

    THE RELIGIOUS and SOCIAL SIGNIFICANCE of CHENREZIG in VAJRĀYANA BUDDHISM – a Study of Select Tibetan Thangkas

    SSamaama HHaqaq National Museum Institute, of History of Art, Conservation and Museology, New Delhi THE RELIGIOUS AND SOCIAL SIGNIFICANCE OF CHENREZIG IN VAJRĀYANA BUDDHISM – A Study of Select Tibetan Thangkas INTRODUCTION he tradition of thangkas has earned itself the merit of pioneering Tibetan art in the 21st century. The purpose behind the effulgent images Tis not to simply lure worshippers with their exuberant colours and designs; it also follows an intricate system of iconometric and iconologic principles in order to beseech the benefaction of a particular deity. As a result, a thangka is worshipped as a didactic ‘visual aid’ for Tibetan Buddhist reli- gious practices. Tracing the origin of the artistic and socio-cultural practices behind a thangka recreates a texture of Central Asian and Indian influences. The origin of ceremonial banners used all across Central Asia depicts a similar practice and philosophy. Yet, a close affinity can also be traced to the Indian art of paṭa painting, which was still prevalent around the eastern province of India around the Pala period.1) This present paper discusses the tradition of thangka painting as a medium for visualisation and a means to meditate upon the principal deity. The word thangka is a compound of two words – than, which is a flat surface and gka, which means a painting. Thus, a thangka represents a painting on a flat sur- 1) Tucci (1999: 271) “Pata, maṇḍala and painted representation of the lives of the saints, for the use of storytellers and of guides to holy places, are the threefold origin of Tibetan tankas”.
  • OLD FLORIDA BOOK SHOP, INC. Rare Books, Antique Maps and Vintage Magazines Since 1978

    OLD FLORIDA BOOK SHOP, INC. Rare Books, Antique Maps and Vintage Magazines Since 1978

    William Chrisant & Sons' OLD FLORIDA BOOK SHOP, INC. Rare books, antique maps and vintage magazines since 1978. FABA, ABAA & ILAB Facebook | Twitter | Instagram oldfloridabookshop.com Catalogue of Sanskrit & related studies, primarily from the estate of Columbia & U. Pennsylvania Professor Royal W. Weiler. Please direct inquiries to [email protected] We accept major credit cards, checks and wire transfers*. Institutions billed upon request. We ship and insure all items through USPS Priority Mail. Postage varies by weight with a $10 threshold. William Chrisant & Sons' Old Florida Book Shop, Inc. Bank of America domestic wire routing number: 026 009 593 to account: 8981 0117 0656 International (SWIFT): BofAUS3N to account 8981 0117 0656 1. Travels from India to England Comprehending a Visit to the Burman Empire and Journey through Persia, Asia Minor, European Turkey, &c. James Edward Alexander. London: Parbury, Allen, and Co., 1827. 1st Edition. xv, [2], 301 pp. Wide margins; 2 maps; 14 lithographic plates 5 of which are hand-colored. Late nineteenth century rebacking in matching mauve morocco with wide cloth to gutters & gouge to front cover. Marbled edges and endpapers. A handsome copy in a sturdy binding. Bound without half title & errata. 4to (8.75 x 10.8 inches). 3168. $1,650.00 2. L'Inde. Maurice Percheron et M.-R. Percheron Teston. Paris: Fernand Nathan, 1947. 160 pp. Half red morocco over grey marbled paper. Gilt particulars to spine; gilt decorations and pronounced raised bands to spine. Decorative endpapers. Two stamps to rear pastedown, otherwise, a nice clean copy without further markings. 8vo. 3717. $60.00 3.
  • Symbolism of the Buddhist Stūpa

    Symbolism of the Buddhist Stūpa

    THE JOURNAL OF THE INTERNATIONAL ASSOCIATION OF BUDDHIST STUDIES CO-EDITORS-IN-CHIEF Gregory Schopen Roger Jackson Indiana University Fairfield University Bloomington, Indiana, USA Fairfield, Connecticut, USA EDITORS Peter N. Gregory Ernst Steinkellner University of Illinois University of Vienna Urbana-Champaign, Illinois, USA Wien, Austria Alexander W. Macdonald Jikido Takasaki Universite de Paris X University of Tokyo Nanterre, France Tokyo, Japan Bardxvell Smith Robert Thurman Carleton College Amherst College Northfteld, Minnesota, USA Amherst, Massachusetts, USA ASSISTANT EDITOR Bruce Cameron Hall College of William and Mary Williamsburg, Virginia, USA Volume 9 1986 Number 2 CONTENTS I. ARTICLES 1. Signs, Memory and History: A Tantric Buddhist Theory of Scriptural Transmission, by Janet Gyatso 7 2. Symbolism of the Buddhist Stupa, by Gerard Fussman 37 3. The Identification of dGa' rab rdo rje, by A. W. Hanson-Barber 5 5 4. An Approach to Dogen's Dialectical Thinking and Method of Instantiation, by Shohei Ichimura 65 5. A Report on Religious Activity in Central Tibet, October, 1985, by Donald S. Lopez, Jr. and Cyrus Stearns 101 6. A Study of the Earliest Garbha Vidhi of the Shingon Sect, by Dale Allen Todaro 109 7. On the Sources for Sa skya Panclita's Notes on the "bSam yas Debate," by Leonard W.J. van der Kuijp 147 II. BOOK REVIEWS 1. The Bodymind Experience in Japanese Buddhism: A Phenomenological Study ofKukai and Dogen, by D. Shaner (William Waldron) 155 2. A Catalogue of the s Tog Palace Kanjur, by Tadeusz Skorupski (Bruce Cameron Hall) 156 3. Early Buddhism and Christianity: A Comparative Study of the Founders' Authority, the Community, and the Discipline, by Chai-Shin Yu (Vijitha Rajapakse) 162 4.
  • Act East: Asean-India Shared Cultural Heritage

    Act East: Asean-India Shared Cultural Heritage

    ACT EAST: ASEAN-INDIA SHARED CULTURAL HERITAGE Culture is the key to the India-ASEAN partnership. Shared histori- cal ties, culture and knowledge continue to underpin India’s sustained interactions with Southeast Asia. The commonalities between India and Southeast Asia provide a platform for building synergies with the countries of the region. As India’s engagement with the ASEAN moves forward with support of the Act East Policy (AEP), the socio-cultural linkages between the two regions can be utilized effectively to expand collaboration, beyond economic and political domains into areas of education, tourism ACT EAST: and people to people contact. This book presents historical and contemporary dimensions between India and Southeast Asia with particular reference to cultural heritage. One of the recommenda- ASEAN-INDIA tions of this book is to continue our efforts to preserve, protect, and restore cultural heritage that represents the civilisational bonds SHARED CULTURAL between ASEAN and India. The book will serve as a knowledge product for policymakers, academics, private sector experts and HERITAGE regional cooperation practitioners; and is a must-read for anyone interested in the cultural heritage. fodkl'khy ns'kksa dh vuqla/ku ,oa lwpuk iz.kkyh Core IV-B, Fourth Floor, India Habitat Centre ACT EAST: ASEAN-INDIA SHARED CULTURAL HERITAGE ASEAN-INDIA SHARED CULTURAL ACT EAST: Lodhi Road, New Delhi-110 003, India Tel.: +91-11-2468 2177-80, Fax: +91-11-2468 2173-74 AIC E-mail: [email protected]; [email protected] AIC fodkl'khy ns'kksa dh vuqla/ku
  • Brevard Indian Classical Music Society Presents Sitar, Santoor & Tabla

    Brevard Indian Classical Music Society Presents Sitar, Santoor & Tabla

    brEVard iNdiaN ClaSSiCal MUSiC SoCiEty PrESENtS Sitar, SaNtoor & tabla Sponsored by BIMDA Event Chair: Subhash Rege, Mahesh Soni, Gladwyn Kurian SaNtoor Sitar tabla Nandkishor Muley Dr. Kanada Narahari Shankh Lahiri VENUE Brevard Hindu Mandir 1517 Avenida del Rio Melbourne, FL 32901 Date: Saturday, April 10th Program Starts: 4:30 pm Dinner: 7:45 pm MANDATORY Covid-19 Vaccination required to attend ... FREE to all Members PLEASE RSVP > BIMDA Email Invitation Brevard IndIan ClassICal MusIC soCIety Presents Nandkishor Muley SaNtoor Santur (Santoor) maestro Nandkishor Muley is considered the leading performer of this ancient, delicate instrument from the vibrant land of India. Nandkishor comes from a long lineage of musicians. Educated early in vocals and Tabla from his father Dattatraya and uncle Shrikant Muley. He is holding Masters degree in Indian music and Kathak dance from M.S. University of Baroda. Nandkishor had already received acclaim in India before entering study on the Santur with Pundit Shivkumar Sharma, which led to his current high esteem as a principal figure in Indian music. Nandkishor has been accredited with German Grammy Award, the famous ìSurmaniî award, the Excellence Art and Cultural Educator award from United Arts of Florida (USA), just to name a few. Nandkishor is widely travels different parts of world for his musical performances. His lectures and workshops on Indian Vocal & Instrumental classical music are highly educative to enrich learners & artists. He is an adjunct professor of Indian music and dance at Stetson University and University Of Central Florida (UCF) in Orlando. Florida. Brevard IndIan ClassICal MusIC soCIety Presents Dr. Kanada Narahari Sitar Dr Kanada Narahari (Kanada Raghava) was born in Manchikeri, a small village in western ghats, Karnataka, India to his illustrious parents, Vidvan Narahari Keshava Bhat and Sumangala Bhat.
  • DJAD Entrance Test 2019

    DJAD Entrance Test 2019

    DJAD Entrance Test 2019 Day and Date: Sunday, 27th January 2019 Time: 10:00 hrs. to 13:00 hrs. Student ID:______________________________________________________________ Please read the following instructions carefully 1. Do not open the Test Booklet seal until the Invigilator instructs you to open. After opening the seal of your Test Booklet, immediately check that all the pages of the Booklet are in order. In the rare event of the Test Booklet being defective, immediately bring it to the notice of the Invigilator who will arrange for the replacement of Test Booklet, if required. 2. The question paper itself is to be used to write all the answers including drawings as needed. The same needs to be returned to the invigilator once completed. 3. All the questions are compulsory. There is no negative marking. 4. Use only Blue / Black ballpoint pen to tick mark the Answers. Use suitable pencils / Colour pencils / crayons etc. for drawings. Do not use pen for drawings. 5. Write your Student ID at the space provided on this page above. Do not write Your Name. 6. The DJAD Entrance Test structure is as follows: Section No. of Questions Total Marks Design Aptitude (Part – 1) 50 100 Design Aptitude (Part – 2) 5 50 Total 150 150 7. Cell phones, calculators, watch calculators, alarm clocks, digital watches with built in calculators / memory and any other electronic gadgets are not allowed in the examination hall. 8. Do not attempt to copy nor allow or help others copying. Any attempt of malpractice will invalidate your candidature immediately. 9. Return the Test Booklet to the Invigilator before you leave the hall.
  • THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C

    THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C

    THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2011 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles Music of Mughal-e-Azam. Bai, Begum, Dasi, Devi and Jan’s on gramophone records, Spiritual message of Gandhiji, Lyricist Gandhiji, Parlophon records in Sri Lanka, The First playback singer in Malayalam Films 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US $ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full
  • Track Name Singers VOCALS 1 RAMKALI Pt. Bhimsen Joshi 2 ASAWARI TODI Pt

    Track Name Singers VOCALS 1 RAMKALI Pt. Bhimsen Joshi 2 ASAWARI TODI Pt

    Track name Singers VOCALS 1 RAMKALI Pt. Bhimsen Joshi 2 ASAWARI TODI Pt. Bhimsen Joshi 3 HINDOLIKA Pt. Bhimsen Joshi 4 Thumri-Bhairavi Pt. Bhimsen Joshi 5 SHANKARA MANIK VERMA 6 NAT MALHAR MANIK VERMA 7 POORIYA MANIK VERMA 8 PILOO MANIK VERMA 9 BIHAGADA PANDIT JASRAJ 10 MULTANI PANDIT JASRAJ 11 NAYAKI KANADA PANDIT JASRAJ 12 DIN KI PURIYA PANDIT JASRAJ 13 BHOOPALI MALINI RAJURKAR 14 SHANKARA MALINI RAJURKAR 15 SOHONI MALINI RAJURKAR 16 CHHAYANAT MALINI RAJURKAR 17 HAMEER MALINI RAJURKAR 18 ADANA MALINI RAJURKAR 19 YAMAN MALINI RAJURKAR 20 DURGA MALINI RAJURKAR 21 KHAMAJ MALINI RAJURKAR 22 TILAK-KAMOD MALINI RAJURKAR 23 BHAIRAVI MALINI RAJURKAR 24 ANAND BHAIRAV PANDIT JITENDRA ABHISHEKI 25 RAAG MALA PANDIT JITENDRA ABHISHEKI 26 KABIR BHAJAN PANDIT JITENDRA ABHISHEKI 27 SHIVMAT BHAIRAV PANDIT JITENDRA ABHISHEKI 28 LALIT BEGUM PARVEEN SULTANA 29 JOG BEGUM PARVEEN SULTANA 30 GUJRI JODI BEGUM PARVEEN SULTANA 31 KOMAL BHAIRAV BEGUM PARVEEN SULTANA 32 MARUBIHAG PANDIT VASANTRAO DESHPANDE 33 THUMRI MISHRA KHAMAJ PANDIT VASANTRAO DESHPANDE 34 JEEVANPURI PANDIT KUMAR GANDHARVA 35 BAHAR PANDIT KUMAR GANDHARVA 36 DHANBASANTI PANDIT KUMAR GANDHARVA 37 DESHKAR PANDIT KUMAR GANDHARVA 38 GUNAKALI PANDIT KUMAR GANDHARVA 39 BILASKHANI-TODI PANDIT KUMAR GANDHARVA 40 KAMOD PANDIT KUMAR GANDHARVA 41 MIYA KI TODI USTAD RASHID KHAN 42 BHATIYAR USTAD RASHID KHAN 43 MIYA KI TODI USTAD RASHID KHAN 44 BHATIYAR USTAD RASHID KHAN 45 BIHAG ASHWINI BHIDE-DESHPANDE 46 BHINNA SHADAJ ASHWINI BHIDE-DESHPANDE 47 JHINJHOTI ASHWINI BHIDE-DESHPANDE 48 NAYAKI KANADA ASHWINI